Bio
I'm a senior documentary colorist and finishing supervisor, working on long-form broadcast and NGO documentaries from field footage to final master.
I take care of the full picture-finishing process: conform, color grading, QC, and spec-compliant delivery, so directors and producers can focus on the story without worrying about technical risk at the final stage.
I work closely with directors throughout the finishing process, understanding that every documentary has its own visual language and emotional tone. Getting that right matters as much to me as meeting the technical specs.
My work is built around real-world documentary conditions: mixed cameras, difficult exposure, fast turnarounds, and strict broadcast requirements. This includes sensitive NGO and human rights content where the story demands as much care as the delivery. Projects I've finished have aired on national and international broadcasters across Europe, Africa, America, and Asia.
I run Wild Lion Media, my small post-production studio in Warsaw, and work remotely with international teams worldwide.
If you're preparing a documentary for broadcast or release and need a reliable finishing partner, let's talk.