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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Monica Williams
Wed 2 Jul 2008Link

Thank you to John and Jo-Anne :-)

Jo-Anne, I would really appreciate your offer of help as I want to come to Berlin and I'm not sure exactly where to go. I can send my one page treatment to you. I'm not sure how to email you, but you can email me through my website, www.knowingevil.com. Thanks again and talk to you soon.


Mike West
Sat 5 Jul 2008Link

Hey guys,

I'm about to embark on my first documentary, and I'd like to know what gear you guys use.... I was thinking of using an HVX, lavs and just practical available lighting as its more of an urban themed documentary.

Am I missing anything?


Andrew David Watson
Mon 7 Jul 2008Link

A good shotgun mic might help catch some of the action. The HVX isnt the best low light camera so depending on the shoot maybe consider some type of lighting. Tripod? Extra batteries? Camera Bag? Those can be important as well. With that said, dont worry to much about gear and focus on the story.


Mark Barroso
Mon 7 Jul 2008Link

Books, DVD's, websites for techy info, unless you're doing art for family and friends. Volunteer to shoot weddings, ballgames, rodeos to learn to work under pressure.

And yes, you're missing a lovely intern.


Timothy S. McCarty
Mon 7 Jul 2008Link

I agree with ADW! Don't wory about technical stuff, they're just tools to tell your story. Mike, especially for your first doc, really focus on your story and what the slant is. Target audience? Who will you interview to give your doc credibility? Who is your "expert" on your subject? Think about the kinds of answers you want and then develop really open-ended questions to get those answers (and more!) in the on-camera interview...

Focus heavily on all aspects of pre-production; locations, setting up interviews, scheduling b-roll shoots when, where etc... By doing all of this pre-production, you begin to establish your technical requirements, i.e. that the HVX isn't the best low light camera, 30p or 24p? That I'm gonna needs lights, a boom mic if I've got multiple folks talking during interviews, or, I need a lav mic, or a wireless mic system etc...

As I tell my high school and college video students, there's no such thing as too much planning! Good luck!


Mark Barroso
Mon 7 Jul 2008Link

Yes. It's called the 6 P's: Prior Planning Prevents Piss Poor Performance.

That includes learning the technical stuff. I disagree with you, Tim. Real filmmakers don't use the Auto-everything setting, just as real photographers don't use point and shoot cameras. To use your analogy, anyone can buy tools, but a true craftsman learns how to use them from a master – in person or from books/DVDs. It can save you a lot of time and frustration.

Practice, practice, practice.


Sara Peak Convery
Mon 7 Jul 2008Link Tag

I would like advice about mounting a camera inside a moving car, for view through the front window. I was able to rig my tripod in the passenger seat, which worked fine as long as the road I was driving on was smooth--not usually the case with rural highways, certainly not with gravel roads. Wondering if anyone has a good suggestion for 'shock absorbers' for the camera. I have tried this with a PD100 and VX2000. I tried handheld but found there was more overall camera movement than I wanted though less 'jittery-ness'.

Edited Tue 8 Jul 2008 by Sara Peak Convery

Erica Ginsberg
Mon 7 Jul 2008Link

Sara, have you thought of getting one of these


Tony Comstock
Mon 7 Jul 2008Link

In reply to Sara Peak Convery's post on Mon 7 Jul 2008 :

When I used to do ariels we'd sometimes use a multidimensional bungie cord rig. You could cobble something together from home depot for lessthan $20.

Also you might simply try adding weight to yoru PD100. I've got a pair of well used PD100a camera. Great little camera, but so light they "twitch" a lot when handheld. Try mounting on a 20lbs plate and handhold. You'll be surprise how much the added intertia dampens the motion.

HTH.


Wolfgang Achtner
Mon 7 Jul 2008Link

Sara,

If the road is VERY bumpy, as in off-road conditions, (almost) any kind of rig will get some bumps.

It the conditions aren't that bad, the cheapest way to do this is to hold your arms attached close to your chest and hold the camera with your left hand beneath it and your right hand on the right side. If you've preset your focus and have pre-framed your shot, ideally NOT on maximum telephoto but as wide as possible (but not so wide that you'll be including the inside of car in the shot), and you concentrate and relax, without stiffening your arms, this grip will allow you to act as a natural shock absorber.

Usually, this method has worked just fine for me. Some bumps are "natural"; by this I mean that if it is clearly visible that there are bumps in the road, the occasional bump won't disturb the viewer because they will see that you are travelling on bumpy terrain.

As a matter of fact, all of those mounts – from the indicated web site – are quite rigid and would work well only on a normal, smooth, highway.

I'm quite confident that if you're not using a large camera for this shot – I normally use my small (second camera) in these cases – the indications I have given you should allow you to manage just fine, unless (as I pointed out above) you're travelling on really bumpy terrain.

Edited Mon 7 Jul 2008 by Wolfgang Achtner

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