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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Peter Brauer
Thu 7 Feb 2008Link

On Second Skin, whenever we traveled to a location via plane, we shot tons of stuff out the window. Several of our characters took flights during the movie, so this stuff was really useful. You can get a lot out of airliner windows, especially right before landing and right after take off.

The whales raising young in baja are something everyone should see first hand. Talk about an animal that makes you want to save the world.


Lucia Duncan
Thu 14 Feb 2008Link

Thanks for the suggestions regarding aerial shots. Here's a sound question. I've been shooting with a relatively inexperienced boom operator. When I still had access to school equipment we used a breakaway cable between the camera and the boom/headphones. How do those of you who do not use a mixer allow for boom op and camera op to monitor sound? I have a cheap 8 pin splitter and I've thought of getting a 8 pin female/male stereo cable that would serve as an extension to my boom op's headphones. But I'm afraid the splitter might reduce sound a lot and the cables may cut out. I've been reluctant to use a mixer because I think it's a lot for the inexperienced boom op to handle. Would love to know how others handle this.


Kevin Morrow
Fri 15 Feb 2008Link

Hey, everybody. I'm a freelance photo researcher trying to find work in the documentary film industry. Can anyone think of a good way to find work of this sort? Even trying to find listings of documentary film companies is difficult, because they are usually in password-protected members-only sections of websites for various professional organizations whose membership dues are in the three figures!


John Burgan
Fri 15 Feb 2008Link

Welcome Kevin. You might like to check out Docs in Progress , a Washington DC initiative started by D-Worders Adele Schmidt & Erica Ginsberg.


Kevin Morrow
Fri 15 Feb 2008Link

Thanks for the good tip! I just talked to Adele Schmidt at Journeyfilms, and she was very helpful.


Susan Hoskins
Fri 15 Feb 2008Link

Legal Question: We sent out an announcement for our documentary premiere and have received a request from a University Library for a library order. We licensed all our clips, photos and music. Can we sell our dvd now? What else do we need to do?


Erica Ginsberg
Sat 16 Feb 2008Link

John, thanks for the plug. Kevin, glad you talked to Adele. Docs In Progress actually has an event tomorrow night at Busboys & Poets and would love to see you there. In the Intro topic, I also suggested some other DC-area organizations which would be worth the membership dues for you.


Matt Dubuque
Sat 23 Feb 2008Link

Has anyone read the book:

Kino-Eye: The Writings of Dziga Vertov?

It's at:

http://tinyurl.com/yrb48k

I just read a short passage from one of Vertov's articles he wrote for Film Truth magazine that was excerpted in Documentary: A History of the Non-Fiction film by Erik Barnow, an awesome book written by the fellow who used to be Chief of the Library of Congress Motion Picture Division.

The passage that I read of Vertov (about 500 words) was a real revelation for me. Amazing!

I don't think I can obtain copies of the magazine (because it is from the 1920s and probably in Russian as well), so I wanted to ask if anyone here was familiar with this book.

It's a bit pricey, so I thought I'd ask around before purchasing it.

Any thoughts?

Thanks!

Edited Sat 23 Feb 2008 by Matt Dubuque

John Burgan
Sun 24 Feb 2008Link

Definitely worth checking out. You can find second-hand copies via http://www.abebooks.com/


Fredric Lean
Sun 24 Feb 2008Link

Hello,
what would be the best options in terms of camera to shoot a shoestring budget feature length documentary which requires a lot of outdoor shootings following a subject discreetly in different local public places and some indoors for interviews- (pretty much guerilla/ news style)?

here are the options:
-Panasonic DVX 100b
-Panasonic AG-HVX200(P2 cards + camera =outside our budget range-unless somone knows a great place to buy it cheap)
- Sony HDR-FX1 (someone told me good but not so great)
-Sony HVR-A1U
-Sony HVR-Z1U

now i have been told, since the film style will be pretty much hidden camera style (almost) , to use may be a high end HD consumer camera so i can hide it even in pocket.
does anyone know anything about the quality of these cameras below:
-Panasonic HDC-HS9 (HD & 24p)
Canon HV20 HDV (HD & 24p)
Panasonic AG-HSC1
Sony HDR-CX7

any suggestions or help?

thank you


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