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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Vincent Keith Lim Aquino
Fri 14 Sep 2007Link

Hey guys,

Sorry for the late reply, a lot of school responsibilities need to be take care of first.

Thanks guys for all the tips and advice, you'll definitely see the end result! (if you want to) =)


Don Dobrez Jr.
Thu 20 Sep 2007Link

Hello All,

I am in the middle of editing my first feature-length documentary about the destruction of the oldest drive-in theater in the state of Illinois ("Hi-Lite's Last Gleaming" is the documentary's name). A lot of the story is told through the headlines of the local paper, so I am fascinated by the various techniques that are used to make headlines "come alive". Specifically, ones where the headline is shown and then a sentence is highlighted and scrolls in front of the image. Can anyone help me with what program is best used to get that effect? I have the entire Adobe Production suite, so I assume that I can format this is in Photohsop and then import it into Premiere Pro, but I'd love to know how others have achieved this effect (or other ways to dramatize newspaper shots).



Basil Shadid
Thu 20 Sep 2007Link

After Effects! You can do all of the things you're wanting to do with it.

Eli Brown
Fri 21 Sep 2007Link

If you're up for a challenge, you can play around with the stereoscopic effect made famous in "The Kid Stays in the Picture" -- also very doable with some time, After Effects and Photoshop. And while you figure it out, you might even stumble on something cool and new that no one's seen before...

And there's even a tutorial:

Doug Block
Sat 22 Sep 2007Link

no need to sign your name at the bottom of a post, don. we see your name above each post automatically.

Dave Chameides
Tue 25 Sep 2007Link

I'm heading to the Ukraine in two weeks to shoot a doc on my dad who is visiting the monastary he was hidden in as a child during WWII. I've been working in the film industry for 16 years as a steadicam op/direcotor so mechanics wise I'm feeling good, but having never made a doc, I'm a bit freaked out about easy mistakes I can avoid as a first timer. Any siggestions would be great. Also, can someone point me to a short/simple release form I can bring?



Peter Gerard
Tue 25 Sep 2007Link Tag

Follow your instinct....

There are lots of release forms around that are good. This one is provided by Channel Four's website.

Gretta Wing Miller
Wed 26 Sep 2007Link

You know, Dave, if anyone talks into the camera they are giving their agreement to be in the film. When interviewed, they can say (and spell) their names on cam and say I agree to be used in this film. And if you do not hide the camera, so that anyone can walk away from it, you can use a shot of them.
I just find forms too unwieldy for direct cinema; better make a general announcement to the entire monastery that you will be shooting and anyone who doesn't want to be on tape should stay out of range!

Gretta Wing Miller
Wed 26 Sep 2007Link

Also, when I was an assistant editor, we all agreed that the best directors had started out as editors. When you are shooting, always keep an edited scene running in your mind; think about what cutaways will be good for what a person is saying; when you are shooting action, figure out how you are going to get CUs of the same action, and move fast. the alternate angles might not happen til another day, so you have to keep them in your mind. It's so mesmerizing to get caught up in the continuity of what is happening, but you have to really think fast about how much of any given activity will end up in the final product.
Almost anything can be 'fixed in post', as long as you have the right cutaways!
(Last year I cut an amateur shooter's film about a relief kitchen in NO, and there were NO (zero) shots of people actually using the facilities…huh? We shot this after lunch, I was told…And you didn't go back the next day??? (Still photos actually saved the day, in this case)

Peter Gerard
Wed 26 Sep 2007Link

I agree that it makes sense that talking to the camera is like consent, but I doubt any lawyers or (more importantly) broadcasters will agree.

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