be an authorized documentry if that means anything. We are looking
for funding right now, got any cash?
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
The film did play at my local festival, the Ashland Independent Film Festival, and was received very well. The reviewers that have seen the film have given it A to B grades. Other filmmakers that have seen the film all seem to like it. It's not a perfect film by any means, but I know that it is a good film.
I've seen so many terrible films, narrative and documentaries, at the same festivals that I'm entering, that I just can't believe that my film isn't considered at or above the same level. I think we're getting rejected because the film is so personal, while also not having anyone even slightly famous involved. (I feel like if Gus Van Sant stuck name on there, it'd be accepted into any festival in half a second.)
So I guess I'm asking for advice how to get into these festivals? Is there a trick I'm missing? Should I just give up and start trying to distribute it on DVD myself? (The entry fees are quickly adding up.)
Anything will help... I spent three years of my life putting this
film together and the fact that nobody wants to show it is killing
Where does one turn if he/she is an idea person and wants to team up
with film makers to share the idea and develop it?
Suppose I were extremely lucky and got a television deal overseas or even through PBS. What happens to that money? Do I pay a percentage of "earnings" to my non-profit sponsor? Or, the more likely scenario... I sell the DVD's myself through my website and so forth. What happens to that money? What are my obligations? Does the fiscal sponsorship "end" once the project is finished? Thanks for any help, guys!
Hey guys, kinda new here. Lol I'll just post the email question to save the flavor of the question:
I'm a high school student in the Philippines making a documentary on
the value of teenage love and the value of chastity. I would like to
ask for some basic advice on making a documentary. I'd be glad to
credit you for the advice in the end. =)
There's five people to interview, and I have couple of 1 CCD cameras.
The documentary can't exceed 12 minutes. Do you think it's a good idea
to make the documentary an entire interview? What about reenactments?
Do you have other ideas on how to make the documentary more
Thanks for your time reading this,
P.S. Sorry for the informality of the letter, I happen to be very candid!
The answer to your question is, as always, "it depends". If you have five people who give wonderfully poignant interviews with strong sound bites, they yes, you can probably go ahead and make the entire project nothing more than talking heads (e.g. Errol Morris' FOG OF WAR). However, if you have a character actually going through the struggle of remaining chaste, it might be more compelling to film him/her in the moment. I generally frown upon reenactments b/c they are so rarely done well (especially by first-time filmmakers) and they usually look terribly fake. Animation is something that's becoming a lot more prevalent and an interesting way of presenting an event that's already happened. Try looking at a bunch of different documentaries -- then pick and choose from certain styles you like that would best fit your film. Ultimately, the film has to be a reflection of what is most significant and striking to you.
I think a documentary needs more than talking heads. Errol Morris is also the king of re-enactments and even his talking heads are filmed with a very distinctive style (interrotron).
Teenagers talking about chastity? I want to see more than their heads. I want to see what they're talking about, if at least in an abstract way. Maybe, create their points of view in school or on the streets, looking at people, thinking about them. Maybe don't even show the interviewees. There's a reason it's a film and not a radio show, so let's see some compelling visuals..
Vincent, if you can get your hands on an American documentary called THE EDUCATION OF SHELBY KNOX, it demonstrates one approach to a similar topic (it's actually broader than just the chastity issue, but that is one issue covered in the film).
I also like Christopher's suggestion of possibly using animation.