the worldwide community of documentary professionals
You are not signed in.
Log in or Register

The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Resultset_first Resultset_previous 61 62 63 64 65 66 67 68 69 70 71 72 Resultset_next Resultset_last
Christopher Gallant
Thu 18 May 2006Link
Hi everyone,
I also have a usage question. I need to use some footage from some of
the old roman empire b+w epics - ya know "cast of thousands"kinda
ficks. There are a few really old ones from the 30's and 20's which
might be less problematic(?) I would love to write whomever owns the
rights to ask but I have a tight deadline for the finishing of this
documentary... It's for my thesis project. I would like to show the
film more widely later on, but for now I just need to show it on
campus and have a small community gallery/space showing to fulfill my
requirements. Using this footage, a minute or two, will make the
project concept work sooo much better. What's your advice?


David Seidman
Sun 21 May 2006Link
I'm a longtime print journalist and non-fiction author who wants
to work in documentary film/video. I've joined IDA, I've started
pitching ideas to various production houses, and now I'm here.
What else should I do to find work in this field?

David Seidman
davidseidman@earthlink.net

Robert Goodman
Sun 21 May 2006Link
Find work - look elsewhere. Most of us support our habit by working in
peripheral areas. For example, shooters do everything from corporate
work to commercials to weddings. The ranks of the doc makers who earn
their entire living from making docs is slim. The Maysles earned more
from commercial work than they ever did from making docs. Michael
Moore likely earns more from book sales than doc films. Lots of people
teach. Some are independently wealthy. As several famous nonfiction
filmmakers have told me - this is a hobby not a profession.

sorry to disappoint.

Steve Holmes
Mon 22 May 2006Link
Excellent advice from Robert, as usual. To find work in this field
as a producer, which is what I infer you want to do, you have to
make your own work. You'll find no ads that say, "Wanted:
Documentary makers." Almost everyone on D-Word has created labors of
love that they have funded by themselves or through grants or co-
production deals and then attempted to sell and distribute. Find an
idea or topic you can stay in love with for at least several years
and begin to pull together funding possibilities and a filmmaking
team. That's how you find work in this field.

Robert Goodman
Mon 22 May 2006Link
Actually find an idea or topic that will remain interesting to people
for the next 40 years - we call them evergreens. An evergreen brings
in a trickle of money year after year. Anything less and you'll never
get a return on your investment.

Doug Block
Mon 22 May 2006Link
David, hopefully you can keep doing your print journalism to fall
back on. A first doc generally takes years to make and then get out
into the world (don't forget that part).

Karen Nedivi
Wed 31 May 2006Link
I just started working on a documentary as the cinematographer, that
will take place in the cloud forest in ecuador. I don't have
experiecne shooting abroad on film. They are planning on buying either
the arriS or the SR (money) and will be either sending film or
bringing film with us. We also are worried about the bext way to
develop the film, since we will be there for over 3 months, and if it
is better to do this locally though a kodak, or send back to AMerica
to a lab.
If anyone has experience with shooting abroad and have any
recommendations or warnings, it would be very helpful, or online
resources. We will contact kodak and labs to ask them what they
suggest, but I would like to find out information from people who
actually had the experience.

Julia Guest
Thu 8 Jun 2006Link
Karen this sounds like a very expensive, high risk medium to use in
a steamy jungle. You will face problems with condensation for a
start. Have you consider going Hi Def instead? I doubt a lab in
Ecuador is going to be adequate to process the film, so you will
also not see your results till you get back.

Luke Walden
Fri 7 Jul 2006Link
Hello all. This is my first post here, and I'm wondering where should
I go and whom should I ask to get some really experienced advice about
technical issues around post production for an indie historical doc
that combines contemporary 24P DV interviews/B-roll with a wide range
of archival footage formats and stills. I'm trying to plan and budget
for an edit that will cause minimal headaches in an online for
broadcast and also for possible film transfer. We will most likely
edit in Final Cut and online on a high end AVID at a decent post house.

I've done a lot of internet
searching and talked to several post houses in New York, but I don't
feel like I've yet gotten answers that really take into account the
possibility of mixing all that archival material with 24p footage and
what that might entail in terms of technical issues, workflow and
onscreen look. Perhaps the person I need is on this very board! But
if not, where to look?

Thanks,
Luke

Join this discussion now. You need to log in or register if you want to post.