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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Lorenzo Meccoli
Wed 11 Feb 2004Link
Hello everybody, my name is Lorenzo Meccoli and I am a documentary
filmmaker and producer. I recently finished with Gabriele Zamparini a
long documentary, "XXI Century" (www.thecatsdream.com) which was
recently showed at IDFA and had a very good response from the public.
The question is: anybody knows were can I find prices of how much
buyers pay, on an average, for documentaries (small and big
broadcasters, DVDs and Tapes distributions, Theaters ecc.)? I know it
is a very general question but maybe, gaining some information here
and there I can try to have an idea. I read the whole forum "SELLING
IN THE INTERNATIONAL MARKETPLACE" but there were really not the
information I was looking for. Also: has anybody had experience in
selling in Italy to the printed media market? It is very common there
to buy film at the newsstand/bookstores where tapes and dvds are sold
with magazines, newspapers and books. Thank you for any help you can
give me.

Doug Block
Wed 11 Feb 2004Link
Lorenzo, please join The D-Word Community where the doc professionals
hang out. You're much more likely to get answers to these kinds of
questions there. Go to: www.d-word.com/community/join

As for what buyers pay, it varies, of course, and fluctuates all the
time. What ZDF/Arte paid me seven years ago for Home Page (90 minutes
in length, contractually) is almost irrelevant to what they'd pay now.
Also, you're talking about separate distributors for the various
ancillaries -- broadcast, theatrical, dvd/home video. Each with their
own price ranges.

Ben Kempas
Wed 11 Feb 2004Link
Doug, Lorenzo is already a member of the Community.

Lorenzo, you'll find a Marketing and Distribution topic in
{LINK NOT IMPORTED} ...

Doug Block
Wed 11 Feb 2004Link
Well, shut my mouth. A perfect illustration of how the community is
growing faster than my poor beleaguered mind can follow.

Lorenzo Meccoli
Wed 11 Feb 2004Link
Thank you both!

Diane Bernard
Thu 4 Mar 2004Link
Hi to all:
It's been a while since I checked in here, glad to see engaging
questions since my last visit. Of course, my question is fairly
mundane in comparison.

I've shot a good amount of footage for my doc and am about to edit a
demo reel. I've installed Final Cut Pro 4 and am in the market for a
new external hard drive. Does anyone have any good recommendations? I
know it needs to be 7200 rpm but beyond that, I have no experience
with what would be good.

Any info is greatly appreciated.
Thanks!
Diane

Lorenzo Meccoli
Thu 4 Mar 2004Link
Dear Diane, I had a very good experience with the La Cie hard drives.
But you should not look at the new ones (Porsche design) which they
told me are not strong as the traditional ones. You can check on LaCie
website http://www.lacie.com/products/product.htm?id=10022 PS: they
are not paying me! Actually I paid them more then one time!!!

Diane Bernard
Fri 5 Mar 2004Link
Thanks a mil for the advice. I checked out the La Cie info and it
looks good and I also found a good price on one at a nearby Apple
Store. So I'm about to go out and get one.
Thanks!
Diane

Erica Ginsberg
Wed 17 Mar 2004Link
In answer to question posted here about music rights
{LINK NOT IMPORTED}

Even if you have a signed agreement with the cabaret performers for
rights to their rendition of the song, in most cases, you will also
have clear rights for the song itself (usually with the publisher).
You can check with ASCAP to see if the songs you want are created by
one of their members. It doesn't really matter if your project is
not-for-profit. If you are planning to screen your film in any kind
of public space (including the Internet), you will need rights.

Can't recall if you said you were based in NYC, but, if so, AIFV is
holding a session on production legal issues soon, so you might want
to attend to get more specific answers to your questions.
http://www.aivf.org/

Jan-Luc VanDamme
Wed 17 Mar 2004Link
*I am producing a documentary about a cabaret group in NYC. The main
feasibility questions that arise are about music use. Hopefully you can answer
these questions or can give insight as to who can help me with them.
*The project is not for profit. The songs used in the shows are popular ones,
but they are being played by a piano player with a singer. Must I secure rights
to use the music if it is being played by someone else in a stage show? What
other legalities must I look into to use it in a doc?
*Any information you can give would be greatly helpful and appreciated.

Thank You,

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