Greetings, Hashin. One time-honored route is to enter it into film festivals, beginning with the most prestigious fests (Sundance, Toronto, etc.) and the top documentary fests (IDFA, Hot Docs, Full Frame, Siverdocs, etc.). Another is to get it to leading internationals sales agents like Films Transit, Autlook, Cat & Docs, Roco and the like. If they take it on, they'll take it to some of the biggest and best film markets to sell to (mostly) tv buyers.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
Hi Hashin, another way to get the film out is to send it to various university student organizations that are interested in supporting Palestinian rights and building awareness around the Gaza issue. When I made my GAZA STRIP documentary in 2001 I spent about a year touring various universities and film festivals, participating in lengthy Q&A sessions and debates, etc. – You can generally sell DVDs at these types of events, and many student organizations and festivals will cover your travel expenses.
These days with the Internet, it will also be possible for you to make your film instantly available in the event that broadcasters turn you down.
I am finishing up logging footage have started to edit and have come to the conclusion that I might need different eyes looking at this. I filmed from the inside looking out... I am finding it hard to be objective in my editing being so close to it. I guess I am looking for a mentor to look from the outside, in. I don't want to screw this project up
Its about an older couple (51 & 41) with two little kids (1.5 & 6), three dogs that find themselves homeless and living in a converted greyhound bus in the Senora desert, they travel the life of the depression era gold prospectors doing the same, looking for gold to put food on the table and fuel in the bus. Lots of beans and gruel for dinner not to mention the wild life for breakfast. From the Senora to the backwoods of the Serra Nevada's. Its whats going on all over the united states right now. But these people are not waiting around to be removed from their home, freeze and starve, or move in with the in-laws. There is about 10 hours of Hi-end video another 10 of cheap Sharp DV. Then there is about a thousand to 1400 Nikon D-70 raw images. I think it needs a first class narration. Its pretty heavy stuff to say the least. Like I said...I don't want to butcher it. Here is a 2 min clip I put together for the BBC MyWorld deal.
This is my first posting here, so hello.
Just wondering if anyone has had any experience with Oprah's new OWN (The Oprah Winfrey Network) and knows the appropriate commissioning editor (Jamila Hunter?) to contact there with a promo?
jeff – your doc sounds really interesting. But I couldn't open the file. Perhaps you can post on vimeo – that way you don't have to worry about file formats, etc.
Fran, FYI Ro-Co Films has partnered with OWN to review doc features, you might start there:
Thank you Tom – that's been a big help. For anyone else interested, it seems like they're looking for completed features for the 2011 schedule.
Hi back, Fran. Welcome. You definitely want to contact Annie Roney at RoCo.
Wow, just checked out the catalog of Ro-Co Films, Thanks for the post, Tom. We'll definitely add them to our list for our Film Market in November.
For the past month or so, I've been mulling over an idea for a documentary feature-I've already made a short and learned a few lessons from the school of hard knocks.
I can't stop thinking about the idea and it's something I want to commit several years of my life to. But what's next? Is a proposal next? A documentary trailer? Does anyone have any samples they're willing to share?
Marantha, you're a member so no need to post this here (Developing Stories or Works In Progress would both be fine). But since you've already posted here, might as well answer so that other non-members can see.
There are any number of ways to get going on a feature doc but most people these days simply plunge in and start shooting. At some point, when they've gathered enough material, they'll then put together a fundraising sample or trailer. You can then take those to a broadcaster like HBO, apply to places like ITVS, or even put it up on your website and try to raise money from private contributions. Along the way, it makes sense to write grant proposals if your subject is the kind that's eligible for grants (ie. a social issue doc).
But no matter what, it's gonna take a huge amount of time and effort and money. You'll need a lot of patience, persistence, stubbornness and stamina, not to mention a very thick skin.
Can I run the idea by you and see if it grabs you and is good enough to start poking around or shooting? I'd really, really, really appreciate your thoughts on the idea.
Sure thing, Maranatha (sorry for dropping an "a" last time). But lets do it in the Works In Progress topic where everyone will see it and get to weigh in.
I wanted to see if anyone had any suggestions for me. I absolutely love documentary film and am trying to put myself in a position to learn more about this passion. However, I work full time to pay the bills and the jobs / internships I have found conflict with my Monday through Friday work schedule. How can I find something with a flexible schedule that will allow to pursue my dream without going broke?
daniel, if you are in the beginning stages of exploring documentary film, there are two very low-cost and time-flexible ways to do this. first, you can read a book about it – Michael Rabiger's Directing the Documentary is probably the best one out there. second, you can watch a lot of documentary films. you've probably already seen many docs, but try watching them not just for the story, but try imagining what the director or camera person is doing when you're watching a certain scene. try to think of what questions were asked to elicit a subject's response. try to imagine what footage the editor had to choose from when constructing the scene. all these things will help you to start thinking like a documentary filmmaker.
Daniel, I agree with Chris that it should not be difficult to learn about documentary from reading Rabiger's book and immersing yourself in documentaries. However, it is also important to get some practical experience. If you are not ready to give up a dayjob to get some hands-on experience as an intern or production assistant, I would suggest signing up for a class which works with your schedule. It doesn't have to be at a university. It could be at a community media center such as DCTV or a public access television station.
Networking is also a key part. Since you work in another field, there may be a skill you bring from that field that could be beneficial to a documentary filmmaker and might be a means for barter or at least doing some internship-like work which could fit around your schedule. For example, perhaps you do a lot of writing or editing – you could potentially offer to review a filmmaker's proposal. Or you are a numbers guy and could help a filmmaker develop a budget (and learn about documentary budgeting in the process). Or you are willing to work as a PA for lunch on a documentary shoot which might happen on a weekend.
There are many routes to becoming a documentary filmmaker or at least exploring if you want to become one without leaping off the cliff with no parachute.
Hi , I am in production on my documentary about the story of jazz in India. In addition to revealing the historical curve of jazz in India, it highlights the diaspora of African American jazz musicians (many from James Reese Europe's band) who came to India via Paris and Montmatre in the 1930's. My advisors include ethnomusicologists and jazz educators who feel that this film will be of interest to college libraries and jazz studies programs.
I need help understanding the size of this potential market (Colleges, libraries etc) from someone who is in the distribution business and understands this channel. Specifically I am trying to understand – how many potential targets might exist, cost of of sales and pricing etc in order to develop a reasonable assumption that I can use to support a proposal . Much appreciate any insights
Susheel, please don't double-post, as we've already seen this in Marketing and Distribution . I know it got a bit lost there in the middle of a longer conversation. But it's also such a niche question that I'm not sure we were in a position to answer it.
You might just want to search for other films on jazz and then contact their respective distributors individually.
This is my first post so I'm not sure if I'm doing this right but I shall give it a go! I'm currently planning a documentary that I wish to pitch as my graduation film from university. I have – I think – a good idea that needs a little work but hopefully will stand a chance at getting picked. The only problem is my subject is based in California and I'm in London. Although I plan to go several times before I shoot I think it is vital that I have a researcher over there to keep on top of things. Just wondering if anyone can offer me some advice on where to start looking for one? I mean I can't really afford to pay anyone other than expenses and obviously credit within the film. Would it be a good idea to approach film schools in the area for example?
Like I said, I'm not sure if you will be able to help me on this at all, but any advice will be greatly appreciated...before I start to panic!
Good point. Sorry.
Well one part of my doc will be shot near San Quentin
I have developed a free AI research tool. www.alexlib.info. It is currently being used by people on Wall Street and investigate reporters. After speaking with a producer at National Geo it occurred to me that it would be a great tool for documentary filmmakers. It is fairly similar to Google Squared in the way that it functions. I was wondering what might be a good method of introducing it to film makers?