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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Albie Garcia
Sun 31 Jan 2010Link

Only the second time I have posts anything, usually a reader. I am working on a music doc of a small town and have done several intvs and shows. I have two questions not related at all.
1.) When getting clearances in the intv. process. Do I still need to get another clearance from the same band to shoot the performance. Essentially, do I need two clearances one for the show, the other for the intv.
2.) Many co-workers have donated thier time helping me with this project. One in particular is really pressing her ideas. I keep reminding her of the direction that we should be taking. Nine months in she says she is not sure if she can continue, becasue she doesn't believe in the project. I have been the only person who has invested in this project (financially speaking). Trying to keep an open mind.
Ideas? sorry this is so long.

Justine Jacob
Sun 31 Jan 2010Link

In reply to Albie Garcia's post on Sun 31 Jan 2010 :

1 – your release for the interview can include the shows – I would include all the shows in the release for the band and have each band member sign one.

2. Not sure what your question is. Have you done crew deal memos with each person working for you? Even if they work for free, you should have them sign a work-for-hire crew deal memo that says you own everything they do for you. But, again, not sure what your question is.

Edited Sun 31 Jan 2010 by Justine Jacob

Magee Clegg
Tue 2 Feb 2010Link


I have a 22-minute documentary, "A Box with a View" about the influence of cable television in a farming community located in South India. The short has been received well so far. Most recently it was nominated for best international documentary at the Queens International Film Festival in NYC, but now I am in a situation where I do not have enough money to continuing submitting to Festivals. You can watch the full documentary at this link:

Is there anyway to team up with a company that promotes films like mine and the deal would be for them to take a cut if the distribution rights are sold? Any Suggestion would be a great help! Thank you so much.


Kelly Nathe
Tue 2 Feb 2010Link

Does anyone have any experience working with Lombardo Films?

They've expressed interest in distributing a film I'm working on and would love to hear from any of you who have experience with them.


Sacha Broute
Sat 13 Feb 2010Link

Hi, I'm new to this stuff and just had a question. You know in some TV shows when people film their travels when they go someplace in the world or something like that? Well the camera they've got is something attached to them, and the lense stuff sits right in front of them to film wherever they want it to film, without having to hold the camera. It's hard to explain, but thats the big picture. I was wondering if someone could tell me what they are called, or where i could buy one. Thanks!

Edited Sat 13 Feb 2010 by Sacha Broute

James Longley
Sat 13 Feb 2010Link

It could be they are using one of these cameras.

James Longley
Sat 13 Feb 2010Link

Actually, since I have now read and re-read your post several times, it occurs to me you may be trying to describe the kind of camera support systems made by Steadicam and other companies.

When they are designed for professional use, these types of camera support systems can be quite expensive and cumbersome. If you are just starting out as a cinematographer, you may find it more expedient to use a small, light-weight camera, and practice holding it steady to achieve the shots you want.

A small monopod can also be extremely helpful in stabilizing a light-weight camera, and is an inexpensive solution for steady filming. A good monopod for a small camera will be one that weighs enough to provide a counter-weight to the camera, so that the balance point lies just below where the camera attaches to monopod. This counter-weight will allow you to "fly" the camera through the air with your arm, avoiding much of the vibration, pitching and rolling movements normally found with hand-held videography. Another good trick is to use an elastic camera strap in conjunction with a monopod to further stabilize the camera.

Tiffen makes a product called the Steady Stick that some people have found quite handy.

Edited Sat 13 Feb 2010 by James Longley

David W Grant
Sat 13 Feb 2010Link

I've placed my video information on Without A Box and have the opportunity to upload it to IMdB. It's half hour, made with Final Cut Express. IMdB asks for Quick Time format, up to 2 GB (which they say will handle feature-length).
My .mov file is 6.59 GB and won't upload (I let it run all night). What to do? [IMdB's Help section does not speak to this. I looked at Apple's Final Cut Express discussion and see mention of using a 'Sorenson Squeeze'. I did use File/Compress on the .mov 6.59 GB file but the disk is full so it did not compress.
Is there a simple answer to my issue? (Feel free to just direct me to the right place to look.)

John Burgan
Sat 13 Feb 2010Link

Check out Encoding for YouTube Using Compressor

David W Grant
Sat 13 Feb 2010Link

Thanks, John, that's quite a detailed article. I'll study it and probably succeed. / I did, by the way, manage to use the File/Compress ... but it only reduced the 6.59 GB to a of 5.83 GB.

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