Lots of good energy there, Michelle – looks like you're doing a pretty good job mentoring yourself already. A warm welcome to The D-Word, leap right in.
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HI – my wife, Kim Shelton, who is an established filmmaker, and I are in the festival stages of getting our film, The Welcome, out into the world. Its a doc about an intense and unusual five day retreat for veterans from Iraq, Afghanistan and Vietnam, along with family members, who create poetry about their experiences in war and return. It is doing well in festivals (a couple of awards so far) and my job is now to distribute the sucker. I'm working with another woman to connect with organizations around the country for local screening partners and I'm looking for any input/advice about both this particular strategy and about educational distribution as well. I've been a therapist for the past 20 years and this is new to me, but I'm having a great time so far. Any advice most welcome.
Welcome Bill. Waste no time in catching up with our week long special topic Selling Your Film where you can learn a ton of useful information to help get you started.
I am a New York based photographer who is working on a shoot in Houston, Texas on October 15th. I am looking for someone in the Houston area who has experience recording audio that will consist of some recorded interviews as well as ambient sound. You should have your own equipment. This is a paid job, Please send me an email at LaurenJoyFleishman@Gmail.com Thank you.
So good to find such a wonderful forum of documentary filmmakers around the world. I am Judith Dancoff, founder and director of NewFilmMarketing.com, a breakthrough marketing service to help filmmakers sell their films to the academic and library marketings BY THEMSELVES!! Yes I take money, but only enough to coach you. After a career in doc films, I transited into writing, and then into the academic world itself. When it came time to distribute an old film I'd made, I was appalled by the ridiculous percentages of so-called distributors, and so taught myself the basics of distribution from scratch. Check out my blog at http://www.newfilmmarketing.com for a little of what I've been up to, and I will post frequently here. The important take-aways are that academic diy is not rocket science, there's money to be made here, and under no circumstances, ever give it away!
Welcome to The D-Word, Judith. Important work you're doing, great to learn about it!
Hello to d-word,
I am glad to be a part of your forum!
I have done extensive music production, and film-scoring most recently on a doc. called
"Persistance of Vision" yet to be released on the topic of the creative process.
It would be fantastic for anyone needing music to make their way to my site:
Good Morning Filmmakers!
Glad to be part of the D-Word.
I'm based out of LA.
Is anyone else participating in the current ArcLight Doc festival in which they will be screening the top 10 most voted docs---
My film, Eloy Take Two is part of this....
And, let me tell you...It's tough to get votes.
It would be an awesome experience to screen there since they have
the state of the art screening technology and pretty awesome theater in general with delicious popcorn!!
If any of you have time on your hands and want to see my trailer and vote on it...
Here's the link:
---To vote--All you have to do is "like" the trailer on the YouTube page---
If you Vote on it....Thank you so much!!
And Please feel free to share this info on any of the social Media outlets....
Thank you!! and it's a great pleasure to meet you!!
Hope we have an opportunity to meet at the next doc screening!!
Have a Great Day!!
My name is Andrew Shemin, an American filmmaker based in Paris. I have worked in mostly short films and music videos, while taking the occasional job as line producer or camera on documentaries in Paris. I am now directing my first feature documentary, Postcards from Paris, an experimental form that offers a kind of tour of Paris through images, or moving postcards, as I imagine them. Each fixed shot offering its own atmsophere and story to share about life in Paris. I would describe it as a mix of a Lumière Brothers actualité film, a Frederick Wiseman documentary, and a "city symphony" documentary.
You can see a trailer on the Kickstarter page I just made to try to fund the composition of an original score for the movie. http://kck.st/mYBZLE
I've enjoyed making a documentary in this way, and hope to do more like this in other locations.
If anybody ever needs assistance in Paris, I can help!
I'm Ben, a communications student at Northwestern University, and am currently producing my first documentary. I am so excited to meet and learn from filmmakers of all different experience levels. I have never felt so passionate about any project before, so I feel that this community full of passionate artists is the right place for me. Looking forward to getting to know more of you as time goes on!
All the best,
Oh my God, a student snuck in here! :-) That's ok, we can use a youth infusion. Welcome to The D-Word, Ben.
I'm new here and was hoping to talk to some veteran documentarians who've already been through some festivals and distribution. I'm working on my first documentary about a boxer who fought for the world heavyweight championship in 1958. I was hoping there was some Texas natives on here that I could meet up with and get advise. Thanks
Welcome aboard, Josh. You might want to check out the back posts on the distribution and festivals topics here and get a feel for what's been discussed. Plenty of solid info and advice there.
Hello friends and colleagues
I'm Claudia, filmmaker, writer, radio woman, activist. Maybe sounds strange, but in these times I feel it's important to insist on political dreams and a standpoint.
I covered 16 years ago in USA and Europe the fight for Mumia Abu Jamal's life when he was facing execution in 1995 by organizing a radio campain, later started writing scripts, made my first documentary between 2006 and 2010 about Kryzysztof Komeda, Polish jazz musician and composer, also for films
In the end , I produced the film score by fundraising the money for my composers...
I'm interested in producing and sharing thoughts but I joined the site also to discuss the Iranian topic (arrest of our colleagues), as we, 7 Polish films and their makers, have withdrawn our films form Teheran festival yesterday to clarify our POV. Thank you, Claudia
I'm a fairly new filmmaker and producer currently in pre-production for a doc set to film Jan/Feb. I have so many questions I don't even know where to start, but I'm very excited to be apart of this community and look forward to gleaning and giving back as much as possible.
I must get connected.
I'm an emerging documentary filmmaker.
Maybe – like many of you,I have a film that I need to figure out how to get off the ground.
My day job is as an investigative reporter...
So, here goes.
Anyone – tell me where to start.
In the meantime, I'm checking out the site and familiarizing myself.
I hope to share my film and upcoming projects with many of you soon.
Peace and nice to be here.
Hi Tracy. You already started by joining The D-Word ;-) Do check around and read some of the topics (like Fundraising!). Also, if there's something specific you need to know, try our search engine. Chances are we've already discussed it.
Hi everyone. I'm an aspiring filmmaker from the US and I just moved to Barcelona to teach English. I'm really interested in connecting with some documentary filmmakers here so a friend suggested I check out this site. I'd love to get more experience and would be happy offer my help on someone's film project in exchange for a little mentorship. If you know of anyone based in Barcelona that might be interested, please let me know. (eve.richer at fulbrightmail dot org)
PS Here's a link to a web series I made about an English teacher living in small town Spain: www.pueblotheseries.com It's part doc/part fiction.
Welcome, Eve. Enjoy Barcelona, one of my all-time favorite cities. If you do an "advanced search" in our database to find members in Spain, you'll find many who live in Barcelona. You can then click on their profiles to find their contact info.
Thanks for having me in this great community of filmmakers! I am in the process of making my first (documentary) film, which I have been working on for several years solo. I am at the point of getting serious about it – shifting from having lots of footage to creating a story line, working with other experienced people, and completing it and getting it seen.
I know I will have lots more questions in the future. But what's on my mind right now is how I best to work with an experienced editor/producer whom I have found to make sure everything is kosher. What kind of agreements should I have in place and how to transfer files in a way that protects my ownership of the footage? If there's a place I should look in past posts, please let me know.
Thanks so much in advance for your collective wisdom!!