Thanks for the intro, Cathy. See, if you hadn't introduced yourself we would have continued to call you Catherine. Next thing you know you'll be hanging out in the Bar and getting plastered in the afternoon.
Introduce Yourself: Sign In Here First
Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.
In reply to Catherine Stratton's post on Sun 27 Mar 2011 :
Always great when folk finally delurk. Good to have you here, Cathy.
Hello D-Word, I am quite new to the world of film making... though its been something I've always wanted to be involved with ever since my father was subject of a film by the legendary, Paul Watson, in the 70's. I had the privilege of having lunch with Paul last year and was further inspired to become a catalyst in the telling of important stories. I found myself in the Biz quite by mistake shortly after this... an introduction I made for my friend, director Mark Neale, resulted in his feature documentary, Fastest, being funded. I am now working with him as producer for Mechanics of Hope, a film about NGO, Riders for Health. I was assistant to CEO's of this organisation for a number of years so I know it very well. I am also producing a film about composer, film maker & educator, Tony Conrad. This film is being made by Tyler Hubby. One of my other major projects is with Crispin Glover, the actor & auteur. I am presently developing the circuit in the UK for him to tour his Big Slide Show performance & film screenings. This is his sole distribution model and one that I am honoured to help develop. The first tour in Feb this year sold out. I am learning fast about the innovative & new funding & distribution models that are being practised and I am keen to get involved with discussions about it all. I am also a musician and writer.
A warm welcome, Paul. Would love to hear more about the funding and distribution you're doing in the relevant topics here. Feel free to leap right into the discussions.
Hello, documentarians of the world!
I'm an aspiring filmmaker currently living in New Orleans. I'm fortunate to be working with Lily Keber on Bayou Maharajah – a documentary about colorful New Orleans pianist James Booker which is now (mostly) in post-production.
We're in the process of setting up a website, and you can sign-up for the email list here if you want to see what happens when filmmakers get ahold of fancy email campaign software.
When I'm not working on the Booker doc, I also spend time pouring coffee at Royal Blend for rent money, shooting antique shop commercials for equipment money, and pestering all the film crews I come across while walking my dog for fun. My wife's in grad school at UNO for poetry, so we'll occasionally cross paths, too.
I plan to assail these forums with a variety of complex technical questions, probing distribution queries, and buckets of unsolicited opinions.
Wow, Ted, a poet and a documentary filmmaker, you guys are gonna be living the high life alright!
Anyway, welcome to The D-Word. Happy to say I'm gonna be in NOLA for 3 days soon for the first time in over 25 years (though it's for a conference, so don't know how much down time I'll have). Looking forward to it.
I've been registered on the D-Word for a couple of weeks and figured I should introduce myself. I live in Lexington, Kentucky, where I pick up what documentary work I can, although of late that's become very rare around here. But you must know all about that wherever you are so I'll leave it. Otherwise, the place does have its charms, I suppose.
I have made two documentaries myself: "Rock That Uke" (co-director, editor, camera) and "...damn bad oyster: The Times of William Goebel, governor" (producer, director, writer, editor). The former is a meditation on life, death, love, hate, art, frustrated ambition...what you'd expect. Oh, and the ukulele. Especially if it's amplified and distorted. Yeah, it's kinda funny. The latter is a historical project that airs regularly on KET (the state PBS affiliate). It tell the story of a violent, raucous decade (the 1890s) in Kentucky that culminates in assassination and political upheaval. It's quite funny. One review called it "drolly informative." What higher praise could I wish for.
This will do for now; don't want to wear out my welcome first time out. If anyone's needs help on anything in Kentucky, let me know. I have some gear (and I travel). Or if anyone's passing through and needs a drink, I can provide that too.
Hi this is Sigrid Dyekjaer, producer from Denmark, part of Danish Documentary production, produced film like "The Good Life" by Eva Mulvad, showing at Tribeca in a couple of weeks, "The Monastery" by Pernille Rose Groenkjaer, "Mechanical Love" By Phie Ambo. I am attaching my CV. I am also chairman of the Advisoryboard for CPH:DOX.
Welcome aboard, Sean. A drink sounds really good right now.
And a particularly warm welcome to Sigrid, who I first met at IDFA 5 years ago when "The Monastery" won the Joris Ivens prize. She's one of the Europe's greatest producers and I urge everyone to come see The Good Life at Tribeca and meet her.
So you know, no need to attach your CV. Clicking on your name or photo links to your member profile .
I am a musician, composer new to your community. Have to say, in a world where we all spend far too much time in front of our computers (oops that is what I am doing now) it is nice to see so many of you opening up about real issues. That said, I am a composer who had the pleasure of composing music for a doc and fell in love with the process. To be able to write music in, around and complimenting the dialogue and narration of a doc was great. To be a creative part of such a meaningful art form is ..well just love it. So if any of you have need of any music, temp music or anything music related, please feel free to let me know. Also to whomever made the doc about Little Jimmy Scott...i'd like to know where I can see that. He is great..I had the pleasure of seeing him in New York and wow...that is so where Betty Carter got her style.
Thanks to all and I look forward to being a part of this community.
Laura Perlman firstname.lastname@example.org