Welcome to The D-Word, Blaire. Nice to have you joining us.
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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
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In reply to John Burgan's post on Thu 21 Jan 2010 :
I read the book of Glynne. I think also it is very good
Hello Everyone, I'm videmaker and web designer based in Sicily, I've produced 2 documentaries in Africa like in Uganda and Tanzania and of course also in Sicily. I used to work and collaborate with associations and other professionals.
Always I'm looking for new collaborations. Please contact me if you are interested in some co-production about some social or cultural issues regarding relation between different cultures.
I work with my Panasonic professional equipment.
In reply to Blaire Johnson's post on Wed 2 Mar 2011 :
Hello Blaire your topic is very interesting, where could I find more informations? Would you be interested in some collaboration?
In reply to Caitlin Kelley's post on Thu 17 Feb 2011 :
Hello Caitlin I made in Tanzania a documentary about Maasai Tribe, I've shown I think a positive aspect of african culture. I would be glad if you can give a look to this documentary,
I'm also trying to create in Tanzania a school/workshop for young people that want to learn about video and storytelling
Let me know if you are interested,
In reply to Franco Consales's post on Thu 3 Mar 2011 :
Hi Franco. Thanks for your interest in our project. We are hoping to launch it in the next few days, depending upon our collaboration with our web man. I'm very interested in hearing if they are building a lot of homes with industrial hemp in Italy. I'll send you our link as soon as it's up. I know we are probably going to be interested in some collaboration in Great Britain, France and Canada, though Italy isn't currently on our radar. I'm also trying to compile good looking photos of hemp houses and hemp buildings from around the world, so I'd greatly appreciate photos of anything you might come across.
All the best~
Welcome to The D-Word, everyone!
By the way, there is no need to sign your posts with names or URLs. We enjoy an ongoing conversation here. Cheers!
Hello and welcome Blaire – my first degree is in Animal Science, which is an agriculture degree. It was my understanding growing hemp in the U.S. was illegal but I've only returned since 2009; I was living in Asia since 2003. Did the law change? or what? if so this is absolutely GREAT news because many farmers here are more than aware of the incredible fantastic versatility of hemp (yes, more than just rope!) and have wanted to grow it for years but couldn't because of the drug enforcement bureacracy.
Please share more or if you want email me off list. I'm totally psyched about your project!
Hey all. I'm a long-time video editor (Avid & FCP) making the transition to producing and directing documentaries. My first project is well under way – a presentation can be viewed at: http://vimeo.com/13873491 password: 123MOVE
I'd love to hear folks' thoughts on the project and the presentation.
Hi, I direct docu films... some commissioned work, and some independent. My most recent film is "Water and a City". The website of the film is http://waterandacity.wordpress.com
I am new here and still trying to get a hang of what this forum is all about. Look forward to finding out!
Hi everyone, I am a public historian new to docs. In April I will be defending my master’s thesis – a study of the experiences of women in the Women’s Army Corps as they made the transition into the all-male Army of the 1970s. As part of my research, I conducted oral history interviews of women who enlisted during this transition period and will use them as part of a documentary called Transforming Athena. These women responded, in part, to Army recruiting ads of the 1970s which promised them travel, education, and most importantly, equal opportunity. But could equal opportunity truly exist in “this man’s Army?”
As part of my thesis project, I had to learn a great deal about the non-camera work that goes into a doc: treatments, budgets, funding, rights, etc. That was a huge learning curve (and still is!) My next mission is to create a budget (and could use some input if anyone would like to put in their two cents off board). What I did take away from this is that I love doing creative work. I have enough footage for my trailer (which is all I need for my thesis), but I want to do more interviews to get a wider demographic of women. Hopefully I can make this into a proper doc in the future. I look forward to hearing about all of your projects!
My name is Keith O'Shea, I'm originally from Cork, Ireland but I've been based in Afghanistan since 2009 having completing a B.A. in doc film at the IFSW. I'm currently in production on my first feature length doc 'Sparlo' on the master riders of the sport of Buzkashi. I hope to have the project completed around June or July this year.
The site looks like it will be a great resource. Looking forward to getting into it.
In reply to Linda Wasson's post on Fri 4 Mar 2011 :
It is indeed, still illegal to grow industrial hemp here in the US. We are currently the only industrial nation where it remains illegal to grow it, though it is completely legal to import all aspects of the plant, except for the 'live' seeds. You can import hemp's nutritious 'edible' seeds, but we can't import seeds that we can grow. So we are out to change that. Recent developments in Europe, Canada, etc have changed the technology of processing industrial hemp. That, combined with hemp's ability to build the healthiest, most energy efficient houses are creating a real boom abroad. We hope to get America behind hemp, thanks in large part to hemp's ability to build the healthiest houses. Hemp houses could very well be the next trend in green building in the US. Once we are able to grow it here, hemp's healthy houses should be affordable for us all.
Good to see you all here. Keith, Buzkashi has got to be one high-octane bonkers sport – basically Australian Rules Football on horses with a dead goat's head. BTW the IFSW is not an obscure faction but the International Film School Wales aka the Newport Film School where, I, er, know some of the people.
I am Eugene Martin, a filmmaker from Philly now based in the Dallas area. My new film is a feature length doc titled The Anderson Monarchs. It is about an all girls soccer club from Philadelphia who are the only African American competitive club pretty much anywhere on earth. I am in post production on the film, having shot 500 hours or so. I've got a trailer up on my website here:
Glad to know about this site!
Glad you finally made your way here, Eugene. When did you move from Philly to Texas?
And a warm welcome to Keith and Laura, as well.
Thank you for the welcome to the site
John, thank you for clarifying that the IFSW is indeed a film school and not an "obscure faction", should have made that a little clearer.
In relation to Buzkashi the sport goes all the way back to the time of Genghis Khan who although forbidding his people from having arms during peace time made hunting on horses compulsory as training for war. Riders would track their prey for weeks at a time eventually wearing down the animals before whipping or stoning them to death. Bloodletting was not practicing as to shed blood was believed to allow the soul to escape.
It's a wonderful, unique part of Afghan culture, a bit like going to the cinema here complete with popcorn sellers and other snack vendors.
Looking forward to getting it out there.
In reply to Jeremy Pevar's post on Fri 4 Mar 2011 :
Welcome to the D-Word, Jeremy... are you working at all with fellow D-Word member Jason Osder? If not, you may be a bit interested to know that he has been producing/directing a rather similar project (to say the least!) – and the title of his film was LET THE FIRE BURN.
@Christopher – I'm not working with Jason, though we have spoken about our respective projects. I believe that we are taking very different approaches to the topic. It is a big story and I think there is room for a variety of perspectives. Without characterizing what Jason is doing with his film, what I am attempting to do is to contextualize the MOVE story by digging into the group's origins and showing how MOVE grew and changed over the years from 1972 – 1985, culminating in the horrific events on Osage Avenue.
jeremy, good to know that there is room enough for (at least) two different filmmakers to be making separate projects on MOVE. one reason that it seemed really similar was because of all the riveting archival footage that you are both using in your trailers.
anyways, feel free to keep us updated further in the Works in Progress topic... good luck!
In reply to Blaire Johnson's post on Sat 5 Mar 2011 :
well I certainly support and respect your efforts but as for "getting America behind it" as I mentioned, American farmers have long supported and known all about the worthiness of growing hemp. Back when so many family farms were going bust pleas to grow hemp were falling on deaf ears.
Of course now we all know why – the larger corporations were out to suck up the land and make peasants out of the farmers who owned their own places. sure enough, that's what happened as Monsanto and others paved the way for biotek and more monoculture; Walmart is now the largest seller of food in the U.S. market.
just another sad tale...and yes, I am being pessimistic. the fracking mess has got me on a downhill binge.
again, good luck w/your project and feel free to contact me if you need any agriculture input or research.
I met Doug Block at DIY Days and decided to join D-Word because of the Peter Broderick distribution seminar. I am continually educating, mentoring our Philadelphia filmmakers so they can sustain their filmmaking careers. Am very glad to see PIFVA member, Jon Foy, to be screening his film, Resurrect Dead, a film PIFVA funded and a film that Doug is producing, at Stranger Than Fiction on March 29. So, I am joining this powerful conversation to learn, observe and network.
Great meeting you, Caroline, and glad it turned into becoming a member here. Welcome.
At age 68 I managed to get a post graduate certificate in Documentary Production here at Algonquin College in Ottawa. My first DOC of significance is an extension of my major class project. "Daniel's Journal – History Rewritten" – takes a look at one Daniel Daverne – the first secretary/stores keeper at the first military settlement in Canada – at Perth. Ontario in 1816.
History portrays him as a criminal, a scoundrel. Yet a journal discovered in 1995, in the rubble of an old building being renovated in downtown Perth is the start of a number of serendipitous events that lead to new discoveries about Daniel, his living relatives – and perhaps a rewrite of History.
This project is a multimedia project. The related web site is meant to provide additional information about the subject and allow the viewer to buy the DVD, watch the additional material and decide, as a member of the "jury" whether or not Daniel is guilty of the charges brought against him.
Some illness has put me about 1/2 year behind on this project – but I am up and running again, and will push to get the DVD produced shortly.
Read about other film work at Hugh's World: http://hugh-chatfield.com/Film_Work.html
i'm a doc. filmmaker based in L.A. my last film ('a hard straight') received best doc. feature at SXSW and broadcast on 'independent lens'.
my current project 'broken doors' just received best short at Big Sky.
also, i'm a very good shooter who is always looking for more documentary work--so if anybody needs shooting, please get in touch.
looking forward to meeting people here...
And we're mighty glad you're here, Goro. Congrats on the Big Sky award.
Hi, My name is Victor Huey, I am making a documentary about the underground music scene in China, called "Rocking the Great Wall" Shot over a 25 year period form 1986-2011. We are now entering post production. Besides releasing a traditional feature length documentary,I have been thinking about new strategies such as distribution via a interactive documentary social network site based on my content.
Welcome aboard, Victor. Noticed your post about your distribution plans in the Peter Broderick discussion. Very intriguing, hope you'll share more in the Marketing and Distribution topic.
In reply to Jeremy Pevar's post on Fri 4 Mar 2011 :
Hello everyone! I am Grace Albasin from the Philippines but I am here in New York City taking up my MA in Media Studies at The New School. It's great to be part of this group but I am just beginning to tread on documentary. I haven't done anything yet but it is the track I'm pursuing at school.
Storytelling and music are the two things that define purpose of this thing called me. Maui was where the journey this time around began. Los Angeles, New York and New Mexico are places used to dwell. Finding others of the same drive and passion is what makes being here possible. Always looking forward to meeting others to make more magic. "Life's like a movie. Write your own ending. Keep believing. Keep pretending"
My name is Leroy Metcalf and I am an aspiring filmmaker. I'm currently working on my first documentary titled, "Why Do You Hate Me So Much?", which is about people interacting with other people that may hate them because of race, religion, sexual orientation, geographical location, political views, gender or age. I expect there to be a lot conflict during these interactions, but definitely not Jerry Springer type conflict. The aim is to open up dialogue with people that hate others because of there differences and to hopefully understand why people hate and to get people to think and be more accepting towards others.
I'm very new to this site and I don't know the rules yet. I would really like to network with people to get them involved in my project. Doug/John, please let me know if that's not allowed on this site.
In reply to Linda Wasson's post on Mon 7 Mar 2011 07:55 UTC :
I completely understand your frustration and your pessimism. I think the American public at large is finally ready to hear about industrial hemp, and I think the changes in the technology, and the interest in being greener and more energy efficient are all coming together. As much as we have needed hemp for years, I think hemp's time is finally here, thanks in part to hemp's ability to build the healthiest, most energy efficient houses.
It's horrible to think of the thousands of farms and farmers who could have saved their family farms had they been able to grow hemp. And it's horrible to think of all the merchants who got behind hemp and lost so much, because the market wasn't ready for their vision.
So many people still confuse industrial hemp with marijuana. I've worked at Barnes & Noble for the past 6 years, and I have never seen industrial hemp grace the front cover of a magazine, except for the occasional mention on the front cover of one of the periodicals on marijuana, and it has been equally hard to find hemp cited in the indexes of books one might think it should be included in. I think America is going to be really excited to meet industrial hemp at this time in history, thanks in great part to the many reasons that you cited above. In May, the nation will be celebrating the 2nd annual Hemp History Week. Slowly but surely, the tides are changing.
My name is Jacob Bricca, and I'm new to D-Word. I've been editing feature docs since the early 2000s. Some of my credits are Lost in La Mancha (2002), which chronicled Terry Gilliam's disastrous attempt to make a film adaptation of Don Quixote, Jimmy Scott: If You Only Knew (2002), a biopic/concert film about the jazz vocalist that won the 2003 Independent Lens Audience Award, Tell Me Do You Miss Me (2006), a melancholy travelogue following indie rock band Luna on their final tour dist. by Rhino, and Con Artist (2010), which follows the indescribably odd antics of NYC painter Mark Kostabi and is playing at the Laemmle Sunset 5 in LA this coming April 1-7.
Though I seem to work on a lot of films about musicians and artists, some of the ones I'm most passionate about deal with themes of social justice. We just locked picture on Precious Knowledge, a film about the banning of the Mexican-American ethnic studies classes running in the Tucson public schools, which opponents call "seditious" and proponents see as an effective way of engaging their students. (It will premiere at the San Diego Intl. Film Festival later this month.)
I've also done some directing/producing. My feature Indies Under Fire: The Battle for the American Bookstore (2006) followed three indie bookstores in their struggle to stay afloat in the early 2000s. My most recent short Pure, a mash-up of action movie memes, played at the Berlin Intl. Film Festival, and was abuzz on the web for a brief period.
I also teach documentary studies and production at Wesleyan University. Teaching "The Documentary Film" (a history/survey course) is a humbling experience--so many great films! I love exposing students to the genius of Frederick Wiseman, the Maysles Bros. and Ross McElwee, and showing contemporary docs at the close of the course (My Kid Could Paint That and Iraq In Fragments have been recent choices.) In my "Documentary Advocacy" class, I teach doc production to amateurs, and help students engage with local organizations to make films that they can use for outreach purposes.
I love docs and all the issues of they bring up. I thought the recent love-fest over The Social Network was way overblown and advised anyone I could to watch Catfish instead. I thought it engaged with the Facebook phenomenon and all its attendant issues way more successfully!
Happy to be here...
Jacob, I've had Lost in La Mancha on my list to see for some time now. I'll have to step it up. Welcome to the d-word discussions!
Great to have you here, Jacob. I did see Lost in La Mancha and loved it. Utterly fascinating. And sounds like a great course you're teaching – lucky students.
Hi Jacob, i am a big fan of Lost in La Mancha, really love it.
Hi, my name is Nicolas Brown and I've been addicted to documentary film making for most of my life. My father is a documentary filmmaker, and so are both of my brothers. (This feels like my introduction to a 12 step program...)
I heard about D Word whilst teaching in Potsdam, Germany last week. I just spent the last 3 years making Human Planet for the BBC, soon to premiere on Discovery on April 10, 2007.
Prior to that, I made films about climate change such as The Truth About Global Warming with Tom Brokow (Emmy), Climate Chaos with David Attenborough, and the Energy Solution (Best Environmental Film, Telluride Mountainfilm). Before that it was Colonial House and Frontier House for PBS.
I mainly work for TV– I produce and direct. Rarely, I pick up a camera and film myself.
I now have films in development, and am rennovating my kitchen– without filming it at all!
Well, thats my introduction.
And a good one it is, indeed. Nice to have you with us, Nicolas. Feel free to jump right into the various discussion topics.
In a week or so, you'll be able to see how Nicolas and his DoP, Keith Partridge, made their segments of Human Planet in extreme environments; they presented this to a professional audience at Insight Out last week. http://www.insightout-training.net/videos.html
I'm looking for some great panelist for my film "What On Earth? – Inside the Crop Circle Mystery" My film's appearing at the QUAD in NY 4/22 for a solid run and I'm looking for panelist, not necessarily crop circle experts but anyone who truly cares about the consciences of the world we live in. If you know of anyone or want to attend I would love to have you there. I have the event on Facebook if you want to RSVP, thank you.
Suzanne, as this is our topic for personal introductions, post like this should go into Public Classifieds in the future.
Hi. My name is Bill Schlosser and I've been the television industry for nearly twenty years. I found out about The D-Word only recently and am excited to be a part of this community. While I'm no stranger to documentary making, I am new to the world of crowdfunding. I'm trying this method of fundraising to fund the post production of a doc about the snake charmers of India. So far I've raised $30. Not exactly stellar. I would love to hear from anybody who has had success in this area and how they did it. Right now I'm on IndieGoGo. If you would like to see my pitch and critique it, you can go there and search "Sapera." I'm not asking for donations from this community, just some advice. I look forward to getting to know all of you better. And sometime soon I'll post a picture of my ugly mug! Oh and here's a link if you want to see a bit of "Sapera: The Snake Charmers of India."
Welcome to The D-Word, Bill. Theresa Loong has written about her Kickstarter experience in the Finding Funding (N. America) topic, including a link to a lengthy report about it with many tips. Highly recommended reading.
I’ve been a member of the D-Word for a while – in fact, some of you have been very helpful answering technical questions I had – but realized I never introduced myself. better late than never. . . I am a burgeoning filmmaker. My recent films include a documentary I shot in the NYC Subway called ‘A City Symphony Underground.’ Some consider it more of an experimental piece but it’s actually based on the “city symphony” Documentary genre made popular in the 1920s. Films such as ‘Berlin: A City Symphony, Vertov’s Man with a Movie Camera, Manahatta,’ and Joris Iven’s ‘Rain.’ So far the film has been screened in 5 festivals and, I hope, many more.
I like doing all parts of the filmmaking process. I have my own equipment. One of my interests is creating short films for NGOs and nonprofits that help others. Films that they can use for fundraising, website, etc. After the earthquake in Haiti last year I traveled to Haiti with World Wide Orphan’s Foundation founder, Jane Aronson, to film her pilgrimage to orphanages there. I loved the work so much and also proved to myself that I was able to film and record audio on my own and get great results. Added to the difficulty of the trek was the 100 degree weather shooting mid day in bright conditions – man, that was hard – getting decent footage shooting people with dark skin with the sun behind them. Arghhh. . . . Plus it was run and gun stuff, all hand held, never knowing what will happen next.
I have also started creating artist profiles – short pieces that profile a creative person’s work and the process they go through.
If any of you D-Worders have any ideas of people that may be interested in the kind of work I do – please get in touch . . . love to hear from all and everybody.
Oh, much of my professional history I produced educational media and curriculum so am also interested in working on projects created to educate or having to do with education. I have a graduate degree from Harvard Grad School of Ed.
Well, that’s it for now. Please check out my website Catherinestratton.blogspot.com where you can see recent work.