Just shoot away, Dan. Welcome and lotsa luck.
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Heya expressive/Ben
I've read exerpts from this book since it is supposed to be the salt-
"bible". You seem to be quite into this topic. How come?
Btw, I work for a doc-prodco in Hamburg, Germany. We are thinking
about doing something on salt. Currently we are checking the
international market for similar productions.
I've read exerpts from this book since it is supposed to be the salt-
"bible". You seem to be quite into this topic. How come?
Btw, I work for a doc-prodco in Hamburg, Germany. We are thinking
about doing something on salt. Currently we are checking the
international market for similar productions.
Martina, I was fascinated by Kurlansky's previous book (on fish)
which inspired me to plan a film project. I haven't read "Salt" yet.
Just curious.
Greetings from Munich, and see you in {LINK NOT IMPORTED} soon.
which inspired me to plan a film project. I haven't read "Salt" yet.
Just curious.
Greetings from Munich, and see you in {LINK NOT IMPORTED} soon.
Hi everyone, I'm Lucy. I'm really interested in ethnographic film and
had a go at making my first documentary over last year and this year,
about an Afghan refugee who lives in London. It was a VERY steep
learning curve (I didn't go to film school) but a great experience.
Still I have so much to learn and this looks like an interesting
place to start. I saw on Shooting People there's a discussion going
on this week with Kate Amend. I just saw Spellbound the other day so
I'm really interested to hear about how she works...
had a go at making my first documentary over last year and this year,
about an Afghan refugee who lives in London. It was a VERY steep
learning curve (I didn't go to film school) but a great experience.
Still I have so much to learn and this looks like an interesting
place to start. I saw on Shooting People there's a discussion going
on this week with Kate Amend. I just saw Spellbound the other day so
I'm really interested to hear about how she works...
Welcome, Lucy. Love your name - it's my daughter's, as well. Glad
you enthused about the conference, but it's actually the guest host,
Yana Gorskaya, who edited Spellbound. Both she and Kate have great
insights to share.
you enthused about the conference, but it's actually the guest host,
Yana Gorskaya, who edited Spellbound. Both she and Kate have great
insights to share.
Hey, there.
My name's Linnea, I've begun production on my first doc about
music in Cuba and I'm looking forward to learning from some
pros.
My name's Linnea, I've begun production on my first doc about
music in Cuba and I'm looking forward to learning from some
pros.
Hello there in the d-space. I'm just very fresh to this community and
I hope we get fun and excitement.I am a director-editor working in
Athens,Greece, and it's about a year now I have crossed through the
digital era with editing especially. Very interesting but a lot of
questions very often. Hoping discuss all them in an open mind.
I hope we get fun and excitement.I am a director-editor working in
Athens,Greece, and it's about a year now I have crossed through the
digital era with editing especially. Very interesting but a lot of
questions very often. Hoping discuss all them in an open mind.
Welcome, Theocharis! Bring some sun with you ...
PS. Glad to hear that they've put an end to that strike ...
PS. Glad to hear that they've put an end to that strike ...
Hi
I just found this forum through a posting on Shooting People, UK.
And just read through Kate Amends debate, excellent. I have just
completed a 52 minute doc, direction, camera and editing, and would
love not to repeat that particular approach.. a healthy editor
relationship would be fantastic.
If anyone has suggestions on which film festivals to enter right now
that would be a big help. The subject is new Iraqi journalists, all
character led, and so far everyone that has seen it has been gripped.
I look forward to further debates.
I just found this forum through a posting on Shooting People, UK.
And just read through Kate Amends debate, excellent. I have just
completed a 52 minute doc, direction, camera and editing, and would
love not to repeat that particular approach.. a healthy editor
relationship would be fantastic.
If anyone has suggestions on which film festivals to enter right now
that would be a big help. The subject is new Iraqi journalists, all
character led, and so far everyone that has seen it has been gripped.
I look forward to further debates.
Julia and all other documentary professionals - Welcome, and make
sure to join our private forum as well. Membership in
{LINK NOT IMPORTED} is free but not automatic. More info at
www.d-word.com/community - join at www.d-word.com/join
sure to join our private forum as well. Membership in
{LINK NOT IMPORTED} is free but not automatic. More info at
www.d-word.com/community - join at www.d-word.com/join
Hi there,
First time on this discussion board, doc filmaker from England, self
shooting director and editor. Glad to be onboard discussion. really
interested in finding out more about this one.
I am part of shooting people.com aswell. Currently struggling through
rushes on a project I shot in brazil. Currently working for the BBC
in Bristol and finding it hard to find time to get the cutting done.
Would be good to hear from other people in the same situation
Andy
First time on this discussion board, doc filmaker from England, self
shooting director and editor. Glad to be onboard discussion. really
interested in finding out more about this one.
I am part of shooting people.com aswell. Currently struggling through
rushes on a project I shot in brazil. Currently working for the BBC
in Bristol and finding it hard to find time to get the cutting done.
Would be good to hear from other people in the same situation
Andy
HI there,
I'm a first time filmmaker, developing an idea about experiences of
asylum, whilst working as a researcher for a company in London called
Legal Network Television. So I've joined to learn and hopefully be
encouraged by experiences of other filmmakers out there!
I'm a first time filmmaker, developing an idea about experiences of
asylum, whilst working as a researcher for a company in London called
Legal Network Television. So I've joined to learn and hopefully be
encouraged by experiences of other filmmakers out there!
Hi!!
I'm a Digital Media student in his final year.My final project is
going to be a Documentary.It will be film and edit on digital
plattaforms.I found this disscussion board doing Internet research
and I find it the best place to learn about documentary world.Talk to
all soon,Byeee
I'm a Digital Media student in his final year.My final project is
going to be a Documentary.It will be film and edit on digital
plattaforms.I found this disscussion board doing Internet research
and I find it the best place to learn about documentary world.Talk to
all soon,Byeee
This is for Erica. Yes. I'm the same Federica you met in
Bardonecchia. I've finally decided to take your word and joined the d-
forum. Nice to see your voice again!
Bardonecchia. I've finally decided to take your word and joined the d-
forum. Nice to see your voice again!
Hello everyone. I'm just trying to get involved in documentary
production. I've been a UNIX System Administrator for the last 10
years and am working on a major career change.
I have a lot of experience with live broadcast production graphics as
well (sports mainly...not really my cup of tea).
I'm working on moving back out to North Carolina (home) from Portland
Oregon to pursue this further. Duke University has what appears to be
a fabulous Center For Documentary Studies and offers a certificate.
I'd be interested in stories and pointers on making this journey and
also what your impressions of the Duke program are.
Great community you've built here Doug, I look forward to
participating fully.
production. I've been a UNIX System Administrator for the last 10
years and am working on a major career change.
I have a lot of experience with live broadcast production graphics as
well (sports mainly...not really my cup of tea).
I'm working on moving back out to North Carolina (home) from Portland
Oregon to pursue this further. Duke University has what appears to be
a fabulous Center For Documentary Studies and offers a certificate.
I'd be interested in stories and pointers on making this journey and
also what your impressions of the Duke program are.
Great community you've built here Doug, I look forward to
participating fully.
thanks, aaron. wish i could give you some feedback about duke but i
can't. as for stories about the journey, maybe these ones will help...
Hello all. My name is Meghan. I recently bought the DVX100 and am
currently shooting a doc on Los Angeles gang life and breaking the
cycle of violence. Although I have worked in the film industry for 9
years in feature production, this is my first doc. A friend
recommended this site and so far I am very excited.
currently shooting a doc on Los Angeles gang life and breaking the
cycle of violence. Although I have worked in the film industry for 9
years in feature production, this is my first doc. A friend
recommended this site and so far I am very excited.
Welcome, Meghan. Glad you found us. This is the public forum and
you've registered for the professional community. So when you receive
your welcome email, be sure to introduce yourself again there.
you've registered for the professional community. So when you receive
your welcome email, be sure to introduce yourself again there.
Hi, there. I'm making my first doc about current elements of space technology
development, and I'm so glad to find good a forum site! I've had great success so far
getting participation from leaders in the field, for interviews and such. The problems
that I'm running into are in the areas of accounting and legal. Is it standard to involve
a lawyer if you're getting sponsors, but not investors? And do I need an accountant if
I have temp employees, or is a payroll company OK? Any resources that address
these concerns would be MUCH appreciated! And thanks for setting up the forum!
development, and I'm so glad to find good a forum site! I've had great success so far
getting participation from leaders in the field, for interviews and such. The problems
that I'm running into are in the areas of accounting and legal. Is it standard to involve
a lawyer if you're getting sponsors, but not investors? And do I need an accountant if
I have temp employees, or is a payroll company OK? Any resources that address
these concerns would be MUCH appreciated! And thanks for setting up the forum!
Welcome, Kate. Most entertainment lawyers do a free short phone
consult for potential clients. Generally, though, you don't need a
lawyer until you start dealing with contracts. Entertainment lawyer
Mark Litwak has a good website you might check out:
www.marklitwak.com.
Any other questions should go in the Mentoring topic.
consult for potential clients. Generally, though, you don't need a
lawyer until you start dealing with contracts. Entertainment lawyer
Mark Litwak has a good website you might check out:
www.marklitwak.com.
Any other questions should go in the Mentoring topic.
hello all, I am a senior student journalism. instead of fast news, I
am more interested in documentary-making and filmmaking. I am
presently working on my first documentary; A beginning filmmaker
trying to make a film. The tricky thing is that I and my sister (who
I am doing the doc. with) know the subject personally. This made me
hesitate for a long time. There is a discussion going on about if a
doc.maker is allowed to use actors and all (the tazidrivers in the
Gaza). My question is more; how far is a doc.maker allowed to be
part of the proces and how far should one recognise the presence of
the doc.maker and camera in the documentary.
am more interested in documentary-making and filmmaking. I am
presently working on my first documentary; A beginning filmmaker
trying to make a film. The tricky thing is that I and my sister (who
I am doing the doc. with) know the subject personally. This made me
hesitate for a long time. There is a discussion going on about if a
doc.maker is allowed to use actors and all (the tazidrivers in the
Gaza). My question is more; how far is a doc.maker allowed to be
part of the proces and how far should one recognise the presence of
the doc.maker and camera in the documentary.
Just went through the same experience, John. Only last week.
Welcome, Rianne. Docmakers often are part of their own films and
often allow the camera to be acknowledged. You might want to look at
the Ross McElwee conference here for more on the subject.
Welcome, Rianne. Docmakers often are part of their own films and
often allow the camera to be acknowledged. You might want to look at
the Ross McElwee conference here for more on the subject.
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