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Thanks!

Lot's of work, making these "D-Words", it's especially a problem if
you work on your own (Which I sort of have to do, since it's very
expensive to keep any sort of crew waiting while I'm trying out a new
way to explain an Epistemological concept in front of the camera) ...

I originally thought that being a guy who can "do it all" would be a
big benefit ... and it certainly is for getting things done waaaaay
low budget ... I mean I wrote & recorded the music, the script, shot
the video, acted, did the voice-overs, edited the video, color
corrected and was moving onto audio post ... but now it seems the
powers that be don't believe such a thing is possible ...

Apparently I'm too independent to get any help as an independent!

How the Gods of Irony mock me :(

Such misery deserves company! Make sure to join The D-Word
Community, Charlie: www.d-word.com/join

Oops, Charlie, we had an internal mix-up and accidentally turned down
your request to join. Please hang in there and we'll try to
straighten it out today.

Hello Everyone!

It's great to have found this D-world (I stumbled upon a link on
the AIVF web site)! I'm looking forward to meeting everyone soon
at the Community, but first I'm going to take a tour of this lovely
cyber land. See you all in a minute,
Erika

Welcome, Erka. I was on the AIVF board until this year so I'm happy
to know people are finding us from there. It's a great organization!

www.aivf.org

We have been involved with the documentary for the past 25 years. I
produce, direct and shoot while Neelima is the executive producer,
researcher and the writer. We both come from the field of journalism
of the 70s, she from print journalism and I began with TV News. since
the early 80s we have just been doing documentaries. We are
available on our web site www.spotfilms.net. Working on documentaries
from India does have some advantages and a lot of disadvantages too.
But on the whole we feel satisfied with what we have done so far and
we continue to look for new projects all the time. I am very keen to
participate in the "Art of shooting of documentary" discussion.

Welcome Pramod and Neelima. Hope you'll both join The D-Word
Community (separately, please): www.d-word.com/join

I've been making the documentary film about the Lysistrata
Project.

www.lysistrataproject.com

Since January I have shot or received almost two hundred hours
of video. I have tapes from England, Iceland, Pakistan, Greece,
Italy, Nova Scotia, nearly every state, CA, NM, NY, NJ, AL, AK etc. I
have a reading that was taped in a Kurdish refugee camp and
one from Havana. Celebrities as well as small theatre
companies world-wide turned out in force for this unique event.
Ive cut a ten minute trailer and am looking to bring in a
seasoned producer who has access to money and distribution. I
can be reached at aquapiofilms@aol.com

Welcome, Michael. Good luck with your film - it's a big project.

Hello,

I am new : ) and for some reason I cannot seem to start a new Topic, but can
only post on a topic already started.

My interest in primarily in editing. And the topic I wished to start was
"views on editing"

I wonder about the general view on editors and the editing process , from the
pov of director, producer, writer and general public.

-How relevant is the background of the editor when editing a documentary
compared to a narrative.....what difference if any comes into play..

-How do you feel about the proposal of someone, a random person re-edit a
piece of film that has already been edited and released... do you find it
disrespectful, or inventive, or creative or etc ?

-if was proposed today, during a lively discussion.... that editors and editing is
as simple as plugging 26 alphabets into the word processor and coming up
with a word....

well that's my introduction : ) I am curious......

That's your introduction? Who are you then, Taochou? Are you a
documentary editor yourself? If you are, you should join The D-Word
Community <www.d-word.com/community/> as well, where we have a topic
dedicated to editing.

Only hosts can start new topics. Here in The D-Word Forum, topics
usually come as week-long conferences featuring special guests.

Taochou, I just noticed that you had already joined and introduced
yourself to The D-Word Community. Sorry for confusion.

Taochou - it's not kosher to post the same thing four different
times. Enough. As I said in another thread - we all read nearly
everything - post once - if it's in the wrong place so be it.

Don't waste my precious time.

Please calm down, Robert. This is the public forum, and the posting
above was Tachou's first-ever, not an additional one.

Like we say, The D-Word is a very warm and welcoming place ;-)

This is actually kind of out of character for us - Robert's just a
little pre-menstrual today ;-) But the point is a good one for all --
there's never a need to post the same thing twice in more than one
topic. This is more a matter for The D-Word Community rather than the
Forum, where we only have a few topics open, but still...

Yikes sorry Robert, my apologies. I was quite confused. I had posted then
received a note saying I had posted it in the wrong place and that it should be
at topic .25, which then I did except I made a mistake of posting it at .21 by
clicking on the final cut pro link instead and then received a comment saying it
should be in .25 :) so you see I thought I was supposed to re-post it. You
probably enjoyed reading it as much as I enjoyed re-posting it.

And sorry to bark - didn't realize that was in the Public Forum.
thought it was in the Private Forum. mea culpea.

Hello. I am working on my first documentary film. I am one of the
producers. Looking for any pointers I can get really!

Welcome, Daniela. You'll get lots of pointers from reading the
various archived conferences we've held here. Lotsa luck on your doc!

Hi -- I just found D-word today and joined instantly. I'm suddenly
plunged into making my first documentary film. I come from radio
broadcasting where i was trying to make a radio doc on the same
topic but didn't find the broadcast home there I'd hoped for. then
some doc-making friends said i should try to make it as a film doc,
instead.

It's all very scary but exciting too as I have come to this project
through the subject, rather than through film-making, if you know
what I mean. Looking forward to meeting you all and sharing ideas
and concerns and choices. It's mind-boggling isn't it?

cheers
stephanie

Welcome, Stephanie. What is your doc about?

mindboggling, indeedy, stephanie. welcome!

Thanks for the welcome. My interest is in the singers of a certain
community, and their sngs which are centuries-old, handed down
orally. When these guys are gone, much of the repertoire will be
lost. In addition they are great guys, real characters, and they live
in a beautful place. So.. i need to move quickly. Which is why I am
jumping in without really knowing anything about film.

As I said i work in radio and I've made short radio Docs so i am
pretending to myself that it can be planned in much the same way. But
theer are so many other layers to deal with. i can gather audio tape
entirely by myself, edit and mix it on my computer. This is a whole
other thing.

And the decisions -- narration or no nrration, should I be in it,
should there be a 'guide', should it be in english or in another
language with subtitles, what about the soundtrack, is Digital video
OK, can I start shooting myself...
aaaaaaaaaaugh!

Looking forward to getting into conversations with people about their
approaches, and sharing my experiences as I go along. Might be useful
to others too, I guess.

Stephanie, a few thoughts for you in
{LINK NOT IMPORTED}

thanks Erica. but hey, why don't the links work? You gave me such a
nice HREF but I can't follow. oh well.