Introduce Yourself: Sign In Here First

Hello, I'm a filmmaker with one short film completed so far. I do
most of my work in Cuba and live in Los Angeles. I come from a
background in digital art and technology. I was a digital arts
artist and consultant on "Babe", "Coca Cola Polar Bears". Now I
am a emerging filmmaker wondering how to finance this habit.

My short autobiographical film "Havana Witch Club" screened at
the Cineaccion Film Festival and the Berkeley Film and Video
Festival where it won Best of Show for experimental .. though I
entered it a documentary. One woman's real life can look pretty
experimental, I guess.

Looking forward to sharing information with others here on all
related topics.

hi everyone,
this is veena almad from india. i am a student of mass media and
wish to be a film maker. i also like know filmmakers like you all and
would like to take suggestions for my future.
I have assisted in ad film production and also going to asisst
in editing but i dont know how to work on real film please advice me
how to join a production house of film.

looking forward to talk to you.
veena almad
india

Hi. I am a new doc producer, working on my first project
"Fulani for All Fifty."

Fulani for all Fifty is a one-hour historical
documentary giving voice to a team of ordinary people that brought
the first black woman to the U.S. presidential ballot in all fifty
states for the 1988 election.

We are currently in production, and learning our way around
distribution alternatives.

Hi Jennifer, Veena, Lisa. Nice to have you joining us and hope
you'll learn a whole bunch about distribution this week (sheesh, it's
10:40, NY time, on the first day of our panel and no one's shown up
yet - do distributors just sleep late :-?)

Veena, we'd be happy to answer any questions you have in The
Mentoring Room {LINK NOT IMPORTED}, but you'll need to be a bit more specific. What
do you mean by "real" films, exactly? Do you include documentaries in
that category (some don't, you'd be surprised)? And are you looking
to relocate? If so, to where?

Hi. Im also a relatively new doc producer working in DV. I have
several co-productions currrently being shopped at various cable
networks. I am also working on a feature about a Needle Exchange in
Manhattan. I also have exhibition experience.

Hi.

I'm Brigid Kelly. I'm about to start post production on a film about
a 31 year old man with Duchenne Muscular Dystrophy. We are
setting up a G4 with Final Cut 3 and want to start digitizing this
week. I'm sure I'll be asking lots questions about post
strategies.

Welcome, Stephen and Brigid. Happy to try and answer your questions.

A warm welcome to all the new faces.

Jennifer, do you mind if I send you an e-mail asking you about
working/studying film in Cuba?

I think I have to sign in here to join the Distribution discussion,
but I"m not sure. I'm not very good at this internet stuff all the
time.

It would be great if all people who are planning to join the
discussion in our online panel, MAPPING THE DISTRIBUTION LANDSCAPE,
would quickly introduce themselves here.

This, of course, does not apply to the actual panelists since they
were introduced in the topic itself {LINK NOT IMPORTED}.

In order to avoid chaos, Doug lets us "normal folk" only read (and
not post) in that topic for the first two or three days, but he will
open up the discussion to all of us after the first couple of rounds
...

Hope this makes sense to you now, Nina.

Hello.

You can click on cinecitizen above to find out more about me.

Pleased to meet you all.

Eric Stacey here. Just returned from the IFP Market where I was
pitching a feature project, but also plan to continue making
documentaries... since 1997, I've co-produced one 6 hour series for
PBS, a half hour one off on the health effects of air pollution, which
aired
on about 15 PBS member stations, and a 1 hour doc on Waldorf education
methods used in a number of public schools across the U.S. I'm
looking forward to sharing and learning here, but signed up especially
for the Virtual Doc Conference with Albert Maysles and Susan Fromeke.

Welcome everyone!

Eric, are you aware of our private forum for professionals?
More info at www.d-word.com/community

Thanks Ken. I've just sent email to the D-Word Community.

You're welcome, Erin :-)

I'm sure Doug will handle your access request shortly.

Joining discussion late. But happy to be joining.
I'm an independent documentary producer based in Charlotte, NC. Always
looking to learn more from other producers and to find effective means of
distribution.

Are we to sign-in here? If so:
Rod Pyle
Cinema Pacific Productions
Pasadena, CA
TV and sell-thru docs. Also affordable visual effects for non-
fiction (my partner and I worked on Star Trek:DS9 in a previous
life...).

Email is rod@cinemapacific.com

Office Manager/Awards Coordinator/Web Mistress for the
International Documentary Association. I look forward to
learning from and contributing to this community.

Hello all,
I'm just finishing my first documentary "In the Eyes of a Child"
about two non-profit organizations in Brazil which help street
children and women with domestic violence. I am curious about
the distribution of documentaries and just about to start
submitting to festivals.

Eric, Beverly, Rod, Sarah, Holly, thanks for saying hi and letting us
know more about yourselves -- and help us get a sense of who's
checking out the panel discussion. Welcome.

hello from jim of animalcharm, a nomadic, autonomous, off-
braodcast channel of video remix anarchy. I also spent 8 years
as the equipment and facilities manager of Kartemquin Films in
Chicago, IL, most well known for "Hoop Dreams". They have a
new feature directed by Steve James coming out in early 2003,
called "Stevie." I currently live and work in Los Angeles,
freelancing on a variety of fronts, most recently as a cameraman
in Vietnam with Renee Tajima-Pena for a CPB/Kartemquin
documentary series on immigration, tentatively titled, "New
Americans." I have worked as cameraman & sound recordist for
many of the series segments including those produced by
Vangie Griego, Gordon Quinn, Jerry Blumenthal, Steve James,
and Peter Gilbert.

Welcome, Jim. Those are great doc makers you've been working with!

Once again, let me remind those of you with professional experience
to join The D-Word Community and be part of the ongoing discussions:
www.d-word.com/join.

When you register, we ask you to tell us about your professional
background. Feel free to cut and paste what you've written here.

Hi folks blake from australia livin in germany here
i am aperforming artist about to turn doco maker well an extension of that
world actually.
Check out http://standstill.va.com.au
for what i do pics etc
basically i do event entertainment and stree theatre
nice to be here
looking forward to participating
seeya
bb

Thanks for the intro, Blake. Welcome. We can use a little more
street theater in here ;-)

Saludos a todos. Rich Potter checking in. I'm a young filmmaker
currently living and working in Panama City, Republic of Panamá. I do a
bit of everything--fiction, doc, commercial--in DV and edit with FCP on
G4's. Primarily signed on for the distribution discussion, thinking of
the half hour narrative short we just completed, but I see there's more
going on here than just that. Look forward to learning a few things
from you all.

Bien.
Rp.