Hi I'm Tom Lennon (Thomas Lennon in writing, as in credits.) I've already had an introduction of sorts – Doug Block said, "Tom Lennon is a good friend, and a D-word member who never posts." Fair enough. But I want to get the D-word habit, because I'm stunned by how vigorous and helpful the conversation is. I've been a documentary filmmaker for a long time – started out indie, then to ABC News in the eighties when people like Marcel Ophuls were there, Alan and Susan Raymond – then out on my own, where I did a lot of work for Frontline and the American Experience that I was v. proud of. In the last five years, I've had one foot in documentary, and the other in ...what to call it... public service media, I guess – Ruby Yang and I did a lot of AIDS awareness spots in China, the first such campaigns ever aired in China. I want to keep a foot in both worlds if I can...that's me. Looking forward to ducking in and out of this conversation.
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Thomas and Ruby also took home an Oscar for their work in China, as he humbly fails to mention.
Welcome, Amy, Shima, and Tom! Tom, I believe we had a few drinks together a few years ago at the Bohemian beer garden. Maybe once the weather warms up a bit, we should revisit that idea...
Yes, welcome Amy and Shima. And Tom, what can I say? Winning an Oscar is certainly quite an accomplishment. And getting you to finally post on the D-Word is perhaps my finest accomplishment. Welcome aboard, matey!
Welcome to all the new members and enthusiasts.
Amy, I did a study year abroad at Trinity a long time ago and it was the only time where I ever really connected to my faith of birth – perhaps because it was the only time where I felt like such an obvious minority. Look forward to hearing more about your documentary and knowing more about the state of Judaism in Dublin today.
Tom – whatever happened with your film, "Tongzhi in Love"? I saw a screener of it last fall and thought it was a complete knockout. Has it been playing festivals?
Hi, I'm Steve Kennedy and I've got a small problem. I'm pitching a fire safety & environmental video in Santa Cruz, California and there's one Steve Kennedy who works for a County Supervisor as an aide and another Steve Kennedy who works in the data communications department at UC Santa Cruz. I think both of these guys live in Soquel. I got the feeling the town ain't big enough for all three of us.....so whaddya think I call myself "Hollywood" Kennedy so people get the picture? Your flaming comments are welcome in the GuestBook at
http://www.canonbal.org . Wish me luck on my funding proposals and keep the cameras rolling.
James, Doug, Andy: Thanks for those greetings and all those good words. I'm actually writing from True/False FF, where "Tongzhi in Love" is playing. We were short-listed for the Academy Awards, so we had a v. good shot at a nomination (8 films on the shortlist) but we didn't make the cut. now we're sending around to FF. The 30 minute length makes that hard. I love that length – as a viewer, I love watching shorter work, esp for documentary – but to market it is really tough.
Market it? You pick up the phone and say "Sheila darling, how are ya?"
hi my name is Jack and i am living in israel and going to try to work on ideas for making docs here and about this area. i hope it all works out and hope to make a doc on skydiving as well.
My name is Brett Story, I'm a documentary filmmaker and journalist recently relocated to brooklyn from montreal. I'm currently working on a film about the paralysis of petrochemical workers in an industrial city south of Toronto in response to a major epidemic of cancers – a study, really, in post-industrialization and alienation.... I'm also working on a series of experimental super8 docs about cities. some of them are up at www.brettstory.blip.tv. anyway, great to be here, and looking forward to getting to know the forum....
My name is Jennifer Cherry. I teach writing and use videography/photography as an escape from reading student papers. I've decided to stop gazing longingly at all the documentaries being made by others and try to make a short one of my own. I've secured permission from my kids' school and parents to follow the track team this season. I'm kicking around some ideas as to what I want to focus on, so hopefully I'll get it figured out soon--the season begins tomorrow! Most likely, I'll be flying-by-the-seat-of-my-pants this go around. I'm sure I'll be asking lots of questions as I get further into this little venture.
I used to lurk out here a lot,but never really had much to contribute, cause I wasn't working on a movie, and jeez, the regulars here can answer pretty much any question that gets posed. I've been off in the wilderness for a year or so and now I'm working on two movies at once. They are both about music. One is half in the can, the other is a collaboration about a defunct punk band with hundreds of fans that I'm organising over a popular social networking site. The second one is really snowballing out of conrol as I type.
So my days are shooting interviews and using the crap out of he razor tool in FCP, scrambling to pay rent in the bay area, and now spending time with you fine folks here on the d-word.
hey, we're all scraping by in here, craig. glad to see you come out of the lurker's darkness and into the light of day.
I am a new member and hopefully this will be a inspiring forum for me.
Greetings from Wiesbaden
Greetings back at you, Juergen. Welcome to the always-inspiring D-Word.
Hi Jürgen, funny, I was in Wiesbaden just four days ago, at Bewegte Zeiten. Do you know them?
Anyway, it's nice to see the "Reelisors" slowly trickling in... Welcome!
In reply to Ben Kempas's post on Fri 6 Mar 2009 :
Hallo Ben. Ich habe von Bewegte Zeiten gehört, aber auch Wiesbaden ist nicht so ganz klein. Ich arbeit seit einigen Jahren mit einem Studio in Mainz zusammen, denn dort kann ich so lange schneiden, wie es nötig ist. Derzeit bereiten wir uns auf den Umzug in eine Scheune vor, damit alles etwas gemütlicher wird. Bon weekend JC
Hi, My name is Faraz Mohammed, I am very new to Documentary film making. and I have recently moved to India from NY and I will be in India for few months. I am looking to meet with some documentary film makers and get some experience. I will appreciate it if anyone can introduce me to people working making documentaries in the Indian subcontinent.
In reply to Faraz Mohammed's post on Sun 8 Mar 2009 :
Sorry, but Inda is not on my screen. I only will have a film in Jaipur for the film festival in july. Juergen
Juergen – If you're referring to the post right before yours, there's no need to use the "in reply to" line. We only do that when linking to earlier posts. Everything else is an ongoing conversation.
Faraz – Welcome. You can connect to other Enthusiasts and Members of The D-Word by using the People link on the top of the page, and then searching for India.
Hello to all. I'm an NYC-based filmmaker, currently making the leap from writing and story editing to directing, and ever so slightly nervous about it. I confess that I generally tend toward the Luddite and non-virtual, but a good friend of mine, who is an active and zealous member, told me D-Word "rocks" – and after trolling around a bit, I'm inclined to agree with him. Looking forward to getting to know you.
Same here, Michelle. We do tend to have a fair share of F2F's in NYC, often built around the Stranger Than Fiction series on Tuesday nights at the IFC Theater. So speak up if you're thinking of going and I'm sure more than a few members will be happy to interact with you non-virtually. In the meantime, welcome aboard.
I'm working on a feature length doc on the collapse of Bear Stearns and am in post-production on 2 TV docs focusing on male vics of domestic violence as well as an investigative piece on Polygamy. Along w/my little brother, I run Blue Chip Films in CT.
I'm usually more of a reader than a poster when it comes to "virtual" communities, but this site seems really awesome. So, in the spirit of full disclosure, I'm a documentary filmmaker currently based in Nashville, TN. I started shooting docs while living abroad in Bolivia during my time in graduate school, and my first film about a network of indigenous filmmakers there had some successes on the festival circuit so I've managed to keep my momentum and continue pursuing stories that interest me. I was the personal videographer for Wynonna Judd for a while, and now I'm doing some work with the Nashville Film Festival. I'm looking forward to getting to know you all better, and maybe even crossing the digital divide...
I've worked in factual TV for 10 years, mainly specializing in developing science/history/lifestyle programmes for channels in the UK and USA. I'm now running TV Mole, which is a website dedicated to helping people originate, develop and pitch their non-fiction shows.
Mark – great to have you on board. I guess I'll see you in April during the Nashville Film Festival then? (Nashville deserves all the credit for making Al Gore watch my film...)
Oh, and Nick, I didn't mean to overlook you (maybe you should upload a picture, haha). Welcome to The D-Word.
I grew up in the middle of Germany. The fall of the Berlin wall was one of my most memorable experiences 20 years ago because I lived close to the border in the west.
I come from the cherry area around Witzenhausen / lovely cherry-blossom in the spring!
"We perceive what we want to perceive" – it depends which pair of glasses we are wearing, as the German saying goes!
I love colourful cupcakes, latte macchiato (medium) with spoon-firm froth, bara-brith, lamb in Wales with mint sauce and good quality tea (Sahnetee). I love web 2.0 and my iPodtouch with good podcasts like audiobooks.
I believe in skills: you cannot have studied history only really – and then work in marketing or so. I was taught good quality work and education was too a high standard. I am interested in – and have studied psychology and neurolinguistic programming (discover your own potential!).
I support Nordic-Walking and Mountain-Walking in Wales.
I set up a good exhibition in my favourite Library, the SUB in Göttingen: http://www.sub.uni-goettingen.de/archiv/ausstell/2008/wales.html.
I belonged to the German Society when I lived in Cardiff.
I love Cardiff, London, Glastonbury – languages, cultures. I love the sun! I never mean to do any harm. People cannot take criticism sometimes – but it is their problem. I have experienced this in Wales (with some national institutions unfortunately). Trust is important – the chemistry has to be good and relentless honesty is important. I need – like every person – someone who tells me that some of my ideas is rubbish. I appreciate it – better than agreeing all the time – this has nothing to do with being rude (guerrilla marketing principal also).
Achievement means a lot to me – but not getting stressed. I never got certain jobs b'cause I am no "arse-licker"; a word and meaning I learnt in Wales. I have been into blogs for a while now, bookmarking / tagging, brand monitoring (MINI), content aggregation, crowdsourcing / voting (Starbucks), discussion boards and forums, vents and meetups, microblogging, video, photosharing, podcasting, presentation sharing, PR, ratings and reviews (Qype). I work to get sponsorship.
Combining culture with IT – this is my interest. I belive just IT is nothing, it is just technology – you still want to read the classics and books that are kept in the libraries. If you don't – I do ;-). I like the art of giving and helping! About me – in one sentence: Very happy!
N.B.: Mark and I are interested in professional film-making (we have good equipment). Wales offers great locations. You can film here very well.
Photography and film-making go very well together. I have studied Visual Anthropology (Georg-August Uni Göttingen) when I chose the subject "Europäische Ethnologie" in which I have a degree.
My name is George Kachadorian and I've beem working for nearly a decade on my latest feature documentary "SHOOTING BEAUTY"– selected to kick off the 2009 Full Frame Film Festival. Also playing in April at IFP/Phoenix Film Fest and IFFBoston.
Check out the brief trailer at our facebook page to see what I've been doing up here in my little NH studio...:
Greetings to all the new Members. George, much congrats on having your premiere be the Full Frame premiere, that's pretty awesome! Now be sure to take the next step and sign up for full membership . Annette, now that's an awesome introduction!
I just saw the trailer to your film, it is amazing. I can't wait to see it. Are there any plans for the film to come to New York anytime soon?
Thanks Ben...I'll be there all week, so we'll definitely cross paths. Congrats on your film.
Great trailer George, and I love the tagline "Everyone deserves a shot." Hope to catch you and the film at IFF Boston!
Dear all, my name is Joshka Wessels, I am a eco-documentary maker based in the Netherlands. My background is in visual anthropology and geography (yes, I have a PhD in that...)I have been a member of D-Word since 2007 when I was based in the UK but just didn't get round to properly introduce myself! I have been working a lot on climate change, water and middle east issues lately. Attached is a list of broadcasts and screening in 2009 of 5 different films I made. You can see my showreel on my youtube channel www.youtube.com/joshkawessels
Have fun !
Glad to have you finally posting, Joshka. Though now I can see why, you've been quite a busy boy. Much congrats.
hi doug, thanks, busy girl you mean...I know confusing hey, Joshka can be both....:)
You know, Doug's eyesight... and he doesn't really read the bios... :-P
[looking for shelter]
Hey, I'm on vicodin and not responsible for anything I do these days (just ask my wife!). But sorry about that, lovely Joshka.
Thx for the Welcome Doug, I'm really psyched to be involved w/this group.
Which is a great segue to a question I have as it regards fair use. As I mentioned, I am working on a feature doc on the collapse of Bear Stearns, I've already had a bunch of fantastic interviews and have a bunch more scheduled through April.
However, I also have an absolute trove of internal corp vid from Bear Stearns that was spirited out of the bldg before it could be destroyed. There is much in this trove that will be useful in one way or another, and yes, some of it is pretty sensitive and documents meetings while the company is on its way to oblivion during that fateful last week.
My question is, what, if any guidance does the group have vis a vis the Fair Use claim. Based on the American Univ Best Practices statement, I feel I'm on pretty firm ground in using what I have, and I also plan on obtaining Fair Use insurance; but just wanted to see what some of you thought. I guess the best way to think of what I have is similar to SMARTEST GUYS IN THE ROOM, which was of course, chock full of internal Enron corp vids.....
Look fwd to any/all comments....
Given the sort of material you are thinking of using, it would seem imperative that you speak to a lawyer.
Thanks John. In order to get the Fair Use insurance I mentioned, I must have a statement from a lawyer attesting to the veracity of the claim....Was just wondering if there was anyone w/a shared experience who could give me some guidance.
Hopefully you'll get some more feedback from the D-Word.
In the interim, Richard Lee is a longstanding member of our community and well versed in these issues. I haven't used him myself, but many colleagues here can attest to his competence in this area.
Thx a bunch, John! I will see about contacting him....
Hello dear documentary colleagues!
I'm Shui-bo Wang, a Montreal based filmmaker and I also teach at the prestigious Central Academy of Fine Arts in Beijing, as a visiting professor. My animated autobiographical documentary Sunrise Over Tiananmen Square was nominated for an Academy Award in 1999. I made two other documentaries titled Swing in Beijing and They Chose China, and currently working on a couple of documentary feature film projects both in Canada and China.
Welcome, Shuibo. Be sure to apply for professional membership to get full access to all of the discussion forums.
Hi, My name is Simone and I started a project a few years ago- www.nomadichands.com
If anyone is interested in helping out with an upcoming documentary in the Ecuadorian Amazon very soon, I´ve just posted info about it in the public classified section. I´m always open to help with all other areas of the project too ;)
Greetings and Thanks for welcoming me into The D-Word. My name is Adam Lichtenstein and I am an Avid and Final Cut Pro Editor of features, commercials (web, too) and documentaries (TV news docs, reality, and theatrical). My most recent project was for HBO about the late great 70s character actor John Cazale called I KNEW IT WAS YOU. It's making its tour of film festivals, having recently been at Sundance where it was in the Documentary Spotlight program. It's a great little gem and particular favorite of film people. I hope you all enjoy. Again, thanks for inviting me into The Discussion. Warmly, Adam L.
A warm welcome to Simone and Adam. Good to have you both here and leaping in.
I saw I KNEW IT WAS YOU at Sundance and really liked it. Welcome, Adam!
In reply to Doug Block's post on Thu 19 Mar 2009 :
Many thanks, Doug.
In reply to Ben Kempas's post on Thu 19 Mar 2009 :
That means a lot, Ben. And thanks for having me.
In reply to Riley Morton's post on Fri 20 Mar 2009 :
Thanks, Riley. SCRAPPLE's my favorite too.
This is Ruby Yang from Beijing, my home/work base for the last 5 years. Relocated from San Francisco in 2004, I am still fascinated by Beijing and the rest of China.
Thomas Lennon, my colleague has been telling me about this site. Glad I am now part of this professional community.
Welcome, Ruby! I've known of you through Tom for many years now, so it's great to finally have you joining us here. I guess modesty prevented you from mentioning the documentary short Oscar you and Tom won last year for "The Blood of Yingzhou District", but not me.
In reply to Ruby Yang's post on Sun 22 Mar 2009 :
please, keep me in mind in case you come along with medical video footage.
Hey Documentary community. I am Rick Eisenstein of Los Angeles and I am working on a documentary about the mortgage meltdown leading to the the foreclosure fiasco.
I'm very new to the documentary production process. I am helping a friend raise money to realize his dream of making a documentary questioning the mysterious circumstances surrounding the death of Edgar Allan Poe against the backdrop of the socio-economic and political realities of 19th century Baltimore.
He's been working on this for well over a decade now, and has a very detailed and well-thought plan, in addition to some participation arrangements with successful documentary filmmakers, so I am confident in the "bedrock" of the written materials and accounting data upon which I am building our funding strategy.
I am familiar with fundraising for social service agencies, higher education, and the visual arts, but this is my first foray into documentary film and it looks like there are significant aspects of documentary funding that are unique to the discipline.
I've found some solid information online and even a few leads worth pursuing, but would definitely be grateful for any wisdom and advice I could gain from those more experienced than I.
Most notably-what are good ways to get leads/ideas/contact information for organizations that issue grants for documentary films (particularly those focusing more on the American history and/or literature fields)?
Thanks for any guidance anybody should provide!
I am merely an amateur who is just getting into filmmaking. My real passion lies in Social Media. I am the Social Media Strategist for a nonprofit organization called Working Films. We work with a lot of documentary films and help create audience engagement strategies so that their films can really have an impact on the social issues they are about. I am really interested in seeing how filmmakers are using social media to get the word out about their films and to engage their audience.
Are there any filmmakers here who have been using social media tools in their film campaigns?
In reply to Richard Eisenstein's post on Mon 23 Mar 2009 :
Rick – sounds interesting. Just make sure to include a montage of a baby carriage rolling down steps.
Welcome Richard, Rob and Lynn.
Lynn, you might want to browse thru the Marketing and Distribution topic, where a number of filmmakers are discussing social media and networking tools (most lately, Angela Alston).
I'm a reformed network news producer who has spent the past 2.5 years shooting in India, Pakistan and W. Africa for a broadcast-length doc called SOLD:Fighting the New Global Slave Trade. It's about three courageous people who defy death threats, carry out daring rescues and challenge powerful interests in the battle to end child slavery in the 21st Century. It's not another film about what's wrong with the world, it's a film about a Christian, a Hindu and a Muslim who are kicking butt and making a difference. (I'm still trying out my loglines ... as you can guess).
Mira Nair has just signed on to be our narrator and we are working with several NGO's on our outreach campaign. I'm navigating the foreign broadcast sales world right now and look forward to the wise counsel of those who have already trod this thorny path ....
Jody Hassett Sanchez
Okay, I already screwed up. Was trying to insert that odd picture into member slot. Figured I'd let you guess which one is me. – Jody
far and away the best self-portrait in the dword to date – welcome Jody, and glad to see us spicing things up
Jody, clearly you're the one humping the column, right? Smart undercover disguise, I say. Good luck with your film, sounds kick-ass, for sure. And welcome to The D-Word.
Yeah, that's me. Same outfit I wore while filming in central Pakistan. Got several requests for the head cover.
My name is Brian Lio, and I am excited to have found a community of so many established documentary filmmakers. I just recently got into this space about a year ago when I founded a small production company with my friends and left a job in marketing to see if we could strike out on our own and make something work. I had not so much as held a camera when this whole thing started, so it has been quite the whirlwind learning process for me along the way.
We have been shooting a weekly documentary reality show called Jet Set Zero that follows the lives of a core cast as they attempt to start from nothing and fund their travels around the world living, working, and interacting locally.
Our goal is to try and tell the stories of what it is like to really live in a culture though personal experiences, and show that it an accessible dream to everyone by having a cast that funds themselves and opening the finances. We have been filming and releasing content for the past 9 months and have been shooting in Seattle, Saigon, Bangkok, Tokyo, and now Seoul. Its been an amazing experience and I am lucky to have a great team to learn from.
I look forward to getting feedback from everyone here and learning about what it takes to make a documentary series really successful. You can check out my work at www.jetsetzero.tv.
Hmmm, great content + great promotion = successful series. As long as we don't talk about funding, how's that for a formula, Brian? Anyway, sounds like a great idea and loads of fun (if you're young). Welcome to The D-Word.
I am an aspiring filmmaker (is there a word like "aspiring filmmaker"?). I haven't done any productive work yet. I was looking for some guidance to start and do it. Can someone suggest which camera (new or old) we need to making short movies? Any other suggestions for aspiring filmmakers? :)
about cameras for short films / low budget – I'm a big fan of the Panasonic DVX100A.
Just joined following a link from dvinfo.net. I am a very new documentary film-maker who has just jumped into the deepest of deep ends. I have two huge projects going on at the moment: one of which, considering my location, is politically sensitive and so will remain a mystery, but the other one I am keen to get some input on.
Basically over the years I have worked in many different capacities at a big Harare arts festival called HIFA. The festival is a complete miracle considering the economic and political context and I want to capture the sense of wonder and incredible achievement as the directors of the festival battle with the worst inflation in the world (over a sextillion percent), a cholera epidemic, a shattered economy, terrible phones and internet, arrogant foreign artists, indignant local artists, highly demanding corporate sponsors, difficult diplomats, etc. It is an exciting project, and I have just begun it. Started filming on Saturday – I have about 6 weeks before the festival starts. The real good footage will come in the last few days before the festival starts, but in the meantime I am laying the groundwork, trying to get some b-roll, building trust (a huge exercise, even considering my many years successful relationship with the organisers), practising some run and gun handheld shooting, etc.
Any recommendations, ideas, tips?
I am pretty worried about the millions of releases I am going to need. The dance rehearsal I just shot had 30 dancers in it! and that is only day two of shooting. Also, worried about incidental music appearing in shots, and the whole host of problems associated with clearing rights for that kind of thing. Seeing as this is an arts festival there will be a huge amount of artistic copyright issues I imagine.
Also I am trying to get as much observational stuff as possible and not interview people formally if I can avoid it. so what seems like a good shooting ratio in this kind of scenario, 60:1 ? I am trying to make a saleable end product which will have the duration of a tv hour – about 50 minutes. I am hoping to try and sell to tv stations etc, as I believe the topic will at least have some novelty value, and it is theoretically current affairs related as well. Anyways, any thoughts from anyone, any pointers as to possible difficulties I am going to have, warnings, tips?
This is my first post here, so this is almost certainly not the place to ask such detailed stuff, anyway – at least you know who I am and what I am up to!
Oh, I have a Sony EX1 and various mics etc. i don't have enough media or batteries, but maybe you never do?
I just joined the forum to see what stuff is being made everywhere!! And to be able to chat with James Longley of course!
Its awesome to be in a forum with such great filmmakers as yourself. Ok, so Ive had something that ive wanted to tell you for a couple of years now. It all started about 3 years ago when I watched Iraq In Fragments. At that point I was on my 1st year of Film School and although I was learning about the sensitivity in storytelling, I was more impressed with camerawork. When I saw that film I was blown away. At that point I thought it was only the camerawork what was amazing and I managed to find your contact at DVX user and I sent you a note asking you ONLY about the presets you used to achieve these images. You replied in no time with all the numbers and I punched them into my newly purchased DVX 100A as if those numbers alone would aquire those pictures.
Now.. for all of these years i have regretted enormously just having asked you about those presets.. I have grown out of the tech freak school mentality and I can watch your film now without focusing on shutter speeds, or framings or whatever. That film has taught me lots of things. I go back to it once in a while to learn when Im feeling stuck creatively.
Ok so all of this is to say.. sorry for just asking what the numbers in your DVX setting were, when you had made such an amazing, human piece.
Thank you, Pablo. You're very kind.
But if you're looking for humanity and sensitivity, there are a lot of filmmakers who've been able to capture that better – and a lot of them are on this forum. Take a look at Doug Block's film 51 Birch Street, just for instance.
Hi. My name is Preston Hart. I am a Brooklyn based composer and producer of music for films and have scored a couple of documentaries by DC's Eidolon Films. I am looking for new projects so please feel free to contact me.
Welcome, Pablo and Preston!
Thanks, James. I'll trade some humanity for your presets, though.
These are okay:
the settings are nothing special – keeping the iris open is more important. Oh yeah – and get close to your subject and shoot wide.
Stumbled upon this site via 2-pop and so glad that I did. I am currently working on a feature length doc working title: Jimi Hendrix: The Early Years
It's about the time right after the Army when he and Billy Cox were living in Nashville. It's about him but it's also about the thriving R&B scene in Music City at the time. It's a side of Nashville that really hasn't been told.
I finished the interviews (30+) and currently working in FCpro, researching archives, licensing, figuring out to pitch it etc.
I ran out and got the interviews first because these guys were not getting any younger...3 have already passed away that I got including Larry Lee last October. I have an hour interview with him and it was probably the last one he did.
I shot everything on a GL2 & an FX1 in SD Have gathered a few more people to help and things a moving forward. I'm sure I will have lots of questions. Grateful to have a place like here to ask them. Looking forward to getting to know some of you.
Glad you found us, Valerie. Sounds like a fun project, hope it all works out. And you find the money for those music rights ;-)
thanks, luckily most of people i interviewed have their own cd's so won't be using much (if any) hendrix tunes. we'll see. you know they did a documentary about bluesman robert johnson (at the crossroads) and all they had was a photo. we'll see...haven't approached Janie Hendrix yet but have a feeling it would be way out of my budget.
happy to be here with the d-word. I'm a filmmaker from a book background which means I'm still learning to work with a more engaging visual style. I've got my first documentary CONNECT USA premiering at the FirstGlance Film Festival in Hollywood next month. Much of my work until now is oral history based (interview heavy), and CONNECT USA is the story of me traveling across the USA interviewing people over a game of Connect Four (see the trailer at www.bodegavision.com)
Going forward as I look to make more documentaries, I look forward to not making it in the woodshed like I did this one, but among a community of doc filmmakers.
Welcome, Gregory. You should consider applying for full membership, which will give you access to all the topics. It's free, but not automatic.