Thank you, glad to be here. I'll fill out the info... Tracy
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I think an introduction is due as it has been ages since I did this d-word thing. It has sure grown! Anyways, I just finished my film EL GENERAL and am coming out of the water after a few years of being totally immersed.
I'm set up to produce and edit in both NYC and Mexico City and I'd really like to take advantage of this cross-border production capacity and be in touch with others who are straddling the border... I'm in La Roma in Mexico City and Clinton Hill in Brooklyn.
welcome (again) natalia! too bad that i missed you and daniela at the LAFF screenings of EL GENERAL, but i had to travel to NYC at the last-minute. anyways, i hope to catch your film soon at another festival or on P.O.V.
Hola, Natalia! Nice to have you come out from the darkness and into the shining light of the mighty, grown-up D-Word, at long last. And much congrats on all your success (I knew her when, folks)! Will El General be showing in NYC any time soon?
Thanks for the welcome back! Yes, El General will be at Lincoln Center in September and at the Museo del Barrio in November. I will be sure to join your "shameless self-promotion" and post the screening details.
Natalia, I saw EL GENERAL at Sundance, and we briefly met at a reception there. The film is excellent!
Yes, be completely shameless about it, Natalia. As long as it's not Sept 3rd (the evening of our 10th Anniversary Bash), I'll do my best to be there for the Lincoln Center screening. In fact, let's make it an occasion for another D-Word f2f (we can never have too many).
I'm a Sound Engineer in the Seattle area. A local Producer and member turned me on to your site and I thought I should say "Hi" instead of lurk. I've worked on all types of projects but I really enjoy the doc world. The last doc project I worked on that's been completed was A WINK AND A SMILE by Deirdre Timmons. A film about 10 women and a local burlesque class for non-professionals.
I'm looking forward to learning from your community and, if I can, passing on some of my knowledge.
In reply to "Doug Block's
Doug, I posted a reply to Melanie, but didn't intend for all the info to be public... oops. is there a way to hide it? (I'm so bad at these things!!!!)
Not sure which post you're referring to, Natalia. If you go to it and click on the blue "Reply to this post" arrow above it, then re-post what specifically you want me to hide, I can do something about it.
Hi guys. I've been absent from this site for a year or so and am back for more.
The process of making and showing Three Soldiers was intense. Spending time with families in mourning, learning about documentary distribution, raising a family and oh yeah, that damn job.
Thank goodness I woke up last month knowing what my next project will be. I'm relieved – wasn't sure for a while whether there would be a next project. Nice to come back to this site and find the friendly banter and invaluable inspiration.
Welcome back, Shailly. Glad to see you're still in one piece. Feel free to fill in your member profile when you get the chance.
I'm a new member here. NYC based doc filmmaker. Produced and directed over 16 short docs for television and science and tech vids for the web.
Currently working on a feature doc about screenwriting guru Robert McKee.
http://seminarthemovie.com/. Reel of stuff: http://bradleyglenn.com/.
I have a short doc (10-25 (?) mins, approx)I'm looking for an NYC based FCP editor for, strong story editor. Also, looking to be like a sponge and learn everything all of you have to offer. Thanks.
Welcome, Bradley. I'm fascinated by McKee. Haven't taken his workshop but I highly respect his book, Story. Enjoyed your trailer, keep us posted on how it's coming along.
Welcome Bradley. Sounds like a tough project to be working on McKee's "Story"! Good luck with that.
Hello to all at the big D, my name is Emile Guertin, I am an editor of several years cutting mainly for Discovery and NatGeo, but am now turning my attention to directing my long-planned indie doc about faith in Manila, Philippines.
It's a character driven portrait of several Filipinos and how they reconcile their fate with the divine. It's my first doc as director, but as a strong storytelling editor, it feels like a natural progression for me to be behind the camera.
My initial reason for joining D-Word is to seek creative support and advice as I venture down a path I have not trodden before! Shooting in a couple of months.
Influences on me Joseph Campbell, Karen Armstrong, James Longley... and others.
Currently based in Sai Gon, Viet Nam, originally from London, UK.
Oh as an extra note, most notable indie project I cut was 'Bunso: the Youngest', directed by the lovely Ditsi Carolino, Manila, Philippines. Premiered at IDFA 2004. Here's a clip if anyone's interested.
A special welcome to The D-Word, Emile! I think you're our first active member based in Vietnam. :-)
Hi you all, I'm a documentary film director and producer based in Spain. I'm half french and half spanish and lived for many years in Germany... I guess that makes me really an european... I have a small production company with two colleagues but friends. We are now working in several documentary film projects that would need international coproducers, so I am working on creating a network of people and see what happens. I'm looking forward to the interchange in the D-Word. Visit our website www.elegantmob.net to know more about me/us. All the best. St.
Hi Stephane. We were just talking about your film, ONE HUNDRED METERS AWAY, over in Views on News a few days ago. Welcome.
Hi Jason, hopefully next time I won´t miss the conversation...
You can still take part in it, Stéphane. It's part of the beauty of conversations at The D-Word – they never really end. A warm welcome to you and Emile.
Hello, I am documentary film student in Zagreb, Croatia and I am writing my final school paper under the title "Documentary Film Distribution"..any good thoughts on possible literature adn where and how to find it?
In reply to Sinisha Juricic's post on Fri 10 Jul 2009 :
Assume you're talking about international distribution.
A lot depends on what you mean by literature, and on the exact topic your paper covers.
If it's sales brochures etc, many of these will be online; just google and see what you come up with.
Also find out which person within BBC Worldwide, National Geographic Television International and other large distributors deal with Croatia and ask them for advice on where to find literature.
If you mean books or papers on the distribution business, I haven't ever come across any, though that doesn't mean they don't exist.
Hailing from Oakland, I'm making a strange-but-true documentary about how I encountered a Physics principle by following a string of coincidences to it's illogical conclusion.
51 Birch Street is the most similar documentary I've seen, as it deals with unknown people and private lives but expands those small truths to universally felt emotions and issues of family life and it's mystery.
Looking for collaborators in opening a doc production collective in the Bay Area – anyone know someone who'd be interested?
Hi Julia – i'm sooooooooooo intrigued by your trailer. incredibly excited to see the film that this becomes. welcome.
thank you so much! too bad you are all the way in Chicago – but good for you on the skate flick, that genre is totally different out here
is it too bad that i'm all the way here or too bad that you're all the way there? guess it depends on the criteria.
and i totally agree the skate doc. genre is way different out your way... that's kind of a driving force for my story in a way.
Welcome, Julia. Intriguing premise and rich material, to be sure. Good luck with the film and with your idea for a collective.
It's been years since I've posted, but I've been busy, so I'll reintroduce myself.
I'm Brian Boyko, I'm an indie documentary filmmaker, and I've just "went pro" – while I'm still working on my quixotic documentary on New Zealand electoral reform (now renamed "Importing Democracy") I've put it on the backburner, instead writing a book on the same subject, as I take on paying work.
I'm likely to get a field producer gig for an in pre-production documentary on the art and culture of Cuba. I'd have to get permission from the U.S. State Dept. to go, but hell yes, I'm going for it!
I've also been approached by a couple of corporate clients, and I'm now spending about half the time at my day job on video (I was hired as a writer, but the job responsibilities have morphed as I got better with video.
I just ordered a Panasonic Lumix GH1 and also plan to get into wedding videography to make some money on the side to continue to fund the documentary film projects.
Anyway – that's me again!
Hi again, I have already introduced myself a week ago or so, but can someone help me with how to best navigate the site? I can see all the topics with related conversation strings, but how do I find the first posting for a certain thread so I can track the evolution of the conversation? At the moment I find myself dipping into a conversation without knowing the bigger picture. Thanks.
The only way is to go back within a thread and try to track down the first posting, Emile. This is a different kind of structure than topic-based ones (like DV User , for instance). But it's actually much more conducive to conversation, especially if you keep up with it regularly.
emile, don't worry about jumping in during the middle of a conversation. as long as you have something to add (or at least something reasonable funny to say), you're welcome to post. the key, though, is to check D-Word at least once a day so that you don't get too far behind in any conversation (that you wanted to be a part of). yes, this site can be an addiction, but if you are really disciplined, it'll only suck 10-15 minutes from your day. if you are not disciplined, then you'll end up like the rest of us suckers.
Hi. I'm Dave. I've spent a year and a half immersed in my political documentary. I have 60 hours and have been putting off starting post until I have a little bit of money. My mentor suggested this would be a good place to look for an editor.
Welcome, Dave. Hate to break the news to you, but a good editor costs a good deal of money. But if you're serious about finding one in the LA area, you can ask for suggestions here or you could get in touch with some local doc makers (possible through the IDA) and ask them for suggestions. Good luck with your doc.
In reply to Christopher Wong's post on Wed 15 Jul 2009 :
Thanks Christopher, and Doug. I am getting into the swing of it slowly but surely!
Hello from Madrid,
I'm Mariangela and together with a Spanish director I am producing a an independent documentary mainly shot in Spain but that will require a few days of shooting in the U.S., more precisly around Los Angeles, route 66 direction Las Vegas in August (8-12 August).
This is also the main reason that lead me to find the D-word, but I must confess this page seems really great.
We are looking for a sound recordist for 2 max. 3 shooting days in August. Anyone know someone who'd be interested?
Any help on how to address best this search will be really, really appreciated.
Please mail me to:
Thanks a lot and saludos from Madrid.
So I've been lurking around here for a while now – have pulled a lot of great information from the site – and figure I ought to introduce myself. I'm just finishing up my first feature doc – about a year in the life of a porter on the Inca Trail. We just 'unveiled' the "website": http://www.michacrafilm.com/ and Facebook page a few days ago. Definitely a rookie at all of this, so feedback/advice is welcome on both. I look forward to being more a part of the community here.
Jason, great to have you here with us, and glad you're finally posting. Best of luck with your project.
This is my first post. I am a documentary film "enthusiast". I actually own a DVD/CD/Blu-Ray replication company called The Dubhouse. I work with a number of independent/documentary filmmakers (including Doug Block some years back). We have 8 plant locations across the country (NY, L.A., FL, NC, IN) and can handle any quantity fully packaged. Let me know if I can help.
Hey, good to see you here, Michael. It was a pleasure working with you in the past. Feel free to give us more details about The Dubhouse in our Classifieds topic.
Hi first time writing. Have always been a reader. I'm working on a documentary with potentially some big artists. Somewhat nervous have always been able to fund my own projects. I have reached a point where funding the rest of this project is not an option. I wanted to reach out and see if anyone can point me in the right direction to investors. If anything, just some knowledge n the matter.
Albie, no way to do that without knowing more about your film, and even then it's difficult. You might want to get one of the Morrie Warshawski books on fundraising, which would tell you the best ways to present your project to investors. He has a good book on fundraising house parties, too.
Thank You, Doug good point. I will look into that. It's a film about some musicians wrapped around this enigmatic label. Who in there heyday in the 90's had a chance for a label. They seem to be coming back and the internet is a buzz with them again on their upcoming release. I have complete access to the bands on the label as well as the particular band I mentioning.
Hello all! I've been an entertainment journalist for many years here in Hollywood (with the trades, and also with Premiere and the NYT), covering film festivals worldwide, but have always had a passion for filmmaking and film. I also occasionally write for and help run a film website on independent and international film, Cinema Without Borders (www.cinemawithoutborders.com) and continue to run my database company about film actors worldwide (www.ulmerscale.com). My only professional doc experience has been directing a documentary for the BBC in London after college. Now, many years later, I've decided to take the plunge again and make what I hope will become a series on the film villages of the world. It's about the life (and sometimes death) of the villages behind some of my favorite movies – Visconti's Terra Trema, Toratore's Cinema Paradiso, as well as Il Postino and dozens more (the series begins in Sicily but will continue through various countries). It's a sort of anthropology of village life as seen in, and changed by, some of the world's great movies...I am now searching for a DP to team up with me when I go back to the villages of Sicily to shoot the pilot, possibly this fall but more likely next spring. Hoping to find an ally in my passion project – preferably someone who speaks a little italian as well, though it's not necessary (I spent a year in Naples a kid). Anyway, I look forward to discovering some fascinating folks and ideas on this site, and if you are interested, feel free to email me. Please also check out the article that started me on this village journey – a piece I wrote for our website called "Entering 'Paradiso' – a Guide to Inhabiting Your Favorite Film," which you can find at:
Thanks for taking the time to wade through this overlong introduction!