Assume you mean Last Train Home, sir. I agree, it's a great doc.
This is a topic where you can say which documentary has really impressed you, and why people should see it. Can be a recent one or an all-time favourite. Can't be your own though, sorry...
We also have a Documentary Films topic for our Professionals where the debate is private and possibly more controversial. This topic here is for recommendations to the documentary-interested public.
This topic is for praising the work of others, not your own. If you want to beat the drum for your own documentary, please don't do it here. Enthusiasts use our Public Classifieds, and Professionals have their own Shameless Self-Promotion topic.
In this context, Why documentaries matter by Nick Fraser in today's Observer.
Includes his all-time favourite docs, and many people posted theirs in response. Well, we did it first... Which are YOURS?
Up the Yangtze. Lin was Yung's DP on Yangtze film prior to making Last Train Home. Stunning cinematography in both. The stories: very well told. Considering the circumstances under which they filmed, both are one of many that are top on my list.
Also loved the incredible archival in John Walter's Theater of War.
Doug, famous docs are allowed shortcut names. I often talk about that famous doc I saw in New York – The Kids.
The Kid Stays In the Picture? The Kids Are Alright? My Kid Could Paint That? The Kids Grow Up?
Just saying this is a topic open to the general public, so we shouldn't assume anyone is familiar with our recommended films, much less their shortcut names.
Ben & Doug,
Don't know how to delete the post... sorry!
We'll let it slide this one time, Mascha. Mostly to serve as an example to others ;-) Don't let this keep you from participating, though. What other doc do you recommend, particularly one from the Netherlands?
A Blooming Business (http://www.newtonfilm.nl/blooming_business) and California Dreaming (http://tegenlicht.vpro.nl/afleveringen/2010-2011/california-dreaming.html) come to mind but how does that differ from telling people about your own independent documentary?
It's a far different thing recommending someone else's doc that you admired than to recommend your own. Whether yours is a good film or not, it then becomes an act of self-promotion.
In reply to Erica Ginsberg's post on Sun 20 Mar 2011 :
Heddy Honigman website:
Maybe not her newer films but at least 3 other Heddy Honigmann films now available on Netflix: Dutch Junkies (2007), Forever (2006) and O Amor Natural (1996)
and as a DVD boxed set also: http://www.fnac.pt/Antologia-de-Heddy-Honigrann-sem-especificar/a30230?PID=7&Mn=-1&Ra=-3&To=0&Nu=1&Fr=0
Her facebook page: facebook.com/heddy.honigmann .
Meanwhile Icarus Films has 2 competing facebook pages for her, from their own angle.
Straight, No Chaser. A beautiful Thelonuis Monk story with mostly "found" footage and Charlotte Zwerin as an editor. It's a true testament to the power of the edit to create something from discovered footage years later. Aside, from that, it's awesome to see inside the genius. Same with Charles Mingus, 1968...follows him through his eviction from his apartment/studio. Found it on vimeo
There are so many... FACING ALI & also love the ESPN Series 30 in 30, a collection of sport documentaries.
Here's a link to the ESPN series Tim (those of us outside the US won't necessarily know ESPN)
I have NOT seen this doc, but am so blown away by the scene select and the process that I thought I would share. This is The Arbor by Clio Barnard. She created the film out of audio interviews which actors then lip-synched to, verbatim, while acting. It is supposed to screen in NYC sometime this month and am definitely going.
I loved http://www.kinshasa-symphony.com/index.php?id=8&L=0
for cinematography and characters.
I was just about to post about The Arbor in Doc Films. It's playing at SF Int'l later this month. Can't wait to see it.
And thanks for the recommend on Kinshasa Symphony as it's playing close by next weekend and I wasn't planning to see it.
I recently saw Brian Winston speak in support of a (very expensive) documentary on Robert Flaherty, ‘A Boatload of Wild Irishmen,’ for which he wrote the script. There is a little interview with Leacock in the film where he talks about working as Flaherty's cameraman on "Louisiana Story." Leacock's career was a truly expansive one.
Here's a link to Leacock's recollection of this experience of working with Flaherty from his website: