We are looking for an executive producer for the documentary project The Navajo Riders.
The Navajo Riders covers the Navajo Nation Council Horseback Ride in which council delegates ride to different parts of the Navajo Nation to learn about the needs of the Navajo people at townhall meetings, recreating an old tradition. The seven day ride begins at the base of Navajo Mountain, goes through the Monument Valley, and ends in Window Rock, the capital of the Navajo Nation. We follow the NaaTsis Aan Riders throughout this exciting 510-mile journey through three states passing the Navajo volcanic fields, a meteor crash site, and a glacial lake. Along the way suffering temperatures above a hundred degrees, we encounter wild mustangs and ancient Anazasi structures built thousands of years ago. During this week-long event we explore the unique traditions of the Navajo culture.
The Navajo Riders will be submitted to the Native American category for the Sundance Film Festival. Navajo producer, director, and writers are attached to the documentary project.
We have been doing the Navajo Council ride for the past eight years. For the past three years, I have been filming the ride. With these images, I created a trailer, The Navajo Riders 2005, to present the idea for this documentary. To see the trailer please go to www.joshuedeltoro.com
Phone: (213) 949-0938
Joshue Del Toro
Public Classifieds and Announcements
Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
We are looking for an executive producer for the documentary project The Navajo Riders.
Seeking native Italian or perfectly fluent Italian speaker experienced international doc film/cinema verite editor who can work with PAL footage and who has FCP 6. Please have full-length international doc and/or cinema verite experience. 16 hours of footage need to cut a trailer. Pay negotiable – new york, new jersey, boston, or will consider some travel.
I'm a brazilian journalist working as a field producer/fixer for foreign TV crews, film and video makers
that plan to come to Brazil in order to produce films, video documentaries, hard news reports and other productions.
Currently I´m a free lancer for YLE ( Finland) , ARTE ( France-Germany), ARD ( Germany), ABC ( Canada), CBC (Australia) and CNN Español ( based in Miami).
I would like to let you know about my availability for anyone who may need someone in Brazil and southern south american countries.
In my position I can quickly provide :
- field and travel arrangements
- filming permissions
- interviews and visits scheduling
- suitable natural sceneries and movie set
locations – indoor and outdoor
- local transportation and lodging anywhere in
Brazil and South America
- translations portuguese/english/spanish
- "making of" photography
- money saving logistics
- dynamic, productive and detailed trip
- cheap car and equipment rental
- fresh stories suggestions monthly ( if you wish to receive those)
If you know any media professionals who are willing to travel to Brazil
soon or someday for filming, and need a person to work
on the pre productions details, please let them know
our email adresses :
Phone number in Sao Paulo city : 11-30329302 or mobile 11-84024790
You can expect hard working and willingness to help
people bringing out the best of what is possible and
impossible to be done in a limited time
reporting/filming trip in Brazil. From organizing a
safe expedition to remote indigenous tribes of Amazon
forest to an interview with our new president Lula.
Here's a brief of our profiles :
Caio Vilela, 38 : Working with photography and
travel writing for brazilian and
foreign publications, has been traveled in
more than 50 countries producing written reports and images.
After twelve years travelling extensively inside Brazil
and South America as a nature travel guide and
reporter, he has contacts with media related people
all over the country and knows virtually every nature
travel destination in Brazil.
Wife and colaborator : Ana Busch, 40, executive-director of Folha de
Sao Paulo, Brazil's main newspaper and newswebsite (
www.folha.com.br ) , Ana has been working on
hard news for 18 years.
Owner of a precious phone directory and
having very efficient contacts in Brazil government
staff, she can help you get through burocracy and take
short cuts to obtain filming permissions, and
scheduling interviews with busy/important people.
All the best from brazillian warm winter,
Phone number in Sao Paulo city : 11-30329302 or mobile 11-84024790
A friend of mine on a cable documentary series is looking to hire a production coordinator and office PA.
Please send all resumes to firstname.lastname@example.org with the initials EE in the subject.
**Sell Your Movie on the iPOD MOVIE ZONE**
A non-exclusive, filmmaker friendly platform to sell your movie to portable player users!
- All legal content welcome [until we fill up our server ;)]
- Completely non-exclusive
- Servers based in the USA, agreement per State of California
- iPod Movie Zone takes $1, filmmaker keeps the rest!
==> Email email@example.com for more info or a startup kit <==
UnionDocs is a 501 (c) 3 non-profit documentary arts collaborative and presentation space. Currently, our primary program is The Documentary Bodega Series, featuring new and challenging documentary film and audio works every Sunday evening in our Brooklyn screening room. The series is produced by the Resident Curators of UDR, the UnionDocs Residency Program for Documentary & Media Studies. We also produce a podcast and blog, featuring short media pieces inspired by discussions at the Documentary Bodega and beyond.
UnionDocs is looking for a new resident starting in June. The UnionDocs Residency (UDR) combines an excellent and cooperative living situation with an opportunity for immersion in independent cultural production. Six carefully selected people live together in a historic building at a great location and collaborate to produce a festival-quality documentary series in the first floor screening room.
322 Union is a great place to live. It has a lot of shared resources and a lot of opportunity for fun while also having adequate privacy and a comfort (not always found in NYC communal living). There are three floors, a basement, a grassy backyard with a grill and deck, a big second story porch, and skyline views from the roof. The location is close to excellent transportation making most cool spots in Manhattan and Brooklyn within a short subway ride.
The first floor is a commercial space run by the program director. It includes the screening room, 2 studios for working media artists, the UnionDocs director’s office, and access to the basement which has been sound-proofed for music rehearsal and audio recording. Resources on the first floor are readily available to UD Residents outside of the schedule for the Documentary Bodega Series.
On the floors above, there are two nicely-sized three bedroom apartments with a living room, kitchen and bath. Both have wood floors, get lots of light, and were recently renovated. Bedrooms can be locked, but common spaces are shared by the six residents. One is better for cooking large meals and socializing and the other more appropriate for reading, working, and watching films. The common spaces are furnished, so residents need only bring the contents of their bedroom. The building has high-speed internet, a VOIP phone, and washer and dryer.
About $875/month plus deposit.
Please check out our website for more information about UnionDocs and UDR and fill out an application if you are interested:
Hello everyone, are there any filmmakers interested in learning about the distribution industry? My distribution company, Passion River, is hosting a workshop in NYC this Sat. May 17. Email me for more info and discount codes to save up to $200 (originally $350)
ON SATURDAY, MAY 17th, we are holding a Film Distribution Workshop and Seminar to all NYC Indie Filmmakers spilling the secrets to secure a decent Distribution deal (and actually earn a great paycheck for your craft).
Information for the class is down below. For members of D-Word, I am offering a 50% discount.
ANY questions or help, PLEASE FEEL FREE to contact me at firstname.lastname@example.org
Class Title: Film Distribution Seminar & Workshop
Date/Time: May 17th, 2008, 9 AM – 5 PM
Location: Fashion Institute of Technology (FIT), D- Building, Room D-207,
7th Avenue & 27th Street, New York, NY
General Fee: $350
D-Word Membership Fee: $175 (please e-mail me for coupon code)
STUDENT DISCOUNTS ALSO AVAILABLE
Register at: http://store.indiedocs.com/dclass.html
Class Description: Learn the trade secrets and nuts and bolts of film distribution in this unique seminar and workshop taught by distribution executives with combined marketing and title release experience from over 350 titles. Join President of Passion River Films Allen Chou and Expert Film Distribution Consultant Josh Levin as they discuss each step for getting a film to the right distributor and media outlet whether theatrical, TV, DVD, or Internet. Allen and Josh will also teach topics that include: "The top 10 mistakes to avoid when making a film distribution deal", "How to develop a profitable film distribution plan"; as well as "How to find your audience and make money with Self-distribution and Non-traditional distribution models". Join these experts as they share the secrets behind the real world of film distribution and marketing in this unique and valuable seminar. At the end of the lectures, they'll also workshop your titles. This is normally a 2-day workshop, but the lectures will be squeezed into a 1-day only event. Before you hire a producer's rep, or sign your first distribution deal, you must attend this class- or else you could lose thousands of dollars on a bad deal!
Some topics that will be covered in the class:
• 5 things you need to know BEFORE you shoot
• The secrets for a successful theatrical release
• What every producer needs to know in order to make a profit on their film
• How to find and make a deal with a distributor that actually pays
• Top 7 mistakes to avoid when making a film distribution deal
• How sexy distributors make you look good, but make you ZERO money
• Why the internet is the most important link in helping you make money
• 3 ways your audience will make you immediate money
• How Netflix changed everything with 7 million on-line subscribers
• The truth about retailers & why they can’t stock your movie title
• Walmart– Why big retailers can actually bankrupt you, instead of making you rich
• Why pay for a Producer’s Rep & Sales Agent– do it yourself
• How to get TV broadcast in the US and other countries
• Get your film to all the major Film Markets with or without a sales agent
• Why getting into Sundance Film Festival just doesn’t matter
• Get Film Festivals to pay YOU for screening your film
• Why traditional distribution models are dead and only work for about 2% of indie films
• Why non-traditional distribution models work and make you money
• Get real sales projections for your project
Info about the class once again is below.
Distribution Executive Bios:
Allen Chou is President of Sales and Acquisitions at Passion River Films, a NJ based company that distributes over 300 documentaries, arthouse films, and special interest titles for the US home video and international sales market since 1998. Many of his titles have landed retail shelf space in stores such as: Walmart, Barnes and Noble, Blockbuster Video, Hollywood Video, Movie Gallery, Best Buy, and many more… In 2005, Allen established a distribution partnership with Netflix, resulting in the release of over 180 titles on their site; as well as other retail outlets. Internationally, he has attended Film and TV markets such as the American Film Market in Santa Monica, CA and Cannes Film Market in Cannes, France, where he marketed and licensed films and documentaries worldwide to broadcasters and foreign home video distributors. Recently he started the College Speaker and Public Performance Program; as well as the New Digital Sales and Electronic Delivery division. Allen Chou received his BA in Film from the University Of Maryland, and also attended NYU.
Josh Levin is a film marketing and distribution executive who has brought more than 30 feature films to the US marketplace, including top award winners from Cannes, Sundance, Venice, Berlin, Toronto and Tribeca. As Chief Marketing Officer for Film Movement, Josh learned how to get hard-to-place films in front of the eyes of filmgoers across the country “by any means necessary,” from theatrical premieres in New York City to library screenings in Butte, Montana — while also learning how to get filmmakers paid for their art. Working with films with tiny or non-existent marketing budgets is Josh’s forte. Since starting Gallant Films in 2007, Josh has also begun working in production financing and consulting. Josh got his MBA from Columbia Business School, and his BA from the University of Michigan.
To register or learn more about this distribution seminar and workshop, you could also: www.marketmymovie, or call 732-321-0711 ext 135.
Thanks again and Carpe Diem for All Indie Producers and lovers!!!!!!!!!
Can you share some numbers with us for an above average, average, and below average film in your stable?
New York: DocuClub on May 21, 7 p.m.
DocuClub is Arts Engine’s monthly film screening series of works-in-progress documentaries.
Our May screening is scheduled for Wednesday, May 21, at 7 p.m., at the screening room of our partner Goldcrest Post (799 Washington Street, between Horatio and Gansevoort. For map with directions, go to www.goldcrestpost.com).
Join us as we watch Personality by Vinay Chowdry and Sarita Khurana. In the film, a Bollywood background dancer tries to make it in the film industry in India. The young man moves from his village in northern India to Mumbai to achieve his dreams of stardom, only to find out that although he is talented, he lacks what is known as "personality," a euphemism for being light-skinned and confident in a newly globalized India. The film is in Hindi, with subtitles. See a trailer for the film at: http://personalitythemovie.com/trailer.asp.
Our moderator will be Liz Ogilvie, Head of Programming for Docurama Films.
If you are planning to attend, please RSVP at: email@example.com.
Admission is free for current DocuClub members and $5 for non-members. To join DocuClub, go to: www.artsengine.net/store/#tools_consul.
Thanks and I look forward to seeing you on May 21!
Arts Engine, Inc. supports, produces and distributes independent media of consequence and promotes the use of independent media by advocates, educators and the general public.
Looking for a PRODUCTION ASSISTANT for a Travel Channel shoot throughout Turkey.
Anticipate what the crew needs & act on it....willing to do whatever it takes including long hours & hauling gear...all with a positive attitude!
May 25th-June 3rd
Please contact firstname.lastname@example.org with CV/resume and short paragraph of interest.
nicole (depending on what you are paying he may do this himself but usually he's way too busy).. please contact a friend of mine – he's a professional cameraman and director but will know someone... Tolga at email@example.com – he's ace; I just copied him your note.
OPERATION FILMMAKER premiering at IFC Center in New York!
Starts June 4th and runs until June 17th.
In the wake of Operation Iraqi Freedom, American actor Liev Schreiber had an idealistic thought: rescue an Iraqi film student from the rubble of his country and bring him to Prague to work on his new film, Everything is Illuminated. What promises to be a heartwarming tale quickly becomes a mirror of the complex intercultural realities that have plagued the United States' war in Iraq. Director Nina Davenport sets out to document Schreiber's well-intentioned effort but soon finds herself embroiled in an escalating power struggle between herself as filmmaker and her young Iraqi subject.
Check http://www.ifccenter.com/film?filmid=60780 for more information or to buy tickets online.
Comstock Films seeks an editor's assistant/intern.
Technical Requirements: Basic working knowledge of FinalCutPro
Duties: Digitization of footage; synchronization of audio and video, basic logging and organization of footage.
Our approach to filmmaking is, both techincally and creatively, idiosyncratic, so adaptablity is as important as technical expertise and experience. A great opportunity to see a critically and financially successful independent production shop from the inside out; a great foot-in-the-door opportunity for a creative and energetic person.
Our films are sexual/erotic in nature. You will not be working with explicit footage, but must be comfortable with sexual themes.
Additionally, this job may not be a resume builder for all candidates. You will learn a lot and be treated well, but that may not immediately translate into future opportunities with other production companies. Please be ready to explain what you see yourself getting out of working with us.
This is not a paying position at this time.
Please contact peggy at comstockfilms dot com
NEW ONLINE DOCUMENTARY CHANNEL
joiningthedots.tv is a completely new documentary channel. It uses the power of broadband to bring the best documentaries on-demand, direct to your home. We specialise in intelligent, thought provoking films that challenge preconceptions and provide a more coherent picture of the way we live today.
Whatever you are interested in – politics, love, war, culture or religion – joiningthedots.tv brings together a unique collection of films to present a stimulating alternative to the formulaic programming of modern day broadcasters.
We are looking for quality documentaries for the site. We do not aggregate content for the sake of it and therefore we are very choosy about the films we acquire. We are a pay-per-view / subscription site and work with content holders on a revenue share basis.
We have launched with 60 fantastic titles and will be adding 5 – 10 per month.
We are partnered with The Independent newspaper in the UK, who will be running a version of jtd via their website. We will be marrying their editorial excellence with our filmic storytelling by embedding links and trailers in their editorials, which have similar subjects to the films.
All films are piracy protected and territories that may have already gone can be geo-filtered. For the strongest of films we acquire, we will offer the option of selling DVDs via the site. We also have a partnership with Picturehouse cinemas in the UK. They will screen one of our flagship films on a joiningthedots.tv / Independent branded night in a UK wide release every six weeks.
For more information contact:
Head of Acquisitions
6 Baseline Studios
London W11 4AT
Tel: +44 (0) 20 7221 7221 / +44 (0) 1225 426 856
Eighth Annual Media That Matters Film Festival WORLD PREMIERE!
Arts Engine is pleased to announce the world premiere of the EIGHTH ANNUAL MEDIA THAT MATTERS FILM FESTIVAL in New York City!
@ IFC Center
Join us for the world premiere of the eighth annual Media That Matters Film Festival! Be among the first to see the 12 inspiring short films we selected this year. There will be Take Action tables AND a chance to meet the festival filmmakers!
Wednesday, May 28, 2008
323 Sixth Avenue at West 3rd Street
New York, NY
Buy your tickets today at www.movietickets.com!
Looking for a videographer/filmmaker to help me film a documentary at the pyramids of Teotihuacan, Mexico in mid-July. I will be documenting my experience in a workshop done at the pyramids on Finding Your Authentic Voice. I have no budget other than covering expenses, so would like to find someone who is interested in an adventure and partnering with me to create something magical! Here's a link to information on the trip.
I've been producing a local access cable show, but have limited experience in filming. So I would be very grateful for any advice, suggestions, contacts.
Check out these articles about location filming, one in Latin America, the other in Africa.
If anyone is in need of transcripts, please contact me at Jamie@multimediatranscripts.com
What we do for you:
We offer accurate and bilingual transcripts with time codes. Although we do digitize your tapes for you if needed, we also provide you with a way of uploading your footage online so that you do not have to pay for couriering costs. We guarantee our clients’ transcripts within a 24-48 hour period and are flexible to your needs.
What we provide for you:
We, at Multi-Media, know that creating a “paper cut” of your footage is time consuming and inconvenient. We also know that paying an editor to work with you in an edit suite for several hours, just to do the initial organizing of your footage, becomes quite expensive. We decided to help our clients by providing them with a free tool to do preliminary work from your home, office, or anywhere you have an Internet connection. We provide a free online tool that allows non-fiction filmmakers to upload their footage online, view their footage alongside their transcripts, avoid the hassle of tapes, work when and where they want, create a complete editing script and machine readable EDL online, create, organize, and reorganize clips, and work with colleagues globally. Our clients benefit from their ability to prepare and organize their editing scripts free of cost before entering an editing suite, reducing both time and expenses. We also invite our clients to store their footage, transcripts, and EDLs online as portable portfolios to share with colleagues and collaborators.
To show you how useful our service really is, we are offering you a free thirty-minute transcript on us and 10% off your entire first project. To reserve this offer, register on www.RoughCutOnline.com today and this offer will be available to you until August 31, 2008. Once your transcript is complete, you will be able to begin using our rough cutting tool for no additional costs.
If you have any further questions, feel free to email or phone me at 416-977-3489 and I will be more than happy to discuss your requirements.
Wow, that gives "online" editing a whole new meaning.
But hey, having all my interviews transcribed in 24 to 48 hours? I'd love that. Last time, my interns needed many weeks to get it all done...
Your poor interns ;)
We really try to be as accommodating as possible to the needs of our clients. If you are in a really big hurry and need something done in 24-48 hours, we will rush to have it at the most convenient time for you.
Yes, the online tool sure puts a spin on things. I would love for you guys to check it out and tell me what you think of it because it is a relatively new tool that we have designed and we are still working to improve it in anyway we can, so any feedback would be greatly appreciated.
You can actually play around with it a bit without registering by going to www.RoughCutOnline.com and click on "Learn more" and then click on "try it now".
DOCUMENTARY INTERNS NEEDED
Documentary production company seeks hard working, good-humored interns for assistance in rigorous casting for a feature length documentary about Naturalization in the United States. Applicants should be outgoing, reliable and organized with excellent personal skills.
This position is initially unpaid but future paid employment is likely for the right candidate.
Please send a cover letter and resume to: firstname.lastname@example.org