Once again: I am looking to borrow or rent one kinoflo (or similar) for the shooting of some interviews for research for a new project. Would be 8 or 9 June in Houston, 11 June in Denver and 13 June in Grand Rapids (MI) for just a few hours. Who can help? Or what rental houses could I call? Thank you. (koen[at]elrayofilms[dot]com)
Public Classifieds and Announcements - Get The (D-)Word Out!
Here's your chance to reach a broad public interested in documentaries.
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
Hello. Google: Lowing Light for Grand Rapids, MI. They've got a great selection for the area. Feel free to contact me with any other questions. I've shot in that town quite a bit over the years. tanner at tannerwolfe dot com. Best.
I am a student at the Duke Center For Documentary Studies and going to be in Santa Fe, NM for July & August taking some classes at the Santa Fe Photographic Center. Looking for some work or an internship in Documentary Video or any type of photography. I do have my own equipment, I am a great writer and have a working knowledge of Final Cut Pro 7. Just looking to learn while I am out there! reply to firstname.lastname@example.org
Hello everyone, I'm the founder of the hopeprojectdc.org, based in DC. its a career training program for young people. I looking for a partner to help develop a documentary about this very success program. Im try to highlight the lack of quality career training for socially and economically disadvantaged people while celebrating our successful program, our students have an average salary of $36K a year. Please visit the website for more info about the program. raybelljr at gmail dot com – http://www.hopeprojectdc.org/Services/HOPE-Project-Video.aspx
Heist:Who Stole the American Dream? Will be screening at Netroots Nation on June 8, The Little Theatre in Rochester, NY on Monday, June 11th 7:00pm, and Take Back the American Dream Conference on June 18th, 4:45pm in Washington, DC.
In reply to raymond bell's post on Sat 26 May 2012 :
Raymond, Do you know of the organization Stone Soup Films in D.C.? They train young people to make videos about local non-profits. They might be a good partner for your documentary idea. Check it out: stonesoupfilms.org
I wasn't sure where to post this. Doug, is this right? I just heard about the Filmshop, an organization for filmmakers with a chapter in Brooklyn and Manhattan. It looks interesting but there's a fee to join and I wanted to see if anyone on the Dword might be a member or share any opinion or insights about the group. You can private email me, if you'd like.
<p>Documentary artists in film, video, radio, photography, interactive: Want to push your practice & experiment with new approaches? Need to expand your understanding of the field? Open to collaborating on original projects? Applications now accepted for The UnionDocs Collaborative Studio starting Sept. 2012 in Williamsburg, Brooklyn. </p>
<p>Deadline: June 30. International fellows encouraged, visa & residency options available. </p>
<p>The UnionDocs Collaborative Studio (CoLAB) is a one-year program for a select group of 12 emerging media artists from the US and abroad. Based in one of NYC’s most exciting neighborhoods, Williamsburg, Brooklyn, UnionDocs offers a platform for exploring contemporary approaches to the documentary arts and a process for developing a collaborative project. The program consists of weekly production meetings, seminars, screenings and other public programs, along with regular masterclasses and critiques with visiting artists. Key benefits include:</p>
<p>- Dynamic interaction among a network of talented peers.</p>
<p>- Direct exchange with visiting artists and industry experts.</p>
<p>- A structured environment for research and experimentation.</p>
<p>- Mentoring on the production of original work and regular group critique.</p>
<p>- Exhibition opportunities for the year's collaborative project.</p>
Came across an opportunity for Native artists and filmmakers.
2013 NACF Artist Fellowships
NACF embraces the notion that Native artists offer profound contributions to intellectual inquiry and community sustainability. Native artists are at thresholds of exploration in unfolding creative terrains. They are deepening their impact on the field of contemporary arts practice and are forging new recognition in national and global communities. Through the fellowship program, we hope to foster the creativity of our Indigenous artists, allowing the opportunity for study, reflection, experimentation, and discovery.
We are currently accepting applications for the 2013 awards. Please see the following criteria:
DEADLINE: June 21, 2012
Artists must demonstrate excellence, having made a significant impact in their discipline, earned respect from their colleagues, and achieved recognition in the field.
The artists work must be evolving and current.
Awards are $20,000
Awards will be made in six disciplines:
1) Visual Arts
6) Traditional Arts
Film fellowships will be considered for artists who have completed feature length narrative or documentary films of at least 60 minutes which have been screened on television, in theaters, or at film festivals. Short formats are not being considered at this time.
Literature fellowships will be considered for writers of fiction and poetry. Playwriting, screenwriting, and non-fiction are not being considered at this time.
Traditional Arts are defined as visual arts including practices in pottery, carving, basketmaking, textile weaving, jewelry making, beadwork, or regalia-making.
Native artists are defined as American Indian from federally and state recognized US tribes, Native Alaskan, or Native Hawaiian.
Applications will be reviewed by panel in September and Fellows will be announced in November, 2012.
All applicants must apply online. Please go to the following link: www.nacf.us/user/register
Please contact Reuben Roqueñi, Program Director, for questions and support: email@example.com or 360-718-7057
ARTS ENGINE presents: DOCUCLUB! 6/20/2012
Our next DocuClub screening will take place on Wednesday June 20 at DCTV, at 7p.m., located at 87 Lafayette (at Walker). This month, we will screen a rough cut of Cary McClelland’s WITHOUT SHEPHERDS. Our moderator will be Arts Engine’s own Phil Lane.
If you’re planning to attend, please RSVP to firstname.lastname@example.org.
Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.
Doors open at 6:30 p.m. No admittance after 7:15 p.m.
WITHOUT SHEPHERDS is a rare and essential glimpse into brave lives trapped in the turbulent waters of Pakistan today. The film begins in wake of Benazir Bhutto’s assassination, in the midst of the first national election in ten years. Just as the country faces an unprecedented opportunity to shape a new future, each of our characters takes their first steps in bold new directions of their own: a cricket star building a new political party, a female journalist working behind Taliban lines, an ex-mujahid seeking redemption, a trucker crossing dangerous territory to feed his family, a supermodel pushing feminism through fashion, and a subversive Sufi rocker using music to heal.
Whether explicitly or not, they are all part of a moderate core that is beginning to emerge in Pakistan, looking for progressive allies both domestic and abroad to help them address the decades old conflicts that are tearing their country apart. Each of them sees the world from a different perspective and has differing answers to questions regarding the government, the impact of Western foreign policy, the role of Islam, and the uncertainty of what kind of country will emerge. As the “war on terror” continues with no end in sight and dangerous consequences for the region and the world, WITHOUT SHEPHERDS is a record of this moment, where Pakistan sits at the center of a deeply broken world, and of those inside the country who try to find a way forward for all of us.
About the Filmmaker:
Cary McClelland is a documentary filmmaker and human rights advocate working in Brooklyn, NY. His work has taken him from East Timor to Egypt, from Zimbabwe to Myanmar. In 2006, he worked with Search for Common Ground using community theatre as a tool for peacebuilding in Eastern Congo, and since then, has worked for the Pulitzer Center for Crisis Reporting, PBS, Witness, and SABC. He continues to work to build bridges between cultures, as the the Project Manager and Lead Curator of the new YouTube Human Rights Channel in conjunction with WITNESS and Storyful. He has a BA in Screenwriting from Harvard College, and a Masters in International Affairs from Columbia University.
About the Moderator:
Phil Lane manages the fiscal sponsorship program of Arts Engine’s MediaMaker services. Before joining Arts Engine, Phil worked in the San Francisco Bay Area for a variety of start-ups and independent media organizations. From 2003 through 2007, he served as Operations Manager for the nationally renowned Ninth Street Independent Film Center. As a mediamaker, his feature length documentary, WORKING TITLE, screened at the San Francisco Museum of Modern Art and Montclair Art Museum, and is now being distributed to colleges and universities around the world. Phil has a degree in Film and Television from Boston University and an MBA from San Francisco State University.
Founded in 1972, DCTV is an independent media arts center and resource for NYC’s indie filmmaking community, providing: hands-on workshops; low-cost production equipment, facility, and post-production rentals; a signature screening & event series; renowned youth programming; and countless award-winning documentary productions to broadcast air.