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Public Classifieds and Announcements

Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

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Andrea Swift
Mon 19 Dec 2011Link Tag

Anybody had any dealings with Emphasis Entertainment Group [http://emphasisentertainment.com/]?

Any thoughts on doing business with them?

Thanks for any insights you may have!
Andrea Swift


David Spodak
Mon 26 Dec 2011Link

I want to thank Doug Block and D-word's help with my project currently funding on Kickstarter.com, titled, Paths of Glory: Anatomy of a Film.

We passed our $8,000 fund goal and closing in on $10,000 with 17 days to go! We can now complete production and hope to bank some seed money for costs related to distribution.


maryam henein
Mon 26 Dec 2011Link

Big Voice Pictures is producing a documentary about adult survivors of child sexual abuse, who are seeking justice by bringing sexual offenders to court. The film explores the challenges victims face and how the system and current laws often protects pedophiles while re-traumatizing the victims.

We are looking for non-union grips and sound people with experiences in documentaries in the following states.

The shoots will take place in the early part of 2012.

~Ft. Lauderdale/Palm Beach area Florida
~St. Paul Minnesota
~Austin Texas
~Washington DC
~New York, New Jersey, Connecticut
~Pennsylvania, near Harrisburg
~Syracuse, NY
~Boston MA
~Portland, Oregon

if interested please email Maryam Henein maryamhenein@hotmail.com with rates and resume.


Jesse Epstein
Thu 29 Dec 2011Link

Looking to rent Panasonic AF 100 or Sony FS 100 package (also possibly interested in 7d/5d) from Jan 4th through Jan 16th. Please contact jesse@shootingpeople.org
Thanks!

Edited Thu 29 Dec 2011 by Jesse Epstein

Felix Endara
Tue 3 Jan 2012Link

DocuClub in January!

Our next DocuClub screening will take place on Wednesday, January 18, at 7p.m., at DCTV.

This month, we will screen a rough cut of The Great Chicken Wing Hunt by Matt Reynolds. The Great Chicken Wing Hunt follows a band of misfits on a quest to find the world’s best Buffalo wing. It takes a humorous look at the popularity of Buffalo wings, one of America’s most most loved foods, relationships, globalization, and the way trivial things inspire us. It asks the question, are there perfect things?

Director/Editor Matt Reynolds. From 2004 to 2007, he reported on eastern and central Europe for Reuters and The New York Times. Since moving to New York in 2008, he has worked as a film editor. As an assistant editor, he worked under Suzy Elmiger ("Big Night") and the late Karen Schmeer ("Fog of War;" "Fast, Cheap and Out of Control"). In 2001, Reynolds was editor for the launch of NHL Live, a daily talk show on NHL Network, and recently co-edited History Channel’s "Zombie’s: a Living History." "The Great Chicken Wing Hunt" is his first feature as a director.

Producer Elizabeth Mandel has worked for over ten years as a documentary producer and director. Most recently, she directed "Pushing the Elephant," together with Beth Davenport (broadcast on PBS’s “Independent Lens” on March 29, 2011). Her producing credits include "Arctic Son" (Dir: Andrew Walton, broadcast POV 2007), and, as co-producer on Jennifer Fox’s "Flying: Confessions of a Free Woman."

Supervising Editor Mary Manhardt has cut some of the most respected American documentaries of recent years, including "Street Fight," nominated for an Oscar in 2006, and "American Teen" (2008). Her work has won awards at Sundance, Hot Docs, SXSW, Tribeca and IDFA film festivals and aired on HBO, PBS, MTV, ABC, and AMC. Among the films she has edited or co-edited are "Monica & David," "The Farm" and "Camp Victory, Afghanistan."

Our moderator will be filmmaker Adam Schartoff, who curates the Film/Wax screening series. Learn more about it here: http://schedule.filmwax.com.

If you’re planning to attend, please RSVP to docuclub@artsengine.net.



Admission at DCTV is free for current DocuClub members and $6 for non-members.


Tickets will be sold at the door, cash only.

Doors open at 6:30 p.m.
No admittance after 7:15 p.m.



Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:



http://www.artsengine.net/store/items/docuclub_membership_individual_rate



Follow us on Twitter!


Stay abreast of DocuClub’s latest: twitter.com/docuclub.


Nick Verbitsky
Tue 3 Jan 2012Link

In reply to Matt Marxteyn's post on Thu 15 Dec 2011 :

Just submitted CONFIDENCE GAME via Withoutabox!


Cindy Burstein
Wed 4 Jan 2012Link

Call for New Indie Films!

Are you a filmmaker ready to screen your work in front of new audiences? If so, apply today to be a part of the 2012-2013 Southern Circuit Tour of Independent Filmmakers.

Southern Circuit is the nation's first regional tour of independent filmmakers, providing communities in a nine-state region in the South with an interactive way to experience independent film and engage with indie filmmakers. The tour utilizes an intimate context to connect audiences with filmmakers and connect with films they might not otherwise have the opportunity to see. Films, including animation, documentaries, experimental and narrative work, are submitted for consideration for the Circuit through an annual nationwide open call for submissions.

Southern Circuit is open to any filmmaker living in the United States with a valid driver's license. Filmmakers may submit a feature-length work or a group of short films whose combined time reaches feature length – at least 45 minutes with a maximum of 120 minutes.

The application deadline is Wednesday February 15, 2012. Early Bird Registration ends Tuesday January 31, 2012.

For more information, visit: http://tinyurl.com/6lotf8h
or contact Teresa Hollingsworth at thollingsworth(at)southarts.org


Dylan Robertson
Wed 4 Jan 2012Link

Radiant Features is looking to hire a documentary camera person and a sound person in San Francisco who is available either January 9th, 10th, or the 11th. We are setting the days at the moment and don't know our exact schedule.) We are working on a short doc about the biotech industry. The shoot will be entirely interviews and we will be shooting on a 5d.

If you are interested, please send us a link to your work. I'd say the pay scale is medium.

Thanks so much for your interest.

Sincerely,

Dylan Robertson
dylan@radiantfeatures.com
Radiant Features
(323) 646-2984


Elizabeth Westrate
Wed 4 Jan 2012Link Tag

Dylan, Rob Humphreys is an excellent DP, he shot most of our design:e2 series and is now based in the Bay area.. His number is (310) 428-1770. Tell him Beth Westrate sent you.


Rachel Raney
Wed 4 Jan 2012Link

Seeking fiscal sponsorship for a documentary film made in or about the
American South? Look no further... The Southern Documentary Fund is
accepting proposals for new projects thru January 15th:

http://southerndocumentaryfund.org/apply-for-sponsorship/

(If you miss our Jan 15th deadline, don't worry. We review proposals
quarterly – Jan 15, April 15, July 15, Oct 15.)

About SDF:
The Southern Documentary Fund is based in Durham, North Carolina, and
serves independent media makers around the Southeast and beyond. We
connect documentary artists with resources and audiences through:
networking events, screenings, seminars, project consults, and fiscal
sponsorship. Follow us and our great sponsored projects via our
website, Facebook and Twitter (links below).

Join our community of Southern docmakers!

--
Rachel Raney
Interim Executive Director, SDF
celebrating 10 years of nurturing Southern storytelling
http://southerndocumentaryfund.org/
--
on Facebook – https://www.facebook.com/SouthernDocumentaryFund
on Twitter – @SouthernDocFund


Sheila Huettl
Wed 4 Jan 2012Link

There’s a new Documentary Film Workshop starting up in Los Angeles next week, taught by award-winning documentary editor, director and producer Stephanie Hubbard. Stephanie’s workshop is for anyone who is stuck in their doc, looking to start a doc, or needs a little support. Stephanie meets folks wherever they are in the process and helps them to fill in the gaps, and get clear on their story, their fund raising approach and their technical specs for production and post with experience, intelligence, intuition and imagination. She’ll also help you plan for successful distribution.

Get the documentary in your head started and sorted in 90 days! In this powerful workshop, you will:
• Get clear on what you want to say with your film
• Discover the elements and beats of your story
• Optimize your process to save thousands of dollars by working things through before you're done shooting
• Learn from some of the best documentaries ever made, and be empowered to use the same techniques

Choose from: Tuesdays 10:30am to 1:30pm or Wednesdays 7-10pm. Classes begin January 10, 2012. Location is at 5768 Pico Boulevard – two blocks east of Fairfax Boulevard in Los Angeles. Space is limited to 6 participants in each workshop, so sign up now!
The cost for the 12 week class is $300 per month for the 3 month course.

For more information, visit www.thedocumentaryinsider.com or e-mail Stephanie directly: huranghu – at – gmail – dot – com.

More about Stephanie Hubbard:
Stephanie Hubbard has been writing and editing films in Los Angeles since 1996. She wrote and edited her first award winning documentary in 2001, and has worked in documentary ever since. Most recently, she story consulted and edited "MC252" about the Gulf Oil spill, as well as directed, edited and wrote, "Bible Storyland" which has distribution before it's even premiered.

After years of frustration in seeing filmmakers tapped out on their projects without the proper elements to tell the story they wanted to tell, Hubbard began The Documentary Insider Blog and workshop to really help people make the films they wanted to make, cost effectively and artistically. www.stephaniehubbard.com


Sean Farnel
Thu 5 Jan 2012Link

If you are a documentary filmmaker, and in New York this coming Wednesday (Jan. 11), please join us for a group discussion.....

CINEMA EYE FILMMAKER’S FORUM

INVITATION AND CALL FOR SUBMISSIONS

YOU ARE INVITED TO A CONVERSATION WITH YOUR COLLEAGUES
IN CREATIVE DOCUMENTARY.

WHEN: WEDNESDAY, JANUARY 11, 2011
11.00am – 12.30pm

WHERE: FILM SOCIETY OF LINCOLN CENTER
ELINOR BUNIN FILM CENTER (Amphitheater)
144 W. 65th St
http://www.filmlinc.com/about/get-directions

WHO/WHAT?
Cinema Eye invites directors and producers with at least one feature doc credit to
participate in this open conversation about key issues impacting our community.

Moderated by Cinema Eye Nominations Committee Chair Sean Farnel, our goal is to identify some common challenges and opportunities. And, knowing how engaged this community can be, we expect that this discussion will engender great ideas and actions.

The discussion will revolve around several broad topics (Festivals, Funds, Distribution, etc.), though we are also open to submissions. This could be a creative issue, a business issue, a community issue, a master plan, a dangerous idea, a beef, a kudo, a haiku, a manifesto...well, you get the idea. Those selected will be given five minutes to introduce their topic, followed by a moderated discussion and some proposals for next steps.

Please email rsvps and discussion ideas, by Monday, January 9, to: karina.rotenstein@gmail.com


Erica Ginsberg
Fri 6 Jan 2012Link

Hey DC folks, is one of your new year's resolutions to finally check out a Docs In Progress screening?

Join us next Thursday, January 12 at 7 pm with a work-in-progress screening in Washington DC. This program is organized by Docs In Progress and sponsored by The Documentary Center at the George Washington University. After each film screens, we'll be moderating a workshop-style audience critique session. This honest but constructive feedback is aimed at helping the filmmakers get to the next stage of completing and distributing their films. This screening is open to the general public.

WHAT'S SCREENING?

The Rosenwald Schools (22 minute sequences) by Aviva Kempner
Between 1915-1932, businessman and philanthropist Julius Rosenwald joined with Booker T. Washington to create challenge grants that built schools for poor, rural African-American children at a time when few received any public education in the segregated South.

A Sister's Call (78 minute rough cut) by Kyle Tekiela
Call Richmond disappeared in 1977 and remained missing for 20 years. After Call's sister Rebecca found him homeless and suffering from severe paranoid schizophrenia, she dedicated her life to putting her brother back together. We journey with Call and his family on a roller coaster ride to recovery.

WHEN?
Thursday, January 12, 2012
7:00-10:00 pm

WHERE?
George Washington University Media & Public Affairs Building
805 21st Street, NW
Auditorium B-07
Washington DC 20037

The building is located at the corner of 21st and H Streets in the Foggy Bottom neighborhood. The auditorium is one floor down from street level. Closest Metro: Foggy Bottom. Convenient garage parking.

FEE?
$10 suggested donation. At the door. No advance tickets or RSVP. We now accept both cash and credit cards.

More info at http://www.docsinprogress.org


Roselly Torres
Fri 6 Jan 2012Link

2012 TWN Video Production Workshop – Applications now available

Low cost hands-on training program emphasizing the training and support of people of color and members of marginalized communities. Aimed at working people, the 4 month workshop meets evenings and films during weekends. Limited to 9 participants, students focus on the pre-production, production and post-production skills necessary to take a short project from conception to completion, with training in scriptwriting, research, lighting, camera, sound and editing. Led by film professionals, this 34 year program will begin in early April. The workshop is time intensive and participants must be able to attend regular class meetings as well as meet the out-of-class demands of pre- production, production, and post-production. Prior film, video or related experience is recommended but not required; creativity, self-initiative, time and a collaborative spirit are. The cost of the 2012 workshop will be $600.

The 2012 Application is available NOW –
Application deadline: March 5th, 2012.
The Production Workshop will start April 4th, 2012.
Download the application form at
http://www.twn.org/twnpages/edtraining/workhome.aspx

Third World Newsreel
545 Eighth Avenue, 10th Floor
New York, New York 10018
Phone: 212-947-9277 x 15
email: workshop@twn.org


Roselly Torres
Fri 6 Jan 2012Link

2 Room office/edit room sublet

Affordable, two-room office space, totaling 625 rentable square feet with windows facing east. Sublet with separate entrance by nonprofit arts organization, Great space for small production company or editing suite. 24/7 access on 8th avenue with security guard, located midway between Port Authority and Penn Station – 8th Ave and 38 st.
Centrally located near film labs, theatre row, the fashion district and MTA stations for 1, 2, 3, 7, N, R, Q, A, C, and E subways. $1600/month includes utilities. Lots of storage. Free Desk available.
contact: jt[at]twn.org


Mattie Akers
Fri 6 Jan 2012Link

Hi everyone,

I'm looking for an Italian-English translator for a small job – about 10 minutes of video. NY-based translator preferred. Please email me for more details: mattieakers@gmail.com. Thanks!


Claire Ratinon
Mon 9 Jan 2012Link

Hi NY filmmakers!

Old School Films is looking for volunteer documentary filmmakers to mentor a team of three young students (ages 12-17) in an afterschool filmmaking program.

Each student will make one short film about an elderly person from their community. Students will learn everything from camera operation to interviewing skills, lighting, sound, producing and editing.

Classes meet from 4:30-6:30PM one day a week (either Monday or Wednesday) for 10 consecutive weeks starting in February.

If you're interested in finding out more about the program and how you can be a part of it, please email claire@oldschoolfilms.org

Thanks!

www.oldschoolfilms.org


Steve Deline
Wed 11 Jan 2012Link

Hey D-Word Community -

Seeking an enthusiastic FCP editor to take on at least one episode of a limited series doc project intended for public television. If you or someone you know might be a good fit, I'd love to get in touch or hear any and all recommendations!

The Film: "The Times of John McDonogh" (working title) tells the story of the startling bequest to education that a single eccentric millionaire made upon his death in 1850, how that bequest led, by 2006, to the creation of both some of the most blighted public schools and one of the most privileged private schools in the US and how, in the current tumultuous moment in education, each of these disparate schools is now fighting to either re-make itself or protect the things that made it strong in the first place.

Creatively, the aim is to interweave two distinct narrative approaches. First are the stories, told via verite footage, of specific teachers and students at five of the schools that still bear this founder's name and legacy today (two traditional public schools in New Orleans, two more newly-chartered public schools in New Orleans, and one private school in Baltimore) as they live and teach over the course of one pivotal school year. The second is the historical narrative of how these five schools evolved from one man's very specific, utopian vision to such contrasting places along our contemporary spectrum of education. With these two stories intertwined, the twists, turns, and questions raised along the way lead straight through many of the turning points of segregation, political gamesmanship, neglect, and socio-economic inequality that have shaped US schools from the beginning.

Project Status: The wealth of material involved is both blessing and curse. We shot, over the course of the school year we spent in the schools, 300 (!) hours of verite footage of (and interviews with) a select group of teachers, students, and administrators. What's more, there's a rich and surprising array of archival material about the history of the schools to pull from, much of it already gathered together by the production. But there is also a very clear plan. Every inch of the footage is meticulously logged, all of the interviews are thoroughly sub-clipped and labelled, and a paper script outline is in place for the series from start to finish, scene by scene, both for the compelling contemporary characters and the historical narratives, and the ways they might well intermix. We have a work-in-progress-trailer (I can send it to you upon request) and there's a rough assembly of most of the first episode.

What We're Looking For: Over the next five months, our goal is to edit as many episodes of the series as we can manage (at minimum three, with the other three to follow thereafter). Though we could work with someone who could only foreseeably tackle one. To date, all of the editing work has been done by me, the beleaguered, lone gunman producer/director, and while my enthusiasm for the material runneth over, I am neither a very good, nor particularly fast, editor, nor do I have the distance from the material that would probably help the process most at this point. So we're seeking a sharp editor who'd be excited about helping shape this kaleidoscope of specific stories into something awesome. While I'm working on a first-time indie doc-maker's meager budget, I'm not expecting someone to work for free either, so we could talk more about what might make sense for a rate in the short term. Grant writing will soon be in progress. I'm in Los Angeles, and would prefer to work with someone local, though I wouldn't rule out other arrangements. The editor would need their own FC7 system. My hunch is this would not be the right undertaking for a first-time feature doc editor, considering the expansive and interlocking nature of the raw material (not to mention my own green-ness). But someone with a practiced hand and eye would, I suspect, find the way well-paved for a really rewarding collaboration, no ego involved. More than anything, I hope to find someone (this is starting to sound like a dreamy-eyed singles ad) who is passionate about social documentary storytelling, curious about looking at the same subject from different angles, and excited about young people, teachers, and the inner lives of schools.

If you'd like to find out more, or recommend someone, I'd love to hear from you. I'm at stephen.deline(at)gmail(dot)com or 410-960-2098. Thanks!

Edited Wed 11 Jan 2012 by Steve Deline

Marcia Jarmel
Fri 13 Jan 2012Link

PatchWorks Films is seeking a Distribution and Admin Support Intern!

PatchWorks Films (www.patchworksfilms.net) is a San Francisco-based production and distribution company making documentaries that explore contemporary social issues via intimate character stories, while forming innovative partnerships with key stakeholders. Our award-winning documentaries have been broadcast worldwide and have screened at theaters, film festivals, schools, universities, museums, libraries and community events. Our last film “Speaking In Tongues” (www.speakingintonguesfilm.info) broadcast on PBS stations across the country last fall, and we are deep into our next film “Got Balz?” (www.gotbalzfilm.info) about a boy’s struggle to donate baseball equipment to kids in Cuba despite the U.S. embargo.

We are seeking an unpaid intern to work in our office (Richmond district, San Francisco) 5-10 hours per week for approx. 6 months, helping us finish our new film and distribute “Speaking In Tongues” and our other titles. There may be some assistant editing work but the majority of the work is assistant producing. This is a great opportunity to learn about the real work life of an independent filmmaker (10% production, 90% producing), while contributing to films that have impact and exposure.

Duties and responsibilities:
• Database management & data entry (knowledge of Filemaker a plus!)
• Internet and sales research
• Social media and website management
• Generic admin and office duties such as mailing, shipping, filing, and record-keeping
• Errands and other miscellaneous tasks that come up in the course of things.

Required skills and abilities:
• Mac fluency and working knowledge of MS Office programs
• Strong communication and writing skills
• Accurate and swift data entry
• Ability to work well with PatchWorks’ diverse staff and independent contractors
• Web savvy
• Working knowledge and/or interest of and in social media
• Detail and deadline oriented
• Great organizational skills
• Focused problem-solving (macro and micro attention)
• Super-reliable, committed, and trustworthy with confidential information.

Extra-desirable qualities:
• Can bring your own Mac laptop (some work may be done from home as well)
• Have a valid CA driver’s license (having your own car is a plus but not necessary)
• Have a desire to do what it takes to get great documentaries made and seen

Please send a LETTER OF INTEREST in addition to your RESUME to pwfilmssfo[at]gmail[dot]com with all requests directed to Rebecca Chan.

Explain what you are looking for in an internship and why you think you are a good match for PatchWorks.

College credit is available; ask your school.
No phone calls, please.


Daniel Gilbert
Mon 16 Jan 2012Link

Hello! I'm currently working on a fantastic project for PBS – part of which was shot in Cambodia – and I need a few qualified Khmer translators to help us out in the edit room. Ideally, we need someone based in NY, but we can also send out footage if need be. Fully paid @ a very competitive rate.

If you know anyone, please write me back at dan[at]showofforce[dot]com

Thank you!


Kate Juanengo
Thu 19 Jan 2012Link

We're Hosting 3 Film Distribution Panels 1/24 in Park City!

If you're at Sundance, stop by for any or all of our 3 exciting panels at the Silver King Hotel in Park City.

Panel 1: Documentary Distribution:
What Are the Best Opportunities Available for Your Film?
10:00am – 11:30am

Film distribution strategies have changed dramatically in today's fast paced market. Join a panel of industry experts and learn about the best options available for marketing and distributing your film. Panelist include: Peter Broderick, Christina Rogers, Mat Levy, Andrew Mer, Sarafina DiFelice, & Anna Darrah. Read bios below. Topics include:

How can niche films find profitable audiences?
The pros & cons of new digital outlets.
Why are DVD sales still the largest source of revenue for most films?
How do I find an educational distributor that's right for my film?
How to set up a paid speaking tour.
How & where can I set up community screenings or "theatrical events"?

Panel 2: Using Social Media to Supercharge Your Film's Distribution Plan!
1:00pm – 2:30pm

It's no surprise that many distributors and filmmakers depend on social media channels to promote their film. But is anyone listening? Are clicks resulting in sales? If you're new to social media marketing or looking for new ideas to improve your existing campaigns, come attend this savvy interactive social media marketing workshop and learn the following from industry experts Allen Chou and Diana Iles Parker:

Revenue opportunities for your film.
Building audiences & buzz!
Developing your NEW influential & authoritative status.
How to develop endless content ideas for your Twitter and Facebook campaigns.
Finding your target audience.
How to use lesser-known but still effective platforms to broaden the reach of your social media strategies.

Panel 3: Didn't Get Into Sundance? No Worries.
Learn How to Go Beyond Big Name Festivals to Secure Distribution
4:00pm – 5:30pm

Every year, thousands of films are not accepted into Sundance, yet many still become BIG hits. Learn from industry experts on how the former "Plan B" of distribution could surprise you as being your NEW "Plan A"! Panelist include: Brian Newman, Mat Levy, Josh Levin, Mike Grice, & Michael Tuckman.

Why films can still be highly successful without any major festival exposure.
What other factors do distributors consider beyond being an "official selection".
Securing theatrical distribution – Is it worth the expense?
How can a publicist or social meida campaign help?
Building a fan base with every festival appearance.
The pro's & con's of DIY self-distribution. Decision time?

For more details and to order your tickets in advance, visit: http://filmdistributionpanel.eventbrite.com/

*Enter promo code "DWORD" and receive a discount at check out!

Edited Thu 19 Jan 2012 by Kate Juanengo

goro toshima
Fri 20 Jan 2012Link

hi all,

does anybody know where/from whom i can rent an EX-3 in chicago?

i'd prefer to rent from d-worder if possible.

thanks for any/all suggestions.

goro

Edited Fri 20 Jan 2012 by goro toshima

Richard Lipman
Sat 21 Jan 2012Link

Seeking an Assistant Director (£360 per week) and Sound person (£330 per week) for a small crew indie crime thriller feature film in London


Steve Holmgren
Mon 23 Jan 2012Link

Everything You Want To Know About Transmedia Storytelling But Are Afraid To Ask!

Transmedia Workshop at UNIONDOCS.

Sunday, January 29th at 4:00pm, $20 suggested donation.
322 Union Ave, Brooklyn NY

Join Designer Takaaki Okada (ConditionONE), game designer Nick Fortugno (Diner Dash), new media strategist Brian Newman (sub-genre), filmmakers Amam Ali and Bassam Tariq (30 Mosques), in conversation with producer and strategist John Bruce (Forward Mapworks).

UnionDocs is a non-profit center for documentary arts based in Williamsburg, Brooklyn NY.

For more details and to purchase tickets, check out the event post here:

http://www.uniondocs.org/january-29-2012-transmedia-storytelling/


J. Clay Tweel
Mon 23 Jan 2012Link

Hey D-Word people,
I'm looking for a camera person in Omaha, NE. Anyone got a contact there that I could reach out to?
I prefer if they have their own equipment and it would be super if it were panasonic, but not essential.

Contact me at claytweel.alt@gmail.com

Thanks!


Matt Marxteyn
Wed 25 Jan 2012Link

The Red Rock Film Festival still has plenty of room in the Documentary Featurette and Documentary Short-Short categories as well as the Young Filmmaker Documentary, Documentary Feature and Documentary Short standards. But, of course, it's not until November. https://www.withoutabox.com/login/4410


Edna Alburquerque
Wed 25 Jan 2012Link

Hi –

We're a small documentary film company with 3-5 people is looking to sublet some furnished space in Brooklyn or Manhattan – possibly long term.

Ideally, we'd like one room with a door we can use as an edit suite (we have our own system) and 2-3 desks either in an adjacent office or open space.

We're losing our current space on Feb 1, so we'd like to move as soon as possible.

Please contact Edna at 212.367.8475 x 111 or ealburquerque[at]panglossfilms[dot]com


Steve Holmgren
Wed 25 Jan 2012Link

The Guga Hunters of Ness with Mike Day

Saturday, February 4th at 7:30pm, $9 suggested donation.

Join director Mike Day and writer Jennifer Merin (About.com) for a screening of his documentary "The Guga Hunters of Ness" at UnionDocs.

“A gorgeously shot documentary feature that takes viewers into the heart of this ancient tradition, celebrating its longevity and lamenting its decline without once being patronizing, overly worthy or dull. The Guga Hunters Of Ness is poetic, haunting, its beautiful imagery making it hard to look away.” – EYE FOR FILM

UnionDocs is a non-profit center for documentary arts based in Williamsburg, Brooklyn NY.

For more details and to purchase tickets, check out the event post here:

http://www.uniondocs.org/february-4-2012-the-guga-hunters-of-ness-with-mike-day/

Edited Wed 25 Jan 2012 by Steve Holmgren

Oren Jacoby
Thu 26 Jan 2012Link

PRODUCTION OFFICE SPACE AVAILABLE TO RENT NEAR TIMES SQUARE, NYC

  • MONTH-TO-MONTH LEASE ONLY **

CONTACT FILMS[at]STORYVILLE.ORG FOR MORE INFORMATION

Package 1: Office + Optional Desks: $1500/month each
– two approx 115 square feet offices available (see attached pdf for details)
– each office comes with optional access to a discount on desks in the main room for $325/month each

Package 2: Desks Only: $1500/month for 4 desks
– must rent in groups of four
– each workstation comes with bookshelf, filing cabinet, drawer, chair

ALL PRICES INCLUDE:
- unlimited printing in black & white, color printing within reason
- unlimited phone (local + domestic long distance) and internet
- utilities
- cleaning service
- shared kitchen
- 24/7 access

  • Storyville also has full FCPro and AVID Media Composer workstations and camera equipment available for rent. Please ask for more details **


Nick Verbitsky
Thu 26 Jan 2012Link

In reply to Daniel Gilbert's post on Mon 16 Jan 2012 :

Dan, I'd recommend InterNation very highly.....Eric Derkatsch is the guy there.....Internation.com


Stephen Grynberg
Fri 27 Jan 2012Link

Im a Documentary Filmaker (www.alifeascending.com) four weeks from launching the film on DVD and itunes and I just lost the person managing the website, ecommerce, and digital marketing. Looking to hire someone or more than one person immedietely to help with some
website changes (wordpress) to connect and test the shopping cart (1shopping cart) and someone to keep the social media and online marketing campaign on track to launch date and past.

Please post or send an email to me at sgryny@yahoo.com.

Thanks for your help

stephen


gabriella kessler
Mon 30 Jan 2012Link

Hi everyone,

I'm currently in Houston shooting some material for a documentary I'm making about the radio program, the Prison Show.

I'm looking for a PA for a few hours this week to help with some tracking shots. Depending on the weather (rain is predicted), either Thursday, Friday or Saturday. There is pay.

If anyone has any recommendations I'd be most appreciative.
You can email me at gabriella.kessler@gmail.com

Many thanks,
Gabriella


Steve Holmgren
Mon 30 Jan 2012Link

UNIONDOCS WORKSHOP: Can Documentaries Change the World? Assessing, Funding, and Harnessing the Social Impact of Nonfiction Film

Sunday, February 12th at 4:00pm, $15

Filmmaker and activist Judith Helfand (Everything's Cool), philanthropist and filmmaker Abigail Disney (Pray the Devil Back to Hell), and Debika Shome (The Harmony Institute), in conversation with distributor Caitlin Boyle (Film Sprout), as they explore the promise and potential of documentary to effect social change.

UnionDocs is a non-profit center for documentary arts based in Williamsburg, Brooklyn NY.

For more details and to purchase tickets, check out the event post here:

http://www.uniondocs.org/february-12-2012-can-documentaries-change-the-world/


Margaret Longley
Mon 30 Jan 2012Link

Looking to rent an HDV deck or camera (in Seattle) 1/31/12 or 2/1/12 to capture a couple tapes. margaretlongley[at]gmail[dot]com

Thanks,
Margaret


goro toshima
Thu 2 Feb 2012Link

HPX 170 for sale.

one owner, 755 hours, excellent condition.

comes w:
-64/32/16 GB P2 cards
-hard petrol bag
-clear and polarizing filter
-4 batteries
-manual/barry green manual
-all accessories
-original box, if wanted

$3000

prefer LA buyer...if any questions, please email at:
goroto22(at)hotmail(dot)com.

thanks.
goro


Andrew Zinnes
Fri 3 Feb 2012Link

The Documentary Summit Washington D.C. MARCH 10th and 11th, 2012

London's successful Documentary Summit is coming to Washington DC on March 10th and 11th, 2012. This intensive 2 day event is hosted by the authors of The Documentary Film Makers Handbook in association with The Documentary Center at The George Washington University.

The 2 days are filled with panels that will take you through EVERY step of the process including storytelling, fundraising, cutting edge filmmaking techniques, distribution, and social media strategies. Our visiting documentary experts include successful & critically acclaimed filmmakers and producers, commissioning editors, foundation directors, social media gurus, DSLR and HD experts, as well as distributors and online platform Dynamo Player's founder, Rob Millis.

For more information and to book tickets, go to www.documentarysummit.com and click Washington DC. Early bird price for the 2 day event is only $99 (normally $149) until February 10th. Seating is limited so book now!

www.documentarysummit.com/washington-d-c/


Gillian Klempner Willman
Sun 5 Feb 2012Link

Looking to rent a DVC Pro deck to digitize some tapes shot on DVC-Pro 50. Does anyone know of any affordable rentals in the DC/MD/VA area? Or of places that would give an indie filmmaker a deal on digitizing 7-8 tapes to a drive? Thanks!


Felix Endara
Mon 6 Feb 2012Link

DocuClub in February!

Our next DocuClub screening will take place on Thursday, February 23, at 7p.m., at DCTV, located at 87 Lafayette (at Walker).

This month, we will screen a rough cut of "Miracle on 42nd Street" by Alice Elliot. The film documents the unique apartment complex called Manhattan Plaza located in Manhattan’s historic theatre district, a neighborhood also known as Hell’s Kitchen. Located on the block between 42nd and 43rd Streets, it is often called the “Miracle on 42nd Street” due to the near-miraculous effect the complex has had on the once-blighted neighborhood and on the lives of its residents. Seventy percent of the occupants work in the performing arts and thirty percent are Hell’s Kitchen residents who are elderly, disabled or have been relocated from substandard housing. The film tells the story of how this innovative affordable housing experiment came to be, the artists it has nurtured, the close community its residents and management have created and the positive impact it has had on the economy of Manhattan’s West Side. By making this film, the filmmakers want to tell the story of the pioneering people, community leaders, government and business people who joined together to resurrect a blighted neighborhood. To watch a trailer of the film, please go to: http://miracleon42ndstreet.org/home.

Director Alice Elliott is an Academy Award-nominated documentary filmmaker whose films are dedicated to celebrating the role of community activism in elevating the quality of people’s lives.

Producer Mary Jo Slater was an original tenant of Manhattan Plaza. As a working single mother, she was able to launch a successful career as an award-winning casting director while also supporting the career of her son, actor Christian Slater.

Producer Nancy Perkins lived in Manhattan Plaza in the 1980s along with her actor husband, Ron Perkins, where she began a successful career in casting, rising to become head of casting at Universal Television Studios for fourteen years.

Editor/Producer Lisa Shreve has lived in Manhattan Plaza since the building opened and resides there today, working as an editor of award-winning documentary and narrative films.

Producer Erika Lockridge of Bahr Productions has joined on as a producer because of her belief in the Manhattan Plaza concept of affordable housing.

Producer Cindy Cowan is currently producing the feature "Red Lights" (starring Robert DeNiro).

Our moderator will be Caitlin Boyle. A leading champion of grassroots and community distribution for independent films, Boyle is the architect of national screening and audience outreach initiatives for dozens of feature documentaries, including "King Corn," "Pray the Devil Back to Hell," "The End of the Line," "A Small Act" and "Bag It." Previously on staff at NPR affiliates WFIU and WFUV and PBS affiliate Thirteen/WNET, she is a graduate of Columbia University and the Indiana University Graduate School of Journalism. Her workshops and presentations have rallied filmmakers at SXSW, Hot Docs, Independent Film Week, Sheffield Doc/Fest, the Los Angeles Film Festival, and The New York Foundation for the Arts. She serves on the board of Brooklyn documentary arts center UnionDocs, and on the advisory board of New York University’s Tisch School of the Arts Research Institute for the Advancement of Cinema Arts and Commerce. To learn more about her film services, visit: www.filmsprout.org.

If you’re planning to attend, please RSVP to docuclub@artsengine.net.

Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.
Doors open at 6:30 p.m. No admittance after 7:15 p.m.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate

Follow us on Twitter!
Stay abreast of DocuClub’s latest: twitter.com/docuclub.


Cary McQueen Morrow
Mon 6 Feb 2012Link

Hello filmmakers! My nonprofit is launching a new short (very short... 5 min. and less) film competition on the topic of mental health. The winning film will be used in our education, advocacy and field-building work on college campuses and nonprofits around the U.S., plus win $1,000 award for future work.

I hope some of you will consider putting something together for this. The quality of the work will really determine the caliber of nonprofit partners we can attract, and I know we've got some heavyweights on this list! We already have some pretty major players (national NGOs) interested in using the films in their work – assuming it's well done. In many ways this is about using your film to create positive change through dialogue.

If you have comments, or questions, please get in touch: cary [at] artwithimpact.org and more info is on our website: artwithimpact.org


Erica Ginsberg
Mon 6 Feb 2012Link

Washington DC-area folks, Docs In Progress has two programs this week:

Thursday, February 9 from 8:00 pm – 10:00 pm at the Takoma Park Community Center (7500 Maple Avenue in Takoma Park, MD)
We'll be screening a documentary by one of our alums, Lillie Paquette. WE ARE EGYPT looks at the story behind the story of 2011's Arab Spring. The 85-minute film showcases Egypt’s passionate democracy activists who toiled for years before seeing success from their sacrifice. It is an account of their struggle against extraordinary odds to remove an uncompromising authoritarian regime determined to stay in power. Following the screening, filmmaker Lillie Paquette will answer questions about the film. This is a free community screening and no tickets are required. More info at http://docsinprogress.org/events/38/free-alumni-screening-of-we-are-egypt/

Sunday, February 12 from 10:30 am – 12:30 pm at the Goethe Institut (812 Seventh Street, NW Washington DC)
We'll be offering a special Docs In Progress work-in-progress screening at the Our City Film Festival. This is an opportunity to provide feedback on story and character development to a documentary filmmaker presenting a not-quite-finished version of a film while you also support the festival’s sponsor Yachad, a nonprofit dedicated to affordable housing and community development in Washington DC. The rough cut being screened is Ellie Walton's FLY BY LIGHT which follows a group of DC high school students as they go through a transformational journey in the mountains of West Virginia. Tickets are $10 and can be ordered through Our City Film Festival's website

We'll also be at the Center for Social Media's Media That Matters Conference on Friday and Saturday and hope to see many of you there.

Edited Mon 6 Feb 2012 by Erica Ginsberg

Mikal Jakubal
Wed 8 Feb 2012Link

For sale:

Two 60GB Panasonic P2 Stores $225 each. (No power cords.)

Two Porta Brace carrying cases $30 each. Each case holds two P2 Stores.

mjakubal at gmail dot com.


Kevin Hallagan
Wed 8 Feb 2012Link

Hey Everybody! My name is Kevin Hallagan. I am a cinema student but my goal is to become a documentary filmmaker. Do you know of any Independent documentary filmmakers who are looking for an assistant this summer or wouldn't mind having a shadow? I have earned a lot academically and I am a videographer for my university, but I am looking for some in-field experience this summer because I know I haven't learned a lot of things I'll need to know if I'm going to dive into filmmaking right out of college.

so... is anyone looking for some helping hands?

Thanks everybody!
Good luck on your endeavors
– Kevin Hallagan
K.R.Hallagan@gmail.com


Laura Heckman
Thu 9 Feb 2012Link

Call for Entries!

A&E and the New York TV Fest seeking treatments for original unscripted TV shows;
 Five finalist projects will receive development funding from the network with one winner earning $10,000 and the opportunity to participate in pilot production. FREE to enter. More info below and at http://www.nytvf.com/2012_ae_pipeline.html
 
The A&E Unscripted Development Pipeline 
A&E Network and the New York Television Festival are back with the second installment of an innovative program seeking original unscripted television treatments from independent producers and doc production companies. 
 
To submit:
The A&E network is seeking submissions that focus on big characters in exciting and fresh worlds that are highly entertaining and of the moment. Producers must include:
* A short treatment (1-2 pages) describing their original unscripted format
* A brief video (2-4 minutes) introducing the subject(s).
 
Awards:

  • 25 semi-finalists will be presented to A&E development executives. All semi-finalists are invited to participate in the 2012 New York Television Festival, Oct 22-27, as Official Artists (details below).
  • Five finalists, selected by A&E, will receive notes on their projects and $2,500 to shoot additional tape.
  • One winner, selected by A&E, will be awarded $10,000 and the opportunity to participate in pilot production.  
    Deadline: Tuesday, April 3, 2012 (noon)
    Free to enter.
    Visit: http://www.nytvf.com/2012_ae_pipeline.html
     
    Additional opportunities for Semi-Finalists:
    Official Semi-Finalists will be invited to participate as Official Artists at the 2012 New York Television Festival in NYC in October, with exclusive access to:
    *Participate in NYTVF Pitch, offering guaranteed development deals from:
 Bio Channel, Hasbro Studios, Logo, SevenOne International, Sundance Channel, Channel 4


    *Network, meet and collaborate with over forty U.S.-based television networks, studios, agencies, fellow TV creators and MORE.

Full details about the NYTVF Artist Experience here: http://www.nytvf.com/artists.html



Want to participate in these exclusive Artist-Only programs? Only NYTVF Official Artists are invited to take part, so submit to one of NYTVF's current initiatives now!
-------------------------------------------------------------------------------------------
NYTVF is also accepting entries to:
The 2012 Independent Pilot Competition


Greg Vander Veer
Thu 9 Feb 2012Link

Regarding the ad above, I"m curios as to what other people think about this. Although it does seem like an interesting contest, from what I can tell after reading their rules/regulations, it appears that basically by entering the contest you are forfeiting any right to your concept and material and that A&E can basically take whatever they want and don't owe you anything for it. So by doing this contest, they potentially get the rights to thousands of concepts and only have to pay $10,000 to a winner who will be able to "participate" in the production of a pilot but also, from what I can tell, will actually not have any right to their concept.


Niam Itani
Fri 10 Feb 2012Link

There are many "contests" like this, Greg. Many people still submit.


Jason Osder
Fri 10 Feb 2012Link

Also, when one submits cold to Discovery, for instance, you basically have to sign something similar before anyone will look at your stuff. From their point of view, they get thousands of submissions, many for ideas that look pretty similar to each other, and would rather be protected from what they see as reasonable-looking, but actually not, stolen ideas. Particularly if the submitted does not have an industry track record.


Marj Safinia
Sat 11 Feb 2012Link

IDA's DocuDay is almost here. An all-day orgy of documentary deliciousness featuring back to back screenings of all the nominated shorts and features. Happening in LA and NY. LA screenings feature the filmmakers and subjects in attendance. You can buy a single tickets or an all-day pass. It's a heap of fun.

2/25 in Los Angeles
2/25--2/26 in New York


David Lasdon
Sun 12 Feb 2012Link

Story Consultant needed – After working on my political documentary for 4 years, I realize that I need someone experienced with fresh eyes who help shape what I've put together into an exciting must watch documentary. Since this is a political documentary, the subject matter won't be for everyone, as I'm telling a story, not pushing an agenda.

Pay would be in some combination of salary and equity. This is an independent film, however, so keep that in mind. DBLasdon AT ca.rr dot com


Marj Safinia
Wed 15 Feb 2012Link

On Monday night in LA, I'll be moderating a special International Documentary Association Doc U dedicated to the pursuit of the little golden man, and how the Academy's new Oscar rules might change that lovequest in the coming year. Join me and Steve Pond (The Wrap), Dana Harris (IndieWire), James Moll (AMPAS) and Dusty Smith (Roadside Attractions) at Cinefamily @ The Silent Movie Theatre on Monday at 7:30pm. I plan to ask a lot of questions :)


Jill Morley
Wed 15 Feb 2012Link

Sounds good. Is there a D-Word promotional code? IF not, no probs!


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