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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Jaggy Singh
Thu 23 Dec 2010Link

In reply to Jaime Cruz's post on Thu 23 Dec 2010 :

Hey Jaime,

Thank you for writing back man, appreciate that! yh I am looking into those camera's at the moment. I am analysing the technologies through time, in reference to films. from the 20's to the 60's and to the 21st century. so I am looking at films such as, man with a movie camera, gimme shelter and touching the void. I want to look at why 35mm were used, why did people stop using them, then 16mm came in to action and now the 35mm is getting back in documentaries. I know the general idea, but i want to get in to more detail. also what the future may look like for documentaries. i wish i could change the title, I really do...but I am stuck with it now, so I just have to get on with it and learn to love it.

cheers Jaime!


Bill Kerrigan
Thu 23 Dec 2010Link

Jaggy... because of my age, I might be able to help.
When I started... feature docs were shot on 35mm.
I filmed some pickup shots for 'Janis' and 'The Man Who Skied Down Everest'.

If you wish, you can write me off forum.


Jaggy Singh
Thu 23 Dec 2010Link

In reply to Bill Kerrigan's post on Thu 23 Dec 2010 :

hey Bill, hope your well.

That's great.Seriously, I would love to hear from you, and your work. Thank you for replying back to my post, really do appreciate it Bill.

Is it possible I could maybe get your email add, so we can talk about this?

Thank You


John Burgan
Fri 24 Dec 2010Link

You'll find the email address of any D-Word member if you click on their name or photo.


Doug Block
Fri 24 Dec 2010Link

Actually, not sure Enthusiasts can.


John Burgan
Fri 24 Dec 2010Link

Whoops. Too much sherry with the mince pies.


Bill Kerrigan
Fri 24 Dec 2010Link

In reply to Jaggy Singh's post on Thu 23 Dec 2010 :

Jaggy, please email me here:
kerrigan at mac.com


Jaggy Singh
Sat 25 Dec 2010Link

hey, thanks for the help lads.

thats great Bill, ill email you now.

Merry Christmas everyone


Christina Antonakos-Wallace
Sun 2 Jan 2011Link

Hi there,

I recently completed a 20 minute version of the feature-length film I am directing (www.withwingsandroots.com) which is targeted for educational use. The film comparatively explores the immigration debate in the U.S. and Europe through the stories of children of immigrants in Berlin and New York. The film was shot half in Germany, and a very big German educational distributor is interested. They have given us a generic contract to look over, but I have no idea of the terms are decent or terrible, plus it is in German! Basically, they seem to be offering us no money upfront, but 50% of all profit from sales. They would get exclusive access to all German-speaking countries and Goethe Institutes for three years. I know that I need to find a German entertainment lawyer to speak with before signing anything, but it would be great if anyone could share any of the terms they have gotten in educational distribution contracts, or even send a sample contract.
Thank you so much for your help!!!


Doug Block
Sun 2 Jan 2011Link

Christina, you're a member so you shouldn't post this in The Mentoring Room. Especially since it's a public topic and therefore open to Google searches and the like. This belongs in the Marketing and Distribution topic.


Nicola Lees
Mon 3 Jan 2011Link

Christina – you could try contacting Christoph Fey – he's a a German entertainment lawyer based in Berlin and has been very helpful in the past.He works for a company Unverzagt Von Have and his contact details are easily Googled.


Jeff Girard
Sat 15 Jan 2011Link

Hello,

Advice sought: Least expensive PC for video editing programs

I am seeking help finding the least expensive PC laptop capable of running Pinnacle Studio video editing programs. I’m on the low income side (especially after becoming unemployed) so I am working with modest equipment.

Because I am couch surfing, I need to stick with a laptop, not a PC.

I’ve tried several other editing programs such as Vegas, Adobe, etc., and I’ve tried iMovie on the Mac. Pinnacle works best for me. My current laptop, a Dell I bought in 2009, cannot handle my HD video editing. I am using a Kodak Zi8 camera.

The system requirements are at: http://www.pinnaclesys.com/PublicSite/us/Products/Consumer+Products/Home+Video/Studio+Family/

There are three main versions and all 3 appear to have different requirements:
Studio HD
Studio Ultimate
Studio Ultimate Collection

The graphics card requirement is the same for all of three.

I’m a lean quick on my own how to use document, photo, and video editing programs for creative purposes. I am however clueless about the tech stuff.

I am getting unemployment checks and money is tight. However, I believe in myself enough to take a gamble and spend up to $1,000 on a laptop.

I need help though because I'm not good at the tech stuff and don't want to get ripped off at the stores. So far, Best Buy, Fry’s and my computer savvy friends have all recommended different machines. I’m hoping that at some point I’ll hear the same recommendation a few times.

At least at Best Buy and Wal-Mart there are no re-stocking fees.

Thanks! I appreciate your time and help,

-Jeff

System Requirements for Studio Ultimate Collection

* Windows ® 7, Windows Vista ® (SP2),Windows XP (SP3)
* Intel ® Pentium ® or AMD Athlon ™ 1.8 GHz (2.4 GHz or higher recommended)
– Intel Core ™ 2 Duo 2.4 GHz required for AVCHD*
– Intel Core ™ 2 Quad 2.66 GHz or Intel Core ™ i7 required
for AVCHD* 1920
* 1 GB system memory recommended, 2 GB required for AVCHD*
* DirectX ® 9 or 10 compatible graphics card with 64 MB (128 MB or higher recommended) – 128 MB required for Red Giant Magic Bullet Looks Plug-in: Pixelshader 2 required, Intel GMA integrated graphics not supported. – 256 MB required for HD and AVCHD*
* DirectX 9 or higher compatible sound card
* 3,6 GB of disk space
* DVD-ROM drive to install software
* Accessory:
o CD burner for creating Video CDs or Super Video CDs (S-VCDs)
o DVD burner for creating DVD and AVCHD* discs
o Blu-ray burner for creating Blu-ray discs*
o Sound card with surround sound output required for preview of surround sound mixes*

Input Options

* Capture from DV, HDV and Digital8 camcorders or VCRs (requires a FireWire ® ; port)Capture from analog camcorders, 8 mm, HI 8, VHS, SVHS, VHS-C, SVHS-C, or VCRs (NTSC/PAL/SECAM). (requires Pinnacle or Dazzle video hardware)
* Import from AVCHD* and other file based Camcorders, Digital Still Cameras, Mobile Devices and Webcams via USB

Output Options

* Output to DV, HDV or Digital8 tape (requires camcorder with FireWire Input port and a PC with a DV/FireWire port)
* Output to analog videotape (requires DirectShow compatible device with video output)

Import Formats

* Video: AVCHD*, BD Blu-ray*, DV, HDV, AVI, MPEG-1, MPEG-2, DivX ® , MPEG-4, 3GP(MPEG-4), WMV, Non-encrypted DVD titles (incl. DVD-VR/+VR), QuickTime ® ; (DV, MPEG-4, H.264*)
* Audio: MP3, MPA, WAV, AC3*, WMA
* Graphic: BMP, GIF, JPG, PCX, PSD, TGA, TIF, WMF, PNG, J2K

Export Formats

* AVCHD*, BD Blu-ray*, HD-DVD, DVD (DVD-R, DVD-RW, DVD+R or DVD+RW, dual layer), S-VCD, Video CD (VCD)
* Apple ® iPod ® , Sony ® ; PSP/PS3, Nintendo ® Wii, Microsoft ® Xbox compatible formats*
* DV, HDV, AVI, DivX*, RealVideo ® 8, WMV, MPEG-1, MPEG-2, MPEG-4*, Flash, 3GP*, WAV, MP3*, QuickTime ® (SD format) files
* Dolby ® Digital 2 channel and 5.1 channel audio*


Jeff Girard
Sat 15 Jan 2011Link

Hello,

Advice sought: Microphones for Kodak Zi8 camera & the iTouch.

Also, any recommendations for clip on mics, attached mics, or wireless mics to enable the recording of at least 3 people for the Kodak Zi8 camera & the iTouch?

Thanks,

-Jeff


Linda Wasson
Sun 16 Jan 2011Link

In reply to Jeff Girard's post on Sat 15 Jan 2011 :

the oldest and still the best place on the web for all things computer-related is www.pricewatch.com

originally in DOS, pricewatch used to list real-time prices with discounts as they appeared online. nowdays it provides links to both retail and online computer supply stores.

ok, that's one option. #2 is my own personal suggestion: you want a laptop and new ones are like new cars: the moment you bring it home the price decreases about 50% – because they are all overpriced. what to do? a couple of options – you can build your own – since you aren't working and have some time, this is a real option and w/price watch and Fry's nearby...

another option: go for the refurbished model. there are SO many out there – I bought a Samsung notebook in 2003 that was about 2 years old; new it was priced around $5000 because that's what they cost back then. I paid about $250 for it and it was loaded with goodies. I was happy if it would last 6 months – guess what – I still have it and it still boots up just fine. Over time tho, memory allocations increased and I can't upgrade for a reasonable price so it's not really practical to use anymore; I just don't want it to wind up in a landfill somewhere or I'd chunk it.

which is another good reason to buy refurbished – there's simply nothing wrong with recycling a computer – many are still worth keeping around. Just check and double-check your hardware requirements, ask about warranties and you're good to go. the cheapest models come with no operating system which if you already have one, you can just use that.

if you can register for a class somewhere, you can qualify for academic pricing on software which will also save you $$

good luck and hang in there.


Jack Hunter Cohen
Tue 18 Jan 2011Link

I'm looking for a Line Producer for a feature doc. Where do I go? The film is on Women and Men and their relationships and will be structured around interviews shot overseas and in the states in several locations. Is there an appropriate forum here to put it out there?


Eli Brown
Wed 19 Jan 2011Link

Members Classifieds is a good place to start. You could also put it on the public classifieds – and there are a lot of media-centric job sites (mandy.com, mediabistro.com, craigslist, even) if you're just doing a random sort of cattle-call for resumés...


Doug Block
Wed 19 Jan 2011Link

Just remember, Jack, that the public classifieds is open to Google searches. So be careful about what information you're giving out.


Ashley Hillis
Wed 19 Jan 2011Link

Hello,

This is my first posting so I hope I do this correctly :)

Advice sought: Recommendation of films to watch for reference

I'm hoping someone might be able to recommend a documentary that successfully tells a character driven story while also exploring this individual's culture and highlights other characters from his/her world. I'm not looking for a traditional biographical piece (I understand my description might come across sounding that way). This is a silly example, but it might help in understanding the type of film I'm looking for... (I just made this up so it might be totally ridiculous, but hopefully it will serve as a helpful illustration.)

Example:
A once celebrated under water basket weaver is looking to make a comeback. She decides to build a store in which she will sell her baskets and through the process of building the shop, she will face some of the demons from her past.

In order for the film to be accessible to the everyday viewer, the film must put the story in context – tell a bit about the history of under water basket weaving and why it is significant to some. We should also learn about others in the field so that we are able to see what makes this particular weaver different (or maybe the same) as others out there.

Does this make sense? Can anyone point me in the direction of a film that follows a similar path?

Thank you so much for your help!
Ashley


Doug Block
Wed 19 Jan 2011Link

Ashley, first of all, welcome to The D-Word. And bravo for leaping right in with a post. You did it fine, except that the Mentoring Room is mainly for those we call Enthusiasts and the professional members rarely hang out here.

We don't encourage double-posting but in this case we'll make an exception. You should post this again in the Documentary Film topic and you'll probably get a good deal more feedback.

Also want to encourage you to tell us a bit more about yourself in the Introduce Yourself topic.


Ashley Hillis
Fri 28 Jan 2011Link

Hi Doug,
Thank you so much for responding. I will make my way over to the Documentary Film area and see about posting there.
Thank you for your help.
Ashley


Martin Carel
Sun 30 Jan 2011Link

We're about to go into the editing phase for our indie documentary. For the post-workflow process (using a Mac Book Pro 2.4GHz 4GB), we're about to transcode the (Canon t2i) H264 files into APR422 files using MPEG Streamclip. This seemed to be the best practice at the beginning of year 2010.

2 questions:

  • is it still the best practice today?
  • while editing in FCP, is it realistic to source the video files from an external FireWire800 HD? I was hosting my video files on an external USB 2.0 HD on a previous project, and it's just too slow. So I'm wondering if FireWire800 would do it or if I need to have the video files on my local MBP drive.

Thanks in advance,

Martin
http://winobrothers.com


Laura Moire Paglin
Sun 30 Jan 2011Link

Martin – I'm not the tech geek that some of the filmmakers are (so perhaps other will have something to add)- but there are some other options besides MPEG stream clip. EOS Plugin allows you to use FCP 'log and capture settings' to transcode files.This is supposed to be faster and also allows you to imbed timecode onto your footage. Some have had problems with it however. Magic Bullet Grinder allows you to simultaneously create both ProRes Proxy files and higher ProrRes files simultaneously and creates timecode. Oh but I just noticed that you're transcoding to something called APR422. I've never heard of that. Just about everyone I've talked to uses Prores. Yes FireWire800 should be fine. FYI – you need FCP 7 to convert to Prores Proxy (which takes up a lot less space). I think the timecode option offered by EOS plugin and Grinder is a huge advantage over MPEG streamclip.

Edited Sun 30 Jan 2011 by Laura Moire Paglin

Errol Webber
Sun 30 Jan 2011Link

Laura, APR422 = "Apple ProRes 422"


Laura Moire Paglin
Sun 30 Jan 2011Link

Oh! Well that's good – I'm glad to know it's not some new codec.


Randy Lee
Mon 31 Jan 2011Link

I think the MPEG streamclip option works fine, especially if you then copy your THM files into the folder that the new files are in and use the free version of QTChange (search for QTChange 0.7) to add timecode and reel numbers. The EOS plugin has me plenty of issues, and I'm not the only one who has run into them – I've spent plenty of time with other filmmakers in the Madison area trying to solve their issues with it.

You're definitely better off keeping your footage on an external FW800 drive (make sure the drive is 7200rpm not 5400) than on the internal. Also, backup, backup, backup. When that drive fails, what do you do?


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