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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Noam Osband
Sat 12 Jun 2010Link

I'm trying to figure out a light tripod setup and i wonder if you guys have any thoughts:
My plan is to get either a Manfrotto 503HDV head or a Libec H38

I want to combine it with one of the following 3 legs I found used on B&H. Any advice would be welcome. I feel like I'm sure one of the links below is going to be laughably wrong for me:

http://www.bhphotovideo.com/c/product/800705572-USE/Gitzo_GT1531_GT1531_Mountaineer_6X_Carbon.html/mode/edu
http://www.bhphotovideo.com/c/product/800706511-USE/Manfrotto_3443D_3443D_CF_Tripod_Legs.html/mode/edu
http://www.bhphotovideo.com/c/product/800620652-USE/Benro_450_427_C_427n6_8x_Carbon_Fiber.html/mode/edu


Timoty Gibbs
Sat 12 Jun 2010Link

Is a documentary showcase like IDA's DOCUWEEKS a good opportunity for filmmakers?


Robert Goodman
Sun 13 Jun 2010Link

All of the Libec stuff I've seen is utter crap. I would avoid their products. Gitzo makes great stuff. Should last a lifetime.


Andy Schocken
Sun 13 Jun 2010Link

Noam, I actually checked out those Gitzo legs today at B&H. I'm not sure what camera you're using, but I wouldn't put much weight on those- they're pencil thin. I needed a lightweight travel tripod for my 5d, and put the Manfrotto 701 head (not recommended unless you really need to cut down on weight) on the Gitzo 2531LVL legs. This setup also gives you a ball leveling mechanism, which is crucial for fast setup, so you don't have to spend a bunch of time messing with the legs. Whatever you get, you should get something with a leveling mechanism (usually in video, you get a head with a ball level base, and attach it to legs that have the proper size bowl- probably 75mm for you).


Magee Clegg
Thu 17 Jun 2010Link

I just finished my 2nd short documentary! 'Filipino Rice Policy', It discusses the corruption behind this massive monopoly in the Philippine rice trade and the future of Agriculture Policy in the Philippines. I would love to hear your criticism and thoughts on what I should do with it. It's only 23-minutes

you can email me at: magee.clegg@gmail.com

link: http://www.vimeo.com/11989163

Magee Clegg


Matt Bengston
Fri 18 Jun 2010Link

I'm currently working on a series of small segments for my website, all of which are documentary-style segments that have to do with cars and motoring. During some of the filming, we will be on a race track that a friend of mine manages, and some of the other filming will be done on the road leading to the track. It's a very remote road that not that many people go on, but what I'm worried about is if someone does drive down the road when we are filming. I'll have basically myself along with a camera car, and two people setup on tripods along the road. How worried should I be about if someone drives by when we are filming, or something like that? It would be quite difficult to chase them down and ask them for a release, obviously..


Doug Block
Sat 19 Jun 2010Link

Wouldn't worry a bit about that, Matt. If they don't speak on camera, or featured prominently, I don't go after them with releases.


Beat Oswald
Sat 19 Jun 2010Link

an art school (that i am not a member from) is interested in giving me financial support for a documentary about a new school classical music concert from one of their students. they were very vague about the amount of money they wont to spend on my film.

so my question is: do you think it is more clever to get there with a detailed and rather expensive budget or should i go and propose a small budget?

its my first business talk like that and i would be thankful for some directions in the policy of such meetings..

thanks for the help,

beat


John Burgan
Sat 19 Jun 2010Link

They probably have no idea of the amount of work this can entail – have they said, for instance, how long they want the finished film to be? Also a "new school classical music concert" is not necessarily even a film.

The bottom line is to decide what is in it for you – a calling card, for instance or because you like the music student? Either way, it's unlikely you will make much money from this. Try and draw up a ball-park figure of the projected number of shooting days.


Beat Oswald
Sat 19 Jun 2010Link

thanks john

yes, it is because the student is a good friend of mine.. and i am definitely not doing it to make much money, but of course, i'd like to get the most from them, also to get the best result out of it.

since they leave me a lot of freedom in deciding how the final film is gonna look like, i think i'll go in there and draw up three different possibilities, a cheap, a middle and an expensive one.. and i will take it from there and see how they react.

but thanks for the hint with the shooting days,, i think thats a good approach to the discussion.. and i will definitely do that..


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