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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Noam Osband
Wed 28 Apr 2010Link

Thanks for help with thinking about a camera. Some audio advice would be helpful too. Vis-a-vis audio, my thinking is that I'd like a shotgun mic, two wireless lavs, and a sound mixer. I'm thinking of a shotgun attached to the camera and not a boom pole because much, if not most, of the shooting I'll be doing in the near future will be a solo job.

A few questions then:
1 – In looking at a camera, should I only want something with XLR inputs or is something like a Beachtek sufficient if the camera has no XLR inputs

2 – Even if it does have XLR inputs, is an audio mixer a good idea? It seems from speaking with the people I've spoken to that it is.

3 – In many ways, what I buy depends on my budget which isn't yet set. I'm willing to spend a couple thousand on audio if it is that much of a step up from cheaper things, although I'm not planning on buying top of the line. I have no sense for how much better a $1,000 shotgun is from a $500. With that in mind, any recommendation for any of the audio equipment?

In terms of what I'm shooting, I'd like versatility. The longer project/dissertation is a documentary about migration to Arkansas which will include both individual interviews and crowd scenes at events. I'd love to have versatility with my equipment so I feel like I can have a decent chance at getting good sound no matter what I'm shooting.

Any advice would be greatly appreciated!!!!


Jeffrey Radice
Thu 29 Apr 2010Link

In reply to Noam Osband's post on Wed 28 Apr 2010 :

Noam, my best advice is find an audio geek local to you, pick their brain, and see if they can demonstrate the differences in quality of different pieces of gear to you.


Noam Osband
Mon 3 May 2010Link

So, I’ve been doing research all week on buying my first shooting setup, relying in part on the friendly advice from this site, and I think I’m close to making decisions and I figured I’d ask to see what people thought.

Camera:
Panasonic AG-HMC40 and its XLR adapter (I considered the Panasonic AGHMC70U, but reviews I read seemed to steer me in the other direction. Let me know if you disagree!)

I’m going to get a bunch of SDHC-6 cards. I have not heard any recommendations about brand.

Tripod:
Either the Manfrotto TRIREMOTEKIT Aluminum Video Tripod Kit or Manfrotto BO055XB503H 055XDB Pro Tripod with 503HDV Fluid Video Head. The first one has the ability to do remote panning and tilting, although I wonder if that’s a feature I’d ever use.

Audio equipment:
For a shotgun mic, I’m deciding between the Rode 2 or 3. I have the money for the 3, and I’m inclined to do so for that reason.

For wireless lavaliers, I’m thinking either Senn Evolution G3 100 wireless or the Sony UWP-V1. Both have been recommended to me.

I’m also tempted to bring around a handheld mic for interviews on the go, when I can’t wire someone with a lav. I’d use the shotgun on the camera and have them hold a handheld. In that case, I’m considering either buying a EV-RE50 or just using the Shure SM58 I have at home for music recording.

Regarding cables, are there any brands one recommends for XLR cables?

As for my work, I’m doing documentary work in rural Arkansas and will often be shooting solo, so I’m not going to get an audio mixer.

Regarding all of the above, I have more money to spend if someone thought I really should upgrade something. However, I’d just as soon not spend it so that I have money for more gear in the future. I’m planning on buying a much higher quality camera in about two and a half years, and any money I don’t spend now can go to that. I also think I'm going to buy new and look for used for peace of mind, although if someone thinks that's dumb, please don't hesitate in telling me so.

Thanks!


Andy Schocken
Mon 3 May 2010Link

Sennheiser G3 is solid- used on plenty of pro productions, which the Sony isn't. Get yourself some manicuring scissors and moleskin, and do a little research to learn how to best mount the lav- that will make a bigger impact on your sound than the choice of brand. Wouldn't recommend having subjects hold a mic. If you don't have time to place a lav, just get your Rode on-cam mic as close as possible (keeping in mind the pickup pattern of the mic) and try to find the quietest place nearby. You'll probably need a sound-isolating shock mount for your Rode or you'll hear camera handling noise and possibly lens noise. And you'll need wind protection for it if you'll be shooting outside- get something like this that fits your mic. Turn off auto gain control on your cam and set levels manually.

D-word can help with tech stuff, but is better suited for creative issues. You'll find more detailed tech advice at a place like dvinfo or dvxuser. Good luck, and come back and post some of your work when you're ready!


Eli Brown
Mon 3 May 2010Link

Also, take a listen to your mics before you invest in them. They'll last you awhile and you don't want to get stuck with one that doesn't sound as good as it might seem from reading a review. I just did that with a MKH-416, NTG-3, and NTG-2. And while I liked the sound of the MKH-416, I couldn't justify its price in relation to the other two, and of the two Rode mics, I was surprised to find that I liked the NTG-2's sound quality better for what I was planning to do (and ended up saving even more money that I used for a boom, shock mount, softie, etc.). If you make a trip to NY in the future, Pro-Sound in NYC will let you audition a bunch of different mics. There might be a place in Philly that will even do that (a rental house, perhaps), though I can't speak to that from experience. Good luck!


Jill Morley
Mon 3 May 2010Link

B and H in New York will also let you test all the mics that you consider. THey have an audio room.


Robert Goodman
Tue 4 May 2010Link

You could go to Videosmith in Philadelphia. They are a dealer for Sennheiser, Lectrosonics, and other manufacturers. In the past, they've come very close to matching B&H prices with the added advantage of being local and offering local support. Tell Chris I sent you.


Yixi Villar
Wed 5 May 2010Link

Hi everyone I am in need of some guidance. I am working on a documentary "Life In The Balance" and so far we have received over $30,000 in grants and have a funding trailer set up and 501(c)(3) status through our fiscal sponsor, Fractured Atlas. yeay...BUT we need more money and soon, we wanted to shoot this summer so we can get into post by the fall ... Does anyone one have any advice on where to go for money, who to ask.. our project focuses on a testing procedure that can determine what cancer treatment will actually be effective to the the individual, basically tailored chemotherapy. Any and all advice will be welcome..Follow the link below to view our funding trailer which we created from research footage shot on a basic consumer camera If you or anyone you know are interested i will certainly send more info and a proposal your way..
http://tomgriffineditor.com/LITB_Trailer2-2.mov
i have also provided a link to our information/donation page through Fractured Atlas
http://www.fracturedatlas.org/site/fiscal/profile?id=2524


Christopher Wong
Wed 5 May 2010Link

perhaps you know this already, but since you are working in NYC, you should probably start applying for funds from both the NY Foundation for the Arts and the Jerome Foundation . there's no way that you would get money from them in time to shoot this summer, but it's good to get those applications in the queue now. since your doc also deals with science, you might want to try for funding from the Sloan Foundation


Yixi Villar
Wed 5 May 2010Link

thanks so much I'm going to look into those 3 straight away, i have heard of them but i know that they won't provide funding in time... i think im gonna have to hold some fundraisers if you or anyone out there know of people who would like to invest in such a project let me know..
:)


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