Hi I was wondering if any of you have a contact with the German TV channel ARD for securing the rights to some archival footage.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
Hi! I'm a first time documentary filmmaker and was hoping to get some examples of grant applications that have been funded. I'm applying for a grant and I'm not sure how to answer questions in regards to my plans for distribution aside from a hybrid DIY and film festival strategy. I'm more familiar with the online DIY side of things but am not sure about which festivals and networks I should be aiming towards.
In addition I'm unsure about how to address visual approach and special ways to shoot interviews that lends itself to the topic. If I can get some examples, that would be so useful. Thanks!
By the way, the logline of the film is: when a society is being educated for a world that doesn't exist,
can a young college grad find the rebirth of education within "The Killer App?"
Hi, I am making a documentary about retail and the horrors of customer service and I am just having the damndest time with finding someone or some group to give me a lil funding money. Shooting is going well, I have gotten a lot of footage that I need. But the funding is important so I can buy some stock footage that would help me out.
michael, you know the old time/money/quality equation, right? you can get two of the three. so given that it's gonna be great, be prepared that it will take a long time. just hang in there.
In reply to Kaoru Wang's post on Fri 16 Apr 2010 :
Kaoru, as I had mentioned before you went to Sundance, you have a great idea and how you tell the story is more important than getting grant app samples. If you can mold a compelling story, the grant will come. How you write a grant for your app will be different from someone else's project. I'd focus on galvanizing the story and be innovative on your distribution strategy. Most of us are still swimming in DIY confusion, so if you think you have a handle on it already, then write it down. I also think your logline is still too vague. I think "Society" and "a world that doesn't exist" are too general. Once you get a better handle on your story, then the logline will be easier to write. Mostly, funding takes time. We all get rejected, sometimes multiple times, before landing funding. If your heart is in the story, it'll get done, with or without, funding.
In reply to Marina Pessoa's post on Mon 5 Apr 2010 :
Marina, in Lima and Arequipa you don't need to bother with permits unless you're looking to film in a national park. The Peruvian national parks usually ask for between US$ 500 and US$ 1,000 a day. If you are in that situation, get in touch with the park beforehand as there is almost always a way of working around these fees. As for a van driver in Lima, unless you are planning on setting up to shoot from the van, you're best off just using taxis. You will never be without one in Perú.
Hi, I am currently directing a documentary film on the Indian side of Kashmir on local artists in the aftermath of the conflict. I was wondering if any filmmakers had any fool-proof methods to list and organize Mini-DV tapes and also to import and organize footage on FCP? I feel like somtimes I don't know whether I am organizing things properly and in a useful manner for when I start to edit. Anyone have any tips?Thank you!
You are smart to think about this now. It will save you a lot of frustration down the road. I don't know your level of knowledge, but make sure you number the tapes and change the "reel number" when digitizing so that the clips correspond with the tapes. Use the log notes or comment section since they are searchable. Name the clips by subject, date or however you want to organize your movie.
There are loads of tips out there, and I bought this DVD to get me started. It's pretty good, albeit overpriced, but I was desperate at the time.
I'm a PhD student who's a budding visual anthropologist/documentary filmmaking. I've saved up money for a camera, and I'd love some advice.
I've saved close to 10k for a camera. That being said, I won't be doing the bulk of my shooting for my dissertation for another 2-3 years. I'm tempted to spend around 2k for a camera now, save my money, and make the big splurge in 2-3 years time. I figure the technology will be better for the price if I wait.
Should I do that, what is a good camera in the 2k range? I'd love something with two audio inputs and something gives me multiple options for fps and something with a detachable lens. I'm guessing a 2/3rds chip is insanely greedy given my price range, although if it wasn't too much more or if people thought it was that much better, I'd think about it.
Any thoughts? I've been making movies for a year, so the world is still new to me, but I'm trying to learn as much as I can so any word of advice would be appreciated.
In reply to Noam Osband's post on Sun 25 Apr 2010 :
Noam, my advice is to save your money until you are ready to make the big purchase. The technology landscape is changing so rapidly that postponing your purchase for 2-3 years until you need the gear will save you money and buy you significantly more product when you are finally ready to spend. If you must get your hands on something now I would suggest one of two routes.
(1) Get the Canon Rebel DSLR (T1I), and a decent lens or two for it, and start getting comfortable with the format and the shortcomings. That's what I would do if that money was burning a hole in my pocket. Then in a couple of years you can upgrade to the best bang for your buck equivalent to the 1D/5D/7D and you'll already be comfortable with the format and have lenses that fit your upgrade. You will not go wrong with DSLR as a format choice. The adoption rate there with filmmakers is phenomenal.
(2) Alternately, go low end and get a flip HD camera. It is small, cheap, and gives decent enough output. The advantages are that you are more likely to carry it with you, and it would not be obtrusive when you do break it out. This would allow you to cheaply spend the next couple of years getting comfortable busting out your video camera and thinking about shooting always. In my opinion, documentary is as much about the quality of the equipment as it is about the visual eye of the cinematographer and just being there with a camera shooting. This would allow you to spend a few years learning on the cheap and developing a visual eye, so when you are ready to spend more bucks you have developed a better sense of what your priorities are.
Also don't neglect sound in your budget. You'll need an external sound recorder and higher end mics, which means less to spend on a camera. If you did end up spending $10k on a setup, I'd recommend 60:40 ratio of spend on video to audio at least. Audio is far too neglected by new filmmakers, and it's at least half of your presentation in a film.