This is my first post so I'm not sure if I'm doing this right but I shall give it a go! I'm currently planning a documentary that I wish to pitch as my graduation film from university. I have – I think – a good idea that needs a little work but hopefully will stand a chance at getting picked. The only problem is my subject is based in California and I'm in London. Although I plan to go several times before I shoot I think it is vital that I have a researcher over there to keep on top of things. Just wondering if anyone can offer me some advice on where to start looking for one? I mean I can't really afford to pay anyone other than expenses and obviously credit within the film. Would it be a good idea to approach film schools in the area for example?
Like I said, I'm not sure if you will be able to help me on this at all, but any advice will be greatly appreciated...before I start to panic!
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Good point. Sorry.
Well one part of my doc will be shot near San Quentin
I have developed a free AI research tool. www.alexlib.info. It is currently being used by people on Wall Street and investigate reporters. After speaking with a producer at National Geo it occurred to me that it would be a great tool for documentary filmmakers. It is fairly similar to Google Squared in the way that it functions. I was wondering what might be a good method of introducing it to film makers?
I went to the site but couldn't figure out how to use it. Could you elaborate...?
Ok, thanks for that Ben. It is related to the prison yes. The website looks promising, will go and check it out properly now. Fingers crossed!
OK well here goes, HI !
Yes a newbie to all this.
My plan goes like this:-
I was describing a trip I am about to make to someone who immediately said "You should film that".
And I thought "Yeah I would watch that for sure"
But then the doubts creep in as they should and I start thinking of all the problems ....
So I call a friend with years of experience in the film industry, describe it and ask for his thoughts. "Awesome can I come..."
So I phone another friend in the film business in the field of interest and his response is "Mad if you don't ..."
So maybe It's not such a bad idea.
Basically part a road trip through the Australian Outback in my 1929 International truck. Open cab, No doors etc. See attached pic.
And the other part visiting some major truck and tractor/machinery shows on the way and interviewing the owners/restorers of various interesting vehicles.
Not everyone's cup of tea but there have been some big time successes in the field. Check out "The Back of Beyond" from 1954 and of course recently "Long way Round" etc
So, Question is what do you all think about it ?
Oh, I have no experience with filming or presentation or marketing film. But am good at learning stuff. Taught myself to be a software developer so can learn this eh ?
Back of Beyond is a classic, Phil – what route will your journey take you?
From home in Hunter Valley NSW drive to Dubbo for truck and tractor show (lots of footage and interviews there) then leave truck there for transport to Alice Springs via Road Train. Then fly to Alice at the end of August for the Road Transport Museum by annual event (again lots of footage and interviews there) then drive north alone to Tennant Creek then East to Charleville etc and back to the Hunter.
The drive back at least two weeks camping in the bush along the way.
Are you also familiar with a show called "Bush Mechanics" as I'm sure there will be breakdowns and fixits to include.
I say why not, Phil? Sure to be an adventure, no matter what. Teach yourself to shoot, practice a lot, have fun.
I'm shootin a small documentary film and I would like some indications:
in Lima Peru, I need an indication to a driver with a van, and the procedures to film Lima and Arequipa.
in US – I'm shooting in Lapeer, MI and Olympia, WA. I'd like to know if is necessary a Film Permit to shoot in this cities and a Temporary Importation to enter the USA with the equipments
Thanks for all
In reply to Marina Pessoa's post on Mon 5 Apr 2010 :
There are some cities in the U.S. where legally you need a permit to shoot, but depending on what you're shooting you can generally get away without having one. And unless you're bringing tons of equipment, don't think you'd need any special permission.
basically every US city has different rules. I would say NYC and LA have the hardest rules, because there is so much shot there. Small American cities are generally very easy to shoot in with out permission. There may be exceptions, but generally this is the case.
I'm trying to put together my reel & create a website. Any suggestions?
Just do it. And use wordpress for your web page so you can update it easily. Other then that, do you have any specific questions?
Create your own YouTube or Vimeo channel and post your reel there, would be my suggestion
Stephanie – Any guidelines for reels and sites are not really universally true for all people in all fields. Take a look at the websites of people who are doing the kind of work you want to do. Look at a lot of them. Take notes. Pay attention to what grabs your attention, what irritates you, what you find easy to remember. Base your own reel and site design off what you discover that you like and what you think communicates what you want people to understand about you.
In reply to Cianna Stewart's post on Sun 11 Apr 2010 :
I am in the process of my first documentary about the aftermath of sex slavery into Israel and the resulting effects on two women as they're trying to regain their family rights and social status after they have suffered the consequences of sex slavery.
i am at the phase where i need to "attach" someone to this project, advise, and an editor to put a short trailer for this. i am in the place where i need to start get funding for the project as all the trips thus far (and the continued trip at the end of the month) are personal investments. I am looking to build a "core" team that will live throughout the project and the success of the storytelling will be everyone's.
So, help will be greatly appreciated in the following:
- Advisory and attachment to the project (for the purpose of fiscal sponsorship and grant applications)
- Raising money methods and/or channels
in addition, since this is my first indie project, any suggestions, comments, help, would be greatly appreciated.
I have a few ideas plotted out for documentaries and I'm soon planning to embark on the journey of putting everything together to actually make the film. I am very new to this, though. Despite having read multiple sources about making documentaries, I can't seem to find anything that tells me how to go about the initial stages of getting things going. To give you an idea, this is exactly where I'm at now:
I have an idea for a documentary. It involves some travel. I have the premise and the subject matter planned out, so now it's a matter of knowing where to go from there. Do I put a proposal to a production company or television station? Or do I try to assemble a team of my own first of all? Basically, I just need to know the best route – from a writer's perspective – to getting a documentary made from the intial idea.
This is the path I have chosen for myself. I am 100% dedicated to making this work and to becoming a filmmaker/documentarian. Any suggestions or help would be most welcome.
Thanks so much in advance,
ilan, if you haven't already, watch a whole bunch of documentaries (perhaps even on similar social issues as yours), and contact one of the producers of a film that you really like. tell them about your project and you just might be able to bring them aboard as an Executive Producer. (of course, make sure that they are not just a "name", but that they can actually do something tangible for your project.)
documentary producers/directors are ridiculously easy to contact (compared to their counterparts in the fiction world). for my last project, i contacted Davis Guggenheim out of the blue, and ended up having an hour-long, face-to-face conversation with him at his office. he didn't end up being my EP, but you just never know.
i do watch quiet a bit, but it's never enough.
since you mentioned that it's ridiculously easy to contact documentarians, is there a way to contact you outside of this forum? :)