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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Nicholas Varga
Wed 18 Nov 2009Link

Thanks Martin!

I actually found that website and was fortunate enough to have them accept my piece as an addition to their site. There aren't many films on there nor was there contact info other than an email, so I am wondering how wide of an audience they actually have. Time will tell. I will try indiegogo as an additional forum to display what we have edited thus far. Have you had any luck with Reelchanges? I only need $95K to finish and am positive this thing is going to make money. I just need one person to step up to the plate without having to jump through all the hoops and wait 6 months for Sundance and organizations like those to dispense money if they do decide the film is worthy. I HATE how money stops change even though it's probably the biggest catalyst when evoking change! UGGH! The system SUCKS!

Peter Brauer
Fri 20 Nov 2009Link

In reply to Nicholas Varga's post on Tue 17 Nov 2009 :

you could also look into I haven't used it, but it appears lots is being funded through it. 95K might be too much for them, but maybe you could split it up into smaller pieces.

Nicholas Varga
Sat 21 Nov 2009Link

Thanks Pete.

I will try kickstarter as well. I don't mind breaking it up at all.

Martin Touhey
Tue 24 Nov 2009Link

In reply to Nicholas Varga's post on Wed 18 Nov 2009 :

I've had very little luck in collecting funds ($70 on reelchanges, $50 on indiegogo), but I keep them there in case some bigwig comes along and decides to drop a ton of loot in my lap. You need $95k to finish, I need $25k to start. I'm gonna check kickstarter to see what it's about. Good luck.

Nicholas Varga
Wed 25 Nov 2009Link

HAHA! We have the same exact expectation/motive for keeping our projects on those websites. My problem is that even the people I know who are business owners, and are able to donate money through a 501c3 and write it off, don't have profits this year to be able to justify doing it for me. I am taking a beating every which way I turn. It's frustrating more than anything because I can sit and edit for 16 hours straight and do not hesitate to come in the next day because I love to do it. However, my hands are tied because I need the money to do narration and can't go any further until it's done so $$$ is what's holding me up. This is for the very same reason why I HATE the industry. You work on any fictional film or tv show and there are 10 people there to do a 3 person job, all getting paid union rates. I want to blow my brains out because I HATE sitting around and am the only person who actually wants to work and it pisses people off! Oh well, gotta love creating change rather than getting rich!!!

Nigel Walker
Wed 25 Nov 2009Link

Nicholas, So you will let a funder decide whether you continue or not? Turn a closet in your house into a sound room (blankets and foam), buy a digital recorder and mic (Zoom H4 or better), post on Craigslist for VO talent and learn how to record narration yourself. The internet is full of tutorials to do every one of these things.

Scott P. Harris
Thu 26 Nov 2009Link

Hello, I made my first short, a nine minute piece about a very unique high school physics teacher, that recently premiered at the San Francisco Doc Fest. I was contacted this week by a woman who represents the feature that I was paired with. She said that their film was finishing it's festival run (it opened at Silverdocs) and they are starting to take it to colleges for screenings and putting together a dvd. The director liked my film, and he wanted to use it as an opener when he does the college screenings, and he wanted to put it on his dvd. That's great news for me, and I'm happy to have my work seen by more people, but when the issue of compensation came up, she offered $200. That seems a bit low to me. Do you have any idea what I should be asking for?

Christopher Wong
Thu 26 Nov 2009Link

that's stunningly low, even for a short. if she just happens to be taking your film on a tour, it might be almost worth it. but if she's actually packaging your film in a DVD, i think you should probably negotiate for a share of the DVD revenues. maybe something like a $1.00 per DVD? under such an arrangement, you might not even make $200 total, but at least it will be a fair deal...

Willemijn Cerutti
Thu 26 Nov 2009Link

Hello cameraman or woman, I need you to make a shot at DESIGN MIAMI the 5th of December for a documentary. Can I hire you? Please email me soon at Our company is based in the netherlands. Please mail me soon!

Christophe Cousin
Fri 27 Nov 2009Link

In reply to Jessamy Meyer's post on Sun 12 Oct 2008 :

Hello, I am now looking for a fixer in Laos for a french program if you might be able to help.

Thanks in advance.


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