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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Gregory Rossi
Mon 8 Jun 2009Link

I'm moving onto a new phase for CONNECT USA, my Connect Four doc. I'll be interviewing media analysts, think tankers, talking heads and news types to discuss/investigate the notion of the USA being a nation politically divided. I can find contact information for many people but some celebrities are more elusive like Janeane Garofalo. Are there any suggestions for getting a hold of someone like her?

we live in the same neighborhood but I just can't roam these streets forever...


Andrew David Watson
Wed 10 Jun 2009Link

Tsvetina do you live in Beijing? I may end up in Beijing the first week of September and may have some questions.


Marshall Burgtorf
Thu 11 Jun 2009Link

I've got a copyright question. I've found a a couple videos on youtube that I am wanting to use in my project on violence in youth sports. One of the videos was posted on a California newspaper youtube page. I contacted them to get permission to use it. Unfortunately they no longer know who the original owner of the video is. It is a video of parents going crazy at a football game.

The other videos are of the same subject matter but went viral years ago and it seems impossible to track down the original owner of the content.

I've read through The Code for Best Practices in Fair Use and it would appear that I can use it. I want to make sure everything we do is legal and I also want to give credit where credit is due.

Any ideas from the most knowledgeable keepers of all things documentary?


Jill Kelly
Thu 11 Jun 2009Link

hello, i have a question about which way to direct my focus within my indie film making career.This would all be under the assumption that the films are of good quality,well shot,directed and edited.

what would be the pro's and cons of two directions?
one being funding the doc's ourselves completely, then once completed pitching them to television broadcasters.
Two being to search for funding,and/or produce in cooperation with a broadcaster.
I have the general ability to go either way, neither is really very easy alas my inquiry, Thanks


Marshall Burgtorf
Sat 13 Jun 2009Link

In reply to Marshall Burrgtorf's post on Thu 11 Jun 2009 :

I guess I should posted this in the archives topic. Sorry gang, I haven't been around for awhile. I got it straightened out though.


Doug Block
Sat 13 Jun 2009Link

No worries, Marshall, you'll get the hang of it. The important thing is you're posting again.


Monica Williams
Sun 14 Jun 2009Link

I have a question about independent educational distribution. I have a copies ready to go of a 1 &1/2 hour film of an interview I did with Susan Neiman on her book Evil in Modern Thought. I'm very happy with it and it is in demand with a certain group of professors and philosophy students.

I'm building a website for it, but I'm clueless about the appropriate & practical steps to independently distribute something like this to universities and conferences. I have an endorsement from a professor who used the film at Loyola and I have been receiving requests for the film. I don't see the need to look for a distributor, but I may be wrong.

I have an idea about a price structure. For educational purposes, $1000 and individual copies at $30. Are there legal papers that someone paying the higher price to show in front of an audience will have to sign? Should I sell the personal copies for the much lower price, through my website? Does this lower my chances of receiving the proper payment from professors looking to use my film?

Any advice is so appreciated – Thanks


Elan Frank
Mon 15 Jun 2009Link

Hi,
My name is Elan Frank; I am a documentary film maker residing in LA.
I am now in the process of developing a documentary film on the co-existence between Jews and Muslims in Morocco and got to the sage of presenting investors with a business plan and production package, including a proposed budget.
I was wondering if anyone could refer me to samples of such packages/forms, what is essential to have in them, and a one-page budget sample form that is satisfactory to investors (I have my budget format, but it is in excel and very details, not something you provide investors. I am looking for a designed one page with the essentials.
Thanks you. I am glad to be part of this documentary family here in D-word!
Elan


Monica Williams
Tue 16 Jun 2009Link

In reply to Monica Williams's post on Sun 14 Jun 2009 :

I just needed to do more homework – never mind my question – I realize there are no clear answers though I wish there were.


Robert Shore
Wed 17 Jun 2009Link

Hi all- I haven't posted in a while. I've got a new series that I am writing up for the August deadline for the National Endowment for the humanities. Does anyone have any advice, specific or general, about NEH-specific grant-writing? Thanks, Rob.


Dustan Lewis McBain
Thu 18 Jun 2009Link

Hey guys, quick questions, im shooting a high school reunion with 300 people, and im using a panasonic dvx 100b. Firstly, what mic should i use? and secondly, what preferences should i shoot under? Maybe i could shoot with a slow shutter speed? idn any ideas?


Sudeshna Chowdhury
Sat 27 Jun 2009Link

Hi this is Sudeshna here. I want to be a filmmaker and really keen on making documentaries. RIght now am working for a news channel. could you plaese tell me how do I start. Yes, I was told that I should start making videos and post it on websites. Could you please let me know how do i begin and which are the potential websites i should send my work to?


John Burgan
Sat 27 Jun 2009Link

It depends very much on you, Sudeshna: what interests you? What's going on in your area? What stories do you want to tell? The website part is easy (you can use Youtube or Vimeo), but it's the work that counts. Are there any films which have inspired you?

Edited Sat 27 Jun 2009 by John Burgan

Sudeshna Chowdhury
Mon 29 Jun 2009Link

Hello John
Yes films that mostly deal with social and religious issues interest me. I have watched a couple of documentaries by Satyajit Ray whicb have insppired me a lot. Also this film called La Americana have motivated me to further explore subjects. I have also watched a copule of documentaries on Maoists in India. Well these are teh kind of stories that I intend to tell. Am making short videos( which i shoot with my handy cam and right now cany afford one due to financial constraints)but what i am looking at is to become part of an organisation that will give me good exposure. These of course are my views but i don't know how it actually works. Your seggestions please??


David W Grant
Tue 30 Jun 2009Link

ABOUT VIDEO ESSAYS that use docu-drama – Where do 'documentaries of the future' exist? A film that posits a possible future? Such a film obviously could be declared 'fiction'. Is there a genre of this type?
Thanks.


Craig Schneider
Wed 1 Jul 2009Link

Hi all,
Does anyone have any advice/experience shooting Sweet 16 videos? I'm shooting one this Friday documentary style, so i won't be directing so much as just capturing the moments (and there's plenty of dance numbers and such to capture), but it's my first paid job as a documentary videographer and my first Sweet 16, and I know the family, so I want to do this right. I have experience shooting formal events with my cousin's wedding and a friend's wedding. However, I'm shooting this on my own, with a Panasonic DVX100a, and my journalistic instincts. Would you recommend a lav mic on the birthday girl if she would have it? I wasn't going to bother just to simplify. If i do direct at all, is there anything fun you'd recommend shooting with her and her "court" or her court alone? I can let the photographer take the lead on this stuff of course during the photo shoot, but I think it may also be good to have her close friends and family say/do something. Would you recommend I use a separate mic during the party for that? I have a RES50B. This is really a big deal for her and her family, and they trust me to do an amazing job. I know what they have planned for the day and night, and i plan to capture some behind the scenes, getting ready moments, and the excitement and fun. I also posted in the legal section to ask about a contract template just to protect myself (I've only done pro bono before). Other than charge my batteries and get close with the camera and shotgun mic, work my angles, am I forgetting anything? I also do mostly handheld so i'm thinking that a monopod vs. a tripod would be better. Lastly, if anyone can recommend a place in NYC to pick up a spare and relatively inexpensive DVX100a battery, let me know. It's going to be a long day.
Thanks.


Doug Block
Thu 2 Jul 2009Link

Craig, as someone who's shot well over a hundred weddings, I say don't fret too much. Unless you're a hopeless incompetent (which you're not), they're gonna love what you shoot, I guarantee it. Normal people aren't used to seeing themselves captured verite-style and it's always a hoot for them.

Technically speaking, I'd simply use a good directional mic on the camera (like a Sennheiser 416), get in fairly close as much as you can, and definitely shoot handheld. Screw the tripod. And I'd set up as little as possible, just be a total fly on the wall. But that's me.

Have fun and lotsa luck.


Craig Schneider
Thu 2 Jul 2009Link

A few other related questions to my previous Sweet 16 post that i forgot to ask: I normally shoot my documentary footage in 24P on the DVX100a in squeeze mode. Do you see any issues with using that format for the Sweet 16 video? Do videographers at the formal events normally just wear a black button down shirt and slacks? When i was i shot weddings, i was actually in the wedding party so i wore a suit. And I am renting one of those light panels for the top of my camera for low light situations, but i haven't tested one out. Advice? Thanks again.


Craig Schneider
Thu 2 Jul 2009Link

Thanks, Doug. I was hoping you would post. Now I'll stop my fretting. Thanks for the sage advice.


Craig Schneider
Fri 3 Jul 2009Link

Doug, I didn't get very far in "legal" on my contract template request. Can I ask how you handle getting stuff in writing? All I have now is a verbal agreement on the price. I feel like it would be good business practice to protect myself, on this job or when i don't know the family. Have a great July 4th weekend.


Doug Block
Fri 3 Jul 2009Link

Craig, just emailed you my standard, one-page wedding agreement. Hope it helps. BTW, the Mentoring Room is for Enthusiasts, not Members, so keep stuff like this in the Legal topic in the future.

Edited Fri 3 Jul 2009 by Doug Block

Brian Boyko
Tue 14 Jul 2009Link

Short question with a complicated answer: Have any of you guys ever filmed in Cuba? I figure before I start doing research about how to get permission to go to Cuba as a journalist from the State Dept., I could ask here, and see if anyone's got any experience with it.


John Burgan
Tue 14 Jul 2009Link

As you're already a Member, Brian, you can pose this question in the Production Topic. There are several colleagues who I'm sure will be able to ask your question.


Mark Barroso
Tue 14 Jul 2009Link

In reply to Brian Boyko's post on Tue 14 Jul 2009 :

Brian: you can email me off list and I'll give you my phone number, but the short answer is unless you have a letter from an accredited news organization that's recognized by the State Dept., you will not qualify for a journalist exemption to the travel ban.

Assuming you do not have relatives there, that leaves you the option of going illegally, or under the license of a humanitarian group. I can advise you on that, too. Depending on what you want to do, you will also have to fly under the radar of the Cuban govt.


Brian Boyko
Tue 14 Jul 2009Link

In reply to Mark Barroso's post on Tue 14 Jul 2009 :

We considered that possibility, but isn't there an application process for freelance journalists?

http://travel.state.gov/travel/cis_pa_tw/cis/cis_1097.html
"Free-Lance Journalism – Persons with a suitable record of publication who are traveling to Cuba to do research for a free-lance article. Licenses authorizing transactions for multiple trips over an extended period of time are available for applicants demonstrating a significant record of free-lance journalism."

If we can't get special permission, we're considering contacting BBC, Reuters, AFP, EFE, CNN, etc., to see if they could use some stringers in Cuba, work under their aegis, and film the doc in-between assignments.

I'll e-mail you off-list, Mark.


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