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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

John Burgan
Wed 18 Jun 2008Link

Rights are a huge minefield, as I'm sure you've gathered. The slight advantage here is that you're putting together a trailer which will not be broadcast – or is it for your website?

There was a similar request here a while back – see hidden section for suggestions on WWII material

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Katinka Kraft
Wed 18 Jun 2008Link

I am wondering if anyone might have any recommendations for a tech problem that I am having. It has come to pass that the audio jack in my Canon GL1 camera is not working anymore. I tried to get it fixed once, to know avail. The camera has a little life in it left for fun projects, and we have decent mics.... thus, I am considering venturing into the secondary audio recording unit audio as a match up for the camera. I don't know much about field audio. Does anyone have any recommendations for a hard disk recorder in the reasonably affordable range?


Steve Yu
Wed 18 Jun 2008Link

In reply to Mari Heavey's post on Wed 18 Jun 2008 :

Mari – Take a look at the Canon HV20 with a Beachtek audio adapter...should be able to get one pretty reasonably these days. Not like the pro gear, but the picture quality is pretty amazing for an inexpensive camera. Look at BHPhoto.com Buydig.com, or even at Circuit City...

Good luck!

-Steve


Mark Barroso
Wed 18 Jun 2008Link

In reply to Katinka Kraft's post on Wed 18 Jun 2008 :

I recommend the Zoom for secondary recording. Don't forget the slate slap.


Mark Barroso
Wed 18 Jun 2008Link

In reply to Katinka Kraft's post on Wed 18 Jun 2008 :

The expanding mini-plug jack is an easy fix. Whoever tried to do it didn't know what they were doing. I would send it to an official repair shop.


Monica Williams
Thu 19 Jun 2008Link

In reply to John Burgan's post on Wed 18 Jun 2008 :

Thanks very much John. And it is not for the website, only for funding, so I am lucky to avoid the minefield for now :-)


Monica Williams
Fri 20 Jun 2008Link

I am making a trailer to privately raise money with. If I use this trailer to apply for grants, will I get in trouble if I don't have all of the rights to the material used? I'm not sure if I need to consult a lawyer for this one, but any help will be most appreciated.


Christopher Wong
Fri 20 Jun 2008Link

you won't get in any legal trouble, monica, and people do this ALL the time... the only "trouble" you might get into is if the clips you are using are well-known and absolutely indispensable to your film. The grant agency may question whether you can raise enough money to use such clips. for instance, if you wanted to use MLK's "Dream" speech... but if you use a photo of an old Model-T car, no one's going to blink an eye.


Mikal Jakubal
Fri 20 Jun 2008Link

Another thing to consider is how the owner of the rights to the clips would feel about you using their material to raise money for your film. If it were some corporate newscast or promo film of some mega-bucks rock band, I'd say don't worry about it. <puts on flame-retardant suit> On the other hand, friends of mine—starving documentary filmmakers who risked life and limb to get dramatic footage—have had people cherry-pick their films to make fundraising trailers for their own films, sort of conveniently forgetting to mention to funders that they haven't shot an inch of tape themselves. It really sucks to find out that others are using your work for their fundraising while you yourself are living below the poverty line.

The point is that even if you intend to license the footage at market rates later, if you're using footage owned by a real person who is not a multi-millionaire or faceless corporation, you should have some arrangement with them. Yes, you can probably get away with it, but it's not ethical.


John Burgan
Fri 20 Jun 2008Link

Yes, but hardly relevant here as Monica's looking for historical images – see her original post & project website.


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