I'm working on clearing all the photos for my first film, most of which are old family snapshots taken in Italy. Apart from getting a materials release from the owners of the photos,I understand that the conservative approach is to clear every individual pictured in those photos – a monumental task given that everyone is abroad and scattered about. But what if you can't locate everyone? From a practical standpoint, I was wondering how others have approached this for their films.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
thanks, sheng liu. Ideally I'd like a theatrical run, with a DVD distribution plan. But I am not done shooting yet, I figured I would just go for broke initially with my first cut, and then poke around and see what any advice I can get in terms of what I can and cannot do.
getting the release forms will not be a problem (I have access to, and see the subjects on a semi-regular basis) the clips I use however, will most likely be removed. But it's worth it to try right?
what would be my first step in clearing these third party clips?
I sympathise (never with a Z!) with Dale Archibald and his thoughts about access to the forums for non-professionals. Although i would say that it seems like the pros regularly post advice and responses in the mentoring room and also access at least at some level is free. Somebody put in the hours to spruce up this site and they did a good job and didn't bill me for it so i am grateful for that. I have been a member on other forums that charge annually.
I haven't applied for professional status myself but i might. Can't believe there isn't a box to check for Production Manager or Coordinator when applying for pro status. We do a lot of work
even if it isn't necessarily editorial. Although i guess everyone doesn't have the luxury of larger factual production teams??? Do i have to be an "other"?
Evan, it is a fascinating site, and I do appreciate the work put into it. And, as I said, I suppose I could use the tags to work my way through everything.
I could probably fudge and say I'm a writer (which I have been since 1970), but I have had little documentary or video experience (if you don't count a stint doing puppets for a local cable TV show).
Last night I took the Introductory course to the Minneapolis Telecomm Network, so I'm on the path to enlightenment.
I simply think it would be helpful to look through the seminars in a more organized manner, and you can't do that if you're an enthusiast.
On another note, I noticed the lists on one of the bookseller sites for video and filmmaking. Interesting, what with the books on various aspects of the craft, lighting kits and all.
Evan and Dale, I am just a 5-year member of D-Word, not one of the three hosts/monitors, but recall that one of the concerns when putting the revamped D-Word together this past year was how to offer anyone at all who is interested in documentary some sort of platform so people with some experience in documentary can share their support, solutions, and other help with those who are new to it. Or who want to discuss whatever they like. The public/private division has nothing to do with fees; it's more about protecting privacy and some of the personal information that members exchange. While it might never be perfect, it's a fix.
D-Word doesn't charge fees and nor does it raise money with advertising, but the hosts did initiate a voluntary fundraising exercise a while ago to help pay for the intense programming needed to make all the bits flow together better. This included a much easier to use public zone. Enjoy the freebie!
Dale, I have often consulted titles published by CMP Books. Their publications on digital video sound and lighting were recommended to me – probably all updated since I read them.
Thanks, Jo-Anne. I'll take a look at them.
I do enjoy the site, and appreciate the work and care that goes into it. I shall continue to graze around the edges.
To all who have expressed comments about access to the member-only areas of this forum, the hosts will hopefully chime in soon. But I can say that I don't think those sections are made private simply to keep the discussion only to professionals or to create a clique. They were separated more to provide a safe space for professionals to share their experiences and challenges with few worries of their comments being seen by anyone (ANYONE, not just enthusiasts). The public forums come up in Google searches while the private forums do not.
That said, I think a great solution would be for the hosts to send out a monthly or even quarterly e-mail message to all D-Word members with some highlights of discussions held in the private forums which could be beneficial to all without compromising privacy. For example, right now there is an interesting discussion going on in one of the member-only topics about house parties as a fundraising tool and it would be great for some of the highlighted recommendations to be shared with the enthusiasts who could benefit by this information for their first project.
P.S. Not trying to be too self-promotional here, but can't help myself. I am the co-founder of a doc organization called Docs In Progress. While some people know us for putting on work-in-progress screening programs in the Washington DC area, we also have two initiatives which may benefit doc filmmakers based anywhere and with ANY degree of experience. One is a quarterly e-newsletter we publish. It's free and you can sign up for it on our website at http://www.docsinprogress.org (next issue to come out before the end of January will feature articles on rights and clearance issues and a story about a unique approach to online fundraising). The other is a work in progress screening we are coordinating in collaboration with NomadsLand on February 17 where the filmmaker will participate via Skype. More info on how to submit is here: http://nomadsland.com/content/view/60/158/
Erica – I think that's a great idea, but it also sounds pretty time consuming for whoever has to compile that newsletter. Maybe another, more user based, solution might be to add another button by the tag,edit,help, etc. that basically makes your post available to enthusiasts. There could just be one public thread that is a 'members selects' compilation thread. That way it would be up to the actual author of the comment (or a moderator, I guess) to decide whether the post should be available to the world (of course the default would still be that every post is private). While I realize most members would still hesitate to ever do this, a good way of alleviating that would be to automatically make those posts anonymous in the public forum. Yeah, it's out of context for enthusiasts, but they would just have to take the info or leave it and know it's coming from pros. This may be enough to appease everyone (except the poor web designer who would have to implement these changes). Just a thought. I think it's definitely valuable to take measures to keep the public D-Word vibrant.
Thanks Jo-Anne, Erica, and Ryan for your clarifications and comments. I'm a curious guy in general (probably why I enjoy docs so much), so I'm interested in what you all are discussing. However, if there is sensitive stuff in there, I will be content with the areas of the site that are available to me. I'm sure that a ton of work goes into maintaining this site while at the same time keeping it free, and for that I thank the hosts.
Thanks so much to Riley and Jo-Anne for the wonderful advice! Both of you are always very helpful to me.