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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Joe Scherrman
Mon 20 Nov 2006Link
Christopher

I have a friend that might be able to give us some advice on suggested
music but he wouldn't know about royalty free stuff. It might help
limiting the search by having a title. Let me know if you would like me
to contact him.

Andrew Corica
Sun 26 Nov 2006Link
For my next doc I need footage of Katrina, and other similar events.
Where can I get this? No networks will answer my emails. All help is
appreciated, (maybe a spot on my credits)

Robert Goodman
Sun 26 Nov 2006Link
try your local news station. They may have footage and be more open to
you. Perhaps even do a story on you making a doc. All of the networks
have stock footage companies that sell footage. I'm sure you could buy
something if you want.

Alexandra Stubbs
Tue 5 Dec 2006Link
Hey, guys. I've been very interested in docs and doc making for
awhile now. I intend to go over seas within the next two years for
an early "OE" and have decided to invest in some equipment before I
go as I will be going to some very interesting places. I've been
looking at 'Camcorders' and "pro camcorders" for awhile now... But
to be honest I just want something efficient and well, cheap (as
cheap as possible). Can anyone make some suggestions as to what
would be good to look at? I have a budget as I'm a student… who's
currently jobless =P 2.5Grand (US dollars) would be my limit (not
including accesories). I would prefer to spend less of course but I
do want something decent! Any tips / suggestions would be greatly
appreciated!

Scott Westphal-solary
Thu 7 Dec 2006Link
Are there any set guidelines for music credits? I have about 4 songs
and I'd like to know what I need to include in the credits for legal.
They are all christian hymns from the public domain performed by
people in the film.

Erica Ginsberg
Wed 27 Dec 2006Link
This may be of interest to emerging documentary filmmakers for a
mentoring and major networking opportunity...


The Garrett Scott Documentary Development Grant will fund two first
time documentary makers for travel and accommodations at the Full
Frame Documentary Film Festival, April 12-15, 2007. For four days,
grant recipients will be given access to films, participate in master
classes and be mentored by experienced filmmakers.

About the Grant: Garrett Scott made a distinctive mark in documentary
films during his short career. Without any formal training in film, he
directed CUL DE SAC: A SUBURBAN WAR STORY, examining the case of a
methamphetamine addict who stole a tank from an armory and went on a
rampage through the San Diego suburbs. The film prompted Filmmaker
Magazine to cite Scott as one of 25 New Faces of Independent Film. He
went on to make OCCUPATION: DREAMLAND, co-directed with Ian Olds,
about U.S. soldiers in Falluja, Iraq. It won prizes at Full Frame and
the Independent Spirit Awards. Both films were broadcast by the
Sundance Channel. In 2005, Scott died of a heart attack at age 37. His
friends, family and colleagues established this development grant to
help other emerging filmmakers reach their potential. The grant's
selection committee looks especially for filmmakers who somehow
fulfill Scott's example, by bringing a unique vision to the content
and style of contemporary documentary making.

Criteria: Applicants must be a U.S. citizen or green card holder,
living in the continental United States; any age 18 or older. By
"first time filmmaker," we mean someone who is in the early stage of
their documentary career and not yet received significant recognition
(such as major festival play or broadcast). All applicants should
anticipate finishing their first project by March 2008. You can still
qualify as a "first time filmmaker," even if you've made shorts or
student projects or worked professionally as a crew member on other
people's films. Or if you've recently completed a documentary that
hasn't been released yet. The grant is open to students and
non-students alike.

How: Applicants should send a 2 page letter addressing these areas:

1) Project summary: Describe the documentary you're working on. It
doesn't matter whether the film is a short or a feature. Describe the
characters, structure, visual approach and what stage you're at.

2) Director's statement: Describe how you came to filmmaking and how
you've trained as a filmmaker. It doesn't matter whether you went to
film school or are self-taught. Describe what you want audiences to
take from your film.

In addition, if applicants have a 5-10 minute sample of their work or
work-in-progress, please send that as well on DVD or VHS (NTSC
format). A sample work isn't required to apply. But if the selection
committee has to choose between several strong applicants, the sample
work will become a factor in making the decision.

Submit two copies of both the letter and work sample along with
your...

Name:
Address:
Phone:
E-mail:

Send to:
Full Frame Documentary Film Festival
324 Blackwell Street. Suite 500
Washington Building, Bay 5
Durham, NC 27701
attn: Garrett Scott Documentary Grant

Deadline: Applications must be postmarked by February 5. Applicants
will be notified by email in mid-March.

More information: http://fullframefest.org/call/garrettscottgrant.php

Don Dobrez Jr.
Fri 5 Jan 2007Link
Hi,

I am working on my first feature length documentary about the
destruction of the oldest Drive-In movie theater here in Illinois.
There was a very heated battle in the local city council to save the
theater, but it fell on deaf ears and the theater was torn down. I
then made it known that I was making a film about the poitics that
killed the theater, and have been interviewed a number of times in
the local press about the film. The problem I have is that I
honestly would like to get the people responsible for the theaters
destruction to appear on camera to explain their views to the
audience. How should I approach them and extend an invitation to
them even if they all ready know that the final film will not
necessarily show them in a favorable light? And I how do I assure
them that I won't "Michael Moore" them if they agree to an
interview, i.e. attack them as soon as tape starts rolling? I am
trying to draft a letter and am curious as to how others might have
handled a similar situation.

Thank You!

Don

Doug Block
Fri 5 Jan 2007Link
I would write a letter that states pretty much what you described in
your post, Don. And I'd let them know that if they don't appear on
camera to defend their position, you'll be left only having the other
side represented. I see nothing wrong with telling them where your
sympathies lie, but emphasize that you want to be fair, not have the
film be a Michael Moore-like screed.

Gary Parker
Fri 5 Jan 2007Link
Hello Doug and Erica,
First of all, thanks for all the advice you so freely give. Thanks
to Erica for the info on the Garrett Scott Documentary Grant. I will
be applying for the grant.
I have been away, in Ohio, for a few months. I am working on the
aviation documentary about Charlie Taylor. He was the man who built
the engine that made it possible for the Wright brothers to fly. I
am also planning a video shoot with Wright State University sometime
in February or April. This video is separate from the documentary.
We will be taping in HDV. It will be an period piece interview
taking place in 1948. The author/historian of the Taylor book will
portray Charlie Taylor and I will be the reporter. I discussed the
editing process with a university media producer and he stated that
they have Final Cut and Adobe Illustrator. Which do you prefer or
what other editing program do you use.

Doug Block
Sat 6 Jan 2007Link
I use FCP, and a lot of filmmakers still use Avids. It's usually one
or the other.

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