The Mentoring Room - Ask the Working Pros

richard, read jan rofekamp's archived conference here on "selling in
the international marketplace."

Hello everyone. I am venturing into my 1st documentary and I was
wondering what kind of inexpensive choices I had for recording
dialogue. I will be interviewing subjects at their homes and
dictating from notes to use as narrative. I was told that minidisc
recorders such as the Sony MZ-B10 were good and inexpensive ways to
go, any advice?

Just came into the forum from cafe Utne what a tresure chest of minds. Great
forum

Thanks, David. So why don't you tell us a bit more about yourself in
the Introduce Yourself topic {LINK NOT IMPORTED}?

hey all, im very new at filming anything. i've done most of my
research from the net, but if anybody can lead me to a site or book
perhaps on how to come up with a good line of questions... i only have
one day of shooting and i've never done anything like this... but i
know i have to be prepared.

the topic is mostly concerned on the elements of hip hop and most of
the potential interviewees are teenagers who have there own
distinctive lingo...

cheers, any help will be most appreciated

there's a great book on interviewing that i've noted here before (you
can check back posts), i think called "the craft of the interview" by
a guy named brady. do a search on amazon and i'm sure you'll turn it
up.

I guess everyone is too busy to help the "newbie", guess everyone
here was born a professional and never needed help from their peers.

calm down, tim, everyone IS busy, and i'm simply no sound expert. i
generally use a senheisser directional mike as an auxillary mike
plugged into the camera. works for me but it'll cost you at least a
few hundred dollars. the most inexpensive way, of course, is to use
the built-in camera mike, but i don't recommend it. nor do i
recommend cheap mikes. sound is too important.

Sorry about the rant, plan "A" wasn't working and this project is
looming closer, so I resorted to plan "B". I appreciate the response
and the advice is well taken. Thank you

Hi all

I just posted in intro-section, but this is probably the place. I am
trying to finish my first doc. It's about a New York- based Japanese
dancer who lost her whole family in earthquake in 1995, and later
marry with a son of Holocaust survivors. The film is 80min. long, and
moving but also humorous. I started filming in 1995 with a little hi-
8, and finished filming with DV in 2004. The editing is almost all
done with my pocket money, but need funding for some rights
clearance, lawyer, insurance and so on. Because I am basaed in
Toronto, but the story has nothing to do with Canada, it has been
hard to find suitable funders. National Film Board threw me a small
grant though. I am wondering what's the choices for funding for an
almost-finished doc?

lots of choices, kyoko. i highly recommend you read two forums here:
selling in the international marketplace and fundraising for docs. you
should also join the d-word community: www.d-word.com/community/join.
good luck with the film: "moving but also humorous" is always a great
combination!

Thanks Doug for your referal to, conference "Selling in the
International Marketplace". I think I need to join the D-Word
Community.

Hi Tim, I know I'm late in posting this, but it has been a wild few weeks.

I use minidiscs frequently, both for recording sound in the field and for
conveniently transfering audio from place to place (i.e. from my home
computer to the video editing house where I work). The encoding is
mp2, I believe, it IS compressed audio; but you should be fine using
minidisc recorders in place of a NagraIV.

When I worked in fiction, a lot of low budget shoots would employ
separate minidisc recorders for each character in a scene, using
omnidirectional lavalier mics. At the end of the shoot, the producer
would just sell all the minidisc recorders (sometimes numbering 6+) on
ebay and the total sound line in the film's budget would come out
pretty close to $0. One producer I know profited on the reselling of her
minidisc recorders! Also note that minidiscs can be overwritten, so you
can get by with little expense in media.

A good minidisc recorder will allow you to set recording levels. (Check
this on the MZ-B10, I am not familiar with model numbers).

Hi everyone. I am at the very beginnin stages of working on my first
documentary film project and would like to know if anyone could
suggest a source to find out if my particular idea has been filmed
before.
Thanks.

good question, jan. i'd start by calling a couple of documentary
distributors and asking them. aivf has information about distributors
and great reference books, too: www.aivf.org

Thank you Doug for your response.

Hey all. I just made my first post in the introduction section. Now it's time
for some questions. :-)

I'm in the post production phase of my first feature length documentary. I plan on
editing it all myself, but I'd like to have an estimate on what it'd cost to finish the
film right. I want to give the film the slickest feel possible on a minimal budget.
So I need good sound design and professional color correcting. Can anybody
give me a sort of round figure on what I'd be looking to pay for each of those?
Also what other services am I going to need to finish the film right?

I'm trying to put together a budget, so I can start looking for potential investors.

I've got more questions, but I'll save those for later.

Thanks in advance,
Ross

budget for sound design - 0 to 10k, depending on the level of
experience you need (okay, i exagerate to make a point - figure a few
thou, minimally). but then again you don't distinguish between sound
design (which most docs don't have much of) and sound cleaning/repair,
which most docs need a lot of because their original sound sucks.

budget for color correcting - $150-300/hr (don't know what city
you're in)

btw, good luck finding investors for a first doc. if you find any,
please report back. i'd be very curious.

as for other post costs, there are a number of good books on
budgeting. try googling or check on amazon.com for the michael weise
books.

Hello,

My question is about licenses fee for music scores to be included in my first low
budget doc.

I want to use two jazz standard songs for about 1 minute each performed by my
friend in a party. So, I only need publishing right. They are owned by big publishers in
New York. Because I do not have any broadcasters on board yet, I would like to get
festival rights first with options for limited theatre run (Japan, US and Europe) and
DVD/North America and Japan. I am trying to use Canada's clearing system that starts
with an users' offer. I have no budget, but rather, I will have to raise budget according
to the cost, and I have no idea if it's gonna be hundreds or thousands or tens of
thousand. If it's astronomical figures, I will have to give up. How should I start ? What
is a good strategy?


By the way, I do have another music from a CD published in Germany. The score is
public domain classic. So, I need only master right for this. It's about 2 and half
minutes.

Any suggestions will be appreciated.

Doug,

Thanks for your answer. By "budget for color correcting - $150-300/hr" -
You mean for the hrs that the color corrector works, not the length of the
film, correct? What would your estimated time involved be for a 90 min film?

I'm working with a producer in Seattle right now. We'll see how the fundraising
goes, I'm sure it won't be easy. I'll keep everyone updated. And definitely let
people know what worked and maybe what didn't.

kyoko, publishing rights can run from the hundreds to generally the
low thousands, but you should be able to clear it for festivals on the
lower side, i'd think. here's a great article (by a d-word member) on
music clearances:

www.holytoledo.com/clear_music.htm

ross, i meant hours the corrector works. and the hours it will take
for a 90 min film will vary according to how much correction you feel
you need (funny how the less money you have the less correction you
tend to think it needs). my film "home page" was 117 minutes when we
corrected it (later cut down to 102) and i seem to remember it took us
about 12 hours. hard to be precise because we were doing things like
titles at the same time.

Hi, Doug,

Thank you very much for your information and the related article. It was the most
helpful and practical info I have received till now. I have read a number of music
rights related articles and some books and talked to researchers, all of which
explain the same things over and over, but none of them explain the real
procedures or actual $ amount. Thanks again.

welcome, kyoko. denise ohio is a longtime d-word community member
and i agree it's a great article.

Hi all, err. I'm sam chance, struggling media student type in ol'
england and i am looking for opinions basically on the state of
documentary production at the moment in relation to digital tech.
From what i can tell so far people think that the market is gonna
become pretty flooded with all the new makers appearing through the
cheapness of broadcast quality equipment. Sorry could have worded a
lot better. I am also looking into how this is going to effect the
ethics of the documentary, e.g. how flaherty restaged a lot of nanook
of the north and if you kind find any examples of this nowadays

Well, that was a mouth full