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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Doug Block
Sun 25 Mar 2007Link
J, with your background in journalism, you have a big head start.
Might help to read a good book in the basics of documentary
storytelling, so you begin thinking about telling stories in images
and sounds instead of just words. Directing the Documentary by
Michael Rabinger is considered one of the best:

<http://www.amazon.com/Directing-Documentary-Fourth-Michael-
Rabiger/dp/0240806085
>

Would do you some good to read the conferences here, too.

Jennifer Ryan
Mon 26 Mar 2007Link
Genius, thank you very much! Jennifer

Doug Block
Mon 26 Mar 2007Link
Genius, yes. Glad someone finally noticed ;-)

Michaela Manson
Wed 2 May 2007Link
Hi,
I'm making a documentary film about an accordian festival and i've
contacted the co-ordinator about permission to film....do i need to
get permission from every individual who will be in attendance at
the festival or is there some sort of blanket permission form for
everything that i can get the organizer to sign?


it's basically just entirely DIY/Indie doc so what else should i be
aware of when making it? tips and tricks would help!

Thanks in advance!

John Burgan
Thu 3 May 2007Link
Assuming it's in a private location, post large signs at the entrance
(with the organiser's permission) stating that the festival is being
filmed for a documentary, not forgetting your company name & contact
details. Wording should include something like "Entrants consent to
being filmed and recorded by (****company name) for possible inclusion
in the documentary film (**** title)".

If in any doubt, consult a lawyer (especially if you're in the US)

Ross Williams
Thu 10 May 2007Link
Hi guys, I finished my documentary The Turning Point early this year and have since been trying get it into the festival circuit, but have been completely unsuccesful. I started by trying to get into the bigger festivals; Sundance, Slamdance, SXSW & Tribeca and wasn't too surprised by getting my extremely tiny film rejected by these, but now I'm also getting rejected by all the documentary and smaller festivals I've been entering as well. I've been rejected by about a dozen festivals now.

The film did play at my local festival, the Ashland Independent Film Festival, and was received very well. The reviewers that have seen the film have given it A to B grades. Other filmmakers that have seen the film all seem to like it. It's not a perfect film by any means, but I know that it is a good film.

I've seen so many terrible films, narrative and documentaries, at the same festivals that I'm entering, that I just can't believe that my film isn't considered at or above the same level. I think we're getting rejected because the film is so personal, while also not having anyone even slightly famous involved. (I feel like if Gus Van Sant stuck name on there, it'd be accepted into any festival in half a second.)

So I guess I'm asking for advice how to get into these festivals? Is there a trick I'm missing? Should I just give up and start trying to distribute it on DVD myself? (The entry fees are quickly adding up.)

Anything will help... I spent three years of my life putting this film together and the fact that nobody wants to show it is killing me.


Joe Scherrman
Thu 10 May 2007Link
I just watched part of your trailer. It looks very interesting. I
would like to see more. For some reason my laptop loads the first part
then seems to stop. It’s not just yours it happens all the time.
Pisses me off.
Are you selling the doc?

Erica Ginsberg
Fri 11 May 2007Link
Ross, not every film is a festival film, but that doesn't mean it's
not a worthwhile film. Festivals are not the be all, end all of a
film's life. They have numerous reasons for accepting or not
accepting films -- length issues, other films on similar topics
playing the circuit at the same time as yours, not thinking the topic
is sexy enough, or simply not getting the film. Rather than waste
lots of dollars continuing to apply, target your festival strategy at
festivals that have shown films in the same vein as yours. Heartland
Film Festival comes to mind since their focus is on films about
positive life values.

Whether or not you get into festivals, it appears you have started to
build an audience for your film through your MySpace page and other
outreach. So think about other ways to generate screenings -
microcinemas, academic conferences, public libraries, birthing
classes at hospitals, etc. It's a lot of work to do on your own, so
you may want to re-read the D-Word Conference on Outreach with Robert
West from a few years back, but it seems like there is a definite
audience for your film out there. It just may not be a festival
audience.

Ross Williams
Fri 11 May 2007Link
Joe,

I'm not officially selling the film yet. But if you're interested I
could send you a screener copy. If you want to send me $5 for DVD
cover, disc and shipping, I'd love to send you a copy. I'd just ask
for your opinions on the film in return. Email me at:
ross@eraticate.com if you're interested. (That goes for anybody else
as well.)

Erica,

Thanks for the encouraging words. My first short film was accepted
into over 50% of the festivals I entered and won a few awards, so I
guess I was just expecting the same this time around. I'll look
into Heartland Festival and start doing more research on the
festivals I do enter. Being a film about pregnancy and parenthood,
I'm definitely planning on looking further into those avenues. I
actually had a nurse from the pregnancy ward at our local hospital
tell me they'd love to get a copy for their new parents to watch.
So I'm hoping to get it seen that way.

I was just having a bad day yesterday, so I needed to vent a
little. I plan to read more about alternate ways of distribution,
but I'd love to get more advice if anybody has any.

Thanks!

Jennifer Jajeh
Mon 21 May 2007Link
{erased by jenjajeh Thu, 21 Jun 2007 05:41:26 GMT}

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