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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

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Steve Allen
Tue 6 Apr 2004Link
Thanks Doug. I realise it is asking a fair bit to get a simple
answer to a hard question. I think a land sailor racing against a
paraglider across the Australian outback(complete with
kangaroos) with a free and easy chat style format, will sell well. I
am hoping that someone else will say the same. I guess I am
asking for aprox how much per play will a good 1 hour doco get?
The demagraphic is probably male 16 to 70 and women 16 to 45
I guess thats about 40% of the population. Europe is mad keen
on paragliding and anything filmed in the bush. what do you
think?

Doug Block
Tue 6 Apr 2004Link
i think i'm not an international sales agent. i haven't a clue. you
might want to read the jan rofekamp conference that's archived here on
selling in the international marketplace. might give you a better
idea.

Steve Allen
Tue 6 Apr 2004Link
Read it now thanks doug. Bloody depressing for those who dont
have an idea as great as mine:-) ( We are the eternal optimists.)
I would love to read more from the industry guys. Any chance of
getting more on? I didnt see anything on what a first market is
worth. Did I miss it? Are there particular people who would be
more used to handling my type of doco?(any names?
Steve)

Aaron Huslage
Tue 20 Apr 2004Link
I'm in the Rough Cut stage of my first documentary and have a chance
to show it to some people this evening. I want to take advantage of
this opportunity and ask the right questions. The problem is, I don't
know what to ask people!

Does anyone have any samples of questionnaires for test screenings
that I might customize?

Sorry for the late notice, but this just became available to me today.
Any help would be appreciated.

Doug Block
Tue 20 Apr 2004Link
aaron, you don't need a questionaire. ask if they feel it dragged
anywhere. if they were confused anywhere. if they feel anything is
missing. but mostly listen. you'll learn most from their visceral
responses during the screening.

Erica Ginsberg
Tue 20 Apr 2004Link
I'd start by asking them what they think it was about. Not that
there can't be multiple answers to this question (the best
documentaries leave lots up to interpretation), but it would be
helpful for you to know where they are coming from when they give you
feedback. And as Doug said, mostly listen. This is not the time to
defend your choices or people will not feel comfortable being honest
with you.

Lora Covrett
Sun 25 Apr 2004Link
I have a question about getting permission slips signed, etc. I've
seen documentary films where police are asking the filmmakers to
leave or a business is asking them to leave the premises. Do those
filmmakers get releases signed by these disgruntled folks in order to
release the film? If I'm interviewing someone for my film, do I need
them to sign a release?

Robert Goodman
Sun 25 Apr 2004Link
yes. If you don't have a release you can't use the interview.
Different rules apply to news organizations. Broadcasters require
independent filmmakers to carry errors and ommissions insurance for
every program as a requirement to air it. If you don't have signed
releases that will hold up in court, you will not be able to buy E&O
insurance or will have to pay a heavy premium to obtain it. E&O
insurance covers you in case you are sued for liable.

Maureen Futtner
Sat 1 May 2004Link
Ok, Wise Documentary Filmmakers -

I admit I am a novice, albeit a very ambitious one. I am working on a long-
term project about a musician who's returning to her native Cuba
to perform in a series of concerts in Summer 2005. I've been
shooting her periodically and will continue to do so all the way
through her trip next year. I have no written agreement from her
as yet, but she's reassuring me constantly that this is my project.
I am getting concerned, however. I realize I need to broach the
subject of obtaining a release from her, but I also believe we
need a contract of sorts that I have exclusive rights to this project
over x period of time. Probably what I need is a lawyer, I know.
But one filmmaker has said to me, "You don't want to enter into
a "contractual relationship". You just want a release. "
What are the opinions out there? Any help welcome. Maureen

Doug Block
Sun 2 May 2004Link
hey maureen, sounds like you and your subject should have a talk.
that said, if she's at all famous, i'd be surprised if she's willing
to sign something that gives a novice filmmaker exclusive rights.

but at leastg get a release from her, and as soon as possible. if
she's unwilling to sign one, you're in deep doo-doo and should
seriously reconsider continuing on with the film.

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