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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Jan Kriv
Thu 28 Apr 2011Link

In reply to Lynnae Brown's post on Wed 4 Feb 2004 :

Hi, I'm not sure if you still looking, but here is the company I represent, we would be glad to have your business, and if you know that someone else is looking; please recommend us for their transcription services. http://www.transcriptioninstitute.com
We've done a lot of caption work, video work, etc... We will be glad to provide references


Jan Kriv
Thu 28 Apr 2011Link

In reply to Christopher Wong's post on Mon 28 Jan 2008 :
Our rates for transcription services start at $90 per hour, we can also provide a volume discount. We will be happy to do a free evaluation for you. Please visit us: http://www.transcriptioninstitute.com All of our transcribers are based in US


John Burgan
Thu 28 Apr 2011Link

Jan, you're welcome to join the public discussions at The D-Word but I think everyone has got the message loud and clear by now. Take a look at our FAQ if there is any confusion – in particular the following:

Do not use The D-Word only to pitch your product or service. Feel free to recommend products and services in the course of conversation, but do not offend other users by coming in only to sell something


Doug Block
Fri 29 Apr 2011Link

And kindly refrain from multiple postings in the future.


Aldo Bello
Mon 2 May 2011Link

In reply to nick toscano's post on Mon 7 Sep 2009 :

Nick, this is a great "Fair Use" site by American University...hope it helps everyone on this forum: http://www.centerforsocialmedia.org/fair-use/best-practices/documentary/


Ivan Serfontein
Tue 3 May 2011Link

Hi everyone

I am starting a documentary series much like Louis Theroux. I am the presenter and also director and producer. The first episode deals with bouncers and I am basically looking for some advice on getting people to be in the documentary and any production tips for the crew. For example: whats better a rifle mic or a lapel mic? Essentially I am also trying to understand why documentaries like that work. Is it the amount of time they spend with their subjects and if so, do they spend that amount of time with many subjects but end up only using a couple?

Any tips would be much appreciated
Thanks
Ivan Serfontein


Ray Metoyer
Fri 13 May 2011Link

Greetings All,
Can anyone suggest to me how I could find out what the value is for a documentary on the international scene; primarily Europe and the UK?
I've had some interest in a doc that has aired in the US, but how do I determine what it's worth? Is there a consultant or a company I could go to?


James Longley
Tue 17 May 2011Link

Having a sales agent for international sales is sometimes not a bad idea. The rates for documentary sales vary widely depending on the broadcaster/distributor and on the film itself.


Ray Metoyer
Tue 17 May 2011Link

James– thanks for your reply. If there's someone you would recommend– please send me a note to my email address:
rmetoyer@mindspring.com


Adam Johnson
Mon 23 May 2011Link

Can I buy someone lunch? I'm looking to bribe a friendship with someone who has more experience than me as a doc filmmaker. If you are up in LA or OC or even San Diego, I'd be happy to take you to lunch and talk about my project and how to proceed, what to expect and what pitfalls to avoid.

My Project centers around a horse sanctuary that takes in abused and neglected horses- but also profiles the various volunteers who have their own afflictions such as Post Traumatic Stress, Autism, Fetal Alcohol, etc. A reciprocating therapy takes place and could provide a more widespread solution to many of the mental health and social issues of today. We have about 50% production in the can. Would like to submit to the festival circuit eventually.

Let me know if you would like to provide some mentor-ship in exchange for a Big Mac... ;) email me if interested.


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