I say why not, Phil? Sure to be an adventure, no matter what. Teach yourself to shoot, practice a lot, have fun.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
I'm shootin a small documentary film and I would like some indications:
in Lima Peru, I need an indication to a driver with a van, and the procedures to film Lima and Arequipa.
in US – I'm shooting in Lapeer, MI and Olympia, WA. I'd like to know if is necessary a Film Permit to shoot in this cities and a Temporary Importation to enter the USA with the equipments
Thanks for all
In reply to Marina Pessoa's post on Mon 5 Apr 2010 :
There are some cities in the U.S. where legally you need a permit to shoot, but depending on what you're shooting you can generally get away without having one. And unless you're bringing tons of equipment, don't think you'd need any special permission.
basically every US city has different rules. I would say NYC and LA have the hardest rules, because there is so much shot there. Small American cities are generally very easy to shoot in with out permission. There may be exceptions, but generally this is the case.
I'm trying to put together my reel & create a website. Any suggestions?
Just do it. And use wordpress for your web page so you can update it easily. Other then that, do you have any specific questions?
Create your own YouTube or Vimeo channel and post your reel there, would be my suggestion
Stephanie – Any guidelines for reels and sites are not really universally true for all people in all fields. Take a look at the websites of people who are doing the kind of work you want to do. Look at a lot of them. Take notes. Pay attention to what grabs your attention, what irritates you, what you find easy to remember. Base your own reel and site design off what you discover that you like and what you think communicates what you want people to understand about you.
In reply to Cianna Stewart's post on Sun 11 Apr 2010 :
I am in the process of my first documentary about the aftermath of sex slavery into Israel and the resulting effects on two women as they're trying to regain their family rights and social status after they have suffered the consequences of sex slavery.
i am at the phase where i need to "attach" someone to this project, advise, and an editor to put a short trailer for this. i am in the place where i need to start get funding for the project as all the trips thus far (and the continued trip at the end of the month) are personal investments. I am looking to build a "core" team that will live throughout the project and the success of the storytelling will be everyone's.
So, help will be greatly appreciated in the following:
- Advisory and attachment to the project (for the purpose of fiscal sponsorship and grant applications)
- Raising money methods and/or channels
in addition, since this is my first indie project, any suggestions, comments, help, would be greatly appreciated.
I have a few ideas plotted out for documentaries and I'm soon planning to embark on the journey of putting everything together to actually make the film. I am very new to this, though. Despite having read multiple sources about making documentaries, I can't seem to find anything that tells me how to go about the initial stages of getting things going. To give you an idea, this is exactly where I'm at now:
I have an idea for a documentary. It involves some travel. I have the premise and the subject matter planned out, so now it's a matter of knowing where to go from there. Do I put a proposal to a production company or television station? Or do I try to assemble a team of my own first of all? Basically, I just need to know the best route – from a writer's perspective – to getting a documentary made from the intial idea.
This is the path I have chosen for myself. I am 100% dedicated to making this work and to becoming a filmmaker/documentarian. Any suggestions or help would be most welcome.
Thanks so much in advance,
ilan, if you haven't already, watch a whole bunch of documentaries (perhaps even on similar social issues as yours), and contact one of the producers of a film that you really like. tell them about your project and you just might be able to bring them aboard as an Executive Producer. (of course, make sure that they are not just a "name", but that they can actually do something tangible for your project.)
documentary producers/directors are ridiculously easy to contact (compared to their counterparts in the fiction world). for my last project, i contacted Davis Guggenheim out of the blue, and ended up having an hour-long, face-to-face conversation with him at his office. he didn't end up being my EP, but you just never know.
i do watch quiet a bit, but it's never enough.
since you mentioned that it's ridiculously easy to contact documentarians, is there a way to contact you outside of this forum? :)
iLan, you can get someone's email address here by clicking on their profile (their name and photo link to it). We just ask that you not abuse it by spamming members.
sure, ilan. just put a call into my publicist. she will then refer you to my masseuse who will then text a message to my therapist. and if i'm not in session, then maybe i'll call you back...
just kidding, of course! yes, just email me anytime. if you want to talk over the phone, we can easily set that up too.
Hi I was wondering if any of you have a contact with the German TV channel ARD for securing the rights to some archival footage.
Hi! I'm a first time documentary filmmaker and was hoping to get some examples of grant applications that have been funded. I'm applying for a grant and I'm not sure how to answer questions in regards to my plans for distribution aside from a hybrid DIY and film festival strategy. I'm more familiar with the online DIY side of things but am not sure about which festivals and networks I should be aiming towards.
In addition I'm unsure about how to address visual approach and special ways to shoot interviews that lends itself to the topic. If I can get some examples, that would be so useful. Thanks!
By the way, the logline of the film is: when a society is being educated for a world that doesn't exist,
can a young college grad find the rebirth of education within "The Killer App?"
Hi, I am making a documentary about retail and the horrors of customer service and I am just having the damndest time with finding someone or some group to give me a lil funding money. Shooting is going well, I have gotten a lot of footage that I need. But the funding is important so I can buy some stock footage that would help me out.
michael, you know the old time/money/quality equation, right? you can get two of the three. so given that it's gonna be great, be prepared that it will take a long time. just hang in there.
In reply to Kaoru Wang's post on Fri 16 Apr 2010 :
Kaoru, as I had mentioned before you went to Sundance, you have a great idea and how you tell the story is more important than getting grant app samples. If you can mold a compelling story, the grant will come. How you write a grant for your app will be different from someone else's project. I'd focus on galvanizing the story and be innovative on your distribution strategy. Most of us are still swimming in DIY confusion, so if you think you have a handle on it already, then write it down. I also think your logline is still too vague. I think "Society" and "a world that doesn't exist" are too general. Once you get a better handle on your story, then the logline will be easier to write. Mostly, funding takes time. We all get rejected, sometimes multiple times, before landing funding. If your heart is in the story, it'll get done, with or without, funding.
In reply to Marina Pessoa's post on Mon 5 Apr 2010 :
Marina, in Lima and Arequipa you don't need to bother with permits unless you're looking to film in a national park. The Peruvian national parks usually ask for between US$ 500 and US$ 1,000 a day. If you are in that situation, get in touch with the park beforehand as there is almost always a way of working around these fees. As for a van driver in Lima, unless you are planning on setting up to shoot from the van, you're best off just using taxis. You will never be without one in Perú.
Hi, I am currently directing a documentary film on the Indian side of Kashmir on local artists in the aftermath of the conflict. I was wondering if any filmmakers had any fool-proof methods to list and organize Mini-DV tapes and also to import and organize footage on FCP? I feel like somtimes I don't know whether I am organizing things properly and in a useful manner for when I start to edit. Anyone have any tips?Thank you!
You are smart to think about this now. It will save you a lot of frustration down the road. I don't know your level of knowledge, but make sure you number the tapes and change the "reel number" when digitizing so that the clips correspond with the tapes. Use the log notes or comment section since they are searchable. Name the clips by subject, date or however you want to organize your movie.
There are loads of tips out there, and I bought this DVD to get me started. It's pretty good, albeit overpriced, but I was desperate at the time.