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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Mark Barroso
Wed 18 Jun 2008Link

In reply to Katinka Kraft's post on Wed 18 Jun 2008 :

The expanding mini-plug jack is an easy fix. Whoever tried to do it didn't know what they were doing. I would send it to an official repair shop.

Monica Williams
Thu 19 Jun 2008Link

In reply to John Burgan's post on Wed 18 Jun 2008 :

Thanks very much John. And it is not for the website, only for funding, so I am lucky to avoid the minefield for now :-)

Monica Williams
Fri 20 Jun 2008Link

I am making a trailer to privately raise money with. If I use this trailer to apply for grants, will I get in trouble if I don't have all of the rights to the material used? I'm not sure if I need to consult a lawyer for this one, but any help will be most appreciated.

Christopher Wong
Fri 20 Jun 2008Link

you won't get in any legal trouble, monica, and people do this ALL the time... the only "trouble" you might get into is if the clips you are using are well-known and absolutely indispensable to your film. The grant agency may question whether you can raise enough money to use such clips. for instance, if you wanted to use MLK's "Dream" speech... but if you use a photo of an old Model-T car, no one's going to blink an eye.

Mikal Jakubal
Sat 21 Jun 2008Link

Another thing to consider is how the owner of the rights to the clips would feel about you using their material to raise money for your film. If it were some corporate newscast or promo film of some mega-bucks rock band, I'd say don't worry about it. <puts on flame-retardant suit> On the other hand, friends of mine—starving documentary filmmakers who risked life and limb to get dramatic footage—have had people cherry-pick their films to make fundraising trailers for their own films, sort of conveniently forgetting to mention to funders that they haven't shot an inch of tape themselves. It really sucks to find out that others are using your work for their fundraising while you yourself are living below the poverty line.

The point is that even if you intend to license the footage at market rates later, if you're using footage owned by a real person who is not a multi-millionaire or faceless corporation, you should have some arrangement with them. Yes, you can probably get away with it, but it's not ethical.

John Burgan
Sat 21 Jun 2008Link

Yes, but hardly relevant here as Monica's looking for historical images – see her original post & project website.

Mikal Jakubal
Sat 21 Jun 2008Link

Oops, I did read the original post, but forgot since it was a couple days ago and never got around to taking a look at the site.

Katinka Kraft
Sat 21 Jun 2008Link

Thank you Mark! I really appreciate your input. Sadly it was Canon who we sent camera to for repair and it worked for 3 months and then malfunctioned again.

Mark Barroso
Sat 21 Jun 2008Link

In reply to Katinka Kraft's post on Sat 21 Jun 2008 :

I sent my DVX out for repair once – for a similar problem, actually – and the shop did a lousy job (Repair Specialists in Tennessee). I found the Panasonic service rep for the entire southeast and he agreed with me, told me which shop I should REALLY send it to (on his dime) and chewed out the shop that failed to fix it properly. "Squeak! Squeak!" said the wheel.

grinner hester
Mon 23 Jun 2008Link

make a reel and get busy.
Take the first job offered and never stop looking for better paying gigs.
My first tv job paid a whopping 3.35 per hour. My next one paid 18k a year at 70 hour work weeks. I did not look at it as being exploited. The year before I was paying good money to learn this craft and now I was getting paid to learn much much more.
With every addition to the family, I simply had to quit and get rehired at a different level elsewhere. At one point in my career, I moved my family to five states in as many years, salary climbing and dream-chasing. I worked my way into a six figure salary, a bald head and an ulcer or two.
I'm self employed now. Still love what I do. I pay bills by editing and shooting for clients and I still dream chase by making labor of love productions on a constant basis.
Don't stay in one place too long. It'll make ya feel secure.
I think my record for a staff gig was 2.5 years.

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