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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Robert Goodman
Wed 2 Sep 2009Link

P2 cards are the same everywhere. Yes you can change the frame rate in FCP. And HD is HD despite the frame rate changes.

alix de roten
Thu 3 Sep 2009Link

Ok great! thanks a lot for your help Robert.
For those who needs to understand the basic issue PAL/NTSC in HD, here is a very didactic article.
Hope it can help others.

nick toscano
Mon 7 Sep 2009Link

new to this and figured someone here could answer questions. I'm filming a female boxer whos trying to make it to the next olympics. The backround music at the gym brought up some copy right issues and wasnt sure if i need to try and edit the backround music. This is my first film so not sure how the legalities work.

Robert Goodman
Tue 8 Sep 2009Link

if you don't edit a visual sequence to the background music, and it is in the background, it should fall into the fair use category. Read up on the rules for claiming fair use.

Andy Schocken
Wed 9 Sep 2009Link

and it depends where you plan to exhibit it. for background music, i wouldn't worry about online or festival usage- it's only likely to be an issue for broadcast or theatrical. not that the other uses are necessarily legal, but it's very unlikely that anyone will do anything about it.

Shelly Helgeson
Thu 10 Sep 2009Link

Hi Everyone! This started on the introduce yourself forum, but was told it would do to move it over here. Any help would be greatly, GREATLY appreciated. Thx – S

Now for a question: The doc I'm currently working needs a male actor to mimic the voice of one of our subjects for use as scratch narration. We'd like to get some one who can come very close to the person's real voice as we may use a cut with this narration to send into festival applications, etc. Does anyone know the best way to go about finding and hiring voice talent or actors? Our budget is small, so I'm sure we couldn't pay too competitively but, would try to offer a decent wage. I've posted on Backstage but was hoping for more suggestions. Does anyone know anything about contacting talent agencies or casting directors? Any advice would greatly help as I am totally inexperienced in dealing with actors. Thanks!

Michelle Ferrari
Sat 12 Sep 2009Link

It's been a long time since I worked with an actor I didn't already know, so I apologize in advance if this method proves outdated. That said, it used to be that talent agencies had CD compilations of their voice-over talent, which can help a lot in narrowing down the field. (SAG can provide a list of agencies. The commercial or voice-over division of a given agency is the one you'll want to contact.) Depending on the talent, their level of interest in the project, and your ability to negotiate with their representation, you can sometimes get voice-over talent for well below scale. The trick is to get around the agent. You might try writing a letter (sent to the agent, but addressed to the actor) that really talks up your project and states in no uncertain terms how vital the actor's participation is to its success, but does not mention pay. Try to get him/her interested first. In my experience, if an actor wants to do something, he does it, regardless of whether or not his agent thinks it's a good idea. Say in the letter (in a p.s., so it's the last thing he reads) that you'll be following up with his agent, and then do that. With any luck, the actor will have told his agent he wants in on the project and the money will be less of an issue.

All that said, if you're only planning to use the actor for scratch, you may be facing an uphill battle – when an actor forgoes money, it's usually in exchange for exposure. If you're not offering exposure, you'll definitely want to focus your energies on smaller agencies and lesser-known talent.

J. Christian Jensen
Wed 23 Sep 2009Link


I'm in the process of selecting post-graduate documentary film schools. Is there anyone who has graduated from Stanford's MFA program that could make yourself known? Or is anyone in contact with other filmmakers who are significantly familiar with the program. I'd love to ask some questions.

Is this the best place to post such a question?

Marj Safinia
Wed 23 Sep 2009Link

Christian, since you're a member you'll get more response posting maybe here: Teaching Docs

Ted Fisher
Wed 23 Sep 2009Link

In reply to J. Christian Jensen's post on Wed 23 Sep 2009 :

I believe Michael Attie just joined after completing that program. He can probably give you some useful info. He posted recently in the Introductions forum.

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