A colleague recently enthused to me how singing up for the D Word had changed her life and I had to join. With that endorsement, how could I not?! I've been researching, writing and directing (and occasionally co-producing) documentaries and non-fiction television since 1994. My partner and I co-own Picture This Productions (www.picturethis.ca) These days we are developing some one off documentary films and limited doc series, while also working on corporate projects and even the occasional fiction piece. I'm coming back slowly to the world of documentary activism and social engagement after five years of trying to balance just getting a basic level of work accomplished while raising two toddlers. It felt- and sometimes still does- like there are never enough hours in the day for it all, but I was finding that I really missed being part of the bigger documentary community. That all said, I am so looking forward to reading through some back posts and connecting up with the amazing people around the world I see listed on this site!
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Welcome, Maureen. Yes, there are never enough hours in the day, and it's getting worse now that you're adding The D-Word to your daily routines...
Just remember your priorities, Maureen, and you'll be okay. D-Word first, kids second...
Right. Got that straight. Now if I can just get them to write up funding applications for me, this time thing would all balance out. Oh wait- first they have to learn how to write...
Thanks for the welcome!
Hi there. I come from a photographic background, and I'm working on my first doc right now. I heard about this forum from a workshop I was taking this past week at SIFT, in Ottawa. I am based in Toronto.
Greetings. Coming from the world of sound design for EA, including scoring, in game documentary footage and cut scenes. (Medal of Honor series). Fascinated by cross platform media and documentary styles.
hi michael – first off, WELCOME (and to you others too!)... please check out my recent posts in the 'multi-platform project' thread. definitely interested in your take.
I'm a retired Boeing engineering manager (and horror filmmaker) up to my eyeballs right now helping Larry Paros make a feature documentary. “Walk Right In” is the story of an experimental summer high school where kids from poverty backgrounds nationwide assembled on the campus of the Yale Divinity School in the summer of 1968 and tackled some of the most difficult issues facing the country — race, diversity, and identity. See the trailer at http://www.youtube.com/watch?v=U-E6IBeWVBc
We have a 90 minute rought cut we are screening at a reunion at Yale on 6 June. Marth Christensen, www.yshs.org
Nice to see "horror filmmaker" and "eyeballs" in the same sentence, Marth. Welcome to The D-Word and to the world of docs.
Worrying to see "Boeing engineering" and "horror filmmaker" in the same sentence... although I guess today is more about Airbus horror...
Anyway, welcome to The D-Word!!!
I've been researching books about Documentary film making and it has led me to this website. I've had a huge interest for this genre for quite awhile but had not ever tapped into it the way I would imagine how an enthusiast would. Thereby, I'm now taking those steps to learning as much as possible. Hopefully, I can pickup significant knowledge, tips, and the sorts from everyone here. Thanks!
The D-Word has been very insipirational site for me as I prepare to pitch a documentary proposal..
I feel a little bit of a fraud as I am currently not a documentary film-maker but a television journalist. I began working as a journalist in 1994 but became a producer/director and made documentaries for Channel 4. I moved from documentaries back to journalism in 1999 because of job security and an offer of a BBC staff job which was too good to turn down. Ten years on, four children later, I am still reporting at BBC Scotland but have ditched the crew and editor and now work as a video journalist. I report for our flagship current affairs programme, The Politics Show. Over three days I have to find a story and make a five to nine minute film and arrange a discussion to follow. I film with a Z1 and edit on Avid. My stories are all character led and take me across the world. I was one of the first reporters at BBC Scotland to train as a video journalist in 2002 and have loved the transition despite the huge workload.
For me, the last six years have been about honing my film making and story telling skills so that I can go back to making documentaries when the kids are at school and there are fewer demands from me as a parent.
For 8 years I have been dreaming about making a documentary series set in the Canadian Arctic and I am now finally preparing to pitch the idea to BBC Scotland and BBC Four. In 2001, I spent two months living in the Canadian Arctic and made a series of radios features. It was then that I met my key characters and since I have been building up my relationship with them and knowledge of the area and people. I am now planning to go back in May 2010 armed with my camera. Well that's if they buy the idea!
Now that the proposal is almost in place, I need to think about whether I should be trying to get on a BBC course to use a more advanced camera than the Z1. I'm proposing to self shoot as the budget will mostly be eaten up by travel and staff costs, so there is no room to bring an ap/sound person. There's a lot I have to learn and find out about..so many questions..so I am so happy to have found the d-word..
If anyone ever needs any Scottish contacts/interviews/footage etc, I'd be more than happy to help out as a favour. Or if you're bringing your film to one of our festivals in Edinburgh get in touch. We're only a few minutes walk from the Filmhouse and if you're stuck for a place to say we may be able to help out.
In reply to Gilly Mathieson's post on Tue 2 Jun 2009 :
Good luck Gilly, and welcome! Pls keep us informed about your progress...
Thanks for introducing yourself, Gilly, and great to have you among us. Wish you'd posted last year, I was in Edinburgh for a mentorship program with the Scottish Documentary Council (if I remember their name correctly) and I screened 51 Birch Street at the Filmhouse. I've also been working with Edinburgh-based filmmaker Amy Hardie as producer on her upcoming personal doc. Do you know her? It's really extraordinary, just saw the latest cut yesterday and I'm very excited.
Anyway, hopefully we'll meet up next time I'm there. Good luck with your project, in the meantime.
Im currently directing/ editing my first feature length documentary film. Hit a point where I realize that even though I've spent the past eights years editing promo length films, editing feature length is a whole other animal!! So after about a year and a half shooting, logging, cutting trailers, trying to piece together scenes, I still feel completely unorganized! But the stuff is so compelling and Im confidant we have a great film, the question is how to proceed... Do we write a script? How to we organize tapes? Should we get a mentor? Etc... So I'm here to meet other doc makers and learn a thing or two! Looking forward!
Welcome to The D-Word, Yocheved. You might want to take a look at back posts in the Editing and Post-Production topic (or do a search). We've had a number of discussions about how to go about organizing tons of footage.
I also highly recommend you get in touch with a consultant like Fernanda Rossi, who is NY-based and just led an info-packed, week-long discussion of story structure here, which is now archived.
In reply to Doug Block's post on Tue 2 Jun 2009 :
Thanks Doug. It would be lovely to meet up when you're next over in Edinburgh. I've not yet met Amy but know her by reputation and the documentary institute she founded a few years ago. I'll look forward to watching her new film when it comes out. The SDI has some fantastic masterclasses many of which are on-line. James Longley was there only last month but unfortunately I couldn't make it as I was filming out of Edinburgh for a few days.
Hello. I've been an editor for 14 years in New York City and have just JUST moved to Santa Fe, NM (still waiting for my furniture to get here). I've worked on tons of doc projects for T.V. For the past couple of years I've been working on a reality/docusoap ("Flip This House" for A&E) and I thought I was bringing remote work with me -- an offshoot of that show -- but found out Friday that the plug had been pulled on the show a couple of months into production. So here I am without gainful employment, and wondering where to start (short of taking a job at Trader Joe's). Anyone have any ideas about how to go about getting post production work in Santa Fe? Gov. Bill Richardson has put in place an amazing tax rebate for filmmakers and it has spurred a ton of film production, but the post hasn't arrived as far as I can tell. I'm here with my little Avid setup and my highspeed internet and would be thrilled to work remotely from my new adobe home!
Anyway, nice to be here (on the d-word and in Santa Fe).[accidental strike-through edited]
Welcome, Molly. Why don't you contact the NM Office of Motion Pictures and see if they can hook you up with any local film outfits? And maybe hang notices in the cool coffee shops in town?