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Introduce Yourself: Sign In Here First

Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Richard Eisenstein
Mon 23 Mar 2009Link

Hey Documentary community. I am Rick Eisenstein of Los Angeles and I am working on a documentary about the mortgage meltdown leading to the the foreclosure fiasco.


Rob Ferguson
Mon 23 Mar 2009Link

Hello, all!
I'm very new to the documentary production process. I am helping a friend raise money to realize his dream of making a documentary questioning the mysterious circumstances surrounding the death of Edgar Allan Poe against the backdrop of the socio-economic and political realities of 19th century Baltimore.
He's been working on this for well over a decade now, and has a very detailed and well-thought plan, in addition to some participation arrangements with successful documentary filmmakers, so I am confident in the "bedrock" of the written materials and accounting data upon which I am building our funding strategy.
I am familiar with fundraising for social service agencies, higher education, and the visual arts, but this is my first foray into documentary film and it looks like there are significant aspects of documentary funding that are unique to the discipline.
I've found some solid information online and even a few leads worth pursuing, but would definitely be grateful for any wisdom and advice I could gain from those more experienced than I.
Most notably-what are good ways to get leads/ideas/contact information for organizations that issue grants for documentary films (particularly those focusing more on the American history and/or literature fields)?
Thanks for any guidance anybody should provide!


Lynn Casper
Tue 24 Mar 2009Link

Hello!

I am merely an amateur who is just getting into filmmaking. My real passion lies in Social Media. I am the Social Media Strategist for a nonprofit organization called Working Films. We work with a lot of documentary films and help create audience engagement strategies so that their films can really have an impact on the social issues they are about. I am really interested in seeing how filmmakers are using social media to get the word out about their films and to engage their audience.

Are there any filmmakers here who have been using social media tools in their film campaigns?


James Longley
Tue 24 Mar 2009Link

In reply to Richard Eisenstein's post on Mon 23 Mar 2009 :

Rick – sounds interesting. Just make sure to include a montage of a baby carriage rolling down steps.


Doug Block
Tue 24 Mar 2009Link

Welcome Richard, Rob and Lynn.

Lynn, you might want to browse thru the Marketing and Distribution topic, where a number of filmmakers are discussing social media and networking tools (most lately, Angela Alston).


Jody Hassett
Tue 24 Mar 2009Link

Greetings,

I'm a reformed network news producer who has spent the past 2.5 years shooting in India, Pakistan and W. Africa for a broadcast-length doc called SOLD:Fighting the New Global Slave Trade. It's about three courageous people who defy death threats, carry out daring rescues and challenge powerful interests in the battle to end child slavery in the 21st Century. It's not another film about what's wrong with the world, it's a film about a Christian, a Hindu and a Muslim who are kicking butt and making a difference. (I'm still trying out my loglines ... as you can guess).
Mira Nair has just signed on to be our narrator and we are working with several NGO's on our outreach campaign. I'm navigating the foreign broadcast sales world right now and look forward to the wise counsel of those who have already trod this thorny path ....

Jody Hassett Sanchez


Jody Hassett
Tue 24 Mar 2009Link

Okay, I already screwed up. Was trying to insert that odd picture into member slot. Figured I'd let you guess which one is me. – Jody


Thomas Lennon
Tue 24 Mar 2009Link

far and away the best self-portrait in the dword to date – welcome Jody, and glad to see us spicing things up


Thomas Lennon
Tue 24 Mar 2009Link

and Ruby, greetings across the Pacific


Doug Block
Tue 24 Mar 2009Link

Jody, clearly you're the one humping the column, right? Smart undercover disguise, I say. Good luck with your film, sounds kick-ass, for sure. And welcome to The D-Word.


Jody Hassett
Tue 24 Mar 2009Link

Yeah, that's me. Same outfit I wore while filming in central Pakistan. Got several requests for the head cover.


Brian Lio
Wed 25 Mar 2009Link

Greetings everyone,

My name is Brian Lio, and I am excited to have found a community of so many established documentary filmmakers. I just recently got into this space about a year ago when I founded a small production company with my friends and left a job in marketing to see if we could strike out on our own and make something work. I had not so much as held a camera when this whole thing started, so it has been quite the whirlwind learning process for me along the way.

We have been shooting a weekly documentary reality show called Jet Set Zero that follows the lives of a core cast as they attempt to start from nothing and fund their travels around the world living, working, and interacting locally.

Our goal is to try and tell the stories of what it is like to really live in a culture though personal experiences, and show that it an accessible dream to everyone by having a cast that funds themselves and opening the finances. We have been filming and releasing content for the past 9 months and have been shooting in Seattle, Saigon, Bangkok, Tokyo, and now Seoul. Its been an amazing experience and I am lucky to have a great team to learn from.

I look forward to getting feedback from everyone here and learning about what it takes to make a documentary series really successful. You can check out my work at www.jetsetzero.tv.

-Brian


Doug Block
Wed 25 Mar 2009Link

Hmmm, great content + great promotion = successful series. As long as we don't talk about funding, how's that for a formula, Brian? Anyway, sounds like a great idea and loads of fun (if you're young). Welcome to The D-Word.


Girish Sharma
Wed 25 Mar 2009Link

Hi Everyone,

I am an aspiring filmmaker (is there a word like "aspiring filmmaker"?). I haven't done any productive work yet. I was looking for some guidance to start and do it. Can someone suggest which camera (new or old) we need to making short movies? Any other suggestions for aspiring filmmakers? :)


James Longley
Wed 25 Mar 2009Link

about cameras for short films / low budget – I'm a big fan of the Panasonic DVX100A.


Simon de Swardt
Wed 25 Mar 2009Link

Hi everyone
Just joined following a link from dvinfo.net. I am a very new documentary film-maker who has just jumped into the deepest of deep ends. I have two huge projects going on at the moment: one of which, considering my location, is politically sensitive and so will remain a mystery, but the other one I am keen to get some input on.
Basically over the years I have worked in many different capacities at a big Harare arts festival called HIFA. The festival is a complete miracle considering the economic and political context and I want to capture the sense of wonder and incredible achievement as the directors of the festival battle with the worst inflation in the world (over a sextillion percent), a cholera epidemic, a shattered economy, terrible phones and internet, arrogant foreign artists, indignant local artists, highly demanding corporate sponsors, difficult diplomats, etc. It is an exciting project, and I have just begun it. Started filming on Saturday – I have about 6 weeks before the festival starts. The real good footage will come in the last few days before the festival starts, but in the meantime I am laying the groundwork, trying to get some b-roll, building trust (a huge exercise, even considering my many years successful relationship with the organisers), practising some run and gun handheld shooting, etc.
Any recommendations, ideas, tips?
I am pretty worried about the millions of releases I am going to need. The dance rehearsal I just shot had 30 dancers in it! and that is only day two of shooting. Also, worried about incidental music appearing in shots, and the whole host of problems associated with clearing rights for that kind of thing. Seeing as this is an arts festival there will be a huge amount of artistic copyright issues I imagine.
Also I am trying to get as much observational stuff as possible and not interview people formally if I can avoid it. so what seems like a good shooting ratio in this kind of scenario, 60:1 ? I am trying to make a saleable end product which will have the duration of a tv hour – about 50 minutes. I am hoping to try and sell to tv stations etc, as I believe the topic will at least have some novelty value, and it is theoretically current affairs related as well. Anyways, any thoughts from anyone, any pointers as to possible difficulties I am going to have, warnings, tips?
This is my first post here, so this is almost certainly not the place to ask such detailed stuff, anyway – at least you know who I am and what I am up to!
Oh, I have a Sony EX1 and various mics etc. i don't have enough media or batteries, but maybe you never do?
Simon


Pablo Alvarez-Mesa
Fri 27 Mar 2009Link

Hi,
I just joined the forum to see what stuff is being made everywhere!! And to be able to chat with James Longley of course!
Hi James!
p.


James Longley
Fri 27 Mar 2009Link

Hi Pablo.


Pablo Alvarez-Mesa
Fri 27 Mar 2009Link

Hi James,

Its awesome to be in a forum with such great filmmakers as yourself. Ok, so Ive had something that ive wanted to tell you for a couple of years now. It all started about 3 years ago when I watched Iraq In Fragments. At that point I was on my 1st year of Film School and although I was learning about the sensitivity in storytelling, I was more impressed with camerawork. When I saw that film I was blown away. At that point I thought it was only the camerawork what was amazing and I managed to find your contact at DVX user and I sent you a note asking you ONLY about the presets you used to achieve these images. You replied in no time with all the numbers and I punched them into my newly purchased DVX 100A as if those numbers alone would aquire those pictures.
Now.. for all of these years i have regretted enormously just having asked you about those presets.. I have grown out of the tech freak school mentality and I can watch your film now without focusing on shutter speeds, or framings or whatever. That film has taught me lots of things. I go back to it once in a while to learn when Im feeling stuck creatively.

Ok so all of this is to say.. sorry for just asking what the numbers in your DVX setting were, when you had made such an amazing, human piece.

pablo


James Longley
Fri 27 Mar 2009Link

Thank you, Pablo. You're very kind.

But if you're looking for humanity and sensitivity, there are a lot of filmmakers who've been able to capture that better – and a lot of them are on this forum. Take a look at Doug Block's film 51 Birch Street, just for instance.


Preston Hart
Fri 27 Mar 2009Link

Hi. My name is Preston Hart. I am a Brooklyn based composer and producer of music for films and have scored a couple of documentaries by DC's Eidolon Films. I am looking for new projects so please feel free to contact me.


Doug Block
Fri 27 Mar 2009Link

Welcome, Pablo and Preston!

Thanks, James. I'll trade some humanity for your presets, though.


James Longley
Sat 28 Mar 2009Link Tag

These are okay:

http://dvfilm.com/maker/dvx100settings.htm

the settings are nothing special – keeping the iris open is more important. Oh yeah – and get close to your subject and shoot wide.


Valerie Reynolds
Sun 29 Mar 2009Link

Hi everyone,
Stumbled upon this site via 2-pop and so glad that I did. I am currently working on a feature length doc working title: Jimi Hendrix: The Early Years
It's about the time right after the Army when he and Billy Cox were living in Nashville. It's about him but it's also about the thriving R&B scene in Music City at the time. It's a side of Nashville that really hasn't been told.

I finished the interviews (30+) and currently working in FCpro, researching archives, licensing, figuring out to pitch it etc.
I ran out and got the interviews first because these guys were not getting any younger...3 have already passed away that I got including Larry Lee last October. I have an hour interview with him and it was probably the last one he did.
I shot everything on a GL2 & an FX1 in SD Have gathered a few more people to help and things a moving forward. I'm sure I will have lots of questions. Grateful to have a place like here to ask them. Looking forward to getting to know some of you.


Doug Block
Sun 29 Mar 2009Link

Glad you found us, Valerie. Sounds like a fun project, hope it all works out. And you find the money for those music rights ;-)


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