Introduce Yourself: Sign In Here First
Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.
Greetings – David Weissman here.
I produced and co-directed (with Bill Weber) THE COCKETTES, which was a 2002 Sundance film, and recipient of the LA Film Critics Award for Best Documentary of 2002.
I have a newly completed film WE WERE HERE which is about the coming of AIDS to San Francisco in the early 1980s. WE WERE HERE has already been invited to Berlin, and I'm sure like many others here, I'm keeping my fingers crossed for Sundance.
I've been a (mostly) San Francisco based filmmaker for a LONG time.
Thanks for introducing yourself, David. Heard so many great things about THE COCKETTES at the time, but it somehow slipped by me. Time to put it on my Netflix queue.
Way behind on hellos here but just wanted to say that Mariam is one of the finest human beings I know and I'm so glad she found her way here!
In reply to Doug Block's post on Mon 8 Nov 2010 :
Thanks Doug. I don't know where you're located, but maybe you can rent it at your local video store!
Oh, THE COCKETTES is really wonderful, it made me laugh a lot. I hope you can see it Doug.
WE WERE HERE is wonderful in a different way; I laughed sometimes through my tears, and I am still thinking about its lessons.
Hello all,my name is Mark Weldy.
I dont have any projects completed unless you count HS A/V club.I am pursuing the idea of a off grid/survival mini/multiple doc for publishing on the web and to DVD.Just trying to get some insight from experienced people here as this site was highly recommended to me.
Look forward to chatting with you guys and gaining some needed knowledge.
Hello, i am ariel saturay and member of kodao productions. Kodao is an indigenous term from our local tribe meaning a knotted rattan string that served as the Philippines’ first calendar. But instead of days, the knot represents a particular community event making Kodao a unique calendar. A chronicle of events instead of a list of days. And just like the unique calendar we named ourselves after, we chronicle in multimedia, the Filipino people as they make history. check out www.kodao.org
In reply to Linda Blackaby's post on Tue 9 Nov 2010 :
Mark and Ariel, welcome to The D-Word.
Ariel, you should apply to become a full member. It's free but not automatic.
Hello Everyone: I'm Jack and I discovered this web community just last week after seeing Doug and his film at the Laemmle here. Beautiful and brave work.
Doug, I kept thinking how lucky the three of you are to have each other. And, yeah, it's clear who the kids are in the title.
I'm working on my second film at the moment and I'm thankful to have this community as a resource. All the best to you and your family from a fellow Islander.
Thanks, Jack. Appreciate the kind words. And very glad you found your way to The D-Word. I think you'll like it here.
Just got hip to D-Word last night after the Doc U event at Cinefamily. Thanks, Marj! Incidentally--and I said as much to her last night--I so appreciated how Marj handled the panel. Very linear and easy to follow discussion, one panelist at a time. Everybody got their turn and was able to fully state their point of view on distributing your documentary.
Hi Ryan. Well done for joining up! As I said last night, D-Word is the single smartest resource when trying to get your doc done and out there. Jump right in!
BTW, thought of a VW doc I saw last year you might be interested in checking out: http://www.pbs.org/itvs/globalvoices/beetle.html
Hi everyone, my name is Magela and Im originally from Uruguay but have been living in the US for almost 10 years now. Im a cinematographer working both in fiction films and documentaries, I fell in love with documentaries while studying at nyu with George Stoney, an amazing professor and human being, and Im excited to join this fine community of people.
Hi. I am the director of the Legacy Film Series (www.legacyfilmseries.com), presenting films celebrating older adults at various venues, and renting the films to various organizations. Also the director of the Legacy Film FEstival on Aging (www.legacyfilmfestivalonaging.org) slated for presentation in March 2011. I am also looking for Tina Flemmerer, who has a nice film Leslie Day, City Naturalist, that I would like to represent.
Love documentaries, so if anyone has one on the subject of aging, please contact me.
Welcome, Sheila. I'll be contacting you about 51 Birch Street for the Legacy Film Series.
Hey D-Word. I've got a doc project in mind. Tell me what ya'll think: Whenever people talk about New Orleans they say, "it's such a wonderful city. The music is great, the food is great, and the culture . . ." That's all true, but it doesn't capture why this city is important. New Orleans is magic. For real. A primordial groove seeps down all the streets. Even the buzzing locusts and the dripping drain pipes keep a rhythm. New Orleans moves you, whoever you are.
But this is a city in crises. The wetlands are sinking at the rate of one football field every 38 minutes. Without the wetlands, we have no protection from hurricanes. In order to save this city, a lot of money and time needs to be spent on rebuilding the wetlands. This isn't happening nearly as quickly as it needs to be.
Many films have been made on this topic, the most recent being the Big Uneasy. But most of what's been done focuses on the political problems and the higher-up people in charge.
I would like to make a mood-doc, akin to Searching for the Wrong-Eyed Jesus, about the feeling of New Orleans. I want to give people around the country a sense of why this city is a cultural epicenter, why it's vital to our American identity, and why it's so wierd wild and wonderful.
If anybody wants to help or contribute ideas, let me know.
I am a professor by training but I have been working on my camera skills for years. I have written five books and I as start my sixth book I will no longer simply write. I am putting my documentary skills to work as this new book will be packaged with a documentary. I love making films and I have been doing this for years but now I am committing my life to the documentary form as a teaching tool (for me and my students). As I embark on this adventure I want to swim with documentary film makers who know of the waters I am about to explore more deeply.
Welcome Ralph. Feel free to register for full member status here to gain access to all 50 discussion topics.
Welcome, as well, Will. Good luck with your project.
Hi Doug. I am a first time doc filmmaker with a short called The Marina Experiment. I'm having a bit of trouble understanding how to navigate this forum – the information I need ASAP is about getting an educational license for my 18 minute film so I can sell it for more money to libraries. Specifically, a public library just purchased my film at my retail price and would like to amend this right away. I don't know what I need or where to get it. Please help!
Marina, I've moved the follow-up discussion to the Marketing and Distribution topic. I'll reply to you there.
(Marth, I removed your post from here and moved it to M&D, as well, because the Introduce Yourself topic is public and will show up in Google searches. Be very careful about giving out email addresses and cell phone numbers in this topic everyone!)
Hello, I am an editor, director, producer of short films and a feature.
Several years ago I sat in line with Star Wars fans for three weeks and created the documentary "The Big Line". My current project is working with Marth on "Walk Right In" the Yale summer high school movie.
Here are some more tidbits from a bio that I have used in the past:
Eric Morgret is co-owner of Maelstrom Productions. With this company he has directed/edited several shorts and the feature film: “Strange Aeons”. As he crawls around in the nether regions of Seattle film he is working on several different projects. Eric is the Festival Director and Head of Programming for the Maelstrom International Fantastic Film Festival, a genre film festival in its 3rd year. MIFFF brings the best genre films to the SIFF Cinema in Seattle.
Hello, I have been lurking around here and would really like to get involved with this community. I am documentary director with a feature currently in post. I could really use the support that seems available in this community. Any pointers on where or how to get involved? My films website is www.glacierdocumentary.com.
Just keep posting away, Cory. That's all any of us involved people do.
Eric, welcome, as well, and feel free to register for full membership.
I figured I'll re-introduce myself and see if I still qualify to stay in D-Word :)
I am a Screenwriter & Filmmaker newly relocated to Beirut, Lebanon.
I worked for 5 years at Al Jazeera Network in Doha, Qatar and at the same time was completing my MFA in Screenwriting at Hollins University in Virginia, USA.
I am now back to unemployment, or freedom, or independent filmmaking :) Just got me a Canon 7D and a MacBook Pro to try and keep up with short doc production along my narrative career.
I'm a member of D-word since 2004 (?) probably but I was busy for a while and now I am intending to tune in regularly to benefit from al the great things I learned – and can definitely still learn- from this home.
Peace all around :)
I'm a new member and interested in opportunities to help people with their projects. Let me tell you a bit more and if you're interested please contact me at firstname.lastname@example.org.
I'm a recent NYU grad film grad and here is a link to some of my doc work:
I've done both camera and some sound before, and I won a short doc contest last year called Madrid Dares You that was covered in the NY Daily News:
In addition to being a filmmaker I was a journalist for 10 years, so I have lots of applicable skills.
I've worked exclusively on student projects before so I'm most interested in helping people at the 'professional' level (or pretty close), people who have made documentaries before that have been distributed or broadcast, and are savvy about the nuances of getting projects funded. I'm glad to work for free right now to get the experience. I'd particularly like to become more technically proficient with the nuances of doing docs with tiny or no crews, such as how to do camera, sound and lightning all by yourself.
Much appreciated either way, and thanks for having a Web site like this.
I am working on my first documentary. I am eager to pick your brains on lots of topics like funding and labor. I currently work at one of the three televison networks in New York.
In reply to Doug Block's post on Tue 25 Nov 2008 : Doug
I don't know whether you remember me but I had the pleasure to work along side you for a very short period of time. You were finishing 51 Birch Street. (brillant) I knew nothing then and I know just a little more now. I have started a documentary on the 'undocumented Irish in New York' and I have a trailer and treatment. I look forward to reading more on this website.
Thanks, Charles. I remember you well and greatly appreciated your help on 51 Birch. Glad to see you made your way here and best of luck with your doc.
Hi, I'm Stephanie Wang-Breal, the filmmaker behind Wo Ai Ni Mommy (I Love You, Mommy). I am consulting producing on another film that I think would do well at the Hotdocs Pitch forum. anyone pitch their film there? did it result in any pre-sales/ or funding? and is it just plain worth the costs? looking forward to being part of this online doc community.
Hey, Stephanie, great to have you posting here. However, this is the topic for people to introduce themselves. I'll repost your questions in the Finding Funding topic.
Hello to all of you,
I am a sociologist and I have been researching on immigration and youth here in Barcelona, for about 3 years now. This has implied a lot of workfield in different public spaces on peripheral neighbourghoods. This adds to my interest in visual culture and in documentary practice, I have attended to some courses on technical matters ("experimenting with documentary") and also visual anthropology. Some days ago, I met, together with a colleague, a group of enthusiastic young men from Dominican Republic, who started to produce short films about "street-stories". We proposed to them to help on technical matters (lend them a better camera, script development), and at the same time we learn a lot from them and film the process of making this short film they want to present to a local competition (ending the 20th of december). We all want to continue with the experience after the competition ends, offering to them formation on script development, and they allow us to keep filming the process, with the idea of making a doc on their experience in a context such as the society, and the neighbourghood they live in.
It would be great if I could learn from the experience of others who have underwent these kind of processes... as well as sharing what I have learnt from the sociological (or anthropological) ethnography practice, "participational observation", etc.
Hello everyone at D-Word! My name's Christina and I specialize in making feature documentary films about Brazil. I grew up in Brazil, now live in London, and am interested in bringing contemporary stories about Brazil to a large international audience. You may have seen Only When I Dance, a feature about two teenage ballet dancers from Rio's most violent favelas that make it to the highest eschelons of the international world of ballet, which I co-produced. I'm new to this site and am looking forward to meeting others here with a passion for international feature docs (and maybe even some clues as to how to make a living out of them?!) as well as a great mutual exchange of info and help all round. All the best from snowy London!
I specialize in analyzing sports mechanics (how an athlete moves) with frame-by-frame video analysis. My Olympic athletes have won 44 Gold Medals and have set 11 World Records. You can see examples of our analyses on our YouTube channel 'somaxperformance'. I joined because I will be producing a documentary on our project to break the 2-hour mark in the marathon--currently thought to be impossible. We will also be needing videographers to record during race day, and I thought that this forum would be a good way to find local talent.
Welcome Christina and Bob!
My dad was an athlete in the 60ies (100 meters, 200 meters, high jump) and marvels how technology is helping athletes these days. Good luck with your project.
How to make a living from docs, Christina? Get thee to the Our Daily Bread topic.
Good to have both you and Bob with us.
I am Andrew with Green Solutions. We are a US West and East coast DVD, CD, Blu-ray and Eco Friendly packaging company. We've been in business for almost 14 years. I have worked with hundreds of independent producers over the years. While self distributing can be difficult, I believe we have the ability to help. We work with a web fulfillment company in CA, who can set up your shopping cart, credit card merchant account (giving you complete control of the finances) and handle the drop shipping to your customers. Even if we don't do your work, I am dedicated to the Documentary Producer and will answer any questions related to authoring, packaging, replication, duplication, printing, credit card processing and fulfillment. I'm here to help.
Great, Andrew. I'm sure there are a ton of members here who would love to pick your brain about such matters. We talk about self-distribution all the time in the Marketing and Distribution topic, so feel free to hang out there.
My good friend Joshua Z. Weinstein recommended I check out this site and I'm excited to join such a supportive and knowledgeable online community. I'm an aspiring editor with three years of experience assisting on features and shorts (including 2010 SXSW-nominated "Dirty Pictures"). I'm currently looking for my next project so if anyone is interested in hiring an intelligent, experienced, and friendly AE feel free to e-mail me at email@example.com. You can see a few videos I edited here: http://vimeo.com/jeremiahglazer. Thanks!
Office Share Available! 1 to 3 desks avail in office in historic Cable Building at corner of Broadway & Houston, downtown Manhattan (aka Angelika Film Theater Bldg; aka Crate & Barrel Bldg). 24/7 access building, lot of light, best n'hood. Anyone interested or know anyone interested, please contact me directly! (firstname.lastname@example.org) Thank you!
My name is Larry Paros and I'm new here. I've just directed and produced a film called "Walk Right In." It's the perfect counterpoint to "Waiting for Superman" and "The Race to Nowhere," but we don't have the resources or contacts to get the word out. Help!
Welcome to The D-Word, Larry, and good luck with your film. You might want to check out the Marketing and Distribution topic, as well as Social Networking.
Pleasure to be aboard. I'm new to the D-Word and currently in pre-production on both my first documentary and my first feature length project. After obsessively agonizing on cameras, knowing full well the content matters more than the camera, I settled on the Panasonic GH1 for it's DOF capabilities, the fact that you could hack the bitrate settings (which I have done) and it seemed to be the only hi-def still/video camera that was capable of shooting for longer than 15mins at a clip without the camera overheating and or cutting off the clip at the 12-14min mark (as in the ever popular Canon DSLRs). So far I'm very happy.
I'll be posting more updates as I go but my main area of focus now is quality sound capture. I have a good indy rig but no wireless LAVs. I will post more on that in another section of the website and will certainly be looking for pointers and recommendations. I'm certainly in the market for some good multi-channel LAV mics if anyone has tips there.
My documentary is a "son gets to know his Jazz Musician father through his music and those who loved him and his music". And yes, I've seen "My Architect: A Son's Journey". GREAT film that was a major inspiration. If you've seen that film there are some very similar themes for me. My father was lost to me when I was fairly young (19), we didn't have much chance to get to know each other (family drama and his obsessive dedication to his music) and within the Jazz community he is rather legendary for those who really know his music.
I hope to explore the reasons why those fans and devotes of my father's music keep insisting he is a genius improviser and one of the top three improvisers of the 20th century (often listed with Charlie Parker and Lester Young others). These are odd things to digest about about someone whom you saw in a very different light growing up. I both seek to tribute my father but also get to know him better through his music. Hopefully both the viewing audiences and myself will get to know him a little better and come out the other side with a better understanding of what makes his particular stripe of musician so special.
So, next steps for me? Editing a fundraising snippet for Kickstarter and other online fundraising sights, finding some good wireless lavs and continuing to seek encouragement for this daunting task.
I do have a producer by the way. He is a former Cal Arts screen-writing instructor and huge fan/devote of my father's music. Wonderful fellow named Eddie Richey. My wife is also an ever-present producing partner and the other half of Leo Rising productions.
Here's to getting to know everyone better and most certainly sharing about the process.
Welcome, K.C. You might want to know about a similar doc by D-Word member Stan Warnow called "Deconstructing Dad", which is about his own famous musician father. Not to worry, though, since each filmmaker's journey is their own unique story.
Great recommendation! I'm not worried. I love the other stories like this. The Glenn Gould docs were also wonderful.