I'll send you a copy of our "walk Right In" if you will send me an address.
Introduce Yourself: Sign In Here First
Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.
I am eagerly about to dip my toes in the documentary world and in need of some advice I found this site. I'm sure this isn't the exact place to post questions so I'll end my intro here and figure out where to go next.
In reply to Jason Fredric Gilbert's post on Sun 29 Aug 2010 :
Hello Jason! I just signed up to this site and immediately saw your post!
I'm heading to Tel Aviv in a little more than three weeks time shooting a documentary about the Royal Winnipeg Ballet's first tour to Israel since 1975.
On top of the Israeli/Palestinian issue you've picked up on a truly universal theme for your doc – getting the thing funded!
Good luck with your documentary. Getting everyone together again would be amazing, but even just documenting all the reasons it won't happen is enlightening.
Welcome, James. Questions can be posted in the Mentoring Room topic.
Deirdre Towers, Dance on Camera Festival Director, co-produced by Dance Films Association and Film Society of Lincoln Center, is looking for documentaries involving dance for our 39th Festival. Please see our website with the on-line entry form – http://www.dancefilms.org
I just finished a dance film which can be seen on Vimeo – http://vimeo.com/15124459
Love to see your documentary James
Dance on Camera Festival 2011
Please see our website with the on-line entry form – http://www.dancefilms.org
we are a team of writers, filmakers and producers for tv-series and documentaries based in Rome,Italy. You can follow us on twitter @StoryFactoryDoc
Welcome, Story Factory. So you know, if you want to register for full membership at The D-Word (and we certainly hope you will) you'll need to do so as individuals rather than as a company.
The "real name" policy counts for everyone – you can only join The D-Word as an individual, not as a team or production company.
Hello! I took the "real name" policy literally and included my middle name. I wasn't trying to sound pretentious ... honest! "Enthusiast" is a perfect description for me. Currently, I'm a Big Fan/consumer of documentary ~ especially when Hot Docs rolls around. Am trying to get a sense of The (doc-making) Life to sharpen my appreciation as an audience member.
Welcome, Ann. Nice to have a genuinely enthusiastic enthusiast here in the mix. Hope you find what you're looking for.
I am way overdue in joining this amazing community, and am glad to finally be a part of it. I made my first documentary in 2004 with Tim Nackashi, Dirty Work (dirtyworkdoc.com), have worked for hire as a cinematographer and producer and director in various corners of the non-fiction film and tv-making worlds, and am now in the middle of making my next documentary feature, called My Own Man, about my middle-aged masculinity crisis (check out myownmanthemovie.com for more details on the project). In some ways I'm an experienced filmmaker but in some ways I also feel like a newbie, especially when it comes to the business of attracting funding and building an audience and getting films out into the world, so I'm here to offer what I can while benefiting from the mentorship of this sprawling network of documentary nuts. Thanks for having me, David
Part of the business seems to be discovering that however much experience you accumulate along the way, it's inevitable to find that you're a newbie again and again.
You're welcome to share your crises at The D-Word, David.
My husband and I run a post-production facility here in NYC and for some reason have found ourselves working with a lot of documentary filmmakers. We mixed "Dark Days" here as well as "King Corn" and "Herb and Dorothy". I love working on docs and I hope I can add something to the discussions as well.
I am an aspiring documentary filmmaker who is currently researching film schools and am in need of some professional advice. I hold a Bachelor's degree in a field unrelated to film and have very little experience with production, editing, distribution, etc. In your professional opinion, do you think my time and money would be better spent pursuing a Master's degree that may focus heavily on history and theory, or pursuing more of a "hands on" program such as the one-year documentary filmmaking program offered by the New York Film Academy? I have read some varying reviews on the NYFA in general, so any advice or opinions you may have about that school would be greatly appreciated.
Thank you so much for your help!
It's a couple of years old already, but have you seen the Independent's The 10 Best Academic Programs for Documentary Filmmakers ?
Welcome, Todd, Barbara and especially David, who I've known for a while now (as well as his impossibly lovely wife). You may feel like a newbie but you're not. Dirty Work showed great talent and can't wait to see how My Own Man turns out.
In reply to John Burgan's post on Wed 29 Sep 2010 : Thanks for your quick reply, John. I have been researching the programs mentioned in the Independent article and it has been a great starting point. Please let me know if any other advice comes to mind.
Spend your money getting experience. Volunteer for one of the many top-notch doc makers running around NY, Phila, or DC. Then decide if you want/need a masters. You are more likely to find employment by being a great volunteer than by going to school.
My name is Teresa Pigeon; I live in Cary, NC. I am a photographer, but have recently branched out into documentary video. At Duke's Center for Documentary Studies, I learned how my reach can be extended by moving into the video field, and I'm working to use these new skills to tell stories.
I'm currently working on a short about a local eccentric. Also, I'm documenting the making of a local film. Next, I hope to work on a piece about the use of therapy dogs in Hospice (where I volunteer). I'm only in the planning stages of this – but there are so many things to consider.
As is true for most folks, I learned so much in shooting and editing my very first video: http://www.youtube.com/watch?v=OAjuCfvaw0k.
I learned what to do and what to NOT do (and it's apparent in the clip!)
Very recently I've decided to put much more time and effort into documentary video, and hope to learn from your experiences. I'm excited about some recent work I've done using the 5dmkii – and it's possibilities (while very aware of the limitations). Examples of my photos: www.pigeongallery.com
Welcome, Teresa. A great program you went to at Duke. And you're doing the right thing by just plunging in and making films. Best of luck.
Hi Everyone – wow, it's been 5 years since my last sign in (where does the time go?). Anyway, thought it'd be time for an update and looks like there's a LOT more people here now. Make a long story short: Documentary (corporate media/events producer to pay the bills) producer/director . . . . moved to the Jersey Shore – exit 102 – Asbury Park. . . . . large arts and cultural component in a never-ending up and coming seaside city . . . . NO movie theater. . . . . in a city that used to have 7 (count 'em 7) movie palaces in its heyday (Walter Reade had headquarters here) . . . . couldn't believe that every art genre represented but film . . . . couldn't let that alone . . . . have opened a 56 seat art house theater in the downtown that for the past 16 months has developed a growing, appreciative audience in a considerable radius of the city . . . . it's called The ShowRoom Independent Cinema – www.TheShowRoomAP.com – so now I'm an exhibitor as well as a producer! . . . . quite an odd couple of hats, but very enjoyable and exhilarating to be able to workshop my productions as well as be the salon for others who are making film and looking for an audience. . . . . . and I thought it would be a good time to reconnect and network with everyone on the DWord since I still have a member status here. . . . . right now we're producing short docs that screen before the features, so we keep producing while we're exhibiting. . . . quite a ride . . . . look forward to chatting with you all. . . . Thanks
Hi all! Greetings from the Bay Area. I am a writer-producer-director with a decade of narrative filmmaking experience in Los Angeles behind me. Have produced, acquired and distributed numerous syndicated tv shows, independent films (foreign and domestic)as well as documentaries. Just completed my cinema verite feature (as Director/DP) on a highly contentious issue:immigration from the south, approached from an unexpected and controversial angle. The main protagonist is a rabid iconoclast, self-proclaimed revolutionary and an embodiment of the Tea Party philosophy. Please do check out the website and trailer at WWW.MAXKENNEDYTHEFILM.COM. The film is due for wide release early 2011. Please click the facebook link on website and 'LIKE' for constant updates. Thanks.
Welcome, Vikram, and a warm welcome back to Mike. Nice to hear what you've been up to, and about The ShowRoom. What a great thing to be doing.
Hey everybody. My name is Mike and I'm looking for feedback on the promo to my new documentary "Buscando a Toño Bicicleta". We raised a small amount of funds to shoot this promo and are currently in talks with a few investors to get the full amount. Any feedback would be appreciated.
Hi there everybody
My name is Jonathan, and I'm an director and editor from Montreal. My entry into documentary + video in general came a few years ago, during an extended stay in South Africa and Mozambique, where I was doing media workshops and working with video in the townships. I've also worked for a doc program in Montreal, as an editor and technical advisor. I actually heard about D-Word through a German filmmaker friend (what's up, Magdalena? when are you coming back to Montreal for more bagels and cream cheese?), and looking forward to meeting some of you.
I'm currently researching a film about Polish refugees who ended up in Africa during WW2, including my family. So I'm planning a research trip to England, Poland, Belarus, and Tanzania this fall. If anybody has tips about shooting in Belarus or Tanzania, it would be appreciated. I might be looking for some help finding fixers/translators in both places, too.
Hi – Richard Baron from Australia. I'm a dedicated documentary producer/director who managed to get my first short feature up and into festivals with no funding or assistance from anyone. Yay for me.
I love your films Doug!
Thanks, Richard. Great to have with us at The D-Word. Love your accent, too.
Hi-I'm a documentary maker and editor from San Francisco. Another filmmaker I met at Sidewalk Film Festival told me about D-word and all the helpful forums. Looking forward to meeting other doc makers here.
I have made 2 short documentaries, The Recyclergy and The Legend of Toilet-Seat Charlie, and eager for my next one.
The Recyclergy focuses on a unique group of professional recyclers in the SF Bay Area. You can view the film here:
The Legend of Toilet-Seat Charlie is 12 minute piece on about the inventor of the toilet seat guitar. It's not yet online, but soon! Here's the website:
Hi everyone! This is Cristina, I'm Italian/American currently interning at American Documentary | POV and Outreach Coordinator for 21 Below, in New York City. After working for over a year for the Documentary Foundation, a non profit organization where I managed an educational program for high school students, and did event planning and fund raising.
I looking for a position as Assistant, Coordinator, PreScreener, and/or Event planner for an organization involved with filmmaking in New York.
I speak four languages and am extremely dependable. I have many references, please get in touch at firstname.lastname@example.org
Thank you, Doug! Please spread the word about my job searching in NY!
Hi all, my names Jason and I'm originally from Southern Africa, and am now residing in NZ. I started making a documentary to help the future generation on getting a more detailed understanding of abusive&addictive substances. I have went down a wasted 10yr path of night clubbing and drugging, and have now given my profession in the Audio Visual industry a break, to complete this doc. I am going to need all the help I can get.
Cheers....or as we say here...Kiora
I'm a Cinematographer & Producer. More info on my site: http://www.noeldonnellon.com
I think I joined D-Word (gulp) five years ago or something and have lurked occasionally, but never long enough to engage in a real conversation. Trying to amend that since I feel woefully behind in the world of non-fiction, except as an audience member.
I made a personal doc called The Grace Lee Project in 2005, plus a few shorts before that; but I also work in fiction (most recently in 2007, a 'fictional documentary' feature called American Zombie). I got sidetracked for a couple of years with family stuff but am now working on a new film about 95 yr old Detroit philosopher/activist who has devoted her life to social justice and the promise of the next American Revolution. I look forward to learning and contributing more to this great community!
Sounds fascinating Grace, I love films about people in their later years.. so much to reflect on, especially a life of action... that's nearly a hundred years of living history embodied in her.
Welcome back to D-Word, Grace. The Grace Lee Project is one of my favorite documentaries of all time. Curious – were you introduced to the subject of your current film by the Detroit Grace Lee?
My name is Mark Fuller and I've been making television now for two decades. I'm based in Vancouver, BC. I've written/directed/produced across several genres, including documentary – mostly series for History, Discovery, AMC, CBC etc. My most recent project is 'Ice Pilots NWT' (writer) for Global/History and I'm about to start work on a similar doc series for History called 'Dust Up'. It follows a group of crop dusters in Saskatchewan.
More info about me on my website: www.tribunebayproductions.com . I'm looking forward to exploring this site – it looks great.
I'm a documentary filmmaker in Miami Beach, FL. I'm finishing up my first feature length documentary called Bots High (www.botshigh.com), which follows high school robotics teams build kick ass fighting robots.
I also run a production company, www.coffeeandcelluloidproductions.com, where I create short form documentaries for companies and broadcasters.
Welcome, Jason and Noel, Mark and Joey. Coming so fast and furious we can barely keep up. And welcome back to The D-Word, Grace. Looking forward to your contributing here, as well.
Hello friends! It's wonderful to see such a positive use of the internet in a forum like this- too often it is the negative that receives all my attention.
Anyway, I'm a young filmmaker living between Richmond, Virginia and Nairobi, Kenya at the moment working on a project to develop education and filmmaking in both places. My dedication is just that: inform the youth of our world as to the power they have with digital media at their disposal. I anticipate one day seeing a world where everyone owns some form of a camera, where media is completely democratized, where the title 'documentarian' is synonymous with 'human' or, more politically, 'citizen'.
I am happy to find a group of like-minded people, and I wish you all the best of luck in your endeavors!
When you are in Kenya, you might check our friends out.
Hello! My name is Riccardo, I am a documentary filmmaker/producer based in Rome, Italy. I run a production company, www.visitorq.net. We are now launching a crowdsourced documentary project, more details soon!
Looking forward to hearing more, Riccardo – welcome to The D-Word
Hi Doc folk – My name is Christopher Morris – live and work in wales – 20 years (so far) making docs for British TV – but in 2003 took a left hand turn and went into University – I now run Newport Film School (set up by John Grierson in 1966 – www.newport.ac.uk) Newport has been producing nearly fifty years worth of Documentary filmmakers! Really interested in contacting old Newport Alumni. Hello John Burgan!!!
Chris is being typically modest about his achievements, both as an award-winning film-maker and also the fact that the doc film course he set up (and which I have just inherited) is rated as one of the very best in the UK.
Not sure if there are many Newport Alumni at The D-Word, Chris, but would be interesting to track them down – check out the search tool
Happy to be joining the group!
My wife (editor Jody Jorgensen) and I are forming STORY, a two-person production company to produce docs of a few flavors, but mainly promos and performance docs for the arts. We lived in NYC for five years and loved working on a few docs and a couple of low-budget narratives – mostly post, mostly FCP editing. In the last couple of years, Jorgensen and I have been filming arts projects in development (mostly opera and musicals) – kind of a cross between promotional shorts and behind-the-scenes doc shorts ... we're hoping that one of these projects will turn into a doc feature.
Looking forward to being part of these great discussions!
We're glad to have you here, too, Brad. Feel free to have Jody join up, as well. Then you can procrastinate with us together ;-)
New member here, have lurked occasionally as an enthusiast but decided it was time join in on the conversation.
Nothing profound I'm afraid John, applying as a member was one of those things I was meaning to do and never did, but now that I've finished post on my doc I have some time to peruse the site a bit more and make some friends.
Hello everyone, I just completed my 30 minute short documentary, 'MURDER AT CITY HALL COUNCILMAN JAMES E. DAVIS' STORY'. Its about my beloved brother, slain Peace Activist & New York City Councilman James E. Davis assasinated inside New York City Hall on July 23, 2003. Thus far, we've screened at Brooklyn Academy of Music, & the Schomberg Cultural Center to a sold out audience. On Tuesday, November 23, 2010 we're screening at Tribeca Cinemas 54 Varick St NYC. Feel free to inquire. Blessings & keep up the great work.
My name is Jennifer Campbell, I'm 22 (and three quarters) and I am a personal, reflexive, documentary filmmaker. I just graduated with my BFA in film in my home state of Florida, and started my first year of Graduate Documentary production at Hofstra. I'm not liking this cold weather! Also in the last year I documented my journey to find my mother. http://www.youtube.com/watch?v=JXTGRSZt9YA It's unlisted so you'll have to click the link to find it.
I am looking forward to connecting with other documentarians. I think this is an incredibly tool for what we do.
Last night I attended Doug Block's The Kids Grow Up in NYC, and stayed for the Q&A afterward, easily the best night in NYC I've had! If you haven't seen the film, stop reading this and go right now. Doug will there for Q&A today and tomorrow for the 3pm screening as well!!! GO!
Thanks for your praise, Jennifer.
Good to hear Doug's screenings are going well.
Welcome to The D-Word from a co-host who is 37 (and one third).
Geoffrey, welcome to The D-Word.
Very sorry to learn about the loss of your brother. Make sure the film gets seen widely, and please make the best use of The D-Word to promote your screenings.
Welcome, Geoffrey and Jen. Great to have you here with us. And really nice meeting you last night, Jen.
Hi my name is Cy, I'm a filmmaker from San Diego. I just finished a feature doc called Bush League about four members of a soccer team in Malawi and a short called Indentured about labor abuse on US bases in Iraq. I'm now promoting the films and looking for work teaching film at the post-secondary level. I was also a Peace Corps volunteer in Lithuania and a Fulbrighter there. Some of my work can be seen at cysfilm.com, I'd love feedback if you have it.
In reply to Erica Ginsberg's post on Wed 13 Oct 2010 :
Hi Erica, Julia, and Doug – Thanks for the welcome back (even though I'm now a couple weeks delinquent in responding!) Anyway, Erica to answer your question the subject of the current film IS Grace Lee Boggs, whom I met while making the Grace Lee Project. I knew back when I met her 10 years ago that I wanted to revisit her story specifically and that I'd better do it before, as she puts it, "loses her marbles." I don't think there's any danger in that happening quite yet- she is still amazingly sharp at 95 and keeps on asking and living the hard questions. Unfortunately, I am still asking myself the hard question of how I'm going to get this film funded and finished...but I will probably ask others in the Funding section for advice! Btw, Doug, I showed 51 Birch Street in a personal documentary class I taught last spring and the students were riveted. Great film. I look forward to seeing your latest.
Welcome to The D-Word Corps, Cy! I'm sure our Teaching Docs topic will be perfect for you.
To Grace Lee ~ I rented 'The Grace Lee Project' on iTunes. Wonderful!
And great that you are doing an update with Grace Lee Boggs.
Q. Will you get a piece of my $3.99 (Canadian)? I gather more would have gone to you had I purchased the DVD through WMM, but I'm not working at the moment and am trying, in general, not to own too much stuff. Really loved the film.
In reply to Grace Lee's post on Tue 2 Nov 2010 :
Thanks, Grace. I'd love to see you at one of the showings. I'll be sending out an email to LA D-Worders with more details, hopefully by end of day.
My name is Mariam. I've always wanted to join, but have always been too busy! I've been working in non-fiction television (reality/docs) for the last 14 years -mostly producing for other people. I did manage to direct/produce 2 of my own shorts: With Us or Against Us and The Fighting Cholitas. I now have some time to really explore this site and to connect with other like-minded folks.
Thank you for hosting the Symposia at the DOC NYC. It was very informative and interesting – please keep up posted on other events where you'll be attending.
Greetings – David Weissman here.
I produced and co-directed (with Bill Weber) THE COCKETTES, which was a 2002 Sundance film, and recipient of the LA Film Critics Award for Best Documentary of 2002.
I have a newly completed film WE WERE HERE which is about the coming of AIDS to San Francisco in the early 1980s. WE WERE HERE has already been invited to Berlin, and I'm sure like many others here, I'm keeping my fingers crossed for Sundance.
I've been a (mostly) San Francisco based filmmaker for a LONG time.
Thanks for introducing yourself, David. Heard so many great things about THE COCKETTES at the time, but it somehow slipped by me. Time to put it on my Netflix queue.
Way behind on hellos here but just wanted to say that Mariam is one of the finest human beings I know and I'm so glad she found her way here!
In reply to Doug Block's post on Mon 8 Nov 2010 :
Thanks Doug. I don't know where you're located, but maybe you can rent it at your local video store!
Oh, THE COCKETTES is really wonderful, it made me laugh a lot. I hope you can see it Doug.
WE WERE HERE is wonderful in a different way; I laughed sometimes through my tears, and I am still thinking about its lessons.
Hello all,my name is Mark Weldy.
I dont have any projects completed unless you count HS A/V club.I am pursuing the idea of a off grid/survival mini/multiple doc for publishing on the web and to DVD.Just trying to get some insight from experienced people here as this site was highly recommended to me.
Look forward to chatting with you guys and gaining some needed knowledge.
Hello, i am ariel saturay and member of kodao productions. Kodao is an indigenous term from our local tribe meaning a knotted rattan string that served as the Philippines’ first calendar. But instead of days, the knot represents a particular community event making Kodao a unique calendar. A chronicle of events instead of a list of days. And just like the unique calendar we named ourselves after, we chronicle in multimedia, the Filipino people as they make history. check out www.kodao.org
In reply to Linda Blackaby's post on Tue 9 Nov 2010 :
Mark and Ariel, welcome to The D-Word.
Ariel, you should apply to become a full member. It's free but not automatic.
Hello Everyone: I'm Jack and I discovered this web community just last week after seeing Doug and his film at the Laemmle here. Beautiful and brave work.
Doug, I kept thinking how lucky the three of you are to have each other. And, yeah, it's clear who the kids are in the title.
I'm working on my second film at the moment and I'm thankful to have this community as a resource. All the best to you and your family from a fellow Islander.
Thanks, Jack. Appreciate the kind words. And very glad you found your way to The D-Word. I think you'll like it here.
Just got hip to D-Word last night after the Doc U event at Cinefamily. Thanks, Marj! Incidentally--and I said as much to her last night--I so appreciated how Marj handled the panel. Very linear and easy to follow discussion, one panelist at a time. Everybody got their turn and was able to fully state their point of view on distributing your documentary.
Hi Ryan. Well done for joining up! As I said last night, D-Word is the single smartest resource when trying to get your doc done and out there. Jump right in!
BTW, thought of a VW doc I saw last year you might be interested in checking out: http://www.pbs.org/itvs/globalvoices/beetle.html
Hi everyone, my name is Magela and Im originally from Uruguay but have been living in the US for almost 10 years now. Im a cinematographer working both in fiction films and documentaries, I fell in love with documentaries while studying at nyu with George Stoney, an amazing professor and human being, and Im excited to join this fine community of people.
Hi. I am the director of the Legacy Film Series (www.legacyfilmseries.com), presenting films celebrating older adults at various venues, and renting the films to various organizations. Also the director of the Legacy Film FEstival on Aging (www.legacyfilmfestivalonaging.org) slated for presentation in March 2011. I am also looking for Tina Flemmerer, who has a nice film Leslie Day, City Naturalist, that I would like to represent.
Love documentaries, so if anyone has one on the subject of aging, please contact me.
Welcome, Sheila. I'll be contacting you about 51 Birch Street for the Legacy Film Series.
Hey D-Word. I've got a doc project in mind. Tell me what ya'll think: Whenever people talk about New Orleans they say, "it's such a wonderful city. The music is great, the food is great, and the culture . . ." That's all true, but it doesn't capture why this city is important. New Orleans is magic. For real. A primordial groove seeps down all the streets. Even the buzzing locusts and the dripping drain pipes keep a rhythm. New Orleans moves you, whoever you are.
But this is a city in crises. The wetlands are sinking at the rate of one football field every 38 minutes. Without the wetlands, we have no protection from hurricanes. In order to save this city, a lot of money and time needs to be spent on rebuilding the wetlands. This isn't happening nearly as quickly as it needs to be.
Many films have been made on this topic, the most recent being the Big Uneasy. But most of what's been done focuses on the political problems and the higher-up people in charge.
I would like to make a mood-doc, akin to Searching for the Wrong-Eyed Jesus, about the feeling of New Orleans. I want to give people around the country a sense of why this city is a cultural epicenter, why it's vital to our American identity, and why it's so wierd wild and wonderful.
If anybody wants to help or contribute ideas, let me know.
I am a professor by training but I have been working on my camera skills for years. I have written five books and I as start my sixth book I will no longer simply write. I am putting my documentary skills to work as this new book will be packaged with a documentary. I love making films and I have been doing this for years but now I am committing my life to the documentary form as a teaching tool (for me and my students). As I embark on this adventure I want to swim with documentary film makers who know of the waters I am about to explore more deeply.
Welcome Ralph. Feel free to register for full member status here to gain access to all 50 discussion topics.
Welcome, as well, Will. Good luck with your project.
Hi Doug. I am a first time doc filmmaker with a short called The Marina Experiment. I'm having a bit of trouble understanding how to navigate this forum – the information I need ASAP is about getting an educational license for my 18 minute film so I can sell it for more money to libraries. Specifically, a public library just purchased my film at my retail price and would like to amend this right away. I don't know what I need or where to get it. Please help!
Marina, I've moved the follow-up discussion to the Marketing and Distribution topic. I'll reply to you there.
(Marth, I removed your post from here and moved it to M&D, as well, because the Introduce Yourself topic is public and will show up in Google searches. Be very careful about giving out email addresses and cell phone numbers in this topic everyone!)
Hello, I am an editor, director, producer of short films and a feature.
Several years ago I sat in line with Star Wars fans for three weeks and created the documentary "The Big Line". My current project is working with Marth on "Walk Right In" the Yale summer high school movie.
Here are some more tidbits from a bio that I have used in the past:
Eric Morgret is co-owner of Maelstrom Productions. With this company he has directed/edited several shorts and the feature film: “Strange Aeons”. As he crawls around in the nether regions of Seattle film he is working on several different projects. Eric is the Festival Director and Head of Programming for the Maelstrom International Fantastic Film Festival, a genre film festival in its 3rd year. MIFFF brings the best genre films to the SIFF Cinema in Seattle.
Hello, I have been lurking around here and would really like to get involved with this community. I am documentary director with a feature currently in post. I could really use the support that seems available in this community. Any pointers on where or how to get involved? My films website is www.glacierdocumentary.com.
Just keep posting away, Cory. That's all any of us involved people do.
Eric, welcome, as well, and feel free to register for full membership.
I figured I'll re-introduce myself and see if I still qualify to stay in D-Word :)
I am a Screenwriter & Filmmaker newly relocated to Beirut, Lebanon.
I worked for 5 years at Al Jazeera Network in Doha, Qatar and at the same time was completing my MFA in Screenwriting at Hollins University in Virginia, USA.
I am now back to unemployment, or freedom, or independent filmmaking :) Just got me a Canon 7D and a MacBook Pro to try and keep up with short doc production along my narrative career.
I'm a member of D-word since 2004 (?) probably but I was busy for a while and now I am intending to tune in regularly to benefit from al the great things I learned – and can definitely still learn- from this home.
Peace all around :)
I'm a new member and interested in opportunities to help people with their projects. Let me tell you a bit more and if you're interested please contact me at email@example.com.
I'm a recent NYU grad film grad and here is a link to some of my doc work:
I've done both camera and some sound before, and I won a short doc contest last year called Madrid Dares You that was covered in the NY Daily News:
In addition to being a filmmaker I was a journalist for 10 years, so I have lots of applicable skills.
I've worked exclusively on student projects before so I'm most interested in helping people at the 'professional' level (or pretty close), people who have made documentaries before that have been distributed or broadcast, and are savvy about the nuances of getting projects funded. I'm glad to work for free right now to get the experience. I'd particularly like to become more technically proficient with the nuances of doing docs with tiny or no crews, such as how to do camera, sound and lightning all by yourself.
Much appreciated either way, and thanks for having a Web site like this.
I am working on my first documentary. I am eager to pick your brains on lots of topics like funding and labor. I currently work at one of the three televison networks in New York.
In reply to Doug Block's post on Tue 25 Nov 2008 : Doug
I don't know whether you remember me but I had the pleasure to work along side you for a very short period of time. You were finishing 51 Birch Street. (brillant) I knew nothing then and I know just a little more now. I have started a documentary on the 'undocumented Irish in New York' and I have a trailer and treatment. I look forward to reading more on this website.
Thanks, Charles. I remember you well and greatly appreciated your help on 51 Birch. Glad to see you made your way here and best of luck with your doc.
Hi, I'm Stephanie Wang-Breal, the filmmaker behind Wo Ai Ni Mommy (I Love You, Mommy). I am consulting producing on another film that I think would do well at the Hotdocs Pitch forum. anyone pitch their film there? did it result in any pre-sales/ or funding? and is it just plain worth the costs? looking forward to being part of this online doc community.
Hey, Stephanie, great to have you posting here. However, this is the topic for people to introduce themselves. I'll repost your questions in the Finding Funding topic.
Hello to all of you,
I am a sociologist and I have been researching on immigration and youth here in Barcelona, for about 3 years now. This has implied a lot of workfield in different public spaces on peripheral neighbourghoods. This adds to my interest in visual culture and in documentary practice, I have attended to some courses on technical matters ("experimenting with documentary") and also visual anthropology. Some days ago, I met, together with a colleague, a group of enthusiastic young men from Dominican Republic, who started to produce short films about "street-stories". We proposed to them to help on technical matters (lend them a better camera, script development), and at the same time we learn a lot from them and film the process of making this short film they want to present to a local competition (ending the 20th of december). We all want to continue with the experience after the competition ends, offering to them formation on script development, and they allow us to keep filming the process, with the idea of making a doc on their experience in a context such as the society, and the neighbourghood they live in.
It would be great if I could learn from the experience of others who have underwent these kind of processes... as well as sharing what I have learnt from the sociological (or anthropological) ethnography practice, "participational observation", etc.