POST-PRODUCTION INTERNs WANTED for a Sex Worker documentary
Documentary: License to Pimp
Film Description: License to Pimp is a feature documentary about the choices that three San Francisco strippers make as their workplaces engage in illegal labor practices. Strip clubs refuse to pay strippers even minimum wages & actually charge them for the privilege to work. The filmmaker worked in San Francisco’s strip clubs and witnessed how co-workers felt economically pressured to engage in prostitution to make their quotas to avoid being fired. Now as a filmmaker, she uncovers current working conditions to find out how strip clubs are able to operate outside the law.
Watch Here: http://www.kickstarter.com/projects/himab/license-to-pimp-documentary
Experience: None. The candidate should be eager to learn about documentary filmmaking and film/video post-production.
Duration of Internship: (August/Sept 2012 to Jan. 2013) Begins immediately. Minimum 3 months
Payment: No pay. Credit for college is OK. You will be credited on this film.
Duties: We are an independent film production company that seeks qualified, smart, energetic Interns wanting experience in documentary film post-production. You must have a sense of humor, positive attitude, & a desire to delve deeper into social justice issues that impact women/girls, sex workers, laborers, queer people, & people of color.
Position will be supporting an independent filmmaker + Editor with day to day activities.
Required: You MUST have your own laptop computer with MS Word + a DVD player. Ideally, Final Cut Pro editing experience (version 7). You must be able to work independently, multi-task by managing multiple tasks, & prioritize workload as needed. If you have PC laptop, you will transcribe interviews.
• Transcribe documentary interviews
• Log documentary footage in Filemaker or Excel
• Assist with research and licensing of archival photographs, music, and footage
• Editing assistance
• Database entry and management
• Excellent written and verbal communication skills
Bonus Skills: Illustrator, Flash, After Effects, Excel, Filemaker, &/or Photoshop
Time Commitment: 2 to 3 days per week from 10am to 6pm. Minimum 12 to 18 hours/wk (Mon. thru Fri only). Flexible time schedule
Apply: Send a resume and Cover Letter. If you have film editing experience, include URLs to work.
Public Classifieds and Announcements
Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
POST-PRODUCTION INTERNs WANTED for a Sex Worker documentary
In reply to Cheree Dillon's post on Wed 1 Aug 2012 :
Folks offering internships might want to check their state and federal labor laws.
Sorry, pet peeve of mine. It isn't right to exploit young people.
"Strip clubs refuse to pay strippers even minimum wages & actually charge them for the privilege to work."
"Payment: No pay. ...Required: You MUST have your own laptop computer with MS Word + a DVD player."
These two quotes from the above want ad have interesting parallels. But I guess this isn't the right forum to make any comment about unpaid internships.
We are seeking MARKETING / OUTREACH INTERNS to help with the theatrical release of our new documentary film RADIO UNNAMEABLE about legendary freeform radio DJ Bob Fass and his long running late night program on WBAI. http://www.radiounnameablemovie.com The film is having a small independent release starting at the Film Forum in New York in mid September then moving on to other theaters across the country.
We are looking for interns with interest in PR, Grassroots Marketing and Digital Social Media Outreach. We are looking for enthusiastic, self-motivated, creative go-getters, who can think outside of the box and take on projects and run with them.
Must be New York based. Starting immediately for 2 to 3 months
School credit and lunch stipend provided.
Please email me at Jessica Wolfson email@example.com
FULL FRAME'S 2013 NEW DOCS CALL FOR ENTRIES OPENS AUGUST 15
Full Frame exhibits nearly 100 documentary films in various categories. By completing the online application, you will be submitting to NEW DOCS, the festival’s competitive program which includes films completed in the last two years. In 2012, 57 films were selected for NEW DOCS from 1200 entries. NEW DOCS films are eligible for a number of awards in various categories. The 2012 festival offered 9 awards, with prizes totaling nearly $50,000 in cash and services.
The 2013 festival will take place Thursday, April 4, through Sunday, April 7.
Regular Deadline: August 15 – October 15, 2012 ($40)
Late Deadline: October 16 – November 30, 2011 ($60)
Please visit our website for submission guidelines and application instructions. (fullframefest.org/submit.php">http://www.fullframefest.org/submit.php)
Was wondering if anyone here had a name for a person in LA who's a whiz at Filemaker? We're looking for a little consulting help and some advice setting up a stock footage database. There's not a lot of stock footage in our film, but enough to make us need to track it. It's for a doc film about girls education in the developing world, called 10x10: Educate Girls, Change the World (10x10act.org). We're located in LA, near Hollywood, Koreatown, not far from Silverlake.
Let me know if you or someone you know might be interested. Thanks so much, Alex (alex [at] 10x10act [dot] com)
Looking to buy one or two batteries for the Panasonic HVX 200, either old style or new style w/adaptor. I need them by Thursday (8/9) morning in L.A. or Wednesday morning in the Bay Area.
mjakubal at gmail daht com.
FILM MAKER NEEDED!
Hi! I would like to make a short documentary of about 15 minutes in length about a very unusual house in Los Angeles. We are thinking along the lines of the old A&E series "America's Castles."
The challenges are that we need it done quickly and the budget is limited.
Are you interested in making this film, or do you know someone in L.A. who might be? Please let me know.
bottlerockfence at g mail dot com
Announcing the Open Call for the 2013 Karen Schmeer Film Editing Fellowship
Annual Fellowship Provides Extensive Opportunities for Emerging Documentary Film Editors;
Open Call for Submissions Begins AUGUST 1, 2012
Received by deadline is SEPTEMBER 28, 2012
LOS ANGELES / NEW YORK – The Karen Schmeer Film Editing Fellowship assists emerging documentary editors by supporting and developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Editors (ACE) and other partners, the Fellowship, in its third year, offers a wide array of opportunities. The Fellowship is targeted at documentary editors; fiction experience is welcome, though not required.
Past recipients were Erin Casper (“Our School”) and Lindsay Utz (“Bully”).
Awarded once a year, the Fellowship honors the memory of gifted editor Karen Schmeer (“Fog of War”; “Fast, Cheap & Out of Control”; “Bobby Fischer Against the World”), who was killed in a hit-and-run car accident at age 39, on January 29, 2010.
OPEN CALL FOR SUBMISSIONS – the Fellowship will accept applications now through September 28, 2012. The Fellow will be notified in January 2013. More details about the Fellowship and application requirements/forms can be found online: www.karenschmeer.com <http://www.karenschmeer.com>
The 2013 Fellowship benefits include:
• ACE EDITOR MENTORSHIP – with guidance from American Cinema Editors, the Fellow will be given a mentorship with an established ACE editor who fits the Fellow’s particular interests.
• ACE EDITFEST IN NEW YORK & LOS ANGELES FULL PASSES – the Fellow will be provided with full passes to both EditFest NY (June) and EditFest LA (August); weekend seminars with working experts in the field of editing. www.ace-filmeditors.org <http://www.ace-filmeditors.org>
• MANHATTAN EDIT WORKSHOP CLASS – free class at New York City’s Manhattan Edit Workshop; an Apple, Adobe & Avid Authorized editing and training facility. www.mewshop.com <http://www.mewshop.com>
• SXSW FESTIVAL FILM BADGE – full access to films, panels, mentor sessions and more at the South By Southwest (SXSW) Film Festival in Austin, Texas. www.sxsw.com/film <http://www.sxsw.com/film>
• IFFBOSTON FESTIVAL CHROME PASS – full access to films, panels and more at the Independent Film Festival Boston. www.iffboston.org <http://www.iffboston.org>
• TRAVEL EXPENSES / ACCOMMODATIONS– the fellow will be provided with travel and accommodations to two of the events/classes above, based on the fellow’s preference (3 nights hotel, airfare, per diem).
• ROOFTOP FILMS SUMMER SERIES TRIPLE MEMBERSHIP & $1000 EQUIPMENT RENTAL– free entry for the fellow and two guests to all regularly priced Summer Series shows at New York’s long-running outdoor film festival, plus an equipment rental credit for up to $1000 for projector, sound system, screen, etc. www.rooftopfilms.com
• STRANGER THAN FICTION PASS – a season pass to the Stranger Than Fiction documentary film series at New York City’s IFC Center. www.stfdocs.com
• DOCUCLUB YEAR-LONG MEMBERSHIP– a year-long membership to New York City’s DocuClub; a film screening series of works-in-progress documentaries. www.docuclub.org
• $1000 CASH AWARD
• $250 POWELL’S BOOKS ONLINE GIFT CERTIFICATE – an online gift certificate to Powell’s Books (Karen’s favorite), based in Portland, Oregon. www.powells.com
KAREN SCHMEER, A.C.E., was an award-winning film editor whose work included Errol Morris’ “The Fog of War” (Academy Award Winner for Best Documentary), “Mr. Death,” and “Fast, Cheap and Out of Control.” She edited “Sketches of Frank Gehry,” directed by Sydney Pollack, “The Same River Twice,” “My Father the Genius,” and “American Experience: A Brilliant Madness.” Her fiction film “American Son” premiered at the 2008 Sundance Film Festival. For the HBO film “Sergio,” Karen won the Best Editing Award at Sundance in 2009. Karen was born and raised in Portland, Oregon, and attended Boston University. On her way home from editing Liz Garbus’ “Bobby Fischer Against the World,” Karen was struck and killed by a car fleeing a robbery in New York City on January 29, 2010.
AMERICAN CINEMA EDITORS (ACE) is an honorary association of professional film editors that celebrates & promotes the art of editing. Editors are included on the basis of professional achievement, dedication to educating others, and commitment to the craft of editing. www.ace-filmeditors.org <http://www.ace-filmeditors.org>
Board President, KSFEF
Find the Fellowship on Facebook and Twitter @KarenSchmeerFEF
I'm looking for a room/space/suite in NYC (downtown Manhattan or Brooklyn) that could be turned into a good editing suite. No existing editing equipment necessary, just the space itself. Needs to have room for two people plus desks; quiet, safe, and accessible by subway.
This would be from September 1st, and lasting for 10-12 months. Any ideas? Sitting on any cool spaces? Email me at gabriel (at) hardworkingmovies.com. Thanks!
Hi D-worders> I'm new here..and very excited to tell you about a new doc I am producing, called The Strength of Strings: Appalachian Music at Rocky Branch. It takes place in TN, and we have a trailer and a Kickstarter video about to launch! Is anyone interested in this project? Especially if you are a grantwriter..or know someone who is..please contact me ( laura) at watchyerlanguage (at) Yahoo <dot> com Thanks ever so!~ L.
Selling a Sigma DC 18-50mm f2.8 EX D lens for Sony Alpha/Minolta mount. I purchased it new about 5-6 years ago, and it is still in good condition. Asking $300. Also selling a Minolta Maxxum 5D digital SLR if anyone is interested.
Email ben[dot]crosbie[at]eidolonfilms[dot]com if you want more details or pictures of any part of the lens.
Documentary production company is looking for an experienced Production Co-ordinator who can speak fluent Spanish for one week's work.
Please send a cover letter and resume to claire (at) flickerflacker (dot) com
I'm looking for a grant writer to work with us on submitting to a few grants. We've had films play at Tribeca, Sundance, Slamdance, HotDocs and many other high profile festivals. Also had previous films air on HBO, PBS, Nickelodeon, CNN and other networks. Please email me at firstname.lastname@example.org
This would be a paid gig.
We are looking for an editor to begin cutting a documentary about the rise of A&M records. Production in full swing. Interviews to date:
Herb Alpert, Lou Adler, Lani Hall, Sergio Mendes, Burt Bacharach, Dave Alpert.
Please email Kevin at email@example.com
We are subletting a room in our Downtown Los Angeles office. We're located in the heart of LA's historic district in a building full of filmmakers, sound-mixers, artists, and other creative professionals.
The room is on the 10th floor and is a perfect place for a small production office or editing suite. Rent includes access to wired & wireless internet, phone, printer, in addition to our common area / conference room.
If interested, please send an email to firstname.lastname@example.org
I'm looking for a PA for a doc shoot during the DNC next week in Charlotte, NC. PA would need to have their own car and be able to drive crew for short distances around the DNC. There is pay.
If you have any recommendations, please send them my way!
Cabin Creek Films
Mattie, I highly recommend you contact D-Worder Cynthia Hill, a North Carolina filmmaker who co-founded the Southern Documentary Fund. She could probably give you some leads.
"The Real Stuff" is a series of interviews with the makers of unscripted tv and film.
My guest this episode is Angie Brown.
Angie is the head of casting and development for a production company in Washington, D.C.
You know those people who corner you at a party and tell you they’ve got a great idea for a reality show? And then they tell you and it’s a terrible idea. All of those people need to sit down with Angie and get a little schooling as to what makes for a good television show idea.
Listen on my site streaming or subscribe to it on iTunes.
In reply to Doug Block's post on Fri 31 Aug 2012 :
Thanks Doug. We ended up using someone we found from the North Carolina Film Office, but I'll be sure to contact Cynthia if the need arises in the future.
Attn: Doc Editors
The deadline for the 2013 Karen Schmeer Film Editing Fellowship award is just three weeks away. The ‘received by’ deadline is Friday September 28.
We’re looking for editors who have cut at least one documentary but not more than three. (Our focus on doc editors is new this year.) It’s important that their career focus is editing and not editing-directing or another hyphenate. And they’ll need to be based in the US for 2013. The Fellowship is open to men and women.
Are you an emerging editor? Do you know any emerging editors who might be good candidates? If so, please take a look at our website or encourage others to do the same.
Our website, with the application and FAQ is here: http://www.karenschmeer.com/
Also: The FEF hosts occasional get-togethers for experienced and emerging editors and filmmakers. If you’d like to join our mailing list to hear about our events, you can do so here: http://www.karenschmeer.com/mailing-list/
Canon C300 Camera Package Available For Rent
-A comprehensive array of support gear and lenses
-Located in Philadelphia, but able to ship anywhere in the US
-Full selection of grip and electric gear also available
For details contact Expressway Grip & Electric: www.expresswaygrip.com
Tomorrow, September 12th is the final day for submissions for the Paley Center Documentary Pitch Workshop! The winner will receive $5,000 for their work-in-progress documentary!
The Paley Center for Media Announces Call for Entries for
PALEYDOCFEST2012 Documentary Pitch Workshop
The PALEYDOCFEST2012 Pitch Workshop – deadline for entries September 12th
New York, NY—The Paley Center for Media has announced a call for entries for its celebrated Art of the Documentary Pitch Workshop at PALEYDOCFEST2012, which will be held at the Paley Center in New York on Saturday, October 20, 2012. In this workshop/competition—now in its ninth year—a panel of documentary executives and producers discuss the process of developing a documentary and will hear and evaluate pitches from five preselected up-and-coming filmmakers who are hoping to sell either a nonfiction concept or a documentary work-in-progress. The winner of the pitch competition in October will receive a $5,000 grant to be used towards the completion of their project.
This call for entries is to be selected as one of the five filmmakers who will participate in the workshop in October.
Complete submission guidelines and entry forms can be found at http://www.paleycenter.org/paleydocfest2012-call-for-entries-pitch-workshop-contest or filmmakers can submit electronically through Withoutabox, a free online resource that helps filmmakers connect with film festivals, at http://www.withoutabox.com/login/8326 .
The deadline for entries:
Withoutabox Extended Deadline: September 12, 2012 ($55 / $40 for Withoutabox members)
Past winners include: The View from Bellas Luces directed by Christa Boarini; Charge by Mike Plunkett; From Texas to Tehran by Till Schauder; Circo by Aaron Schock; The House that Herman Built by Angad Bhalla; Whatever it Takes by Christopher Wong; and Asparagus! (A Stalk-umentary) by Anne de Mare and Kirsten Kelly
The Art of the Documentary Pitch Workshop is part of PALEYDOCFEST, the Paley Center's annual Festival celebrating the documentary—featuring premieres, works-in-progress, classic documentaries, the pitch workshop and special events—which will take place this October. Further details, including a complete line-up of the Festival, will be announced at a later date. Visit paleycenter.org for updates.
The Paley Center for Media, with locations in New York and Los Angeles, leads the discussion about the cultural, creative, and social significance of television, radio, and emerging platforms for the professional community and media-interested public. Drawing upon its curatorial expertise, an international collection, and close relationships with the leaders of the media community, the Paley Center examines the intersections between media and society. The general public can access the collection and participate in programs that explore and celebrate the creativity, the innovations, the personalities, and the leaders who are shaping media. Through the global programs of its Media Council and International Council, the Paley Center also serves as a neutral setting where media professionals can engage in discussion and debate about the evolving media landscape. Previously known as The Museum of Television & Radio, the Paley Center was founded in 1975 by William S. Paley, a pioneering innovator in the industry. For more information, please visit www.paleycenter.org.