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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

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James Longley
Thu 11 Jun 2009Link

And also – here is a direct link to the main donation page of the UNHCR


Niam Itani
Thu 11 Jun 2009Link

Maybe he needed a female friend and then things happened in Swat 8-)


Ernesto Ardito
Mon 15 Jun 2009Link

Hi, we are Virna and Ernesto from Argentina. We are pleased to inform you that the DVD of our new documentary Heart of the Factory, is now available. The acquisition can be made through the PayPal system, from all over the world. The film is about the workers of Zanon Ceramic in Argentina. They take the factory in their own hands when the owner closes it. They start to produce ceramics again, but without bosses. We were living and filming inside the factory for 2 years. You can find all the information at: www.cdfdoc.com.ar

HEART OF THE FACTORY
a film by Virna Molina and Ernesto Ardito

SYNOPSIS:

In Argentina, the workers of Zanon Ceramic take the factory in their own hands when the owner closes it. They start to produce ceramics again, but without bosses.
Now, they feel free. They’ve found in their work a way to grow humanly. But at the same time, they have to assume a series of responsibilities and challenges. Usually, this provokes serious arguments among them or with themselves. During that process, the workers had to study and to overcome themselves in order to solve all the problems linked to the areas of production. Through the democratic assembly, they found a way to support their organisation and learn how to take their own decisions in the management. In a country devastated by an economic debacle, they created two hundred new jobs. Now they are 470 people working in the factory. Together with 5,000 Neuquen’s inhabitants who support them, workers have resisted four attempts of evictions. They do not consider themselves as the new owners of the ceramic factory: on the contrary, they consider the Neuquén community as the only owner. And they give back in donations to the most needed sectors the surplus that the factory produces. This is a permanent challenge where every day they have to fight against a political and economic system that tries to boycott them. Their biggest obstacle though does not come from the outside. It is about their own fears inculcated by this society. Although many of them do not know it, if they win the battle in their consciences they will open the door to build a completely different world.

AWARDS:

First Kodak Award to Best Latin American Project
Mexico City International Contemporary Film Festival (FICCO-Cinemex).
Best Documentary Film
Latin American Council of Social Sciences (CLACSO).
Special Jury Prize
Catalunya Latinamerican Film Festival (Spain).

The film was selected in the official section of the following film festivals:

International Documentary Festival of Amsterdam (IDFA- The Netherlands), La Habana International Festival of the New Latin American Cinema (Cuba), Mexico City International Contemporary Film Festival (México), Thessaloniki Documentary Film Festival (Greece), San Diego Latino Film Festival (USA), BAFICI – Buenos Aires International Independent Film Festival (Argentina), Reykjavik Shorts&Docs Film Festival (Iceland), 1001 International Documentary Film Festival (Turkey), Valdivia International Film Festival (Chile), Festival de Biarritz (France), Trieste Latinamerican Film Festival (Italy), Latin American Film Festival of Catalunia (Spain), African, Asian and Latin American Film Festival of Milan (Italy).

The film was possible with the financial support of:

Jan Vrijman Fund – IDFA – International Documentary Festival of Amsterdam (Holland).
Heart of the Factory was awarded with the Grant for Production an Postproduction.

Alter-cine Fondation (Canada).
Heart of the Factory was awarded with the annual grant of the fund

La Base, Avi Lewis and Naomi Klein, ...and with the solidarity of many people and organizations from all over the world that helped us to finish the film through the pre buy of the DVD during the filming.

More information and trailer at:
WWW.CDFDOC.COM.AR
Official Website

From this page you can also buy our other film Raymundo, about the argentine filmmaker,
Raymundo Gleyzer, kidnnaped and murdered by military dictatorship in 1976. The website is www.filmraymundo.com.ar
This documentary won 16 international awards.


Chandler Griffin
Mon 22 Jun 2009Link

2 Week Documentary Workshop – Mississippi Delta
Start Date:  September 20th, 2009

This 2-week HDV workshop is designed for photojournalists who are looking to make the move to videojournalism and the web, new documentary filmmakers who want to launch their careers in web and television documentaries and for those with experience in some aspects of filmmaking that are looking to expand their skill, understanding and mastery of the whole process.  Producers, cinematographers, editors and writers with narrative experience who are considering working in non-fiction filmmaking are also encouraged to enroll.

Students will learn all aspects of the process including the importance of the still image, HDV camera, compact lighting methods, field sound, field editing and how to weave the story.  To view an extended version of the course description, visit our website at www.barefootworkshops.org.  

This is one of many workshops that Barefoot will be running in 2009.  In addition to the Mississippi Delta, check out our website to learn more about our workshops in Africa and how you can participate.

Homepage: www.barefootworkshops.org
Contact: chandler@barefootworkshops.org
Tuition: $2,250.00 (includes tuition, housing and food)

Past Equipment Sponsors:  Apple, Canon, Tekserve, Bogen, Gitzo, Kata, Tiffen, Sennheiser, Anton Bauer, Lowel, D&M Professional

Barefoot Workshops is a New York City-based not-for-profit 501(c)3, founded by Chandler Griffin in 2004, that offers short, intensive workshops around the world in narrative and documentary filmmaking. We assist organizations and individuals to use media, music and the arts, to accelerate progress and program goals in areas such as cancer, HIV/AIDS, conflict resolution, resettlement, youth empowerment, civil rights, and democracy building. We have worked with partners as diverse as UNESCO, Desmond Tutu HIV Foundation, The U.S. State Department and The Middle East Partnership Initiative (MEPI), to pioneer new formats and “media templates” that reinforce citizen-led, community-owned solutions to these challenges.

The main goal of Barefoot Workshops is to equip students with the knowledge and confidence to use sophisticated equipment while having a foundation that allows a person to create beautiful images regardless of the tools. At Barefoot, growing and learning as a filmmaker means growing and learning as an individual.
------------------------------------------------------------------------------------------------
4 Week Documentary Workshop – Cape Town, South Africa
Start Date: November 15th, 2009

Take a workshop with Barefoot and make a difference in the world by using your knowledge together with HDV technology. Create skills that will allow you to continue making positive change anywhere and everywhere.

This class is structured for individuals who are interested in mixing travel, social activism, and HDV documentary filmmaking into one amazing month in Cape Town, South Africa. The workshop is set up for the adventurers who feel the pull to use their skills to contribute to a grassroots non-profit organization (NGO) in sub-Saharan Africa. Subject matter is not limited to NGO stories. Cape Town is rich with stories that have not been told.

Possible topics: Environment, cuisine, HIV/AIDS, music, agriculture, orphans, building sustainable communities and civil rights.

Students should have some experience with video and editing. If you are interested in the workshop and have never worked with video, please just write and let us know.

This 4-week workshop is designed for new documentary filmmakers who want to launch their careers in film and television documentaries or for those with experience in some aspects of filmmaking that are looking to expand their skill, understanding and mastery of the whole process. Producers, cinematographers, editors and writers with narrative experience who are considering working in non-fiction filmmaking are also encouraged to enroll. This workshop is ideal for working professionals who want to develop important skills, which will allow them to work with other filmmakers.

Students will learn all aspects of the process including the importance of the still image, HDV camera, compact lighting methods, field sound, field editing and how to weave the story.  To view an extended version of the course description, visit our website at www.barefootworkshops.org.  

This is one of many workshops that Barefoot will be running in 2009.  In addition to the Cape Town, South Africa, check out our website to learn more about our other workshops and how you can participate.

Homepage: www.barefootworkshops.org
Contact: chandler@barefootworkshops.org
Tuition: $3,850.00 (includes tuition, housing and food)

Past Equipment Sponsors:  Apple, Canon, Tekserve, Bogen, Gitzo, Kata, Tiffen, Sennheiser, Anton Bauer, Lowel, D&M Professional

Barefoot Workshops is a New York City-based not-for-profit 501(c)3, founded by Chandler Griffin in 2004, that offers short, intensive workshops around the world in narrative and documentary filmmaking. We assist organizations and individuals to use media, music and the arts, to accelerate progress and program goals in areas such as cancer, HIV/AIDS, conflict resolution, resettlement, youth empowerment, civil rights, and democracy building. We have worked with partners as diverse as UNESCO, Desmond Tutu HIV Foundation, The U.S. State Department and The Middle East Partnership Initiative (MEPI), to pioneer new formats and “media templates” that reinforce citizen-led, community-owned solutions to these challenges.

The main goal of Barefoot Workshops is to equip students with the knowledge and confidence to use sophisticated equipment while having a foundation that allows a person to create beautiful images regardless of the tools. At Barefoot, growing and learning as a filmmaker means growing and learning as an individual.


Dan Gasiewski
Thu 25 Jun 2009Link

A national competition seeking the best videos, photographs, and stories describing how individuals, families and communities are managing during these hard times.

One of the unexpected outcomes of the Great Depression was a decade of creative outpouring that covered the U.S. map. Under the auspices of the Works Progress Administration (WPA), thousands of artists fanned across the country documenting the experiences of everyday Americans as they worked to maintain their families, their communities, and their way of life in the face of a national economic crisis.

Now, as Americans are again experiencing financial hardship and uncertainty, First Person Arts invites artists to document how this generation of Americans is coping.

Inspired by the artists of the WPA, who documented the experiences of Americans in every part of the country, First Person Arts is asking artists to help craft the first draft of the history of our era by capturing, in photographs, on video, or in writing, the stories of America and its people during these difficult times.

Our goal is to gather stories from all 50 states.

Artists:
We are looking for short memoirs and essays, documentary films, and photographs that depict Americans from all walks of life. We are especially interested in stories that are unique to your family, your community, your town, your region – that capture the idiosyncratic things that are happening where you live – the slices of life that, taken together, will give us a First Person picture of America in 2009 – the good, the bad, the ugly and the beautiful.

Guidelines:
Writing submissions – up to 2,500 words.
Film and video submissions – up to five minutes, excluding credits.
Photography submissions – may include up to five photographs, with or without accompanying text of up to 100 words per image.

Submission deadline: Was: June 30, 2009 Now extended: July 15,2009

Finalists in each category (writing, film, and photography) will be featured on the First Person Arts website (www.firstpersonarts.org) and at the First Person Festival of Memoir and Documentary Art, November 4-8, 2009. First place winners in each genre will be invited to Philadelphia to participate in the festival. A cash prize will be awarded to the best story overall.

Competition website: www.hardtimes.firstpersonarts.org


Linelle Schultz
Fri 26 Jun 2009Link

Be Discovered in HOLLYWOOD! Great Networking Opportunity!
http://www.hollywoodfestival.com

The 13th Annual Hollywood Film Festival is now open for submissions in the following genres: Features (drama & comedy), Docs, Shorts, and Music Videos!

Visit Hollywood FILM Festival, Hollywood COMEDY Film Festival, Hollywood HORROR Film Festival and Hollywood MUSIC VIDEO Awards to submit.
http://www.hollywoodfestival.com

P.S. Hustle and Flow’s Craig Brewer was discovered at the HFF!

Also, follow the Hollywood Film Festival on Facebook to get the latest updates on all our events coming up this summer:

http://www.facebook.com/pages/Beverly-Hills-CA/Hollywood-Film-Festival/44778704966?ref=share


Erica Ginsberg
Mon 29 Jun 2009Link

Docs In Progress Rough Cut Screening in Washington DC Friday, July 10
Join us for a screening and feedback session for the following films:

BACK UP! concrete diaries (15 minute excerpt)
by Monique Hazeur and Nijla Mumin
Sidewalks, street crossings, corridors, and hallways are hostile territory where women and girls experience verbal assault from men on a daily basis. How are women fighting back and defining their own personal and public spaces?

KEEPING THE KIBBUTZ (60 minute rough cut)
by Ben Crosbie and Tessa Moran
An examination of the challenges of a community in transition from the perspective of members of an Israeli kibbutz who are facing the inevitable end of their communal living experience.

WHEN?
Friday, July 10, 2009
7:00-10:00 pm

WHERE?
George Washington University Media and Public Affairs Building
805 21st Street, NW (corner of 21st and H Streets)
Auditorium B-07 (one floor down from street level)
Washington DC 20052

COST?
$5 suggested donation. Cash only at the door or order tickets online in advance. Visit our website at http://www.docsinprogress.org to order tickets in advance.

Special thanks to The Documentary Center at George Washington University for sponsoring our Washington DC screenings.


Reva Goldberg
Tue 30 Jun 2009Link

Film Fellowship Opportunity, Cinereach's Reach Film Fellowship

Deadline July 15th
www.thereachfilmfellowship.com

The Reach Film Fellowship is a granting program supporting filmmakers who have recently completed a film studies program (or who have an equally rigorous, self-taught background) and are producing socially relevant short films.

Four fellows are selected per year to receive a $5,000 grant, production support from sponsors, mentorship, workshops, career coaching and industry exposure.

Every year, one fellow is awarded an additional achievement award of $5,000 for his/her next film, or for the distribution and exhibition of his or her Reach film.

In 2009, we will consider applications from filmmakers who have (or will have) graduated from film school in 2008 or 2009, and who will live or stay in the New York Tri-State Area during the course of the Fellowship cycle. Self-taught filmmakers, please email us to discuss your eligibility.


Irene Herrera
Sun 12 Jul 2009Link

Global Lives South-Central Asia shoot: Seeking collaborators

The Global Lives Project is planning a shoot in South-Central Asia for August/September 2009. We will be recording the life story and 24 hours in the life of an as-yet-to-be-selected person from one of the following countries: Afghanistan, Bangladesh, Bhutan, Iran, Kazakhstan, Kyrgyzstan, Maldives, Nepal, Pakistan, Sri Lanka, Tajikistan, Turkmenistan or Uzbekistan. The subject will be age 10 or younger and will come from a religious community outside of the world’s major religions. See the subject selection page on the Global Lives website for more details on the proposed subject profile.

We are a nonprofit educational arts organization with more than 250 collaborators in 8 countries and we are looking for volunteers in South-Central Asia to participate in the project. While participation will not be remunerated, the project offers broad, worldwide exposure for collaborators’ work and the opportunity to be a part of a growing and dynamic collective of creative and socially-minded filmmakers. While our current priority is to find a Producer, we need all of the following types of people and organizations:

Partner institutions – We are looking to partner with a university’s communications department, a museum, a video production studio, or any other cultural institution interested in being involved in the shoot from start to finish, and also with organizing an exhibition in the future.
Co-director/producer – Involved in subject selection process from the beginning, making preparations for shoot on the ground. Approximately 6-8 days total of time commitment including preparations and shoot. Also involved in post-production.

Camera operator – Commitment for the day of the shoot only + transportation time. Works usually in 2-person teams for 8-hour shifts.

Photographer – Day of shoot only + transport, 8 or 12-hour shifts.
Production assistant (good position for a film student) – Providing support throughout selection process to the director/producers with preparations for shoot. Commitment to assist with post-production also helpful.

Interpreter/translator – Needed for the day of the shoot as well as for pre- and post-production.

Crew Members
We already have three experienced Global Lives Project volunteers ready to join with local collaborators to produce the shoot:

Nobuhiro Awata
Nobuhiro Awata is an experienced video producer and director, photographer and audio technician. Born and raised in Japan, Nobuhiro lived in New York City for five years and now is living in Taipei where he is studying for a degree in Computer Science. Nobuhiro was a co-Producer of the Global Lives Japan shoot in 2007 and a camera operator and still photographer for the Global Lives China shoot in 2008.

Chieko Kato
Chieko Kato is from a small, traditional city called Takayama in the mountains of Japan. From a young age Chieko was eager to see the world, and made it her mission to travel at every chance she gets. In between extended bouts of travel, she studied commercial photography and worked for 5 years in New York as a freelance photographer, photographer’s assistant, and photo retoucher. In 2007, she returned to Japan and has been working as a freelance photographer, producer and interpreter for small video shoots, and as a studio assistant. She participated in the Global Lives Japan shoot in 2007, as a still photographer and production assistant and again as a still photographer on the Global Lives China shoot in 2008.

Hes Mundt
Hes has been a freelance cameraman for 19 years, working for Dutch National TV and public stations like the VPRO, NPS. He has shot a number of documentaries on political subjects and music. Hes was a cameraman on the Global Lives Serbia shoot in 2009.
http://www.hesmundt.nl
http://current.com/items/88845093/idp_camp_in_naivasha_kenya.htm

Local team members will also be asked to provide camera and sound equipment.
To find out more, check out our website at http://globallives.org and send an email to production [at] globallives [dot] org. Emails will be understood easily if sent in English, Russian, Spanish or French. If you can translate this email to any other language, please do and send it along freely!


Felix Endara
Thu 16 Jul 2009Link

DocuClub CALL-FOR-ENTRIES: September 2009

DocuClub is seeking submissions for 2009.

Every month at DocuClub a filmmaker presents a rough cut of her film to DocuClub members and the public. A facilitated discussion follows each screening. Past films that have been shown at DocuClub include "Born Into Brothels" (Academy Award for Best Documentary, 2004), "Prodigal Sons" (Telluride Film Festival 2008), and "Disturbing the Universe: Radical Lawyer William Kunstler" (Sundance Film Festival 2009).

DocuClub is accepting entries that fit the following criteria:

  • They are in the rough-cut stage and thus ready to be screened.
  • They are no longer than 95 minutes and no less than 45 minutes.
  • They have specific challenges that you wish to workshop.

We're specifically looking for a rough cut to show at our September screening on Wednesday, September 30. Please note that the screening will take place in New York.

If you would like to be considered, please mail a clearly labeled DVD screener to the address below. (Please note that your screener will not be returned unless you provide a SASE.)

Felix Endara
Filmmaker Services Coordinator
Arts Engine, Inc.
104 West 14th Street, 4th Floor
New York, NY 10011


Christopher Allen
Thu 16 Jul 2009Link

The UnionDocs Collaborative:
A new program for non-fiction media research and group production.
www.uniondocs.org

Overview

The UnionDocs Collaborative (UDC) is a one to two-year program for twelve emerging media producers, theorists, and curators. It is both a rigorous platform for exploring contemporary approaches to the documentary arts and a process for developing an innovative group project. The program focuses on providing what we believe are the most effective educational resources for individuals at the beginning of their careers:

* direct contact and structured exchange with visiting artists.
* exposure to a wide variety of practices and models.
* dynamic interaction among a network of talented peers.
* regular group critique sessions.
* mentorship toward the production of an original work.
* exposure through a toured exhibition and/or publication.

The UDC has been set up to be affordable and scheduled for individuals who may need to work full-time or freelance while being involved in the program. It offers an intensive learning experience at a price that one might expect to pay for just a single credit at a university. While the UDC may have many parallels to parts of a masters program, it is designed to be an alternative-approach that focuses on inspiration from working artists and self-organization within a group, rather than a teacher-led environment. The UDC does not grant degrees or certificates; instead, the completion of an excellent collaborative project is the goal.

For some, participation in the program may lead to further study. For others, it may lead to independent projects or the beginnings of careers within the industry. For all, it is an unparalleled immersion in the expansive field of non-fiction media and art.

Masterclasses and Events

The twelve carefully-selected participants in the UDC have open access to all UnionDocs public screenings, lectures, exhibitions, workshops, and resources. Over the course of the year beginning in September, participants also attend private masterclasses with over thirty visiting artists. These artists represent a broad range of work in non-fiction film, radio, photography and interactive documentary. In these private meetings, the visiting artist shares the detailed history of a particular project from both a practical and a theoretical perspective and then enters into an extended discussion with the group. When appropriate, visiting artists may also offer critiques of works-in-progress by participants of the UDC. Based on individual initiative and with support from the Program Director and the UnionDocs staff, participants may curate public events, bringing the artists of their choice for masterclasses and presentations. Check back soon for a growing list of confirmed masterclasses and screenings for Fall 2009.

Production

The program also facilitates the production of an annual project, a unique collaborative documentary work, offering a way for the group to author individual pieces within the context of a larger framework. The annual project approaches a singular subject from multiple perspectives, following multiple stories, and containing work in multiple media, which may included critical writing or curatorial work. The structure is left open to reflect the interests and talents of the individual participants. The process for developing this work is led by a Mentor with expertise in both non-fiction media and collaborative structures. The final manifestation of the whole project will vary from year to year as a suitable constellation of formats are chosen by the Mentor and Executive Director; one year's project might be a DVD and book, another might end up as an installation and a website. All projects will be shown first at UnionDocs and then designed to be reproducible and seek broader channels of distribution.

View Program Details and Online application.
Deadline for resident applications Aug. 31st.
www.uniondocs.org

Edited Thu 16 Jul 2009 by Christopher Allen

Michele Meek
Fri 17 Jul 2009Link

Make-A-Wish Foundation of Eastern North Carolina is looking for someone to donate their time to film a child's wish. Email me at michele@independent-magazine.org for info...


Marj Safinia
Fri 17 Jul 2009Link

IDA is doing an upcoming Doc-U session on getting the best score for your film on Thursday 23rd July at the Kodak Screening Room in Hollywood. Miriam Cutler will be talking about the process from the perspective of the composer, the filmmaker and the editor. Promises to be very educational. Tickets sell early and space is very limited, so if you're in the market to learn more about composing and music for docs, I encourage you to attend.


Sara Jane Keskula
Tue 21 Jul 2009Link

The National Alliance for Media Arts and Culture is excited to announce this year's conference program has been posted at: http://namac.org/conference-schedule. We hope all of you Documentary professionals will join us in Boston.

Some not to be missed highlights include:

  • Opening reception at the MIT Museum's Connections exhibit that explores the social potential of new communication technologies.
  • Thomas Allen Harris' Digital Diaspora Family Reunion taps into a vast network of black photographic archives across the nation to bring a fresh look at African-American history and community.
  • Hands-on workshops offer skills in fundraising, leadership, advocacy, audience-building, and social media.
  • A Media and Arts Town Hall Meeting convenes us to clarify our priorities for policy advocacy.
  • Open Space sessions offer opportunities for you to convene discussions on the hot topics you are eager to discuss with your peers

Join a dynamic and diverse group of veteran and emerging leaders, practitioners, and thinkers in the media and visual arts for an event chock full of big ideas, exciting connections, and opportunities for collaboration.

Register before Early Bird deadline July 22 and save: http://namac.org/conference-register.


Shelley Chance
Wed 22 Jul 2009Link

Hi folks – My name is Shelley Chance (Pro Docs); I'm an independent contractor providing affordable, high-quality transcription services on a full-time basis. Clients past and present include: independent producers, radio talk shows, oral historians, veterans projects, oral history firms, authors, numerous universities/colleges throughout the US, PhD candidates, research firms, and more. I invite you to visit my website at www.prodocservices.com and my Linked In account at http://www.linkedin.com/in/shelleychance. Please feel free to contact me at prodocs@goeaston.net if I can assist you with your future transcription needs.


Amy Korngiebel
Mon 27 Jul 2009Link

IDA DocuWeeks call for volunteers!

The International Documentary Association is seeking energetic and motivated individuals to volunteer at the 13th Annual DocuWeeks Theatrical Documentary Showcase in Los Angeles from July 30th – August 20th at the ArcLight Hollywood.

If you’re interested in joining our team, and are available anytime between July 30th – August 20th, click the link for more info: http://bit.ly/xvZQt


Gregory Rossi
Tue 28 Jul 2009Link

I'm working with Academy Award nominee Mark Mori on a documentary about Bettie Page and we're looking for interns for the fall. Here's the copy:

Academy Award nominated filmmaker seeks interns to work on post-production and online marketing of the authorized Bettie Page documentary, Bettie Page Reveals All.

Post production interns will work on a variety of logging, transcribing, and editing tasks that support the completion of the film.

Online Marketing interns will help modify, manage and support the online content for a multi-pronged online marketing approach using the latest in web 2.0 technologies.

Please respond with a cover letter that includes the type of internship you are interested and any relevant experience. Additionally attach a current resume with your contact information.

please respond to mark.mori@bettiepagemovie.com
http://www.bettiepagemovie.com


Paula Vaccaro
Thu 30 Jul 2009Link

Ok here we go with some long shots. Producer on low budget meetings here is...

- Looking for a flat/room to rent in Berlin on August 16th and eventually 17th.
- Looking for a room/flat in NYC to rent-exchange (LOndon flat exchange that is) from August 20th until Sept 12-19th aprox (all dates of the NYC needs are flexible)

And last, but not at all least, I need to know if any kind soul in NYC can allow me to watch 120 hours of rushes on avid format (I will watch any time of the day and accommodate as needed. Likely to watch bet 5 to 6 hours a day max). So, for free or very little money, I need to check these rushes on an AVID. I can operate the playback, etc myself and leave my ID etc etc. The project is a long running documentary about Budd Schulberg (in case any Budd's fans feel like helping with a big thanks in the credits).

The viewing facility can also be in Brooklyn and I can do anytime (including overnight). This is between August 20th and September 12th-19th.

thanks!


Karen Everett
Tue 4 Aug 2009Link

Hi Everyone,

Newsweek has declared the recession over, but for us documentary filmmakers who are relying on grants and corporate sponsors, it may take a awhile for the good news to trickle down. Here’s tip #6 (one my favorites) for hiring an editor in today’s economy. Click here to read all 7 tips: http://newdocediting.com/hiring-an-editor/

Tip #6 Sync Your Collaboration Styles.

Have you ever sat with an editor in your office, asked them to suggest a line of narration and then been met with a blank look? Before jumping to the conclusion that your editor is inept, consider that she might be a brilliant introvert.

How do you like to work with editors? Do you want to be in the edit room (on your premises) and sit with your editor several hours a day? Or do you prefer to hand off the digital files and leave your editor to work in their own space for a few days at a time? Knowing your collaboration style and hiring someone who synchronizes with it will save you the nightmare of having an unhappy editor resign mid-project.

Deborah Hoffmann, an Academy-nominated editor and director who now works exclusively as a story consultant, preferred to hole up with the footage for a spell without the director breathing down her back. She compares working successfully with a director to making a marriage work. “Some people read self-help books and others stumble along on their own,” says the modest Hoffmann. “I’m more of a stumbler. But bottom line is it’s all about communication, in both cases.”

To delve a bit deeper into the psychology of communication and work habits…

Read more at: http://newdocediting.com/hiring-an-editor/tip-6-sync-your-collaboration-styles/

_____________
Featured E-courses in Documentary Post-production training

1. Editing the Character-Driven Documentary, a 6-part e-course

http://newdocediting.com/products/

2. Directing Personal Documentaries

http://newdocediting.com/products/

_____________
Coming Up!

Structuring the Character Driven Documentary

Join me Oct. 11 and 12 for this popular 2-day seminar sponsored by the San Francisco Film Society.

Register here:
http://www.sffs.org/classes-and-workshops.aspx


Henry Warnakulasuriya
Wed 5 Aug 2009Link

Being a documentary film director I made a short film "Endless Journey" in 2008. It had been selected to feature in more than 10 International Film festivals so far.
Now it is in the the Culture Unplugged on-line film festival
Out of 600 odd films it is fluctuating within first 28 films in the first page of th website.
Link is http://www.cultureunplugged.com/play/1639/Endless-Journey

I invite you to spare few minutes for log-in and vote.
I highly appreciate to read your comment on my film.
Please send this link to your colleagues also.

Edited Wed 5 Aug 2009 by Henry Warnakulasuriya

Emily Meyers
Thu 13 Aug 2009Link

WANT TO USE MEDIA TO MAKE CHANGE? HERE’S YOUR OPPORTUNITY.
ASSISTANT

This is a good opportunity for someone passionate about socially conscious media who wants to learn about business and media. Our new assistant will be primarily focused on marketing, sales, and business development.

You will be providing support for two organizations:

Eyes of the World Media Group (www.eowmg.com): Company specializing in socially conscious media projects (ex. video, interactive, animation, and print).

Meaningful Media (www.meaningfulmedia.org): A non-profit network committed to changing our world through media.

Responsibilities Include
30% Marketing, Sales, and Business Development
30% Administration
20% Media Creation (ex. Content Development, Layouts, and Web Updates)
20% Supervision of the Intern Training Program

Good attitude, sharp mind, and warm heart required. Must be tech-savvy, good with people, and hard working.

Capability with Macs and the following software required: Photoshop, Illustrator, MS Office.

Details
Reports to: Emily Meyers (President)

Pay: $13/hr
Type: 20-30 hrs/week
Locations: Our office is located near Sony Studios in Culver City, CA.
To Apply: Email resume to connect@eowmg.com
We hope to hear from you!


Richard Burst-Lazarus
Fri 14 Aug 2009Link Tag

Call for entries! PaleyDocFest09 Pitch Workshop in New York. Deadline: September 25, 2009

How do you sell a documentary? In this workshop/competition, five preselected emerging nonfiction filmmakers will pitch their ideas to a panel of distinguished documentary producers. The producers will give them feedback on their concept as well as their presentation skills—great lessons for all aspiring filmmakers. The winner will receive a $5,000 grant, sponsored by SnagFilms, to be used toward the completion of the pitched film.

Deadline: September 25, 2009
Submit now! http://www.paleycenter.org/paleydocfest09-pitch-workshop


Christopher Wong
Fri 14 Aug 2009Link

enter this event, people! do it, do it... the last two winners of the PaleyDocFest Pitch Workshop have been D-Worders. do not let this streak be broken ;)


Gregory Crofton
Thu 20 Aug 2009Link

Everyone checkout the DOCStore for documentaries on DVD from around the world. We've got 355 titles for sale and counting at http://www.documentarychannel.com/store. The DOCStore is part of The Documentary Channel which has been broadcast on DISH Network 197 since January 2006. Our programs are also online at sling.com and DocChannel YouTube. Thanks.


Michael Pardo
Fri 21 Aug 2009Link Tag

I own a firm called The DubHouse that is a resource for independent filmmakers. We can author your finalized film to DVD, replicate your discs and print any custom packaging needed. (plants in NY, L.A., FL, IN & NC). We give favorable rates to independents. We also are starting a Media on Demand service where your customers can download your movie and pay on-line (like itunes). Let me know if I can be of assistance.

Michael Pardo
The DubHouse
877-900-DUBS
mike@thedubhouse.net


Sarah Schutzki
Thu 27 Aug 2009Link

Hi all! I am a previously-New-York-based filmmaker who just moved to Paris, France. I am currently working on my first feature doc, as well as running a program for a film festival based here in Paris – and I'm really interested in meeting fellow filmmakers here and learning a bit about the French/European industry.

Please reach out to me via D-Word, or directly at sschutzki@gmail.com, if you know of anyone I might like to meet, have any ideas or suggestions for me or are interested in meeting with me yourself! Thanks in advance, looking forward to hearing from you.


Amy Duzinski Janes
Thu 27 Aug 2009Link

Hi Filmmakers,

Hope all is well!

A group of local filmmakers have started a coop (if you will) of gear and we are working together to be able to rent out equipment for great prices.

I personally have a EX3 available that I would love to share when we are not using it. We rent it out for $750 a week or $250 a day – comes with memory. It is a pretty sweet deal and a great camera!

Drop me a line and let me know if we can help you get your film done...

Cheers!


Jonathan Bland
Fri 28 Aug 2009Link

Hi All,

I'm wondering if anyone out there might be interested in coming out to South India to help me with a doc that I'm developing/ shooting on the international eco/ spiritual community of Auroville. I'll be here for the next 1-2 years and would be interested in working closely with someone who is good with ideas and people. I can't really offer much in the way of payment..... I'll rent the house and keep it running. I'll be in Montreal for late November in the event that anyone is interested in meeting up to discuss and explore options.

Looking forward......


Joy Tuttle
Mon 31 Aug 2009Link

Contact: Joy Tuttle
Phone: (310-229-5365
Email: info@thewinawards.com

  • * * * FOR IMMEDIATE RELEASE * * * * WIN Combines Its Two Annual Events: The WIN Awards & The WIN Film Festival
    WIN Now Accepting Film Entries

August 24, 2009 (Los Angeles) Women's Image Network announces The WIN Film Festival (formerly WINFemme) 2009 Entry Call seeking independent narrative and documentary features as well as short film entries. The Early Entry Deadline is August 31st while the Final Entry Deadline is September 15, 2000.

While The WIN Film Festival supports (male and female) independent filmmakers who create dimensional female media images, The WIN Awards pay tribute to competing studio films and network television that either feature a female protagonist or are created by a woman.

Now in its sixth year, The WIN Film Festival 2009 will be held November 1st to 3rd in Los Angeles and will book end The WIN Awards, its annual high-profile event which will be held on Monday, November 2nd.

The WIN Awards 2009: Honors competing broadcast network television shows and released studio films. To be held on Monday, November 2, 2009.

The WIN Awards Woman of The Year 2009 Honoree
TBD

WIN Mission
Since 1993, Women's Image Network, (WIN), a 501c3, non-profit charity has produced The WIN Awards to thank film and television producers, directors, actors and executives, who create dimensional female media images and thereby promote economic and social parity.

WIN History
A few former WIN Award honorees and recipients include: Meryl Streep, Lily Tomlin, Cloris Leachman, Helen Mirren, Lauren Bacall, Drew Barrymore, Jodie Foster, Jane Campion, Lynn Redgrave, Laura Ziskin, Lauren Shuler Donner, Tichi Wilkerson, Ralph Fiennes, Pierce Brosnan, Diane Ladd, Catherine Hardwicke and Gurinder Chadha. Previous Event Chairs are Martha Luttrell, Susan Sarandon and Jane Fonda while on behalf of Robert Redford, Mary McDonnell presented our 2007 Woman of The Year tribute to Barbara Boxer.

The WIN Award present awards in seven competive categories. Former hosts, presenters and participants are: Rachel Weisz, Katie Holmes, Seth Rogen, Jon Peters, Angelina Jolie, Frances Fisher, Harry Shearer, Sam Neill, Lili Fini Zanuck, Kathy Griffin, David Brown and David O. Russell.

In addition to producing The WIN Awards show WIN also created the ABC Primetime Special 50 YEARS OF FUNNY FEMALES. Find additional information at http://www.thewinawards.com.

For the complete history of WIN see www.thewinawards.com.
For more information contact Joy Tuttle at info@thewinawards.com or 310-229-5365.
###


Jesse Epstein
Mon 31 Aug 2009Link

Just became a member of D-word and this is my first post!

I distribute a series of doc. shorts with New Day Films. The next application deadline is coming up on Sept. 5th and wanted to let people know. For info visit:
http://www.newday.com/benefits.html

--Jesse


Doug Block
Mon 31 Aug 2009Link

Hopefully the first of many, Jesse. Thanks for the info.


Lisa Gossels
Tue 1 Sep 2009Link

Jesse,

I just saw your short doc, "24x25x36," about mannequins/
the beauty industry on POV--and would love to see the
other films in your series. Bravo to you! And, great
post-interview.


Cynthia Close
Thu 3 Sep 2009Link

Documentary Educational Resources, a well established (41 years in the business) documentary distributor, seeks a full time IT person with excellent DVD authoring skills. We are looking to hire ASAP.

To check details of the requirements for the position and how to apply, go here: http://der.org/community/?p=703

Phone calls are also OK: 1-617-926-0491

Ask for Cynthia Close, Executive Director


Le Sheng Liu
Thu 3 Sep 2009Link

I was wondering if anyone had recommendations for event planners in the LA area. A colleague of mine is shopping around for a company to help him get a party off the ground for his doc TV series premiere. Thanks!


Marilyn Perez
Tue 8 Sep 2009Link

Hi everyone. I am now just posting this, please tell me what you think.

I'd like to introduce you to the film "Smokescreen – Conjuring the Spirit of Cuba," which NEEDS WORK. This personal narrative and lyrical film is part of a larger project which, calls forth our common humanity and together uplifts us by the evocative and creative spirit we celebrate of Cuba, in particular as invoked by the tradition of the Cuban Cigar.

Nearly 15 years ago, I began this road movie in the style of "the journey is the destination." Now you're invited to help (without or with pay) to roll this project into the center.

If you would like to collaborate in one or more of the following creative ways please read ON...
---locate more funding;
---to shoot more;
---to rewrite stuff
---and then as well to explore the edit.

MEANWHILE the FINANCING comes in, these positions are "mostly" unpaid. I feel the more creative we were to be with the money, the more there would be money! Your percentage of the financing is as high as you care to make it. I feel there are already several very good potential "supporters in training" who'd get the spirit in a reasonable amount of time, if not now.

The mission of "Smokescreen – Conjuring the Spirit of Cuba" project is about nurturing a feeling of closeness through the insight the people in Cuba offer us. If you are passionate about what you do and are interested in Cuba, please consider this an edifying and fruitful adventure to embark upon. One which goes towards deepening our peace and friendship. May the heavens agree that we be in touch.

Please send me anything you want that communicates your ability to transcend mortal limitations to caridadcopper@gmail.com. Thanks for your Thunder.

Marilyn Perez-Uncal
Director
Hand Made By Cuban Films
---locate more funding;
---to shoot more;
---to rewrite stuff
---and then as well to explore the edit.

MEANWHILE the FINANCING comes in, these positions are "mostly" unpaid. I feel the more creative we were to be with the money, the more there would be money! Your percentage of the financing is as high as you care to make it. I feel there are already several very good potential "supporters in training" who'd get the spirit in a reasonable amount of time, if not now.

The mission of "Smokescreen – Conjuring the Spirit of Cuba" project is about nurturing a feeling of closeness through the insight the people in Cuba offer us. If you are passionate about what you do and are interested in Cuba, please consider this an edifying and fruitful adventure to embark upon. One which goes towards deepening our peace and friendship. May the heavens agree that we be in touch.

Please send me anything you want that communicates your ability to transcend mortal limitations.
Marilyn Perez-Uncal
Director
Hand Made By Cuban Films
EMAIL: caridadcopper@gmail.com.


Please don't forget to stay in touch at: caridadcopper@gmail.com

Thanks for your Thunder!


Marilyn Perez
Tue 8 Sep 2009Link

OPPPS, S O R R Y
for the duplicate!!!!!!!!


Danielle Beverly
Wed 9 Sep 2009Link

WASHINGTON D.C – PRODUCTION ASSISTANT NEEDED October 3-7

LA and Chicago-based team making a documentary about prison reform seeks a Production Assistant in Washington DC for the period of October 3-7. We are looking for someone to assist with the gear and help us get around (please know D.C well, including the Georgetown University area).

Please be mature, mellow, flexible, and eager to learn! No pay but meals provided.

Email: dannabev@yahoo.com


Felix Endara
Wed 9 Sep 2009Link

DocuClub partners with UnionDocs to bring you "Sita Sings the Blues"!

DocuClub is partnering with Brooklyn’s UnionDocs to co-present a special screening of Nina Paley’s "Sita Sings the Blues" on Saturday, September 12, at 7 p.m.

UnionDocs
322 Union Ave
Brooklyn, NY 11211
(718) 395-7902

"Sita Sings the Blues" is a musical, animated personal interpretation of the Indian epic the Ramayana, focusing on the relationship between the gods Sita and Rama, juxtaposed with the filmmaker’s story of the dissolution of her marriage.

Because some of the songs featured in "Sita Sings the Blues" have not been secured due to copyright issues, the film uses a Creative Commons license for its distribution.

Learn more about the film here: www.sitasingstheblues.com.

On-site dispensing dessert will be Sweet Tooth of the Tiger, a d.i.y. food and participatory art project that takes the form of a bake sale that utilizes the public sphere as a place for eating, feeding, and talking with your mouth full. Details here: www.sweettoothofthetiger.com.

A post-screening discussion on "Sita Sings the Blues"’ funding and distribution strategy will be held by Karl Fogel of QuestionCopyright.org.

Admission is free for current DocuClub members and $5 for non-members.

If you are a current DocuClub member who plans to attend, please RSVP to: docuclub@artsengine.net. Non-members need not RSVP.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online at www.artsengine.net/store/#tools_consul.


Natalia Almada
Thu 10 Sep 2009Link

PLEASE JOIN US FOR THE NEW YORK PREMIERE OF EL GENERAL

WINNER OF THE DOCUMENTARY DIRECTOR AWARD AT THE 2009 SUNDANCE FILM FESTIVAL

“a tour de force of cinematic imagination bristling with beauty, contradiction, and the epic scope of Mexico’s last 100 years of history.”
Cara Mertes, Sundance Documentary Institute

Tuesday, Sept. 15 at 6:30pm ***followed by a reception
Wednesday, Sept. 16 at 4:00pm
http://www.filmlinc.com/wrt/onsale/latinbeat09/thegeneral.html

PANEL DISCUSSION – LATIN-O-AMERICAN
Thursday, September 10 at 7pm
http://www.filmlinc.com/wrt/onsale/latinbeat09/panel1.html


Felix Endara
Mon 14 Sep 2009Link

DocuClub in September!

Our September DocuClub will take place on Wednesday, September 30, 7 p.m., at DCTV [www.dctvny.org], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).

Our moderator will be Merrill Sterritt, Production Assistance Program Coordinator at Women Make Movies, the leading distributor of films directed by and about women. WMM’s Production Assistance Program works with emerging and established independent filmmakers to produce and complete their films through its workshop series, resources and newsletters, and fiscal sponsorship of projects directed by women. Sterritt is in charge of the operations of the P.A. Program, managing the workshop series, and working with 200+ fiscally sponsored filmmakers on all aspects of their projects. She also works as an editor, with films that have premiered at Sundance and the Palm Springs International Film Festival.

We will screen "Caris’ Peace" co-directed by Gaylen Ross and Rebecca Nelson and produced by Steve Skrovan. The documentary profiles theatre and film actress and Yale graduate Caris Corfman, whose life and career were altered with the removal of a brain tumor that left her without short-term memory Corfman was once an actress whose talent presumed a lifetime career, whether starring opposite Ian Holm in the dramatic film "Dreamland" or in the original Broadway cast of "Amadeus" with Ian McKellen and Tim Curry. Now she can’t remember a line of dialogue, a stage direction, or an entrance or exit cue – the very foundation of her profession. The simplest dance step or lyric of a song eludes her, though she trained in dance and music since childhood. The documentary depicts Corfman’s resolute effort to reclaim her life in theater and return to the world that she loved. It is a personal, real life story crafted as a unique hybrid of verite, interview, and performance, and includes Corfman’s
friends and colleagues, such as actors Lewis Black, Kate Burton, Tony Shaloub, and playwright and producer Eric Overmyer.

Gaylen Ross has directed and written award-winning documentary films that have received national and international broadcast and exhibition. Her documentary film "Dealers Among Dealers" debuted on P.O.V. and she also wrote and produced the Emmy award winning "Blood Money: Switzerland's Nazi Gold." Her new documentary, "Killing Kasztner," which premiered at last year’s Toronto Film Festival, will have its New York opening in October.

Rebecca Nelson is an actress, director and teacher. As an actress, her work spans three decades in theatre, television and film. Notable are her roles in films, including Hal Hartley’s "Trust," "Surviving Desire," and "Henry Fool." She is a friend and colleague of Caris Corfman, having met as students at the Yale School of Drama.

Steve Skrovan’s first documentary feature, "An Unreasonable Man" was a profile of Ralph Nader. It premiered at the Sundance Film Festival. Skrovan has worked as a stand-up comedian and television comedy writer, most notably, for "Seinfeld" and "Everybody Loves Raymond," where he was also an executive producer. He is now a consulting producer on Kelsey Grammer’s new television comedy, "Hank," and just completed directing his first narrative feature film, "Fred and Vinny."

Andrew Ford is a film editor and producer specializing in multi-award winning long form documentaries and narrative features. Recent credits include "The Last Kiddie Ride" (James Gandolfini and Famke Janssen, to be released 2010), "A Walk to Beautiful" (Emmy nomination 2009 and released theatrically 2008 and broadcast on Nova) and with Gaylen Ross, "Killing Kasztner." Ford edited "Until the Light Takes Us," on black metal music in Norway, which will be opening in New York this Fall.
Admission is free for current DocuClub members and $5 for non-members.

If you plan to attend, please RSVP to: docuclub@artsengine.net.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

www.artsengine.net/store/#tools_consul


Donald Goldmacher
Mon 14 Sep 2009Link

If you are based in NYC and can do an HD interview with a community organizer as she is out in the field, please let me know. We would like to do this in the next 3-4 weeks.

www.Heist-themovie.com

Edited Mon 14 Sep 2009 by Donald Goldmacher

Tim Horsburgh
Tue 15 Sep 2009Link

Live Q&A with producers and directors of The New Americans on 09/16/09

To mark the finale of the Chicago PBS re-broadcast of The New Americans, Kartemquin will be hosting a live chat with Series Producer Gita Saedi Kiely, and many more of the producers and directors who worked on the epic 7-part series on immigration to the United States.

Join in with the chat at 1pm CST on 09/16/09 by visiting www.kartemquin.com/chat.

Can't make the live chat? Submit questions to the filmmakers in advance via tim@kartemquin.com

-
Hope some of you can join in with this – the level of debate on here is first class.


Marj Safinia
Wed 16 Sep 2009Link

Hey LA People,

IDA is hosting "An Evening with Ondi Timoner", multiple-award-winning director of the fantastic films DIG! and We Live in Public. Thursday September 24th in Hollywood. We Live in Public opens that weekend. This should be a "don't miss" event. Follow the link to buy tix.

Edited Wed 16 Sep 2009 by Marj Safinia

Angela Alston
Wed 23 Sep 2009Link

Host a House Party for the TV premiere of A SEA CHANGE

WHEN: Saturday, Sept. 26, 8 pm EST
WHERE: Your house & Planet Green Network
SIGN- UP: On our Brave New Theaters page: http://aseachange.bravenewtheaters.com/

“This film is both a love letter to the planet and an urgent plea to its citizens.”—San Francisco Chronicle

A SEA CHANGE premiers on Sept. 26 on Planet Green, 8 pm EST. It’s the first film about the evil twin of climate change, ocean acidification.

Will you help make a HUGE SPLASH and let everyone in the US know about the threat excess carbon dioxide poses to ocean life?

If you have cable or satellite TV, please INVITE FRIENDS or FAMILY over to watch with you, discuss, and take action.

"Just go to A SEA CHANGE on Brave New Theaters to host your own party": http://aseachange.bravenewtheaters.com/ . Your party can be public or private, just as you choose.

*BONUS* If you’re hosting a house party on Sept. 26 to watch A Sea Change on Planet Green , we’ll send you a FREE DVD to say THANKS for helping get out the word out about climate change and the ocean!

Let’s get ocean lovers and climate change activists working together for a FAIR, AMBITIOUS and BINDING (FAB) climate treaty in December! And finish off Climate Week NYC with a TSUNAMI of action!

“A Sea Change could not be more timely. I believe acidification of our oceans is actually a greater threat to our survival than is temperature or sea level rise, the conventional “global warming” threats. Acidification is confusing and difficult to even imagine for most people—we need your film.”
—Rob Moir, Ph.D., OceanRiver Institute


Amanda Woods
Fri 25 Sep 2009Link Tag

Hello to all. Simon Kilmurry, the executive producer of P.O.V. (Point of View) saw something I posted on one of their blogs about documentary websites and suggested I come to this site to post something.

I'm just getting started in web design and have done only author websites. However, I'm a huge documentary enthusiast and it only occured to me after seeing P.O.V.'s blog that there is a way that I could help support the making of documentaries.

If anyone is in need of a website for their documentary, please feel free to contact me. I'm willing to do it at very little cost simply because I love documentaries so much and want to help.

My designs are very clean, simple, well-organized, yet stylish. I don't do anything too fancy like flash and the like, but if anyone is in need of a simple straight-forward website, I can help with that. I don't have anything to link to right now because I'm in the midst of redesigning a couple of websites I've done, but I can always email screenshots of those if you're interested.

I'm in school full-time right now and have a couple of websites on my plate currently, but I could be available in December to take on another project.

Here is my email address if you'd like to contact me: plainbellysneetch@gmail.com.

~ Amanda


Doug Block
Sun 27 Sep 2009Link

Very kind of you to offer, Amanda. Hopefully, some of us will take you up on it.


Karen Everett
Mon 28 Sep 2009Link

Hey everyone! Screenwriters are free to dream up plot twists for a three-act story, but we documentary filmmakers must design scenes based on what was actually filmed in real life. These two constraints–“what was filmed” and “real life”--present special challenges. Whether a documentary editor is using a three-act storyboard or some other narrative design, how does she stay true to actual happenings when she must persuade and contort them into climaxes and plot turns?

I’m teaching my popular weekend seminar, “Structuring the Character-Driven Documentary,” on October 10 and 11 at the San Francisco Film Society. This class will outline the principles of classic three-act narrative structure as taught by professional screenwriters, and we’ll learn how documentary filmmakers can adapt these structural demands to the randomness of real life. For more information, click http://www.sffs.org/classes-and-workshops/schedule.aspx


Alexandra Branyon
Wed 30 Sep 2009Link

Hi, I've never done a blog and I am doing my first documentary. I don't seem to be able to get this writing to appear. Alexandra


Jonathan Bland
Fri 2 Oct 2009Link

Hi All,

I'm wondering if anyone out there might be interested in coming out to
South India to help me with a doc that I'm developing/ shooting on the
international eco/ spiritual community of Auroville. I'll be here for
the next 1-2 years and would be interested in working closely with
someone who is good with ideas and people. I can't really offer much
in the way of payment..... I'll rent the house and keep it running.
I'll be in Montreal for late November in the event that anyone is
interested in meeting up to discuss and explore options.
jonathanbland@gmail.com


Jehan Harney
Sun 4 Oct 2009Link

Hi there,
I am putting together a strong production team for an ITVS-funded film for national broadcast on PBS. I need: an editor experienced in character development and story structure – a producer for film outreach, promotion, fundraising, and distribution – and an executive producer. The documentary in production is on the Iraqi refugees in the U.S. Please contact: Jehanharney@aol.com


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