Can we please ban posts saying "I sent you an email" for good?
Public Classifieds and Announcements - Get The (D-)Word Out!
Here's your chance to reach a broad public interested in documentaries.
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
Thanks for the link, Ben. And people know people – and some independents can also do good sound recording in that context. The airfare is Euro-local, not from NAmerica, of course. And I didn't write it, so if Neuhosen is a phonetic spelling for wherever he (a French mother-tongue cameraman) is – someplace near the south at amusic fest....
Why are you picking on posts I make, Ben? I think more laterally than some people, and try not to be frivolous, but we have been around the block on this. If you think I am not contributing here, then cool, I leave.
And by the way, it's a paid gig, not posh but paid nonetheless. On top of meals, accomodation and transport.
According to the original post the gig does clearly seem to be "expenses only", so Ben's point is reasonable. Maybe you should forward his suggestion?
Earth Films is looking for an experienced feature-length doc editor for our film on the Earth Liberation Front. This is a very exciting project about a timely, important topic that touches on key issues facing the U.S. and the world at large: ecological destruction, social change, terrorism and civil liberties. It is a character-driven story with a solid, well-defined narrative structure supported by extensive, intimate and exclusive (or near-exclusive) access to several of the main people in the story.
Principal photography on the project is complete and all tapes (approx. 40 hours) have been digitized in FCP. Transcription is nearly done and we have a music producer/composer in place. Shooting was done on a PD 170 in DVCam with a small light kit for indoor scenes. Sound was recorded on Sennheiser wired and wireless lav mics with occasional use of a Sennheiser shotgun mic.
Shooting style is a mixture of sit-down interview and interactive-cinema-verite, where the filmmakers' influence is clearly present in the story development and in the relationships with the characters. There is also a significant amount of archival footage to work with. We're very much aligned with the Documentary New Wave camp, being open to whatever storytelling methods best suit the material.
Ideally, whoever comes on board will have edited at least one feature-length doc and have name recognition and experience that will help us to sell the show and find funding for her/his salary. If you don't have that and you think you'd be a good fit for the project, please get in touch anyway! While our budget is minimal so far, we’re now actively starting fundraising. We are not asking anyone to work of a deferred basis (though we wouldn’t turn down the offer).
We’re putting a WIP together now for the Sundance Doc Fund submission deadline in early July. The right person could start immediately by helping finish that. This would be a good way to assess “fit” for the larger project. We have sufficient budget for this phase.
We're located in Northern California, but can travel. We also have easy access to the S.F. Bay Area. If an editor is mobile, we have a nice studio space with a digital projector and PA system and basic accommodations in Garberville, California. We also have the same in Southern Arizona for winter-time work.
Contact me at email@example.com
Any references or suggestions appreciated!
Hey Hosts, I know, I know, double-posting and all...but this has been modified from the original version in Members Classifieds. If ya gotta delete one, X that old one, okay?
In reply to John Burgan's post on Sat 14 Jun 2008 :
I had spoken to the fellow coincidentally on another matter, the same day, after sharing the post. They were offering up to 100 euros a day for 5 days. Not exactly union rates but it's a music fest doc, not SOP...
Award-Wining Documentary Maker Wanted Alive and Motivated.
I want to make a major feature length "Inconvenient Truth" style documentary of my new book/lecture "We Really Lost This War!" subtitle, "Twenty-five Reasons to Legalize Drugs."
Please contact me only if you have won a major award. Thanks much! Steve Frye, M.D.
Brooklyn Documentary Arts Collective Seeks New Resident!
UnionDocs is a 501 (c) 3 non-profit documentary arts collaborative and presentation space. Currently, our primary program is The Documentary Bodega Series, featuring new and challenging documentary film and audio works every Sunday evening in our Brooklyn screening room. The series is produced by the Resident Curators of UDR, the UnionDocs Residency Program for Documentary & Media Studies. We also produce a podcast and blog, featuring short media pieces inspired by discussions at the Documentary Bodega and beyond.
UnionDocs is looking for a new resident starting this summer. The UnionDocs Residency (UDR) combines an excellent and cooperative living situation with an opportunity for immersion in independent cultural production. Six carefully selected people live together in a historic building at a great location and collaborate to produce a festival-quality documentary series in the first floor screening room.
322 Union is a great place to live. It has a lot of shared resources and a lot of opportunity for fun while also having adequate privacy and a comfort (not always found in NYC communal living). There are three floors, a basement, a grassy backyard with a grill and deck, a big second story porch, and skyline views from the roof. The location is close to excellent transportation making most cool spots in Manhattan and Brooklyn within a short subway ride.
The first floor is a commercial space run by the program director. It includes the screening room, 2 studios for working media artists, the UnionDocs director’s office, and access to the basement which has been sound-proofed for music rehearsal and audio recording. Resources on the first floor are readily available to UD Residents outside of the schedule for the Documentary Bodega Series.
On the floors above, there are two nicely-sized three bedroom apartments with a living room, kitchen and bath. Both have wood floors, get lots of light, and were recently renovated. Bedrooms can be locked, but common spaces are shared by the six residents. One is better for cooking large meals and socializing and the other more appropriate for reading, working, and watching films. The common spaces are furnished, so residents need only bring the contents of their bedroom. The building has high-speed internet, a VOIP phone, and washer and dryer.
About $975/month plus deposit. Anticipated grants will help subsidize this.
Please check out our website for more information about UnionDocs and UDR and fill out an application if you are interested:
In reply to Stephen H. Frye M.D.'s post on Mon 16 Jun 2008 :
I am not an award winning film-maker but a documentary film-maker who would be interested in reading this book/lecture. It sounds very interesting. How can I get a copy.
Bryce – you might contact Stephen directly as he may not be logging in here on a regular basis. His contact details & website are on his profile (click on his name above his post)
I'm getting the word out that Albertus Magnus College is hosting a film series
in the fall. The theme is "WE THE PEOPLE." There is an open call for
submissions. It could be anything that has a tie to the Bill of Rights or US
Constitution. I'm not talking about super-obvious apple pie and fireworks
either. The entries can be balanced or biased. Documentary or satirical… They
can be provocative or healing... they just need to offer some perspective on
the aforementioned American ideals as they pertain or contrast to present
American life. As examples, films can engage topics such as: freedom of speech
freedom of religion separation of church and state the right to bear arms…
There’s more information online along with a downloadable application.
We The People Film Contest
CALL FOR ENTRIES: First Person Impressions Competition
First Person Arts announces its NATIONAL COMPETITION FOR MEMOIR AND DOCUMENTARY FILMMAKERS
Each day countless stories unfold. Take a real life experience of your own and tell it in a way that only you can through the art of filmmaking. Make the ordinary magical, or the exotic familiar. Shock us, amaze us or make us pause to reflect. The only rule is that it’s real.
PRIZES: The top three winning entries in each category will be presented at the First Person Festival of Memoir and Documentary Art at the Painted Bride Art Center in Philadelphia, PA, November 12-16, 2008.
$500 – 1st place category winners
$100 – 2nd place category winners
$50 – 3rd place category winners
Steven Rea, Film Critic, Philadelphia Inquirer
Samuel Adams, Contributing Editor, Philadelphia City Paper
Ron Kanter, Emmy Award-winning director of New Cops, Acting Out, Life and Death – Dawson, Georgia
The film can be up to 5 minutes.
Entries must be new works that have never been shown publicly in the US.
DEADLINE: August 15th, 2008
Go to impressions.firstpersonarts.org for information on how to enter.
everyone over at First Person Arts is great!! All of you d-worders should check this out!
DocuClub in July: Wednesday, July 9, 2008, 7 p.m.
DocuClub is Arts Engine’s monthly film screening series of works-in-progress documentaries.
Our next DocuClub screening will take place on Wednesday, July 9, at 7 p.m., at Goldcrest Post (799 Washington Street, between Horatio and Gansevoort), in New York City’s West Village. Our moderator will be Milton Tabbot, Senior Director of Programming at IFP.
Join us as we watch Danae Elon’s "Partly Private." The film is an intensely personal and witty look at the ritual of male circumcision. Using first-person narration, Elon documents her own pregnancy and the unexpected dilemmas she encounters with her partner and father of her unborn child. What should they do to their newborn’s penis? Determined and obsessed, Elon sets out on a worldly quest to find out all she can about what “other people do.” The exploration exposes in an amusing way the flaws of being human. The film will be shown on Arte France, TV Ontario, TV2 Denmark, and Israel’s Channel 8.
Danae Elon is an award-winning documentary filmmaker, producer and cinematographer. Her last film, "Another Road Home," was a nuanced look at the Israeli-Palestinian conflict. Theatrically released in 2005, it showed in over twenty US cities, and broadcast on the Sundance channel, BBC, Al Jazeera and Israeli television.
If you plan to attend, please RSVP to: firstname.lastname@example.org.
Admission is free to current DocuClub members and $5 for non-members.
Membership is an annual $40, which includes free admission to all DocuClub events. To join or renew, please go to:
Looking for two part time or one full time reliable intern
for our mid-town Manhattan production/editing
activities. Interesting current and new projects underway.
Check out our website at www.RichterVideos.com to
learn what we've done and do. If interested and
available soon then email us at email@example.com
Looking for shooters with access to a Sony PMW EX1 for immediate paid work on a Doc about the American Naturalization Process.
Please contact Meg@flickerflacker.com
INTERN NEEDED IMMEDIATELY!
I have yet to update my profile here on D-Word ... but I'm Beth Levison, an independent in NYC ....
We are producing an independent documentary film about an ex-con turned spoken word artist who is writing, developing, and rehearsing his one-man show for the New York stage. We're looking for a smart, ready-to-roll-up-his/her-sleeves, and hard working intern who can provide both production and post-production support during the early stages of our process (we're producing our fundraising reel) and starting immediately.
We're a small team (2 of us), so it's definitely a terrific experience for someone wanting to dive right in. Ideally, this person could devote him/herself to the project for the next two weeks and then possibly work part time from there. We need basic organizational support and help with production coordination (person may come on location), archival research, and post prep.
Candidates should send their resumes/letters of interest to firstname.lastname@example.org.
Spotlight on Docs Meetings Coordinator needed!
Spotlight on Docs: Meetings Coordinator
August 4 – September 26, 2008
IFP’s Independent Film Week ‘Spotlight on Documentaries’ program is in search of Industry Meetings Coordinator to create and manage documentary industry pitch meetings. This is a great opportunity to learn a lot about the documentary industry, build professional relationships, and to be a part of IFP, America’s oldest and largest filmmaker’s organization. Our office is relaxed and has been the starting point for many top industry professionals. Primary responsibilities include: collect & organize meeting request forms, schedule meetings in Access database, liaise with participating industry about their meetings schedule, and assist with management of the meetings space, volunteers and participating industry during Independent Film Week.
You must be a self-starter, efficient, very detail oriented and flexible, with a professional demeanor and experience or serious interest in documentary. We’re looking for someone to start early August through Sept 26, and work 20-40 hours a week; full time Sept 1-19. This is a volunteer position. College/volunteer credit can be negotiated, and other benefits are available.
For more information on Independent Film Week, visit www.independentfilmweek.com. Please send resume and cover letter to email@example.com. No phone calls, please.
Looking for a shooter in the NY City area with experience using the Sony EX1. I'm developing a doc on dance and I plan to be in NYC for 3 days of shooting July 17-20, mostly late nights. I have a some $$ but not pockets full. I hope to bring an EX1 with me but if you had your own that would be great.
Let me know if interested and I'll fill you in on the details.
CAMBOFEST: Film and Video festival of Cambodia offers written notes from viewing staff on all submissions!
Now in our second year, CamboFest 2008 takes place in Siem Reap, Cambodia (Angkor Wat City)
- Accepting submissions via WAB or our website at http://www.cambofest.com **
=> Now improved handling of heavy production services (studio level grip & electric) for Cambodia, including cross border transfers of gear.
=> Greater range of HD, 35, Super 16 and pro sound...moving beyond local-only availability.
=> Tried and true servicing for shoots at Angkor complex
=> New, great deals with high end post and telecine providers in Bangkok
=> Khmer speaking Barang principal J Rosette (Camerado) continuously based in Cambodia since 2005
Contact CAMERADO at camerado @ camerado.com for more details or input your production inquiry here: http://www.camerado.com/contact/contact_form/contact_form.php
KathaKaravan – Call for Entries
KathaKaravan is accepting submissions from filmmakers with projects from or about South Asia that are seeking representation to financiers, producers, distributors, agents and film festival programmers. Entries may be in screenplay, work-in-progress or finished film form. Narratives and documentaries from writers, directors and producers at any career level will be considered.
Submissions accepted year-round. Quarterly deadlines for 2008-2009 are:
August 25, 2008
December 8, 2008
April 13, 2009
August 10, 2009
APPLY NOW at www.filmkaravan.com
--- --- --- --- --- --- --- --- --- ----
KathaKaravan is an initiative of FilmKaravan. FilmKaravan discovers, develops and disseminates high-quality South Asian independent films for a global audience through its multi-platform alliances.
i have just completed a fiction on tribal music and and local industry in the age of this global economy and technology.
BAHA- language – Nagpuri with english subtitle. length – aprx. 2 hours
i would like to send it to appropriate film festival and market. will any one help me in this regard.
please find a news paper cutting on the film
Shri, we focus on documentaries here, but the upcoming festivals that come to mind are Toronto, Sundance and Berlin. The advice we usually give is to go after the biggest and best first, especially for your world premiere. Lots of luck.