PALESTINE DEMOLITION FOOTAGE?
I'm a film student in City College of San Francisco working on a short doc on Palestinian Home Demolitions by the Israeli military. I need some more demolition footage to finish my film. Does anyone out there have demolition footage I could use or know anyone who does?
Thanks so much for your help.
Public Classifieds and Announcements
Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
PALESTINE DEMOLITION FOOTAGE?
In reply to Amelia Hanibelsz's post on Mon 10 Mar 2008 :
Amelia, I live in Roma, if she wants to contact me for any kind of infos she's welcome to do so. Better via e-mail: e-mail is just "info" and then the @ and then "marioberlinguer.com" ( without the "s of course, sorry I'm trying to keep my e-mail spam free).
DocuClub’s first session for 2008 is scheduled for Thursday April 3rd, at 7:30pm, at the screening room of our partner Goldcrest Post (799 Washington Street, between Horatio and Gansevoort. For map with directions, go to www.goldcrestpost.com), in New York City.
We will watch Kimberly Reed’s PRODIGAL SONS, the story of “a brotherly rivalry between a man and a woman... and Orson Welles.” Reed was named one of Filmmaker Magazine’s 25 New Faces of Independent Film for 2007. Our moderator will be DocuClub founder Susan Kaplan.
If you are planning to attend, please RSVP at: email@example.com.
Thanks and I look forward to meeting you on April 3rd!
Filmmaker Services Coordinator
Arts Engine. Inc.
104 W. 14th St. 4th floor
New York, NY 10011
T. 646-230-6368, x 221
Arts Engine, Inc. supports, produces and distributes independent media of consequence and promotes the use of independent media by advocates, educators and the general public.
I saw an early cut of Prodigal Sons about 6 months ago and, while it needed more work, it's an utterly fascinating (very!) personal story. I hear Kim's put narration in so can't wait to see it again.
Yes, it's an incredible story with many twists and turns, and it will benefit from the input of DocuClub's smart and dedicated audience.
To all NYC-area doc makers seeking funding for prod. and/or post...
>> Are you working on a feature-length documentary that is in
> production or post-production with the intended premiere exhibition
> in 2009? Does your film examine or document people who are
> ignored, ostracized or otherwise marginalized; people fighting for
> social or political change; or broad social movements? If the
> answer is yes, then you should know about the Gucci Tribeca
> Documentary Fund.
> The Fund will provide finishing funds to documentaries that promote
> social change and illuminate issues in need of comprehensive
> coverage currently missing in mainstream media. Grants ranging from
> $5,000 – $30,000 will be awarded in 2008, totaling $80,000.
> Come hear more and bring your questions for Ryan Harrington who
> will answer questions and share information about the application
> Gucci Tribeca Documentary Fund
> Thursday, March 27th, 7:00PM – 8:00PM
> WMM Office, 462 Broadway, 5th Floor. (Between Broome and Grand in
> RSVP: firstname.lastname@example.org
> Space is limited, RSVP today!
Questions and details go to http://WMM.com
Women Make Movies
462 Broadway, Suite 500WS (at Grand Street)
New York, NY 10013
tel: 212-925-0606 fax: 212-925-2052
Office Hours: 10am to 6pm, Monday through Friday
Subway: Canal Street Station (J, M, N, Q, R, W, Z, and 6 trains)
Hello again. As i said on my "introduce yourself" post, I'm available for composing original music for interesting documentaries.
Some of my work can be heard on my website at http://www.marioberlinguer.com.
Best way to contact me is at "info" and then the @ and then "marioberlinguer.com" (without the " of course).
Thanks and keep up with the good work!
Hmmm, the D-Word is a 34 year old male residing in New York New York. Who knew?
Your city, my age, and John's good karma.
We had to set these things, there was no way to hide them.
I am interested in advice on how to find right person (film maker) and fund a small documentary style effort and what might be interesting goals / benefits that makes it a win/win for company and film producer. Budget would likely be shoestring, but could be an interesting experience.
Say you have a big event every year like MacWorld (AppleWorld) or an auto show (but put on by only one company, not a tradeshow)... you show off your latest products, you launch 2 or 3 new things, and you show a vision of where your company is going (concept cars, or other physical immersive manifestations). You have to entice the media and your top customers to attend and you want to broadcast and create discussion around all 3 parts of this event experience...
I am exploring how a highly experiential event with similar attributes could leverage film/documentary storytelling in interesting, meaningful ways – meaningful to the company, its stakeholders, and the film maker...
Some nice to have goals for company might be:
+ capture people's reactions around new product innovation at large/major event in Eastern Europe (new product concepts around several themes, dramatic event experience in major city, new products being launched, other interesting products being demonstrated/show for sales in both business to business and business to consumer arena)
+ capture value design is adding to business
+ possible interviews with CEO/CMOs from top companies
+ many other areas that could be mutually interesting if discussed... but trying to understand if this might be interesting to a qualified independent film maker or high potential starting out
There could be two cuts... both would likely be very people-focused. But, one could capture essence of business value and the other could be all around creative/design side of things.
Need help getting your doc funded? I've written and gotten grants and fellowships from ITVS, NEA, LPB, Guggenheim, Jerome Foundation, NYSCA, NYFA and more. I can help you make your proposal successful. Email for more information: nicolecattell at gmail dot com.
Nicole, I see from your profile you helped Natalia Almada write a proposal that got her ITVS funding. Nice. Natalia's an old friend – be sure to say hi if you're still in touch. She's also a D-Word member who hardly ever posts, so nag her for me.
Glad to have you here as a member, too. Be sure to say howdy in the Introduce Yourself topic.
Looking for a NW based HDV Camera Operator to do 5-10 days of shoots (monthly) across the country. The shoots are boring and simple, seminars and green-screen standups. Non-doc, just commerce. And you get paid.
More info here:
Seeking experienced, professional grant writer in Dallas area with high success rate to help fund a major doc project. If interested please make contact asap. Thanks
Hey thanks to all who sent Rome contacts etc- i will pass them onto my friend. I just got back from a week long shoot – so sorry for the delayed vote of thanks !!
If anyone needs sound in LA – drop me a line .
- IPOD MOVIE ZONE ** (www.ipodmoviezone.com)
Recently set up this portal to sell iPOD / portable-ready MP4s of my own titles BOOKWARS, SUSAN HERO, and others, and am now offering the platform to other filmmakers who may want to sell MP4 versions (non- DRM) of their work.
No guarantees re: revenue, but probably worth a try, especially for older releases that aren't well repped in the digital space.
- I'm located in Asia –> Servers located in Florida
- Buyers get secure link to download title to their desktop
(((Contact me at email@example.com to discuss)))
In reply to Bill Buchanan's post on Thu 27 Mar 2008 :
I've emailed you details of a D-Worder in TX who may be the right person for the job.
Hi all, if any of you know a qualified individual who would be interested and available in helping out with film festival submissions and marketing for this feature documentary, please let me know!!!
ABOUT THE FILM
A feature doc on five students at Crenshaw High School who express teen life in South Central LA through a mix of hip-hop and Shakesearean literature. Directed by Emmy Award-winner Michael King.
WHO YOU WILL BE WORKING WITH
The producer/exec producer who has plenty of contacts and experience in the TV, music, and film business. You might work with me a bit if I stay with the project and/or if I end up training you.
PRIMARY DUTIES: KEEP UP WITH FILM FEST DEADLINES
Manage and update Withoutabox.com acct
Help maintain calendar of film fest dates, deadlines, fees
Submit/send films and fees to film festivals; meet deadlines
Communicate with film festivals to request deadline/submission fee waivers
This is the top priority but in the event that the film gets accepted to a fest, you'll need to help out with publicity work ranging from updating our Myspace and website to making calls to radio stations. Please contact me if you're interested or have more questions. We are looking for someone who is flexible and follows through with tasks. Help out with as much as you can, and whatever you can't do, let us know and we can work something out. I started with the internship not long ago and it has been a great experience. My availability has changed so I am looking for an assistant/replacement. Thanks!!
or you can email me. Please do not merely reply as a post here as I don't check these forums daily. Thanks!!!
Le, you can subscribe to email updates on single topics, so you don't need to log on here every day.
"A powerful seminar that was jam packed with great information from the first hour to the closing night. Barely three months later I am now in production directing my first feature length documentary thanks to their guidance and wisdom." Shane Harvey, Producer/Director, Vancouver
As spring brings awakens creativity in all of us, we here at The Documentary Film Makers Course give you not one, but two, chances to get your non-fiction storytelling juices flowing. Filmmaker, consultant and author of The Documentary Film Makers Handbook, Andrew Zinnes gives you tips and advice on how to get your film MADE and how to avoid TRAPS.
Times and dates below. Go to http://www.script-tonic.com or call 310-941-2168 for more information or to register.
When: April 26-27, 2008, 9AM-6PM
Where: Filmmakers Alliance, 1030 W. Hillcrest Blvd., Inglewood, CA 90301
Price: $299 (organization and student discounts available – call for more info)
When: May 3-4, 2008 10AM-6PM
Where: East Bay Media Center, 1939 Addison St., Berkeley, CA 94704
Price: $299 (organization and student discounts available – call for more info)
DocuClub, a New York-based film series of works-in-progress documentaries, is seeking submissions for 2008.
The format of DocuClub is to screen a rough cut and to have a moderator facilitate a discussion of the film between filmmaker and audience. Past films that have been screened at DocuClub include "Born Into Brothels," "The Boys of Baraka," and "Metallica: Some Kind of Monster."
DocuClub is accepting entries that fit the following criteria:
- They are in the rough cut stage and thus ready to be screened
- They are no longer than 120 minutes and no less than 45 minutes
- They have specific challenges that you wish to workshop
If you would like to be considered, please mail a clearly-labeled DVD screener to the address below. (Please note that your screener will not be returned unless you provide a SASE.)
Membership in DocuClub includes free admission to all our events. To join, please go to: www.artsengine.net/store/#tools_consul
Thanks and I look forward to hearing from you.