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Diana Wynne
Thu 16 Sep 2004Link
"Joyce to the World" is screening at NY is Book Country, the huge, free festival that
celebrates reading, readers, and occasionally movies about books like mine.

Sunday, October 3
Cantor Film Center, NYU, Theater 1
36 E. 8th Street at Greene

Absolutely free, but you need to pick up tickets at Borders in NY or at the festival booth.

The film's an hour plus Q&A afterward. I'm hoping for a surprise guest.

"Joyce to the World" celebrates the passionate readers of James Joyce's Ulysses, the
greatest novel of the 20th century that no one's actually read, with Bloomsday celebrations
from Kansas City to Kobe College. It features Brian Dennehy, Frank McCourt, Fionnula
Flanagan, Malachy McCourt, and Joyceans of all stripes. Irreverent, fast-paced, seriously
funny. And made on a shoestring.

For more info, e-mail me or check out http://www.joycetotheworld.com

The full NY is Book Country program is on their website at <http://
www.nyisbookcountry.com
> and will be an insert in next Wednesday's NY Times.

Hope you can make it!
Diana
writer and producer

Erica Ginsberg
Thu 14 Oct 2004Link
My film CRUCIBLE OF WAR screens tonight in New York:

NEW YORK, NY
Thursday, October 14 at 7:00 pm
Screening and Q&A with filmmakers Leon Gerskovic and Erica Ginsberg
At RACCOON (the Reconciliation and Culture Cooperative Network)
43-32 22nd Street (between 43rd and 44th Avenues) - Suite 301
Long Island City
Only one subway stop from Manhattan on the E or V lines (23rd Street-
Ely Avenue stop). Located near Silvercup Studios.
See <http://balkansnet.org/noviprostor.html> for a map.

More screenings this weekend, next week, and November...

BOSTON, MA
Saturday, October 16 at 1:30 pm
Screening and Q&A with filmmakers Leon Gerskovic and Erica Ginsberg
At the international conference "Lessons Learned from the Balkan
Conflicts" presented by the Center for Balkan Development/Friends of
Bosnia
Boston College (Chestnut Hill Campus) - Higgins Building - Room 225
Map at <http://www.friendsofbosnia.org/LessonsLearned/bc_map_new.pdf>


BURLINGTON, VT
Friday, October 15 at 6:00 pm
Saturday, October 16 at 9:00 pm
At the Vermont International Film Festival
More info at http://www.vtiff.org/


WASHINGTON DC
Thursday, October 21 at 7:00 pm
Screening and Q&A with filmmakers Leon Gerskovic and Erica Ginsberg
At the Common Ground Film Festival
Being held at the George Washington University's Elliott School of
International Affairs (1957 E Street, NW - Room 213 Washington DC)
More info at
<http://www.sfcg.org/programmes/filmfestival/filmfest_2004.html>


VANCOUVER, BC, CANADA
Sunday, November 7 at 4:45 pm (Date and Time Subject to Change)
at the Amnesty International Film Festival
Being held at the Pacific Cinemateque (1131 Howe Street)

**********************
CRUCIBLE OF WAR tells the personal story of what it's like to live in
a warzone after the war is over and the news cameras and aid workers
have moved on to new hotspots. More information at
http://www.crucibleofwar.com

Lauren Feeney
Tue 19 Oct 2004Link
Help needed shooting over Halloween weekend in Chicago

We are making a documentary film about costumes and need experienced
filmmakers with their own gear to shoot different events during the 5
days leading up to Halloween (October 31st) in the Chicago area. We
are shooting with an XL1 and PD150 so we would like people with the
same or comparable equipment. At the moment this is a no-budget
feature, but we can offer credit in the film and free costume rentals
at one of Chicago’s premiere Costume shops, either for Halloween or
anytime during the year for use in your own film projects.

If you are interested, email off-list with your phone number, and we
will get in touch right away.

Erica Ginsberg
Wed 20 Oct 2004Link
Ventana New York is looking for an Assignments Manager/Production
Coordinator to work full time in our office in New York City. This
person will handle incoming scheduling requests for crews, equipment
rentals and scheduling of edit facilities. They will also be
responsible for the day to day operations of the office i.e.
coordinating crews, location scouting, administrative office work,
and preparing for large production shoots. They will also handle
updating and coordination of a large pool of freelancers. The
Assignments Manager will work closely with the Washington office
handling billing, time sheets for full time staff and freelancers.

He/She should be a self starter who is willing to organize and
implement protocol for a busy production office. A “can do” attitude
is a must. This is a great opportunity to work in New York City on
an office of talented individuals.

Please send a resume and cover letter to James Curry at
james@ventananyc.com. NO PHONE CALLS PLEASE

Erica Ginsberg
Thu 21 Oct 2004Link
Forwarding this from the latest IDA newsletter (I am not the "I"
referred to. See e-mail and phone # below)

***********************
To all videographers,
A national voting rights organization called People for the American
Way has organized an Election Protection program where tens of
thousands of volunteers will be monitoring the polls on Nov 2nd,
Election Day, particularly in the battleground states. They have also
amassed 5,000 volunteer lawyers to work with them.

I am organizing videographers around the country to also work with
them so that any irregularities and illegalities can be documented
for purposes of press conferences, footage for the mainstream media,
possible lawsuits, etc. If there is obvious fraud, there might be
subsequent demonstrations etc.

I need volunteer videographers to contact me who live in: Florida,
Ohio, Iowa, New Mexico, Pennsylvania, Wisconsin, West Virginia, New
Hampshire, Michigan, Oregon, Nevada, Maine, Washington, and Minnesota
as well as Georgia.

Please contact me directly via email: sekler@earthlink.net or call me
on my cell phone: 310 968-6566

Jamie Meltzer
Sun 7 Nov 2004Link
I am looking for a part-time editor for a documentary project about the "video-film"
industry in Nigeria.
I have over a hundred hours of footage and need someone who
lives within driving distance of upstate NY
(limited to people in NYC metro area) tohelp me out with organizing,
editing the film. I have a track record of having a film
play on PBS nationally and am hoping to secure the same for this film.
This is a paid,but part-time position for the next two
to three months. Looking for someone with
experience editing observational/verite based films.
Please send me a brief description of your editing experience,
salary requirements, and availability for part-time work
(mostly weekends, but this is negotiable)

Send email to songpoemCD@yahoo.com

Austyn Steelman
Tue 9 Nov 2004Link
I am currently in pre-production for a documentary I will be shooting in Minneapolis in
December that will be featuring two hip hop musicians affiliated with Rhymesayers
Entertainment. I would like to produce a DVD of the documentary once it is finished so I
am trying to find some sort of profit sharing contract that I can sign with the musicians I
am working with to specify who gets what if the doc. ever makes any money. I have
searched through "The Complete Film Production Handbook" as well as a book of
contracts for independent filmmakers and haven't found what I am looking for. I would
draw up the contract myself but I am afraid I might miss something that will bite me later.
Does any one know where I might find a mock up of a profit sharing contract that I can
use?

if so my e-mail is austynsteelman@hotmail.com.

Thanks for your help.
Austyn

Richard Manfredi
Tue 23 Nov 2004Link
Hello everyone in Southern California,

SmartSound Software and the International Documentary Association are hosting a Soundtrack Creation Workshop and Screening on Dec. 7 at Culver Studios in Culver City. I would like to encourage anyone interested in learning how to maximize their scoring budget while getting the highest-quality result possible to attend this event.

At this unique soundtrack creation workshop, independent and documentary filmmakers will learn the latest tips and tricks to create professional-quality soundtracks for projects of any budget. Filmmaker Rick McKay will share the secrets he used to score his award-winning documentary *Broadway: The Golden Age,* including how he used SmartSound technology and music to score almost a third of his movie for about $500. A screening of the movie and an open Q&A session with McKay will follow the workshop.

Creating a professional-quality soundtrack is a growing concern for independent and documentary filmmakers and editors. Frequent time and budget constraints make it very difficult to score projects to a level that meets their standards. This event will show filmmakers new ways to effectively score their scenes.

Culver Studios is located at 9336 W. Washington Blvd. in Culver City. Tickets are $10, and must be purchased in advance. They can be purchased by calling (818) 920-9122 or by visiting http://www.smartsound.com/workshop.

I hope to see as many of you as possible at the show!

Richard Manfredi PR Director SmartSound Software


Dega Omar
Wed 24 Nov 2004Link
Anyone know a co-editor for a documentary (Talk To Me Project) that
I am working on in NYC? It is a true story about strangers who meet
at Bryant Park around a sign that says "Talk To Me". The documentary
is about more than talking when a few of the strangers are moved by
the conversation that they act on their impulse to act on behalf of
one person's struggle... and the general dilemma we all face when we
see suffering and whether or not we can make a difference? going
into too much detail, the story focuses on the decisions and
relationships that ensue. It has been featured in the New York
Daily News and on the Oprah Show, CNN, New York Times, and different
variations of the story in so much media around the world.

I have a lot of great material to edit. I happen to know how to
edit on the Avid, so I am doing it a lot myself. But I need a co-
editor. It is a great project. I can tell more to anyone wo thinks
they can help. My email is degamuna@yahoo.com
My deadline is December 13th to get it into Hot Docs. Or if someone
wants to carry it on, as I have to go Toronto on Dec 16th, Jan 14th.
So if you think you have some time, or someone you know does, please
get in touch with me.
Sincerely,
Dega Omar

Andrew Garrison
Sat 4 Dec 2004Link
For those of you in the Austin area--Or , if you are not close, check the web site. Over 70 short streaming docs. www.EastAustinStories.org

East Austin Stories December the 8th 6:30 and 10:00p.m.

The latest of short videos produced in and about East Austin by this University of Texas film class screens next Wednesday night. Meet Pearl Pease. Doing hair is not just a job, it is an essential part of life for the customers at the House of Elegance. Some have been clients for over twenty years. One loyal customer drives all the way from Oklahoma to East Austin to have Ms. Pease, Pearl, and Tommi give her hair a shampoo, weave, and style. You’ll see this story and more when the East Austin Stories Documentary Series shows the newest videos, December 8th at 6:30 in the Our Lady of Guadalupe Church hall, or later, at 10:00 that same night, in the courtyard of Café Mundi coffee house (bring a lawn chair and a blanket!)

The broad range of videos making up the 90-minute show includes cooking at the taco stand, “El Rey Polo,” and Polo’s dream of owning a restaurant; two undocumented workers telling the story of their journeys to earn a better living for their families; a visit to a new alternative music venue; the making of a Vortex Theater production; the transition a Garza student is making to attend U.T. and his conflicted feelings about it; the last genuine, hot-lead and real fire monotype machine in Austin; and public defenders and volunteers working with defendants unfairly denied their constitutional rights, and much more.

You can look at all of the previous East Austin Stories documentaries, on-line, at www.EastAustinStories.org. But you can only see this season’s new ones by joining with old and new friends at the live screenings:

December 8th at 6:30 in the Our Lady of Guadalupe Church hall, across from the Texas State Cemetery, 1206 E. 9th Street, or at the second screening that same night, at 10:00, outside, at Café Mundi, 1704 E. 5th Street.


Michael Ramsey
Mon 6 Dec 2004Link
Greetings,

I am directing a feature length doc. on Brazilian regional music. We are in
need of an ambitious, fearless sound recordist for 3-6 months of production. If
you are interested, you would preferably have versatile gear, experience
recording music in difficult situations, and you would perhaps speak a bit of
portuguese. Please contact me directly at:

marloshui@hotmail.com

Erica Ginsberg
Mon 6 Dec 2004Link
Michael,

I'm going to forward this to a sound guy I know here in the
Washington DC area. He doesn't speak Portuguese, but his girlfriend
does (she's from Sao Paolo).

Michael Ramsey
Tue 7 Dec 2004Link
Thank you Erica

Marc Maurino
Fri 10 Dec 2004Link
Hi there, I've introduced myself and my project both at the "Introduce
Yourself" topic and in the Mentoring room. I am embarking on my first
documentary, which I currently imagine will be a 30 minute short. I
am not capable to budget either a digital cinematographer or a sound
person right now, but what I can budget is a small fee ($100, nego.)
to a professional digital cinematographer/documentarian who can give
me a few hours crash course in using my camera (Sony 1 chip DCR TRV11)
and a shotgun mike across a wide range of locales. I've shot a fair
amount before and have made short DV narrative films, but I'm not a DP
and I recognize that I need to take my skills to the next level if I
hope this fill will some day go to festivals or a screening circuit.
I'm located near Albany, NY, ie, 2 hrs from NYC, 2 hrs from Boston,
and can travel for a tutorial with the right teacher. We'd certainly
hammer out what's realistic and do-able in a few hours via phone and
e-mail prior to getting together. The right person for this job can
take my camera, tell me what everything does, hear my shooting
scenarios, and help me put together an operational plan for shooting
both interviews in living rooms and on the fly in a medical tent in
the occupied territories. Please e-mail Marc at
blue_sky_films@yahoo.com to tell me about yourself and/or more info.
Thanks!
PS While I'm posting, are there any filmmakers in Israel here? I'd
like to be in touch--please e-mail me at the above address. Thanks.

Ray Wood
Sun 12 Dec 2004Link
Hi Micheal, I will also foward your request to someone I know. Also,
I would like to talk with you somtime. Let me know. Thanks

Agnes Varnum
Thu 16 Dec 2004Link
Making Your Documentary Matter: Outreach and Impact Strategies that Work February 7, 2005
1-8 p.m. American University, Washington, DC

Want to find out how to use outreach to make your documentary effective or even how to make outreach part of your funding strategy? The Center for Social Media is offering a workshop designed to help producers with strategic design for their docs. Learn in this one-day workshop from some of the most respected professionals in outreach and community engagement, and find out how their strategies helped great documentaries get made, and make a difference in the world.

Panelists include: Joy Moore, Annie E.Casey Foundation; Diana Ingraham, US Independents; Robert West, Working Films; Cheryl Head, Corporation for Public Broadcasting; Judith Ravitz, Outreach Extensions; Cara Mertes, P.O.V.; Ellen Schneider, Active Voice.

Premiere Film Screening of Tod Lending's new film OMAR AND PETE; discussion with Tod following the screening.

More information and registration can be found at: Making Your Documentary Matter Sponsored by the Center for Social Media. Cosponsored by AIVF, IDA and US Independents. Funded by the Annie E. Casey Foundation. $50 registration fee (Waivers available).


Peter Friedman
Thu 13 Jan 2005Link
Screening announcement, NYC

MANA--Beyond Belief, a new feature-length doc/essay about the power of objects (shot on HD and transferred to 35mm, directed by Peter Friedman and Roger Manley) will be screened at the Water Reade Theatre at Lincoln Center as part of the Independents Night series, on Thursday, Feb. 17, 2005 at 6:30 pm.

For details see www.filmlinc.com/wrt/programs/recur/indie/indie.htm and www.mana-the-movie.com


Michelle Plett
Thu 13 Jan 2005Link
I'm looking for three used (decent quality) wireless mikes (Not Sony
brand--we have one already and they seem to be prone to radio
interference) to use with our Canon XL 1 and XL 2.

Any ideas where to get these? Or does anyone have them?

David Van Taylor
Fri 14 Jan 2005Link
Interest in our documentary WITH GOD ON OUR SIDE: GEORGE W. BUSH
AND THE RISE OF THE RELIGIOUS RIGHT continues to grow.
There will be a one-week theatrical engagement at the Pioneer Theater
on Manhattan's Lower East Side, timed to coincide with George W. Bush's
second inauguration.

*Where? 155 East Third Street, just east of Avenue A

*When? Wednesday, January 19 - Tuesday, January 25
9:00 pm (only one show per night!)
Filmmakers Q&A Thurs 1/20 and Tues 1/25

*Info? 212/591-0434
<<http://www.twoboots.com/pioneer/>>


If you haven't seen it, here's a rare opportunity to find it on the big screen.
(Well, pretty big, anyway.) If you have seen it--tell your friends!

Best,

Cal Skaggs
David Van Taylor
Ali Pomeroy
Lumiere Productions
New York, NY

Combine all the superficial cable-TV punditry of the last two years and you
won*t come up with even a tenth of the insight offered by this serious,
in-depth and even-handed documentary .... If you want to know how
[evangelicalism] affected the course of politics inthe 20th century this
documentary is an outstanding place to start.

The Chicago Tribune

Both chilling and funny.

The Financial Times (UK)




Attachment: POSTERsmaller4email.jpg (204K)

Robert Goodman
Sat 15 Jan 2005Link
The best low end wireless system for field production work is
Lectrosonic 100 series. Modest cost. You can try the less expensive
Sennheiser 500 series units though you may do no better than your
sony systems.

The less expensive wireless systems for DV tend not to be available
used. Check out B&H's prices for new.

João Camacho
Sun 20 Feb 2005Link
Hi, my name is João Camacho. I'm a Musician and Composer from
Portugal, and I'm trying (hard) to enter this competitive world of
making music for Films, games, multimedia, and of course,
Documentaries.

Has all the documentaries I see have music, I think that this post
might have some interest to you.
The fact is, I'm here advertising my work and I hope I'm doing it in
the right place.

I have a website in the internet, where besides being able to listen
to all my demos, you can license, in a non exclusive basis, the ones
that you would like to see included in your production, in a simple,
fast and unexpensive way.

To see all tracks available, just visit the News page in my website,
or go directly to the Demos Page.

http://www.sonicdaze.com

Keep visiting Sonic Daze website in the next few weeks because new
tracks will be regularly posted, and remember that I am always
available to make custom exclusive tracks for your projects, (for a
small fee, of course

See you soon. Thank you.

Doug Block
Mon 21 Feb 2005Link
Yes, this is the right place to advertise your work, João. Hope it
helps get the word out. Lots of luck.

Jay Heyman
Tue 22 Feb 2005Link
Cinemar Films is currently developing a feature-length documentary entitled *The
Keymaster*. Award-winning director Mario Diaz (*Bazooka*) is leading a team of seasoned
professionals that includes Chris Seward, the editor of Michael Moore*s *Fahrenheit 9/11*.

The film tells the story of William Rodriguez, a janitor in the World Trade Center on
September 11th who had the only available master key to the north tower. He is credited
with helping save hundreds of people*s lives and directly rescuing 15 people. He was the
last person to escape the building alive.

William*s heroic efforts extended far past that fateful day. He became and continues to be
the leading voice for the Latino community affected by the events of 9/11. But as he
fought for the rights of others, his life suffered severely. He remained unemployed after
the attacks and spent his savings to survive, eventually getting evicted from his home. He
continued his advocacy work during the day while sleeping in his car at night. *The
Keymaster* chronicles the journey of a man who, like us, is only beginning to comprehend
the effects that devastating event has had on his life.

The film is intended for theatrical release and is being shot on High Definition video.
Cinemar Films has brought in Director of Photography Alan Jacobsen, who photographed
2004 Sundance winner *Wet Dreams and False images*. Principal photography is slated to
start in March 2005.

Please visit http://www.cinemar.com to view the trailer, film synopsis, picture gallery and
more. We are currently in the process of fundraising and would welcome any support
and/or comments.

Doug Block
Tue 22 Feb 2005Link
sounds like a great project, jay. good luck.

Agnes Varnum
Tue 22 Feb 2005Link
Center for Social Media seeks administrative assistant The Senior
Administrative Assistant of the Center for Social Media
(www.centerforsocialmedia.org) at American University in Washington
DC will assist the director, assistant director and independent
project managers in execution of all administrative duties
pertaining to research projects, lectures, workshops and public
events. The Sr. Administrative Assistant will also assist with
maintaining and distribution of the department*s website, newsletter
and press release production. Other responsibilities will also
include purchasing duties, payment processing, travel arrangements
and budget tracking. Please send resume and cover letter to
careers@american.edu indicating your application for position #5427.

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