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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

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Chris Hinrichs
Tue 15 Jan 2008Link

I think you have a great idea, Le Sheng. I'd like to get in on that, too. If you could forward any movies you get on to me or if anyone who has their film on Netflix and would like it to be seen, I'm a doc junkie and guarantee I'll watch it if I haven't already. Here's the list of the ones I've seen (www.andsomeguy.com/films) and my e-mail is someguy@andsomeguy.com


Darla Bruno
Wed 16 Jan 2008Link

Hi,

I'm going to need an experienced international doc film/cinema verite editor who can work with PAL footage and who has FCP 6. Ideally, you'll know Italian (though I realize that can be a stretch) as I'd like to work with someone local, and I'm in New Jersey. Please have full-length international doc and/or cinema verite experience. I will be back in the States with my footage mid-late Feb and need to log and cut a trailer for an April 11 deadline.

Thanks!


Doug Whyte
Thu 17 Jan 2008Link

Hi all,

I want to let you know about an event I founded called The International Documentary Challenge (www.docchallenge.org). Here is some info:

=======
The International Documentary Challenge Returns to Hot Docs!

After a sold-out screening in 2007, The International Documentary Challenge returns to Hot Docs in April 2008! Registration for the 3rd annual Doc Challenge, held March 6-10, 2008, is now open.

The Premise: Filmmakers from around the world have just 5 days to make a short non-fiction film. Hot Docs Canadian International Documentary Film Festival, the Presenting Partner, will once again host the theatrical premiere of the finalists and the awards ceremony during the Festival. After the premiere of the finalists, showcases of regionally produced films will be held, including an IDA sponsored screening in Los Angeles, a SILVERDOCS sponsored screening in Washington DC, a Big Sky Documentary Film Festival screening in Montana, a DOC sponsored screening in Toronto, a Northwest Film Forum sponsored screening in Seattle, a Film Action Oregon sponsored screening in Portland and many more! Additionally, a Best of DVD will be released and television distribution will be pursued by a distribution partner.

IMPORTANT DATES:
Early Registration Deadline: February 11, 2008
Final Registration Deadline: March 5, 2008
Event Dates: March 6-10, 2008
Hot Docs Premiere of Finalists: April 2008

Complete details and entry forms can be found online at
http://www.docchallenge.org/

Check out Hot Docs here: http://www.hotdocs.ca

The Doc Challenge is produced by Doug Whyte of KDHX Community Media and sponsored by Hot Docs, the International Documentary Association, the Documentary Organization of Canada, SILVERDOCS, the Big Sky Documentary Film Festival, Film Action Oregon and the creators of the 48 Hour Film Project.

The International Documentary Challenge.
Real Life. Filmed Real Fast.
===

Don't think a good doc can be made in 5 days? Check out some of the past submissions:

http://www.docchallenge.org/results2006.htm

Thanks!



Barry Zucker
Mon 21 Jan 2008Link

Film editor/maker to create instructional/educational video/DVD for Our Pesticide Alternatives for Safer Schools project in Ohio. Our project has been underway for 4 years primarily with grant funding. This is a paid position. Use your creativity to make an impact on the environment and on the health of children in Ohio. Contact Barry Zucker before March 1, 2007 at ocamp@neo.rr.com and visit our website for more info about our project.


Melanie La Rosa
Thu 24 Jan 2008Link

Please forward ...

DOCUMENTARY INTERNSHIP

Coming to Terms With Impermanence is an impressionistic documentary about highly acclaimed poet Diane di Prima. Poet, memoirist, activist, and teacher, the “Poet Priestess” is the most well-known female writer of the Beat era and has published more than 40 books of poetry and prose, including Recollections of My Life as a Woman, Loba, Memoirs of a Beatnik, and many many more.

The film is about artistic conviction and commitment, and mixes impressionistic scenes drawing on the perception, feeling, and mood of di Prima’s prolific writing, set into context with humorous anecdotes from her peers.

Intern(s) will have the opportunity to gain first-hand experience in all aspects of creating a documentary. Ideal for motivated students wanting to learn or improve software skills and apply their knowledge to conceptualizing and creating an unusual and beautiful film.

Based on skills and experience, interns will assist with post-production, production and upcoming shoots, graphic design, creating websites and dvd's, writing promotional materials.

Interns will have the opportunity to gain experience with the following: Arri-S, Super8, DVX100a, lighting and/or sound recording for interviews, Final Cut Pro, DVD Studio Pro, Photoshop, AfterEffects. Training provided.

Director's previous work has screened around the world and won awards. Preference for students seeking academic credit. 1-2 days per week commitment, work will take place in media facility in Williamsburg.

Send resume and brief description of your strengths, what you would like to contribute to making a feature documentary, and what you would like to learn.


Robert Richter
Thu 24 Jan 2008Link

Looking for an intern for our doc production company. Based in mid-town Manhattan. Check our website to see what we've done: www.richtervideos.com. Several projects are now in house. Screen credit for responsible and reliable intern.


Adam Hyman
Tue 29 Jan 2008Link

Hi all,

I'm looking for skilled fixers in the following countries, for a doc on genocide. Feel free to write me directly if you know anyone.
Rwanda
Guatemala
Bosnia (Sarajevo)
Serbia (Belgrade)
Kosovo (Pristina)
Germany (Berlin based)
South Africa (Johannesburg)(Yes, I know there was no genocide there)

thank you for your help!

best,
Adam Hyman
JTN Productions
ahyman@jtnproductions.com


Stuart Harmon
Thu 31 Jan 2008Link

IN SEARCH OF DOCUMENTARY PRODUCER

Hi all -

I've wrapped up a rough cut of my first documentary film titled, "The Money Stone," and I'm in search of a NYC based producer to help finish the project. The film explores the world of illegal gold mining in Ghana, West Africa and looks at its impact on the people and the environment. The film was workshopped last November at the IFP Rough Cut Lab in NYC and has already gained some interest.

Ideally, I'm looking for someone experienced and who has a passion for film about human rights and development in Africa. More specifically, I'm looking for someone who will help secure completion funds, aid in the creative process of bringing the film to picture lock, and help in bringing the film to festivals and through distribution. Most importantly, I'm looking for someone to become part of the team who wants to see the film be successful and get the word out about the topic. Compensation will be provided once funding is secured.

Visit www.moneystonefilm.com for more info about the film. Please email all inquiries to swhfilm@yahoo.com.

Thanks!

Stuart Harmon
swhfilm@yahoo.com
www.moneystonefilm.com


Nina Davenport
Fri 1 Feb 2008Link

Hello Everyone-
I need some help. I am looking for an ASSISTANT EDITOR/ASSOCIATE PRODUCER to start Immediately.

I am an independent documentary filmmaker looking to hire a full-time employee to help me with logging and digitizing footage, cutting rough sequences, solving a myriad of technical problems, paying bills, writing grants, running errands, etc.  In short, assistant editing AND associate producing work. 
I have made four feature-length documentaries:  Operation Filmmaker, opening at IFC Center in June; Parallel Lines, Always a Bridesmaid, Hello Photo.  I am now starting another personal documentary, the sequel to Always a Bridesmaid, and need someone to help me jumpstart that process.

Please send resumes to ninadavenport@earthlink.net with ASSISTANT EDITOR/AP in subject line.
for more about me:  www.operationfilmmaker.com
<http://www.operationfilmmaker.com>


Julia Welbourne
Fri 1 Feb 2008Link

Hello-
Just wanted to repost this on behalf of the company I work for:

Brooklyn based documentary company Flicker Flacker Films seeks experienced, talented, dynamic people for the following positions for a feature-length documentary about immigration for theatrical release and national broadcast:

- Associate Producer
- Production Coordinator
- Business Manager (part-time)

ASSOCIATE PRODUCER: Duties include: assisting in casting, working closely with producer/director and key characters, and communicating with network. Must have a proven track record with at least 2 years experience on feature-docs (not reality TV). Highly organized, outgoing, professional, detail-oriented, fearless, and, if possible, mellow. Multi-lingual a plus.

PRODUCTION COORDINATOR: Responsible for organizing all the logistics of shoots: local, out of state and international. Communicating regularly with shooters and field-producers. Must be sharp, highly organized and detail-oriented with a strong knowledge of equipment, insurance, and releases and permits. Bonus points for a good sense of humor.

BUSINESS AFFAIRS (part time): Experience with budgeting, line-producing, payroll, insurance, HR, Quickbooks. Must understand the intricacies of managing the books and deliverables.

This project will start in mid-late February 2008 and continue through the summer.

Please email cover letter and resumes to julia@flickerflacker.com if you are interested.

Thanks!


Richard Burnsed
Sat 2 Feb 2008Link

The Sacramento International Film Festival is coming March 29 to April 6 and we want you to be a part of it. Inspired by local filmmakers' contributions last year in our component of the 48 Hour Film Festival we are inviting you to make a submission for Current TV.

Current TV is a network started by Al Gore that features viewer generated content. Instead of the networks telling the people what is news, the people are telling the network what the news is.

for more information:
http://www.ncwfonline.org/id61.html


Sarah Park
Tue 5 Feb 2008Link

ISO: Jacksonville, FL camera person, sound person to shoot at a breast cancer conference from Feb 22 to 24.

Email me at park@thcn.com for details.


Matt Dubuque
Tue 5 Feb 2008Link

Might anyone have a reasonably priced copy of The Technique of Film Editing by Karel Reisz for sale? I would prefer the first edition, but the second edition would also be acceptable.

Thanks!


John Burgan
Wed 6 Feb 2008Link

Try http://www.abebooks.com/


Robert Goodman
Wed 6 Feb 2008Link

Why? Are you planning on cutting workprint? If you want to learn how to edit read Walter Murch's book or mine "Editing Digital Video." My co-author and I wrote it to replace Karel's fine book which was great when we were cutting on flatbeds with workprint.


Matt Dubuque
Wed 6 Feb 2008Link

Hi-

I'm currently studying the Technique of Film and Video Editing in its 4th printing, by Ken Dancyger. It has an excellent history on how different editing techniques are featured in different genres and how technological changes have impacted editing decisions and styles.

It's an extraordinary book and is at:

http://tinyurl.com/2f4t7z

He cites Karel's book as a deep inspiration and I need to study it. I am extremely serious and thorough about what I am doing and I can't afford to gloss over all the great cinema before video was invented.

My view is that quality editing is to a substantial extent independent of the medium. Alternatively stated, if I immerse myself in the study of the editing techniques of Hitchcock, Kurosawa, Resnais, Welles, Goddard and Fellini, I will be serving my interests well. I will never achieve my idea of greatness in cinema without mastering what each of these masters was all about.

Edited Wed 6 Feb 2008 by Matt Dubuque

Matt Dubuque
Wed 6 Feb 2008Link

In reply to John Burgan's post on Wed 6 Feb 2008 12:30 UTC :

Thanks John. Much better than spending 80 dollars!

Much appreciated.


Robert Goodman
Thu 7 Feb 2008Link

Then you should read Eisenstein. Karel took his tiny bit of editing philosophy from him. Most of the book is about the mechanics of editing film. Another series of books worth reading are by EDWARD DMYTRYK. Called "On Screen Directing" "On Film Editing" etc.


Boyd McCollum
Thu 7 Feb 2008Link

Another good book would be "Story" by Robert McKee. Don't forget, editing is storytelling.


Richard Burnsed
Sun 10 Feb 2008Link

Nor-Cal Filmmakers, Show your chops!

The Sacramento International Film Festival is giving people two chances to screen work. One is the 48 Hour Film Festival where teams complete a short movie in 48 hours.
http://www.ncwfonline.org/id42.html

The second is Current Visions. In conjunction with Current TV, Filmmakers are asked to submit a 10 minute documentary for screening. The documentaries can be about on any topic including: Bio, Humanities, Politics or other. The top documentaries will also be picked up for broadcast by Current TV.
http://www.ncwfonline.org/id61.html


Matt Dubuque
Sun 10 Feb 2008Link

Thanks Gentlemen, I appreciate it!

Yep, clearly Eisenstein is key. I'm really enjoying the war films of Humphrey Jennings; the way he combines music with a documentary (Listening to Britain) and poetry with a documentary (Words for Battle) is masterful. And although he clearly is influenced by montage, Jennings is singularly British as well.

I'm also enjoying how King Vidor weaves sound and scene in Our Daily Bread and his work generally (The Crowd).

And I remain a serious devotee of Bunuel and his editing throughout his very long career.

I'm interested in exploring new avenues in what role sound plays in a documentary and how to weave that into the editing process. Any reading suggestions you might have along these lines would also be warmly welcomed.

Thanks for all the help!

Edited Sun 10 Feb 2008 by Matt Dubuque

John Burgan
Mon 11 Feb 2008Link

If you're enjoying the Jennings, a must-read is Dai Vaughan's "Portrait of an Invisible Man: The Working Life of Stewart MacAllister, Film Editor". Remember that "Listen to Britain" credits Jennings and MacAllister as co-directors.

It's the single most inspiring book on editing documentary I know, written by the most experienced documentary editor in the UK. It's out of print, but you can still find copies via websites like http://www.abebooks.com

Edited Mon 11 Feb 2008 by John Burgan

Matt Dubuque
Mon 11 Feb 2008Link

Thanks John, I'm enjoying the heck out of Jennings. That fellow is masterful in so many ways and way, way ahead of his time.

That's an awesome tip about McAllister. Thanks!

Matt


Simon Fred
Wed 13 Feb 2008Link

The Streaming Festival is now accepting submissions for its 3rd edition in October 2008.

Deadline for submissions is 01 September 2008.
Accepted genres are documentary, animation, video art, flash and narrative.
No entry fee.

Send submissions through postal service, or provide a website link with a preview to the submission.

The Streaming Festival is an international artfilmfestival on the internet. Films are presented full screen on streaming servers with high image quality.
The 3rd edition will start in October, and lasts four days. The Streaming Festival is based in the Netherlands but has no geographic boundaries. Viewers can visit from any location in the world, at any given time and plug into one of the festival streams.

Online submission form : http://www.streamingfestival.com/submissions/
Website : http://www.streamingfestival.com


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