Can anyone recommend a good color correctionist in LA? I'm the director of a feature-length doc and need someone who has own DaVinci or access to one – and can deal with a docmaker's budget. Thanks!
Public Classifieds and Announcements - Get The (D-)Word Out!
Here's your chance to reach a broad public interested in documentaries.
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
Office/Personal Assistant for Documentary Filmmaker in Mid-Town
Seeking highly organized self-starter and problem-solver part-time (2-3 days per week). Support filmmaker with clerical work including correspondence, accounts payable/receivable, filing and other administrative projects. Experience and interest in film production a must. Assist in pre-production and budgeting of documentary and feature narrative script in development. Proficiency in Mac computers required, Microsoft Office including Word, Excel and PowerPoint. Legal knowledge helpful but not necessary.
Good opportunity to learn in creative environment. Salary $15/hr. Please submit cover letter in body of email and resume as attachment to Lynn, email: email@example.com. Please put your name in the subject line. Thanks.
Please check our website for further information: www.lemlepictures.com.
Intern Production Assistant for documentary filmmaker in Boston.
Seeking a highly motivated, organized individual to be Production Assistant and help on a documentary film in it's pre-production/production stages about the sex trade industry. knowledge about the subject matter and an activist is a plus but not a must. experience in logging and capturing/organizing clips, transcribing is a plus. Knowledge of Finalcut and Macs is a must.
Our office is located in the midst of a filmaking environment so this is a great opportunity to network and get into the heart of the industry.
Contact me at iLan@ilanazoulai.com, and please attach your resume in your first email.
Looking to rent a Sony V1U this Thursday – Saturday IN PORTLAND.
Please email me at firstname.lastname@example.org. Thanks!
The Sundance Documentary Fund will be the topic of the next DOC TALKS at DocuMentors. We'll be talking to Rahdi Taylor and Win-Sie Tow on Weds June 16th at 5pm Pacific. It's free, but you must register. Go to www.documentaryhowto.com and click on FREE TELESEMINAR on the homepage to get all the info. The call will be recorded if you can't make it at the call time.
In reply to Stephanie Caruso's post on Mon 17 May 2010 :
here's my updated reel, sorry for the annoying private video
UnionDocs Collaborative-Call For Entries
I’m writing to inform you of an opportunity for emerging documentary artists, called the UnionDocs Collaborative Program. The Brooklyn Rail recently pointed to the success of the first year of this program in an article titled, "UnionDocs Brings Autuers Together," http://www.brooklynrail.org/2010/04/local/uniondocs-brings-auteurs-together ,and we are are quite excited to be opening applications up for six new participants in 2010-2011.
The UnionDocs Collaborative is a one or two-year program; both a rigorous platform for exploring contemporary approaches to the documentary arts, and a process for developing an innovative group project. The program focuses on providing what we believe are the most effective educational resources for individuals at the beginning of their careers:
* Mentorship toward the production of an original work.
* Dynamic interaction among a network of talented peers.
* Direct contact and structured exchange with visiting artists.
* Exposure to a wide variety of practices and models.
* Regular group critique sessions.
* Exposure through a toured exhibition and/or publication of annual project.
The first iteration of this year’s UDC project, "Documenting Mythology,” premiered at Doc Fortnight 2010: The Museum of Modern Art's International Festival of Nonfiction Film, and will be presented in Boston next month by The Sensory Ethnography Lab at Harvard University. A wider international distribution effort and tour is planned for the coming fall.
The UDC has been set up to be affordable and scheduled for individuals who work full-time or freelance. UnionDocs is able to offer an intensive learning experience at a price that one might expect to pay for just a single credit at a university. Some residency options are available for individuals considering moving to the NYC. The application deadline is August 1st, 2010 and further details are available online: http://www.uniondocs.org/uniondocs-collaborative/
Thanks for your consideration,
322 Union Ave.
Brooklyn, NY 11211
This is a good site for free pictures:
DocuClub in July!
Our July DocuClub will take place on Wednesday, July 7, 7 p.m., at DCTV [http://www.dctvny.org/], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will show a rough cut of THE LULU SESSIONS by S. Casper Wong. Raised in a small farm in Vermont, Dr. Louise Nutter, or LuLu, entered college at 15-years old, and by 29, was a star scientist invited to set up the first national cancer research center in Taiwan. The chain-smoking, hard-living, beloved professor has just discovered a new anti-cancer drug when she finds out she is dying of breast cancer herself at 42. Shot during the last 1.5 years of LuLu’s life, the film is a raw, intimate, yet surprisingly humorous story about the filmmaker showing up for her best friend, and together, testing the limits of their bond while taking on life’s ultimate adventure: death.
Director S. Casper Wong is a New York-based writer, director and producer of narrative and documentary films. Her narrative feature screenplay, OO1, a suspense drama, won the Grand Jury Prize for Best Screenplay at Urbanworld Film Festival and two Alfred P. Sloan Foundation Screenwriting Grants – at New York University and the Hamptons International Film Festival Screenwriter’s Lab. Her narrative short film, SHIRTS & SKINS, was awarded the Special Jury Prize at the Taipei Film Festival, and was licensed to The Independent Film Channel for a three-year run. It is now part of the Tribeca Film Institute’s curated Reframe Collection. She is currently in production on a feature documentary about East-West integrative medicine and the global health crisis. Prior to receiving her M.F.A. from New York University’s Graduate Film Program, Wong was Senior Counsel for IBM’s Western Region, based in San Francisco, and holds a B.S. in Bio-medical Engineering from Columbia University. THE LULU SESSIONS is her feature documentary debut.
Our moderator will be Howard Weinberg, who helps other filmmakers improve their films as a script-doctor. An award-winning independent documentary filmmaker, he educates and mentors students at Columbia University’s Graduate School of Journalism. His PBS documentary credits include SPORTS FOR SALE, FIRST THINGS FIRST, ONE PLUS ONE, and NET.LEARNING. An innovative television journalist, he was a Founding Producer of THE MACNEIL/LEHRER REPORT; Executive Producer of LISTENING TO AMERICA WITH BILL MOYERS; and a producer-writer for SUNDAY MORNING and SIXTY MINUTES, both on the CBS network. He also has taught at New York University and Dartmouth, and created a documentary film series at Columbia. The Daily News called the subject of his film SID AT 90, the “undisputed star” of the 2003 New York Jewish Film Festival. He is president of The New York Film/ Video Council, a non-profit serving the independent media community. His current major documentary project is TV LAB: LICENSE TO CREATE, an educational feature about an innovative era of public television from 1972-1984.
Admission is free for current DocuClub members and $6 for non-members.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
In reply to Felix Endara's post on Fri 18 Jun 2010 :
I've been working with Casper on The LuLu Sessions as a consultant. All I can say is LuLu is one of the greatest documentary subjects I've ever seen on film. And the film reminds me a lot of Silverlake Life. You don't want to miss this.
Voices from the Waters 2010
The 5th International Film Festival on Water
CALL FOR ENTRIES
Bangalore Film Society, Arghyam, Svaraj- Society for Voluntary Action Revitalization and Justice, Finger Lakes Environmental Film Festival, Ithaca College, USA (FLEFF), Mountainfilm in Telluride, Alliance Francaise de Bangalore, Charter of Human Responsibilities, Samvada, Karnataka Chalanachitra Akademi and Water Journeys- Campaign for Fundamental Right to Water are organizing the fifth edition of the largest international film festival on water- Voices from the Waters 2010.
2010 begins as a critical year not just for Voices from the Waters which completes five years of existence but for environmental consciousness on the whole, as the thoughts and concerns regarding the existence and well-being of our rivers and streams are now being voiced in the mainstream. Now more than ever, there is a call for awareness, dialogue and debate to inform the actions on which the survival of our lifeworlds depend. We are at an instant of much possibilities and hope. We are in search of the voices that will guide us to a critical departure from the current paradigms towards our vision of better futures.
Voices from the Waters 2010: The 5th International Film Festival on Water, the biggest, most dynamic and diverse platform of its kind invites you to be a part of the festival by contributing short, documentary, animation and feature films on water and related issues.
If you have a film in under any of the following categories:
The Dams and the Displaced,
Floods and Droughts,
Global Warming and Climate Change,
Impact of Deforestation on Water Bodies,
Water, Sanitation and Health,
The Holistic Revival of Water Bodies,
Water and Life.
You can consider sending it to us. Please note that the categories are loosely conceived and your film does not have to necessarily adhere to them while focusing on the larger theme of water.
Entries to the Film Festival must include:
1. DVD of the film (with English subtitles, if required)
2. A completed and signed copy of the entry form
3. Three high-resolution stills of the film (can be sent via email)
4. A high-resolution photograph of the director (can be sent via email)
Promotional materials are welcome
There is no entry fee.
All submitted films will be subject to a selection process by eminent members of the festival jury.
Applicant must pay for shipment of films to Voices from the Waters.
Submitted films will not be returned but will be part of Voices from the Waters library, one of the largest resources in the world for films on water.
Voices from the Waters is conceived as a travelling film festival. The selected films after being premiered in Bangalore at the main event will be taken across to educational institutions, non governmental organizations, small towns and villages across India.
Last date for submissions: July 10th 2010
Bangalore Film Society
No.33/1-9, Thygaraja Layout
M.S. Nagar P.O
Bangalore 560 033
Hello D-Worders! I want to introduce the D-Word community to an exciting participatory documentary event I am helping to produce. One Day On Earth is an online community of photographers, filmmakers, students, and inspired individuals all teaming up with the goal of creating a more accurate picture of life on this planet.
On October 10th, 2010 (10.10.10), thousands of people from every nation around the world will film their perspective and contribute their voice to the largest participatory media event in history; the event will result in a feature documentary and online video archive that will showcase the diversity, conflict, tragedy, and triumph that can occur in one day on earth.
We would love to include the talents and perspectives of the D-Word community in our world document. Learn more about One Day on Earth and sign up to participate at:http://www.onedayonearth.org.
Very ambitious plan, Gina. Asking 50,000 participants to film what inspires them most is going to generate enough footage to last an aeon! How do you intend to keep focus and create a thread to hold it all together?
Seeking a DP with a Canon 5D MII for a half-day shoot in Montreal this Friday, 6/23/10 and possibly one day next week (exact date TBD). Please send a brief bio and link to an online reel to producer Kelcey Edwards at email@example.com. We will be filming in a comic book press for the documentary feature THE HISTORY OF THE UNIVERSE AS TOLD BY WONDER WOMAN – http://www.vaquerafilms.com/wonderwoman
On Tuesday, there will be a historically important memorial service that I will be covering for a feature documentary.
I am looking for shooters who have EX-1/3s or similar cameras to shoot with me from about 8:30 AM until about 1 PM.
Volunteers are truly appreciated. I can offer up to $50 for each camera person as a gratuity. Plus credit as "additional camera" when the film is completed.
I can tell you more about the sad, and yet exciting business of this day, when you tell me about your availability.
FIXER needed for SOUTH AMERICAN DOCUMENTARY
The Guarani Project is looking for a fixer/translator!
We are looking for a fixer/translator to join our team for a 5-6 week shoot from late July to early September in South America.
Think you’re up for the job, or know someone who is?
You must be FLUENT in Spanish, Portuguese AND English, and be based in Argentina, Brazil, Paraguay or Uruguay.
The job will be very hard work but amazing fun- think, travelling all night, one hour sleep and then interviewing the environment minister of Paraguay before heading off to interview displaced indigenous people and then spending the evening translating it all and discussing/planning the next day.
We are not so interested in finding the person with the most impressive CV but rather looking for someone who will fit the dynamic of the team- young, creative, intelligent and ambitious!
If you think you can do it, send an email to Annabel@theguaraniproject.com explaining you’d be good for the role.
We look forward to hearing from you!
The Guarani Team
The Documentary Organization of Canada's quarterly magazine Point of View is currently available in a free, trial digital edition. The latest Summer issue looks at Disaster Docs, Women in Docs, a look at some of the docs that screened at Hot Docs 2010 and much more! Check the issue out online at http://docorg.ca/en/point-view-magazine
Just a post to let you know about The NOMAD Project, an exhibition to premiere at the 2010 debut of Access & PARADOX, taking place the 21-24 of October 2010 in Paris, France.
The NOMAD Project will be an exhibition of short films directed and/or produced by independent filmmakers utilizing innovative and explorative ways of telling a story. The aim of the exhibition is to share with the contemporary art audience unique ways in which filmmakers are adapting to the stage of the global economy as well as shifts in technology. The films can be narrative, documentary or experimental, and should relate to PARADOX’s unofficial theme “Nostalgia for Nature”.
The call for projects opens today, July 1, 2010, and submissions will be accepted through August 31, 2010. For The NOMAD Project application and guidelines please visit www.nomadfilms.net, or contact Directors Ari Allansson (firstname.lastname@example.org) or Sarah Schutzki (email@example.com).
About NOMAD Films
NOMAD Films was created in an effort to expose innovative and experimental forms of filmmaking, taking into account the financial limitations within the independent industry as well as continuously evolving filmmaking technology. The goal of the exhibition(s) is to create additional distribution outlets within the arts. Distribution models for low-budget independent films are not always substantial; NOMAD Films brings to light a selection of the many projects that have had little exposure otherwise.
PARADOX is an International Contemporary Art Fair making its debut in October 2010 in Paris, France. Partnering with Access, Access & PARADOX will focus on the exhibition and promotion of new, emerging artists working in contemporary art. Although the fair will debut in 2010 in Paris, there are plans for future editions to take place throughout Europe and the Americas as well.
The NOMAD Project
Gorgeous safe, secure and air conditioned editing studio to share in Red Hook Brooklyn. We have a 3000 sq foot editing suite that we are interested in sharing with a filmmaker/editor. $500 – $1500 depending on size require. Give a call and we can discuss. 212-727-3798
Call for Entries – $5,000 Pitch Workshop
Earlybird deadline July 20!
The Paley Center for Media today announced a call for
entries for its celebrated Art of the Documentary Pitch Workshop at
PALEYDOCFEST2010, which offers a $5,000 grant for a documentary work-
in-progress and will be held at the Paley Center in New York on
Saturday, October 16, 2010 at 2pm.
In this workshop/competition-now in its seventh year-a panel of documentary
executives and producers discuss the process of developing a documentary and
will hear and evaluate pitches from five preselected up-and-coming filmmakers
who are hoping to sell either a documentary work-in-progress. The grant,
sponsored by SnagFilms, will be used towards the completion of the winner's
Confirmed panelists at the workshop include: Andrew Mer, VP Content
Partnerships, SnagFilms; Susan Werbe, Exeuctive Producer, HISTORY;
Lauren Lazin, Filmmaker and Executive Producer, MTV Networks; Diana
Holtzberg, Vice President – USA Operations Acquisitions, Project
Development, Sales, Films Transit International; Simon Kilmurry,
Executive Director, POV; and Molly Thompson, Programming Director, A&E IndieFilms.
This call for entries is to be selected as one of the five filmmakers
who will participate in the workshop in October.
Complete submission guidelines and entry forms can be found at
or filmmakers can submit electronically through Withoutabox,
a free online resource that helps filmmakers connect with film festivals, at
The deadline for entries:
Earlybird deadline: July 20, 2010 ($20 / $15 for Withoutabox members)
Regular deadline: Aug. 17, 2010 ($25 / $20 for Withoutabox members)
Late deadline: Sept. 7, 2010 ($30 / $25 for Withoutabox members)
Withoutabox extended deadline: Sept. 14, 2010 ($45 / $30 for Withoutabox
Video Intern (paid)
$15/hr, M-F, 3 months w/ possibility to extend
Etsy (www.etsy.com) is seeking a video intern! The video intern is responsible for assisting the video team in day-to-day operations, managing media, and archiving materials, as well as blog outreach for videos. This position is for someone with strong technical skills as well as video production and postproduction experience. 75% of this position involves backend support for Etsy's video content, 25% will be video production.
* Media manage backed up footage, update tape log
* Assist with off-site branding continuity
* Create wiki docs for video guides; style, subtitling, output configurations, etc.
* Shoot office one-off videos.
* Support the Etsy video producers on shoots as needed
* Social networking outreach for Etsy video content
Please apply here: http://hire.jobvite.com/j/?cj=oMaiVfwT&s=D-Word
VAGRANT FILMS RELEASING AND PUBLICITY AVAILABLE FOR YOUR 2010 TORONTO INTL. FILM FESTIVAL PUBLICITY AND MARKETING NEEDS
“Vagrant worked our film at Sundance with energy and enthusiasm”
Laura Paglin- Director, No Umbrella: Election Day in the City (Sundance’06)
“I worked closely with Ryan Bruce Levey during a promotional tour of the film "Lymelife" in Toronto. I found him to be truly invested and savvy with regard to his responsibilities and relationships with journalists and general media. I would also have to add that he was extremely considerate and a heck of a lot of fun to be with.”
Jill Hennessy- Actress, Law and Order, Crossing Jordan, Lymelife
As the 2010 Toronto Intl. Film Festival approaches, it is time start thinking about options for publicity and marketing. With the costs of a publicist increasingly a headache, Vagrant Films Releasing and Publicity is proud to offer an affordable and reliable option, with deep industry ties, and a reputation for handling some of the hottest indies, sizzling docs and iconic acting legends.
We pride ourselves on creating a fun experience for all of our clients, while generating press with media outlets from around the world.
Vagrant can provide competitive rates and assist you in addition with marketing and outreach ideas.
Please feel free to contact us for a consultation.
Launched in September 2000 at the Toronto International Film Festival, Vagrant Films Releasing and Publicity has gone from a Canadian theatrical distribution entity, to a multi pronged film services company handling everything from international sales, distribution for hire, service output for major studios/sales agents and film/talent publicity.
Our publicity department has worked on such festival favourites like PRESUMED GUILTY, HOUSE OF SAND, THE ENGLISH SURGEON, THE WAY WE GET BY, UPSTREAM BATTLE, LYMELIFE, NO UMBRELLA (SUNDANCE 06) and with actors like Oscar winner Tatum O’Neal, Academy award nominated actress Fernanda Montenegro, 2 time Oscar nominee Bill Plympton, Emmy winner Jon Cryer, acclaimed TV icon Jill Hennessy, and the legendary Tura Satana, star of FASTER PUSSYCAT, KILL KILL.
Titles currently handled for World sales include IF I KNEW WHAT YOU SAID (TIFF 09) , Australian thriller CACTUS (Starring and executive produced by Bryan Brown), Dragons and Tigers award nominated THE “THANK YOU” GIRLS.
Our Canadian theatrical division has released such acclaimed films as MARGARET CHO: I’M THE ONE THAT I WANT, OUTSOURCED, SORDID LIVES (For Here Films/Regent Releasing) THE GRAND (For Anchor Bay Canada), 70’s Psychedelic tribute VIVA, SXSW audience award winner DIRTY COUNTRY, Paul Cox’s NIJINSKY, Hot Docs jury award winner THE ENGLISH SURGEON, the Martin Scorsese produced LYMELIFE and Aviva Kempner’s YOO HOO, MRS. GOLDBERG.
Vagrant Films Releasing and Publicity attends festivals and markets like Sundance, Berlin, Rotterdam, Pusan, Tribeca, Toronto, Fantasia, Montreal World Film Festival, Fantastic Fest, Cleveland, Hot Docs and many, many others.
Ryan Bruce Levey
Vagrant Films Releasing and Publicity
318 Rhodes Avenue
Toronto, ON M4L 3A3
I am looking for an experienced UPM for a full length feature documentary that is about to go into production. Candidates must be very good at multi-tasking and have broad resources to get it done right for the right price.
Very important story with a great group of talented filmmakers.
Please send resumes to firstname.lastname@example.org
Must be available close to immediately.