lol. Doug was refering to the hidden section of my post, Raymund. We're happy to have you. :) (Altho your selfless read of his comment further seals your reputation as the kindest, most sympathetic D-Worder of the incoming class of 2012. Congratulations!)
In reply to Margot Roth's post on Tue 22 May 2012 :
Haha! thank you for selecting me in the All-Rookie team. :) I will avoid these hyperlink turnovers soon.
Great poem by the way.
Hi, I'm a documentary filmmaker working on a business plan for the first time. I'm trying to find some good sources for finding out the marketing research data on the documentary film industry (and ideally broken down further to the LGBTQ documentary film industry). I'm trying to answer questions such as size of the market, demands in the market, trends in the target market etc. Does anyone know of any good resources?
In reply to Matt Dubuque's post on Fri 2 Mar 2012 :
I'm confused. I watched your short, "Twitter Time" on Youtube (about 7 min 45 sec). It has excellent production values: camera technique, sound, color, sountrack, editing, mixing, credits, etc. I saw close to three minutes of text crawls around and across a black screen, with an engaging drum sound track. This was followed by a series of colorful and well shot stills mixed with video of people planting small evergreen trees in a forest, and a large oriental (Buddha?) mask, without any dialogue and with the same engaging drum track. This was followedby about a minute of very nice credits rolling. I didn't see anything remotely connected to singularity or Ray Kurzweil or Twitter.
I am new to D-Word and not sure the mentoring forum is the right place to send my query into the d-byss, but it seems like a good place to start ...
I am producing a documentary about a young Iraqi girl who has been in the US for 5 years (thebeautythatremains.com). I am eager to get footage of her village (in Diyala Province) as well as interview some of her family members, etc. I will not be able to travel to Iraq but am looking for a trustworhty, streamlined team (perhaps Iraqi filmmakers or reporters who speak English, or independent journalists, writers, etc who are still over there?)
I have traveled down many paths already – connections through American news stations, reporters, etc. – but have so far come up empty-handed. Does anyone have any thoughts or advice, or know anyone I could reach out to directly?
Any input would be greatly appreciated.
In reply to Kevin Hallagan's post on Wed 2 May 2012 :
I agree. The 60D is actually pretty good. Most filmmakers here in Asia use it for independent film that have widescreen releases. What you should invest on are the lenses.
Hello, all! I am a newbie documentarian..My film, The Strength of Strings: Appalachian Music at Rocky Branch, needs funding. I just made a Kickstarter pitch video..but I will need more than that> I am thinking of having a Bluegrass concert, the proceeds of which will go towards continued shooting. Anyone out there good with Fuindraising suggestions>? I'd love to get a pro onboard..like Steve Martin..Jackson Browne.. or other local musicians! Am I just dreaming..again? Thanks for input,, much-appreciated!
In reply to alyce ornella's post on Thu 3 May 2012 :
I'm very curious to hear more about "vintage soviet lenses" and see what the results look like.
Hi Laura, getting a "name" onboard is always a good idea. Definitely pursue them after composing a compelling letter. Best of luck!
In reply to Errol Webber's post on Tue 8 Feb 2011 : The Canon XHA1, and the XHA1s are cheap now used on ebay, just get one that doesn't have a problem with the firewire port so you can ingest the video into your editor, or get an HV 10/20/30 or 40 to use as a tape deck and maybe a stationary camera. I've also seen the flash memory card replacements to the XH series going for 1/2 of the new price on ebay.
I haven't heard about the color issues, no one has complained about the 70+ interview type business owner commercials I've made with mine. I try to white balance on a grey card which is closer to skin reflectivity that a white card or other white object like a shirt.